Bambi: It always comes up when people are comparing their most traumatic movie experiences: "the death of Bambi's mother," a recollection that can bring a shudder to even the most jaded filmgoer. That primal separation (which is no less stunning for happening off-screen) is the centerpiece of Bambi, Walt Disney's 1942 animated classic, but it is by no means the only bold stroke in the film. In its swift but somehow leisurely 69 minutes, Bambi covers a year in the life of a young deer. But in a bigger way, it measures the life cycle itself, from birth to adulthood, from childhood's freedom to grown-up responsibility. All of this is rendered in cheeky, fleet-footed style--the movie doesn't lecture, or make you feel you're being fed something that's good for you. The animation is miraculous, a lush forest in which nature is a constantly unfolding miracle (even in a spectacular fire, or those dark moments when "man was in the forest"). There are probably easier animals to draw than a young deer, and the Disney animators set themselves a challenge with Bambi's wobbly glide across an ice-covered lake, his spindly legs akimbo; but the sequence is effortless and charming. If Bambi himself is just a bit dull--such is the fate of an Everydeer--his rabbit sidekick Thumper and a skunk named Flower more than make up for it. Many of the early Disney features have their share of lyrical moments and universal truths, but Bambi is so simple, so pure, it's almost transparent. You might borrow a phrase from Thumper and say it's downright twitterpated. --Robert HortonBambi 2: A sequel to the 1942 Disney classic, Bambi, is laden with expectations since audiences are justifiably protective of this beloved tale abounding with enchantment and nostalgia. Rest assured: Bambi II rises to the occasion, succeeding at every turn. Brian Pimental directs the 70-minute direct-to-video release, which seamlessly integrates the beauty, subtlety, and essence of the original film. The new tale is actually a "midquel" as it takes place in the middle of the original film's story line, exploring Bambi's coming-of-age challenges. The saga begins soon after Bambi's mother has died--and for viewers who shudder at the thought of having to relive that traumatic movie experience, you won't. With gentle inferences to her passing, Bambi (voiced by Alexander Gould, Finding Nemo) is left to the clumsy-though-well-meaning care of his father, the Great Prince (voiced by Patrick Stewart) who faces the difficult task of raising a son while silently mourning his own loss. Yet the weighty subject of death is soon overshadowed by the wonders of forest life. Through skillful storytelling, the film takes an early turn toward levity. After all, it's spring and Bambi's familiar friends, Thumper and Flower, are ready to play. Especially charming are the scenes where the forest animals give each other lessons in bravery and soon have a chance to test their mettle in scuffles with a newcomer to the mix, a blustering bully named Ronno (voiced by Anthony Ghannam). A strong soundtrack includes selections by Martina McBride, Michelle Lewis, Alison Krauss, and Anthony Callea. There is even a nostalgic nod to the original composer, Frank Churchill, with "Let's Sing a Gay Little Spring Song." The film's strength, however, is in its well-crafted humor: simple one-liners and animated antics that refrain from 21st century trends to cloak inappropriate innuendoes and double entendres in G-rated clothing, hoping to pander to an adult audience. This is vintage Disney; it panders to no one yet pleases all--delightfully worth the wait. The DVD's bonus material includes a "making-of" featurette, Bambi trivia, and a mini-tutorial with a Disney animator. (All ages) --Lynn Gibson
It always comes up when people are comparing their most traumatic movie experiences: "the death of Bambi's mother," a recollection that can bring a shudder to even the most jaded filmgoer. That primal separation (which is no less stunning for happening off-screen) is the centerpiece of Bambi, Walt Disney's 1942 animated classic, but it is by no means the only bold stroke in the film. In its swift but somehow leisurely 69 minutes, Bambi covers a year in the life of a young deer. But in a bigger way, it measures the life cycle itself, from birth to adulthood, from childhood's freedom to grown-up responsibility. All of this is rendered in cheeky, fleet-footed style--the movie doesn't lecture, or make you feel you're being fed something that's good for you. The animation is miraculous, a lush forest in which nature is a constantly unfolding miracle (even in a spectacular fire, or those dark moments when "man was in the forest"). There are probably easier animals to draw than a young deer, and the Disney animators set themselves a challenge with Bambi's wobbly glide across an ice-covered lake, his spindly legs akimbo; but the sequence is effortless and charming. If Bambi himself is just a bit dull--such is the fate of an Everydeer--his rabbit sidekick Thumper and a skunk named Flower more than make up for it. Many of the early Disney features have their share of lyrical moments and universal truths, but Bambi is so simple, so pure, it's almost transparent. You might borrow a phrase from Thumper and say it's downright twitterpated. --Robert Horton
It always comes up when people are comparing their most traumatic movie experiences: "the death of Bambi's mother," a recollection that can bring a shudder to even the most jaded filmgoer. That primal separation (which is no less stunning for happening off-screen) is the centerpiece of Bambi, Walt Disney's 1942 animated classic, but it is by no means the only bold stroke in the film. In its swift but somehow leisurely 69 minutes, Bambi covers a year in the life of a young deer. But in a bigger way, it measures the life cycle itself, from birth to adulthood, from childhood's freedom to grown-up responsibility. All of this is rendered in cheeky, fleet-footed style--the movie doesn't lecture, or make you feel you're being fed something that's good for you. The animation is miraculous, a lush forest in which nature is a constantly unfolding miracle (even in a spectacular fire, or those dark moments when "man was in the forest"). There are probably easier animals to draw than a young deer, and the Disney animators set themselves a challenge with Bambi's wobbly glide across an ice-covered lake, his spindly legs akimbo; but the sequence is effortless and charming. If Bambi himself is just a bit dull--such is the fate of an Everydeer--his rabbit sidekick Thumper and a skunk named Flower more than make up for it. Many of the early Disney features have their share of lyrical moments and universal truths, but Bambi is so simple, so pure, it's almost transparent. You might borrow a phrase from Thumper and say it's downright twitterpated. --Robert Horton
Experience the action, betrayal and lustful adventure of Vikings Season 4! Following his defeat in battle, Ragnar Lothbrok returns to Kattegat humbled, but defiant. Ragnar's brother Rollo, now his nemesis, remains in Frankia, while his sons compete against one another to succeed him. Determined to save what remains of his legacy despite his divided family, Ragnar makes a perilous voyage to England with son Ivar, intent on attacking the Saxons. Meanwhile, Kattegat and Aslaug's feud deepens. With powerful performances, intense action and an intriguing storyline, this season is a must-watch!
