Whether or not you can sympathise with its fascistic/vigilante approach to law enforcement, Dirty Harry (directed by star Clint Eastwood's longtime friend and directorial mentor, Don Siegel) is one hell of an American cop thriller. The movie makes evocative use of its San Francisco locations as cop Harry Callahan (Eastwood) tracks the elusive "Scorpio killer" who has been terrorising the city by the Bay. As the psychopath's trail grows hotter, Harry becomes increasingly impatient and intolerant of the frustrating obstacles (departmental red tape, individuals' civil rights) that he feels are keeping him from doing his job. A characteristically taut and tense piece of filmmaking from Siegel (Invasion of the Body Snatchers, The Shootist, Escape from Alcatraz), it also remains a fascinating slice of American pop culture. It was a big hit (followed by four sequels) that obviously reflected--or exploited--the almost obsessive or paranoid fears and frustrations many Americans felt about crime in the streets. At a time when "law and order" was a familiar slogan for political candidates, Harry Callahan may have represented neither, but from his point of view his job was simple: stop criminals. To him that end justified any means he deemed necessary. --Jim Emerson
When Samuel (Lukas Haas), a young Amish boy travelling with his mother Rachel (Kelly McGillis), witnesses the murder of a police officer in a public restroom, he and his mother become the temporary wards of John Book (Harrison Ford), a detective who's been assigned to solve the crime. After suspect line-ups and mug-shot books yield nothing, Samuel, in the most memorable scene of the film, recognizes the murderer as a narcotics agent whose picture he sees in the precinct. Once Book realizes that the police chief is in on it, too, he whisks Samuel and Rachel back home to Amish country, where he himself goes into hiding as a plain Amish man. Witness' juxtaposition of the life of the Amish and the violence of inner-city police corruption work surprisingly well for the story, and Kelly McGillis as the falling in love widow gives an almost perfect performance. Directed by Peter Weir, the film is extremely successful in drawing the viewer into its world and, accordingly, is immensely entertaining. The only thing that mars its polish is the one-dimensional, almost cartoonish handling of the upper-echelon police corruption--a subtler, more realistic treatment of this aspect of the story would have rendered the film near perfect. --James McGrath, Amazon.com
Anybody who has written him off because of his string of stinkers--or anybody who's too young to remember The Goodbye Girl --may be shocked at the accomplishment and nuance of Richard Dreyfuss's performance in Close Encounters of the Third Kind. Here, he plays a man possessed; contacted by aliens, he (along with other members of the "chosen") is drawn toward the site of the incipient landing: Devil's Tower, in rural Wyoming. As in many Spielberg films, there are no personalized enemies; the struggle is between those who have been called and a scientific establishment that seeks to protect them by keeping them away from the arriving spacecraft. The ship, and the special effects in general, are every bit as jaw-dropping on the small screen as they were in the theater (well, almost). Released in 1977 as a cerebral alternative to the swashbuckling science fiction epics then in vogue, Close Encounters now seems almost wholesome in its representation of alien contact and interested less in philosophising about extra-terrestrials than it is in examining the nature of the inner "call." Ultimately a motion picture about the obsession of the driven artist or determined visionary, Close Encounters comes complete with the stock Spielberg wives and girlfriends who seek to tether the dreamy, possessed protagonists to the more mundane concerns of the everyday. So a spectacular, seminal motion picture indeed, but one with gender politics that are all too terrestrial. --Miles Bethany, Amazon.com
A rumbustious sex comedy boasting a truly stellar international cast Percy's Progress charts the ongoing misadventures of Percy Edward Anthony – recipient of the world's first penis transplant. This cult sequel to the box-office hit Percy features Leigh Lawson Elke Sommer Judy Geeson Denholm Elliott and Harry H. Corbett and is featured here in a brand-new High Definition transfer from the original film elements in its original aspect ratio. Determined to conquer his addiction to the opposite sex Percy takes to the high seas in search of a life of celibacy. Meanwhile a major catastrophe takes place which has rendered the entire male population impotent... But all is not lost: Percy's self-imposed exile has ensured his bits are still in working order and on his return he discovers he's now the only male capable of saving the human race! Special Features: Original theatrical trailers Image Gallery Promotional material PDF
