At 6pm on April 20th 1992 Roger Taylor Brian May and John Deacon the surviving members of Queen took the stage of London's Legendary Wembley Stadium to announce the start of one of the biggest events in rock history organised by Queen themselves to pay tribute to their former colleague - the incomparable Freddie Mercury. The atmosphere of emotion mixed joy and sadness shared by stadium audience worldwide television viewers and performers alike was an experience that will n
Comedic madness in Spike Milligan's ground-breaking, wild, subversive and nonsensical BBC sketch comedy series from 1969 1980. Simply Media are delighted to announce release of Q: The Almost Complete Collection on DVD 20th November 2017, containing all surviving episodes from Qs 5-9 in this 5-disc set, on DVD together for the very first time. Originally shown by the BBC from 1969-1980, this BAFTA-nominated series is considered a landmark in British Comedy. The fast-paced, anarchic sketch comedy will delight fans of the series and Spike Milligan's work. Written by and starring BAFTA-winner Spike Milligan in a variety of silly outfits and outlandish situations involving idiot Boy Scouts, Adolf Hitler, and the Royal Family. The original Q5 of 1969 was heralded as the inspiration behind Monty Python's Flying Circus, which debuted a few months later. It's also one of the best showcases of Spike's surreal and eccentric humour. Sketches come in thick and fast, and jump from one plot point or location to another with no explanation, and sometimes no apparent conclusion. Bizarre, yes. Funny, most definitely! Terry Jones and I adored the Q... shows , recalled Michael Palin for Spike's biography, [Milligan] was the first writer to play with the conventions of television. The BBC initially delayed re-commissioning the ground-breaking Q series until the Monty Python series ended, despite the impact Q had already had on the world of alternative comedy, and at a time when Kenny Everett and Not the Nine O'clock News were further testing the limits of TV Comedy. However, the popular Q returned over 6 years later for four further series. It is clear to see Monty Python in Spike's work, with Life of Brian's Chris Langham on the writing team and Monty Python's Flying Circus director Ian MacNaughton directing some episodes. For Q8 and Q9, direction was taken over by the talented BAFTA-winning Ray Butt (Only Fools and Horses). Spike leads a fantastic cast of co-performers including John Bluthal (The Vicar of Dibley), Bob Todd (Superman III), John D. Collins (Allo Allo), Peter Jones (The Rag Trade), and Margaret Nolan (Goldfinger), Alan Clare (Rising Damp) and a self-parodying David Lodge in yet more surreal, outrageous and determinedly under-prepared sketches and musical interludes. Enjoy all the madness and mayhem of Spike Milligan's Q again with this landmark DVD collection.
Children's shaggy dog story. Digby is a sheepdog rescued from the pound by schoolboy Billy. When Billy is told that he cannot keep the canine at home, animal expert Jeff (Jim Dale) offers to take Digby in. However, when Digby accidentally drinks a secret chemical concoction, he grows to a massive size, going on the rampage around the country. It is up to Billy and Jeff to track the enormous Digby down before he is blown up by the army or sold to the circus!
A little something to offend everyone... Mel Brooks' uproarious version of history proves nothing is sacred as he takes us on a laugh-filled look at what really happened throughout time. His delirious romp features everything from a wild send-up of 2001: A Space Odyssey to the real stories behind the Roman Empire (Brooks plays a stand-up philosopher at Caesar's Palace) the French Revolution (Brooks as King Louis XVI) and the Spanish Inquisition (a splashy song-a
Curry And Chips: The Complete Series
Spike Lee's incendiary look at race relations in America, circa 1989, is so colourful and exuberant for its first three-quarters that you can almost forget the terrible confrontation that the movie inexorably builds toward. Do the Right Thing is a joyful, tumultuous masterpiece--maybe the best film ever made about race in America, revealing racial prejudices and stereotypes in all their guises and demonstrating how a deadly riot can erupt out of a series of small misunderstandings. Set on one block in Bedford-Stuyvesant on the hottest day of the summer, the movie shows the whole spectrum of life in this neighbourhood and then leaves it up to us to decide if, in the end, anybody actually does the "right thing." Featuring Danny Aiello as Sal, the pizza parlour owner; Lee himself as Mookie, the lazy pizza-delivery guy; John Turturro and Richard Edson as Sal's sons; Lee's sister Joie as Mookie's sister Jade; Rosie Perez as Mookie's girlfriend Tina; Ossie Davis and Ruby Dee as the block elders, Da Mayor and Mother Sister; Giancarlo Esposito as Mookie's hot-headed friend Buggin' Out; Bill Nunn as the boom-box toting Radio Raheem; and Samuel L Jackson as DJ Mister Señor Love Daddy. This is a rich and nuanced film to watch, treasure and learn from--over and over again. --Jim Emerson
On September 25 1974 in the wake of one of the greatest political scandals in its history - the ignominious collapse of the Nixon presidency - America was poised to watch a knockout punch that would redefine it as a nation of champions. In the atmosphere of a three-ring circus in Zaire a little known country ruled by a military dictator on the little-noticed continent of Africa two American fighters held the world's attention. One would capture the world's imagination. But four days before the scheduled Rumble in the Jungle as the heavyweight championship matchup between reigning title holder George Foreman and challenger Muhammad Ali was called the promoters announced that there would be a six week delay. And in that time span as the international media took in the rhythms of the music ant the mysterious beauty of the land and as anticipation for the fight mounted an entirely new phenomenon evolved - black Americans saw their own generational crossroads reflected in the contrasting images of the two men who had returned to Africa to fight.
