Pierce Brosnan returns as sexy super-spy James Bond. The agent's assignment is as follows: he must protect Elektra King (Sophie Marceau) the sole heir of a British oil tycoon from the influence of terrorist Renard (Robert Carlyle). Unfortunately she double-crosses him and the world's oil supply is put in peril. Now he must take on Renard a villain who feels no physical pain with the help of do-gooder scientist Christmas Jones (Denise Richards)...
Faced both with an empty page and Cuban loan sharks out for his blood, an author with writer's block employs a stenographer to help write his novel, get paid by his publishers and save his skin.
James Bond (Pierce Brosnan) uncovers a nuclear plot when he protects an oil heiress from her former kidnapper an international terrorist who can't feel pain.
Set in 1944, "Female Agents" follows a five strong all-female commando unit that parachutes into occupied France on a dangerous mission.
A stupendous historical saga, Braveheart won five Oscars, including Best Picture and Best Director for star Mel Gibson. He plays William Wallace, a 13th-century Scottish commoner who unites the various clans against a cruel English King, Edward the Longshanks (Patrick McGoohan). The scenes of hand-to-hand combat are brutally violent, but they never glorify the bloodshed. There is such enormous scope to this story that it works on a smaller, more personal scale as well, essaying love and loss, patriotism and passion. Extremely moving, it reveals Gibson as a multitalented performer and remarkable director with an eye for detail and an understanding of human emotion. (His first directorial effort was 1993's Man Without a Face.) The film is nearly three hours long and includes several plot tangents, yet is never dull. This movie resonates long after you have seen it, both for its visual beauty and for its powerful story. --Rochelle O'Gorman
Greed, revenge, world dominance, high-tech terrorism - it's all in a day's work for James Bond, who races to defuse an international power struggle with the world's oil supply hanging in the balance
Man On Fire (Dir. Tony Scott 2004): Denzel Washington stars as a government operative/soldier of fortune who has pretty much given up on life. In Mexico City he reluctantly agrees to take a job to protect a child whose parents are threatened by a wave of kidnappings. He eventually becomes close to the child and their relationship reawakens and rekindles his spirit. When she is abducted his fiery rage is unleashed on those he feels responsible and he stops at nothing to save her. Braveheart (Dir. Mel Gibson 1995): Mel Gibson stars on both sides of the camera playing the lead role plus directing and producing this brawling richly detailed saga of fierce combat tender love and the will to risk all that's precious: freedom. In an emotionally charged performance Gibson is William Wallace a bold Scotsman who used the steel of his blade and the fire of his intellect to rally his countrymen to liberation... The Thomas Crown Affair (Dir. John Mctiernan 1999): Thrill-seeking billionaire Thomas Crown (Brosnan) loves nothing more than courting disaster - and winning! So when his world becomes too stiflingly ""safe"" he pulls off his boldest stunt ever: stealing a priceless painting - in broad daylight - from one of Manhattan's most heavily-guarded Museums. But his post-heist excitement soon pales beside an even greater challenge: Catherine Banning (Russo). A beautiful insurance investigator hired to retrieve the artwork Catherine's every bit as intelligent cunning and hungry for an adventure as he is. And just when Thomas realises he's finally met his match she skillfully leads him into a daring game of cat and mouse that's more intoxicating and dangerous than anything either of them as ever experienced before!
Maurice Pialat's Police delivers on the raw promise of its title insofar as much of its action qualifies as an insistently 'procedural' descent into the Paris drugs underworld. But the hyper real route that the film takes to arrive there before veering into a zone of dangerous emotional play contributes to a disorienting adventurous and ultimately tremendously exciting experience unlike any 'police-thriller' ever before conceived. The iconic G''rard Depardieu (who also collaborated with Pialat on Loulou Sous le soleil de Satan and Le Gar''u) plays Mangin a cop whose brutal method of investigation finds its obsessive outlet in an attempt to crack a Tunisian narcotics ring. It is when Mangin enters into close acquaintance with the defiant Noria (expertly played by Sophie Marceau in one of her first screen roles) that the film proceeds to chart an unexpected emotionally ambiguous course - and the lines between 'right' and 'wrong' and 'power' and 'freedom' terminally blur. Written with Catherine Breillat (director of The Last Mistress Anatomy of Hell Fat Girl) but relying in equal measure upon Pialat's improvisatory control (directing among others his star-actress from A nos amours Sandrine Bonnaire) Police is a genre-defying excursion rivaled only by John Cassavetes' The Killing of a Chinese Bookie in the pantheon of cinema's most idiosyncratic thrillers.