James Cameron wrote the script for Strange Days, a not-so-futuristic science fiction tale about a former vice cop (Ralph Fiennes) who now sells addictive, virtual reality clips that allow a user to experience the recorded sensations of others. He becomes embroiled in a murder conspiracy, tries to save a former girlfriend (Juliette Lewis), and has a romance with his chauffeur and bodyguard (Angela Bassett). Cameron's ex-wife, director Kathryn Bigelow (Point Break), brought the whole, busy, violent enterprise to the screen, and while the film's socially relevant heart is in the right place, its excesses wear one out. Some of the casting doesn't quite click either: Fiennes isn't really right for his nervous role, and Lewis is annoying (and unbelievable as the hero's much-yearned-for former squeeze). Expect some ugly if daring moments with the virtual reality stuff. --Tom Keogh, Amazon.com
Screen favourite Emilio Estevez stars in the hilarious comedy hit The Mighty Ducks are the Champions! Aggressive trial lawyer Gordon Bombay (Estevez) has never lost a case. But when he's sentenced to a community service assignment he must coach a ragtag team of Pee Wee Hockey players who can't skate can't score and can't win! First he teaches the hapless team everything about winning and then they teach him that winning isn't everything. Watch the pucks fly as they battle their w
Dambusters legend Richard Todd turned his talents to comedy to play a philandering travel agent with too many girlfriends for his own safety in this delightful romantic romp of 1961. Executive-produced by Todd and co-written by Oscar winner Frederic Raphael Don't Bother to Knock also features Golden Globe winner and Playboy sensation Elke Sommer June Thorburn John Le Mesurier and Nicole Maurey among a high-calibre international cast. The film is presented here in a brand-new transfer from the original elements in its as-exhibited theatrical aspect ratio. Bill Ferguson's troubles begin when he mislays the key to his flat and a friend helpfully presents him with several more with his name and address attached. Sentimentally he gives one to each of the glamorous girls he meets on a continental holiday - all of whom turn up at his flat just as he is about to marry his British fiancée! Special Features: Original Theatrical Trailer Image Gallery Original Promotional PDF
Deuce is tricked again into man-whoring in Amsterdam while other man-whores are being murdered in his midst.
Richard Johnson gives a suave performance as Hugh 'Bulldog' Drummond in this cool '60s take on the exploits of H.C. McNeile's famous fictional hero. Giving Bond a run for his money Deadlier Than the Male sees Drummond involved with daring escapes murderous plots femmes fatales and dolly birds by the score! The film is presented here as a High Definition transfer from the original film elements in its original aspect ratio. When insurance underwriter Hugh Drummond learns of the deaths of top oil executives – at the hands of a pair of beautiful but brutal female assassins – he is convinced that it is the work of an international crime syndicate. His investigations uncover that the syndicate is after a big oil concession and to get it they must commit regicide... Special Features: Original theatrical trailer (HD) Archive interviews Archive location reports Extensive image galleries Promotional materials PDFs
British agent Bulldog Drummond is assigned to stop a master criminal who uses beautiful women to do his killings.
Celebrate the 40th Anniversary of Steven Spielberg's scifi blockbuster, now fully restored in 4K. Richard Dreyfuss stars as cable worker Roy Neary, who experiences a close encounter of the first kind witnessing UFOs soaring across the sky. Meanwhile, government agents have close encounters of the second kind discovering physical evidence of extraterrestrial visitors in the form of a lost fighter aircraft from World War II and a stranded military ship that disappears decades earlier only to suddenly reappear in an unusual place. Roy and the agents follow the clues that have drawn them to reach a site where they will have a close encounter of the third kind contact. Includes All 3 Versions of the Film: Theatrical Version, Special Edition & Director's Cut - all restored in 4K.
EVERY CORNER OF THE SOUL IS LOST TO THE ICY CLUTCH OF THE SUPERNATURAL! From the father of Italian Horror Mario Bava (Black Sunday, The Whip and the Body) comes a tale of nightmarish surrealism and supernatural suspense. Lisa (Elke Sommer) - an American tourist travelling in Spain - loses her tour party and seeks refuge in the tumbledown mansion of a blind countess after being guided there by the distinctly satanic butler of the house, Leandro (Telly Savalas Horror Express, Kojak). The Son of the Countess notices Lisa's striking resemblance to his dead lover and pursues her as a night of murder, strange eroticism and dark hallucinations begins. Re-cut in the US to cash in on the popularity of William Friedkin's The Exorcist and released as The House of Exorcism (included in this special edition) the original Lisa and the Devil is Bava at his abstract and delirious best, delivering a 70s horror classic and a masterclass in cinema as feverish nightmare.