Muhammad Ali's 1974 knockout of George Foreman to regain the heavyweight championship of the world at the age of 32 was probably the greatest sporting moment of the 20th century. Leon Gast's documentary on the "Rumble In The Jungle", When We Were Kings, eventually released in 1996, is probably the finest ever boxing film. The background to the contest was almost as dramatic as the fight itself. It was the first major coup for promoter Don King, a character described in this film as "very clever but completely amoral"--yet this was his finest hour. President Mobutu, unsavoury dictator of Zaire and a more frightening figure than either boxer, had spent millions of his country's money to host the event. George Foreman, like Sonny Liston before him and Mike Tyson after him, was considered unbeatable, expected to slaughter Ali. Seeing him pounding a dent the size of a grapefruit into a heavy bag during training, you can understand why. Ringside American journalists George Plimpton and in particular Norman Mailer offer exceptionally shrewd insights. As we stare into Ali's face during the minute interval at the end of round one, Mailer talks us through his probable thought processes. "That was the only time I ever saw fear in his eyes." Ali, of course, is the star, besting the sullen Foreman in the build-up with his freewheeling, hilarious braggadocio then outfoxing him in the fight with his "rope-a-dope" technique. Like Ali, the "Rumble In The Jungle" transcended sports in its inspirational significance. --David Stubbs
Available on DVD for the first time! No film better captures the powerful emotions of hope courage and friendship than Disney's treasured and much-loved classic Old Yeller. The quintessential tale of a boy's love for his dog has touched the hearts of millions its enduring legacy growing with each new generation. Set amidst the landscape of 1860s Texas a young boy named Travis (Tommy Kirk) wants nothingito do with the lop-eared stray. But Old Yeller quickly proves him
Set on one block of Brooklyn's Bed-Stuy Do or Die neighbourhood, at the height of summer, this 1989 masterpiece by Spike Lee (BlacKkKlansman) confirmed him as a writer and filmmaker of peerless vision and passionate social engagement. Over the course of a single day, the easy-going interactions of a cast of unforgettable characters Da Mayor, Mother Sister, Mister Señor Love Daddy, Tina, Sweet Dick Willie, Buggin Out, Radio Raheem, Sal, Pino, Vito, and Lee's Mookie among them give way to heated confrontations as tensions rise along racial fault lines, ultimately exploding into violence. Punctuated by the anthemic refrain of Public Enemy's Fight the Power, Do the Right Thing is a landmark in American cinema, as politically and emotionally charged and as relevant now as when it first hit the big screen.
Older but not wiser, Johnny Knoxville and the crew are back for the most unbelievably outrageous Jackass yet. Brace yourself as they reach new levels of immaturity and with a little help from some brave new friends and guest stars, their wildly outrageous pranks and dangerously bone-crunching stunts will have you laughing until it really, really hurts. Some people never learn.
The young D'Artagnan (Michael York) arrives in Paris with dreams of becoming a king's musketeer. He meets and quarrels with three men Athos (Oliver Reed) Porthos (Frank Finlay) and Aramis (Richard Chamberlain) each of whom challenges him to a duel. D'Artagnan finds out that they are musketeers and is invited to join them in their efforts to oppose Cardinal Richelieu (Charlton Heston) who wishes to increase his already considerable power over the king. D'Artagnan must also juggle
When you experience The Work of Director Spike Jonze, you enter a world where anything can happen and frequently does. From the innovative director of Being John Malkovich and Adaptation., this superior compilation of music videos, documentaries, interviews and early rarities offers abundant proof that Jonze is the real deal--a filmmaker ablaze with fresh ideas and fresh ways of filming them. While collectors will regret that only 16 of Jonze's 40 plus music videos are included here, this glorious sampling represents the cream of Jonze's bumper crop; for sheer ingenuity it doesn't get any better than this. From the Beastie Boys' popular TV cop-spoof "Sabotage" to the intensely disciplined backwards-filming technique of the Pharcyde's "Drop", it's clear that Jonze has an affinity for inventive street theatre, culminating in the sad/happy vibe of Fatlip's introspective "What's Up Fatlip?" and the pop-jazz effervescence of Bjork's "It's Oh So Quiet". Technical wizardry is also a Jonze trademark, especially in the elaborate "Happy Days" nostalgia of Weezer's "Buddy Holly" and the graceful fly-wire dancing of Christopher Walken to Fatboy Slim's pulsing "Weapon of Choice". No doubt about it: every one of these videos is an award-worthy testament to Jonze's ability to combine hard work with fun-loving spontaneity. On the DVD: The Work of Director Spike Jonze is a double-sided DVD (one in a series that includes the equally dazzling work of Michel Gondry and Chris Cunningham) accompanied by an informative 52-page booklet. The second side explores Jonze's artistic evolution with an entertaining selection of video rarities and three half-hour documentaries, the best being a revealing and very funny interview with rapper Fatlip after his dismissal from the Pharcyde. Commentaries for the music videos are consistently worthwhile, supporting Jonze's own belief that his best videos were made for artists whose work he genuinely enjoyed. Lucky for us, his pleasure is infectious. --Jeff Shannon
Peter Sellers stars as the bumbling Captain Dick Scratcher, a high seas pirate, Peter Boyle, Spike Milligan and Antony Franciosa lend their comedic talents in their search for buried treasure! Dreaming of untold riches and a harem of curvaceous woman, Scratcher and his roguish buccaneer band set sail for Treasure Island. But Captain Scratcher's quest for riches runs into a little snag - Ras Mohammed's ghost. A chest of loot worth a King's ransom lies buried beneath the ex-pirates remains! He fiercely protects his precious stash; and he doesn't take kindly to conniving grave robbers.... A riotous romp, GHOST IN THE NOONDAY SUN follows in the slapstick tradition of Monty Python and Benny Hill. It's a treasure of laughs that's sure to keep you in stitches!