Action packed spy thriller Antony Zimmer (the original The Tourist starring Johnny Depp & Angelina Jolie) will have you second guessing all the way through. Full of twists and turns the story starts on a train to Nice where Chiara (played by the gorgeous Sophie Marceau) meets Francois (Yvan Attal). She uses her beauty and charm to gain his affections. Francois is unaware that Chiara is in fact the beloved mistress of the wanted criminal Anthony Zimmer and is being followed by the police. Chiara uses the unsuspecting Francois as a decoy to try and lose her police tail culminating in a frantic chase through Nice and a question just who is Anthony Zimmer?
Mel Gibson stars on both sides of the camera playing the lead role plus directing and producing this brawling richly detailed saga of fierce combat tender love and the will to risk all that's precious: freedom. In an emotionally charged performance Gibson is William Wallace a bold Scotsman who used the steel of his blade and the fire of his intellect to rally his countrymen to liberation...
In his 19th screen outing The World is Not Enough, Ian Fleming's super-spy is once again caught in the crosshairs of a self-created dilemma: as the longest-running feature-film franchise, James Bond is an annuity his producers want to protect, yet the series' consciously formulaic approach frustrates any real element of surprise beyond the rote application of plot twists or jump cuts to shake up the audience. This time out, credit 007's caretakers for making some visible attempts to invest their principal characters with darker motives--and blame them for squandering The World is Not Enough's initial promise by the final reel. By now, Bond pictures are as elegantly formal as a Bach chorale, and this one opens on an unusually powerful note. A stunning pre-title sequence reaches beyond mere pyrotechnics to introduce key plot elements as the action leaps from Bilbao to London. Pierce Brosnan undercuts his usually suave persona with a darker, more brutal edge largely absent since Sean Connery departed. Equally tantalising are our initial glimpses of Bond's nemesis du jour, Renard (Robert Carlyle), and imminent love interest, Elektra King (Sophie Marceau), both atypically complex characters cast with seemingly shrewd choices and directed by the capable Michael Apted. The story's focus on post-Soviet geopolitics likewise starts off on a savvy note, before being overtaken by increasingly Byzantine plot twists, hidden motives and reversals of loyalty superheated by relentless (if intermittently perfunctory) action sequences. Bond's grimmer demeanour, while preferable to the smirk that eventually swallowed Roger Moore whole, proves wearying, unrelieved by any true wit. The underlying psychoses that propel Renard and Elektra eventually unravel into unconvincing melodrama, while Bond is supplied with a secondary love object, Denise Richards, who is even more improbable as a nuclear physicist. Ultimately, this world is not enough despite its better intentions. --Sam Sutherland, Amazon.com On the DVD: There are three different documentaries on this disc, as well as a "Secrets of 007" featurette that cuts between specific stunt sequences, behind-the-scenes footage and storyboards to reveal how it was all done, and a short video tribute to Desmond Llewelyn ("Q"), who died not long after this movie was released. The first "making of" piece is presented by an annoyingly chirpy American woman and is aimed squarely at the MTV market (most fascinating is watching her interview with Denise Richards in which the two orthodontically enhanced ladies attempt to out-smile each other). "Bond Cocktail" gamely distils all the essential ingredients that make up the classic Bond movie formula--gadgets, girls, exotic locations and lots of action. Most interesting of all is "Bond Down River", a lengthy dissection of the opening boat chase sequence. Director Michael Apted provides the first commentary, and talks about the challenges of delivering all the requisite ingredients. The second commentary is less satisfactory, since second unit director Vic Armstrong, production designer Peter Lamont and composer David Arnold have little in common. There's also the Garbage song video, and the booklet has yet more behind-the-scenes info. The anamorphic CinemaScope picture and Dolby digital sound are as spectacular as ever. --Mark Walker
Volume 1 of the Bond Ultimate Collection featuring the first five 007 adventures. Titles Comprise: 1. The World Is Not Enough (1999) - Pierce Brosnan 2. Diamonds Are Forever (1971) - Sean Connery 3. Goldfinger (1964) - Sean Connery 4. The Man With The Golden Gun (1974) - Roger Moore 5. The Living Daylights (1987) - Timothy Dalton For individual synopses and special features please refer to the individual Ultimate Editions of the bond movie.