This is a powerful comedy drama about four women who discover untapped strength within themselves when they finally let go of what divides them. In the blink of an eye the happily married Rebecca Lott becomes a widow or as she puts it 'the w word'. She is not alone for long however when her eccentric friend Sylvia neurotic younger sister Lucy and controlling ex-stepmother Alberta move in with a lot of baggage - both emotional and literal! But when Alberta hires a sexy house paint
As a tale of self-discovery, Silkwood, Mike Nichols' 1982 biopic of the plutonium factory worker who uncovered negligence and dangerous practices at the heart of her employer's company, works well enough. Karen Silkwood (Meryl Streep) is no saint. She drinks, cheerfully gets 'em out for the boys, has left her husband and kids and lives in a curious ménage à trois with her lover, (Kurt Russell) and their lesbian friend (Cher). But, through her own dawning suspicions, she is drawn into union activism and embarks on a crusade to expose the rottenness of her paymasters, only to die in a mysterious car crash. And here is the flaw. The film can't decide whether it's quirky soap opera, a campaigning blow for the anti-nuclear lobby or an allegory for the conflict between the rights of the individual and the demands of the corporate giant. It stops short of providing some important conclusions about what really happened to its central character, and why. Streep is fine though, injecting her character with a studied mixture of innate intelligence and trailer park trash. Russell offers solid support and Cher is outstanding as housemate Dolly Pelliker. Their performances give Silkwood its heart as a powerful human drama. On the DVD: Silkwood is well-served on this DVD release by sharp picture and sound quality (Georges Delerue's poignantly jaunty country and western soundtrack benefits in particular), but the extras are static and add little to the package apart from a strictly "budget" feel: standard biographies of the stars and director with some pretty pointless trivia facts, and a brief history of the production. There's nothing here that even the most generalist of film fans won't already know. A director's commentary explaining why the film loses its bottle in the final reel would be more interesting. --Piers Ford
James Cameron wrote the script for this not-so-futuristic science fiction tale about a former vice cop (Ralph Fiennes) who now sells addicting, virtual reality clips that allow a user to experience the recorded sensations of others. He becomes embroiled in a murder conspiracy, tries to save a former girlfriend (Juliette Lewis), and has a romance with his chauffeur and bodyguard (Angela Bassett). Cameron's ex-wife, director Kathryn Bigelow (Point Break), brought the whole, busy, violent enterprise to the screen, and while the film's socially relevant heart is in the right place, its excesses wear one out. Some of the casting doesn't quite click either: Fiennes isn't really right for his nervous role, and Lewis is annoying (and unbelievable as the hero's much-yearned-for former squeeze). Expect some ugly if daring moments with the virtual reality stuff. --Tom Keogh, Amazon.com
When a young Amish woman (McGillis) and her son (Haas) are caught up in the murder of an undercover narcotics agent their unlikely savior proves to be the worldly and cynical Philadelphia detective John Book. Harrison Ford is sensational as Book the cop who runs head-on into the non-violent world of a Pennsylvania Amish community. The end result is an action-packed struggle of life and death interwoven with a sensitive undercurrent of caring and forbidden love. Peter Weir receiv
A rumbustious sex comedy boasting a truly stellar international cast Percy's Progress charts the ongoing misadventures of Percy Edward Anthony – recipient of the world's first penis transplant. This cult sequel to the box-office hit Percy features Leigh Lawson Elke Sommer Judy Geeson Denholm Elliott and Harry H. Corbett and is featured here in a brand-new High Definition transfer from the original film elements in its original aspect ratio. Determined to conquer his addiction to the opposite sex Percy takes to the high seas in search of a life of celibacy. Meanwhile a major catastrophe takes place which has rendered the entire male population impotent... But all is not lost: Percy's self-imposed exile has ensured his bits are still in working order and on his return he discovers he's now the only male capable of saving the human race! Special Features: Original theatrical trailers Image Gallery Promotional material PDF
Anastasia Mysteries Of Anna
Escaping from a maximum security research facility D.A.R.Y.L. (Data Analyzing Robot Youth Lifeform) is rescued and adopted by the Richardsons. All is happy until D.A.R.Y.L.'s actual parents two scientists come to claim him. The Richardson's soon realize that their adopted son is a lot more than mere flesh and blood...
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