Spike Lee's 1991 story about an interracial relationship and its consequences on the lives and communities of the lovers (Wesley Snipes Annabella Sciorra) is one of his most captivating and focused films. Snipes and Sciorra are very good as individuals trying to reach beyond the limits imposed upon them for reasons of race tradition sexism and such. Lee makes an interesting and subtle case that they are driven to one another out of frustration with social obstacles as well as pure attraction--but is that enough for love to survive? John Turturro is featured in a subplot as an Italian American who grows attracted to a black woman and takes heat from his numbskull buddies.
Older but not wiser, Johnny Knoxville and the crew are back for the most unbelievably outrageous Jackass yet. Brace yourself as they reach new levels of immaturity and with a little help from some brave new friends and guest stars, their wildly outrageous pranks and dangerously bone-crunching stunts will have you laughing until it really, really hurts. Some people never learn.
Clockers: Strike who is the hardest-working drug dealer on the street. Time is beginning to run out for him when a deal with an evil drug boss results in the death of a rival dealer... Jungle Fever: A black architect begins an affair with his Italian secretary which lands them both in isolation from their respective communities. Do The Right Thing: On one block in the Brooklyn district of Bedford-Stuyvesant the story follows the events which take place on one very hot summer day. Events which would normally go un-noticed but because of the fierce heat are magnified to dangerous proportions revealing the under-belly of racism.
Titles Comprise: Mo' Better Blues Crooklyn Inside Man Clockers School Daze She Hate Me Do The Right Thing Get On The Bus Jungle Fever
Two ordinary inner-city Chicago kids dare to reach for the impossible - professional basketball glory - in this epic chronicle of hope and faith. Filmed over a five-year period, Hoop Dreams, by Steve James, Frederick Marx, and Peter Gilbert, follows young Arthur Agee and William Gates and their families as the boys navigate the complex, competitive world of scholastic athletics while dealing with the intense pressures of their home lives and neighbourhoods. This revelatory film continues to educate and inspire viewers, and it is widely considered one of the great works of American nonfiction cinema. Special Features New high-definition digital restoration Additional Scenes Theatrical Trailer
A confident hybrid of M*A*S*H, Treasure of the Sierra Madre, and Dr. Strangelove, Three Kings is one of the most seriously funny war movies ever made. Improving the premise of Kelly's Heroes with scathing intelligence, it explores the odd connection between war and consumerism in the age of Humvees and cellular phones. Writer-director David O. Russell's third film (after Spanking the Monkey and Flirting with Disaster) is a no-holds-barred portrait of personal conscience in the volatile arena of politics, played out by one of the most gifted filmmakers to emerge in the 1990s. George Clooney, Mark Wahlberg, Ice Cube and Spike Jonze (director of Being John Malkovich) play a quartet of US soldiers who, disillusioned by Operation Desert Storm, decide to steal $23 million in gold hijacked from Kuwait by Saddam Hussein's army. Getting the bullion out of an Iraqi stronghold is easy; keeping it is a potentially lethal proposition. By the end of their mercenary mission, the Americans can no longer ignore war-time atrocities, and conscience demands their aid to Kuwaiti rebels abandoned by President George Bush's fickle war-time policy. This is serious stuff indeed, but Russell infuses Three Kings with a keen sense of the absurd, and the entire film is an exercise in breathtaking visual ingenuity. Despite a conventional ending that's mildly disappointing for such a brashly original film, Three Kings conveys the brutal madness of war while making you laugh out loud at the insanity. --Jeff Shannon
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