Master And Commander: Russell Crowe is Lucky Jack Aubrey the Navy's greatest fighting captain and Paul Bettany is ship's doctor Stephen Maturin. The ship the Surprise is suddenly attacked by a superior enemy. With the Surprise badly damaged and much of his crew injured Aubrey - the ""Master"" of the Surprise and ""Commander"" of his men - is torn between duty and friendship as he sets sail in a high-stakes chase across two oceans to the far side of the world to intercept and capture their foe. It's a mission that can decide the fate of a nation - or destroy Lucky Jack and his crew. The film is based on the narrative outline of the tenth book in Patrick O'Brien's legendary ""Aubrey/Maturin"" series of high seas novels about the British navy during the Napoleonic Wars. Braveheart: Mel Gibson stars on both sides of the camera playing the lead role plus directing and producing this brawling richly detailed saga of fierce combat tender love and the will to risk all that's precious: freedom. In an emotionally charged performance Gibson is William Wallace a bold Scotsman who used the steel of his blade and the fire of his intellect to rally his countrymen to liberation. Filled with sword-clanging spectacle Braveheart is a tumultuous tapestry of history come alive ""the most sumptuous and involving historical epic since Lawrence Of Arabia."" (Rod Lurie Los Angeles Magazine.)
Fight and you may die run and you'll live... at least for a while. And dying in your beds many years from now would you be willin' to trade all the days from this day to that for one chance just one chance to come back here and tell our enemies that they may take our lives but they'll never take... our freedom! Mel Gibson directs and stars in this Academy Award-winning epic based on the life of legendary thirteenth century Scottish hero William Wallace. Returning to his homeland following the death of an heirless king Wallace (Mel Gibson) finds the political landscape precarious. Edward the Longshanks King of England (Patrick McGoohan) has captured Scotland's throne and threatens the freedom of all Scottish people as tyrannical policies instituted by the English plague the Scots. Initially Wallace is content to stand by the wayside yearning for the simple life of building a home and raising a family. However when the woman he loves (Catherine McCormack) suffers a cruel fate at the hands of English soldiers Wallace takes a stand against the new rule. With his fierce patriotism and determination he gathers an amateur but passionately rebellious army
A stupendous historical saga, Braveheart won five Oscars, including Best Picture and Best Director for star Mel Gibson. He plays William Wallace, a 13th-century Scottish commoner who unites the various clans against a cruel English King, Edward the Longshanks (Patrick McGoohan). The scenes of hand-to-hand combat are brutally violent, but they never glorify the bloodshed. There is such enormous scope to this story that it works on a smaller, more personal scale as well, essaying love and loss, patriotism and passion. Extremely moving, it reveals Gibson as a multitalented performer and remarkable director with an eye for detail and an understanding of human emotion. (His first directorial effort was 1993's Man Without a Face.) The film is nearly three hours long and includes several plot tangents, yet is never dull. This movie resonates long after you have seen it, both for its visual beauty and for its powerful story. --Rochelle O'Gorman
Mel Gibson stars on both sides of the camera playing the lead role plus directing and producing this brawling richly detailed saga of fierce combat tender love and the will to risk all that's precious: freedom. In an emotionally charged performance Gibson is William Wallace a bold Scotsman who used the steel of his blade and the fire of his intellect to rally his countrymen to liberation...
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