In Patrice Chereau's illuminating violent Bayreuth production of Das Rheingold Wotan wears the brocade coat of feudal times while the Rhine seems to be a reservoir with modern-day power station. Yet as Chereau says it could also be many other things ... perhaps a mythological presence the mythology of our time ... The gods' ascent to Valhalla (is) a defiant flight into the future.
A performance of Wagner's opera 'Parsifal' featuring the Metropolitan Opera Orchestra and Chorus. Conducted by James Levine. The action takes place in the Middle Ages. At the castle of Monsalvat cut off from the rest of the world the brotherhood of Grail Knights guards the chalice in which the blood of the crucified Saviour had once been caught. In an effort to seize possession of the Grail Klingsor a powerful magician has established his realm at the foot of the mountain peop
Wolfgang Wagner's arrestingly beautiful production filmed live at Bayreuth in 1981 and directed by Brian Large features a stellar cast led by Eva Randova Bernd Weikl and Siegfried Jerusalem.
It takes a certain amount of forethought if Das Rheingold is to be more than a series of special effects scenes, though moments like the appearance of the giants through the mist or Alberich's transformations need to be as thrilling as they are here. As always in his Wagner, and perhaps especially in this very traditional 1990 Metropolitan Opera production of the Ring cycle, James Levine keeps to the forefront the underlying humanity of Wagner's gods and monsters. In the first scene, for example, he brings out the thoughtless, callous frivolity of the Rhine maidens as they precipitate the events of the four operas by taunting the gnome Alberich: it helps that they swirl around, green and gold, in a convincing representation of the bottom of the Rhine, but the emotions are the point. Ekkehaard Wlaschiha is a convincingly menacing Alberich partly because Levine brings out his vulnerability as well as his evil temper. James Morris is splendid as the younger less care-worn Wotan and Siegfried Jerusalem as Loge enjoys the sarcasm of his cynical commentary on Wotan's aspirations. The smaller parts have luxury casting: Matti Salminen as Fafner and Christa Ludwig as Fricka, for example. On the DVD: Das Rheingold comes with a photo gallery of the Metropolitan Opera production and with menus and subtitles in German, French, English, Spanish and Chinese. Disappointingly though it is presented in American NTSC format with standard TV 4:3 visual ratio. But it does have an excellent clear acoustic in all three of its audio options: PCM stereo, Dolby Digital 5.1 and DTS 5.1. --Roz Kaveney
James Levine makes Siegfried, sometimes the problem child among the four operas of Wagner's Ring cycle, attractive and interesting. He is aware of the darker side of some of the comic scenes--the seemingly benevolent dwarf Mime carries the weight of Wagner's many prejudices--but manages to keep them uneasy rather than positively sinister thanks to the finally judged performance of Heinz Zednik. Siegfried Jerusalem is admirable as Siegfried, full of boyish enthusiasm during the reforging of the sword, and of authority in his confrontations with the dragon and with Wotan. (The dragon itself is, as so often, an unfortunate compromise between realism and stylisation.) James Morris is extraordinary in Wotan's scenes here, his combination of injured pride and relieved joy when Siegfried demonstrates, by shattering his spear, that Wotan has entirely lost control of events is exemplary. This is an opera whose many and various scenes are all preludes to its emotional core: the love duet which comes when Siegfried awakens Brunnhilde. Jerusalem and Hildegard Behrens convey both the innocence and the ardor of this duet; while Levine gets extraordinary playing from the Metropolitan Opera orchestra throughout, but especially here, where a chamber-like delicacy applies to much of the music. On the DVD Siegfried on this disc is a recording of the 1990 Metropolitan Opera production and comes with both menus and subtitles in German, French, English, Spanish and Chinese as well as a picture gallery. Awkwardly it is presented in (American) NTSC format not PAL, and the visual ratio is standard TV 4:3. Better is the choice of sound formats--PCM Stereo, Dolby Digital and DTS digital--which provide a spacious acoustic that gives proper weight to the climaxes, and an appropriate delicacy to Wagner's subtler passages. --Roz Kaveney
The legendary production of Wagner's Der Ring de Nibelungen directed by Harry Kupfer at Bayreuth Festival Opera with designs by Hans Schavernoch and conducted by Daniel Barenboim is considered one of the greatest productions of this titanic work ever staged. For their innovative staging Kupfer and his team turned away from the work's time of origin and located The Ring at a crossroads of history a meeting-place of past present and future which sets the scene for the story's struggles of power and love. The world-class cast for is led by Siegfried Jerusalem as Siegfried Anne Evans as Brunnhilde John Tomlinson as the Wanderer and Graham Clark as Loge.
The legendary production of Wagner's Der Ring des Nibelungen directed by Harry Kupfer at Bayreuth Festival Opera with designs by Hans Schavernoch and conducted by Daniel Barenboim is considered one of the greatest productions of this titanic work ever staged. For their innovative modernist staging Kupfer and his team turn away from the work's time of origin and located The Ring at a 'road of history' a meeting place of past present and future which sets the scene for the story'
Under the baton of James Levine, Gotterdammerung ("The Twilight of the Gods") has a narrative drive that reminds us that, of all the individual operas in Wagner's Ring cycle, this is the one most about human emotions and the one in which its heroes are pulled into a world where they are most vulnerable to them. Siegfried Jerusalem as Siegfried and Hildegard Behrens as Brunnhilde never, in a sense, stand a chance: they are innocents who allow themselves to be manipulated not merely by the villainous Hagen, but by the ordinary venality of Gunther and his sister Gutrune, who goes along with a dirty little scheme to get what she wants, and is destroyed by it. As the tempter figure Hagen, Matti Salminen dominates the stage whenever he is on it; he is one of those basses whose voice and scowl seem to come from somewhere deeper than his large boots: rarely have the summoning of the vassals, or the oath of vengeance he, Gunther and Brunnhilde swear against Siegfried seemed so utterly his triumph. Jerusalem is almost perfect as Siegfried in spite of the gravelly quality of his heroic tenor: he has a glorious innocence even when the character is tricked into desecrating his true love; Hildegard Behrens is magnificent as Brunnhilde, both in her anger at Siegfried's apparent betrayal of her and in her redemptive understanding of how she has to atone for his death. Other Gotterdammerungs may be more monumental, but few make you care so passionately. On the DVD: Gotterdammerung comes with menus and subtitles in German, French, English, Spanish and Chinese and with a picture gallery of the production. Awkwardly it is presented in (American) NTSC format, not PAL, and with a visual aspect of standard TV 4:3. More impressive is the choice of PCM stereo, Dolby Digital 5.1 or DTS 5.1; the sound is admirably clear and well-balanced. --Roz Kaveney
Johann Strauss - Der Zigeunerbaron.
Wagner: Tristan And Isolde
Bayreuth Festspielhaus / Daniel Barenboim: Gotterdammerung
Silent Night Holy Night From the Schauspielhaus Berlin1. Macht Hoch die Tur2. Es ist ein Ros' entsprungen3. Ave Maria4. Jubilate Domino5. Cantique de Noel6. In dulci jubilo7. Herrscher des Himmels (choir from the Christmas Oratorio)8. Russian Orthodox Hymns and Prayers9. Air (from the Orchestral Suite No. 3 in D major)10. Bereite dich Zion (Aria from the Christmas Oratorio)11. Concerto in B flat Minor for Harp and Orchestra12. Ombra mai fu (Aria from Xerxes)13. O Jesulein sub14. Joseph Iieber Joseph mein15. Tochter Zion Freue dich16. Stille Nacht heilige Nacht
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