Journey to an ancient world of exploration, betrayal and high-stakes power struggles with the first four seasons of Vikings. Although Norse warrior brothers Ragnar and Rollo begin as allies on and off the battlefield, jealousy and ambition pit them against one another. Determined to leave a legacy to his own sons, the restless Ragnar engages in conquests, sometimes amidst shame and defeat. All the while, two women he has loved Aslaug and Lagertha feud, each hoping to one day rule the land. With its fascinating plot twists, searing emotion and spectacular effects, this breathtaking series continues to conquer viewers across the globe!
Journey to an ancient world of exploration, betrayal and high-stakes power struggles with the first four seasons of Vikings. Although Norse warrior brothers Ragnar and Rollo begin as allies on and off the battlefield, jealousy and ambition pit them against one another. Determined to leave a legacy to his own sons, the restless Ragnar engages in conquests, sometimes amidst shame and defeat. All the while, two women he has loved Aslaug and Lagertha feud, each hoping to one day rule the land. With its fascinating plot twists, searing emotion and spectacular effects, this breathtaking series continues to conquer viewers across the globe!
Father Unwin is no normal vicar - he is an agent of BISHOP (British Intelligence Service Headquarters Operation Priest) who with Matthew the gardener fights crime in a most peculiar and unique fashion. He also has access to a fabulous machine that enables him to shrink both people and objects to a third of their normal size. This is arguably the most sought after of Anderson's series and is rarely seen on television. This DVD - the first time it has been made available - contains
Experience the action, betrayal and lustful adventure of Vikings Season 4! Following his defeat in battle, Ragnar Lothbrok returns to Kattegat humbled, but defiant. Ragnar's brother Rollo, now his nemesis, remains in Frankia, while his sons compete against one another to succeed him. Determined to save what remains of his legacy despite his divided family, Ragnar makes a perilous voyage to England with son Ivar, intent on attacking the Saxons. Meanwhile, Kattegat and Aslaug's feud deepens. With powerful performances, intense action and an intriguing story line, this season is a must-watch!
Based on the 70s comic book and cartoon show, this is the tale of a girl band that tries to stop the government and record companies corrupting the nation's youth.
""Newman is outstanding."" -Leonard Maltin's Movie & Video Guide Paul Newman is electrifying as Fast Eddie Felson an arrogant amoral hustler who haunts backstreet pool rooms fleecing anyone who'll pick up a cue. Determined to be acclaimed as the best Eddie seeks out the legendary Minnesota Fats who's backed by Bert Gordon a predatory gambler. Eddie can beat the champ but virtually defeats himself with his low self-image. The love of a lonely woman could turn Eddie's life around
Vikings returns for a gripping fourth season. Season 3 culminated with the extraordinary battle in Paris, where Ragnar (Travis Fimmel) seized victory from the jaws of defeatbut still returns to Kattegat dangerously ill. Thoughts of his death galvanize the forces who seek to succeed him as king, including his wife Queen Aslaug (Alyssa Sutherland) and his oldest son, Bjorn (Alexander Ludwig). Meanwhile, Lagertha (Katheryn Winnick) continues power struggles with her calculating, former second in command, Kalf (Ben Robson); Rollo (Clive Standen) betrays his Vikings heritage by remaining in Frankia and Floki (Gustaf Skarsgård) is seized for his brutal actions to the Christian priest Athelstan.
The latest in the critically acclaimed BFI Flipside series continuing its ongoing mission to curate an alternative Britscreen history of overlooked rarities in deluxe home entertainment editions is a compelling compendium of strange, striking, thrilling, horrific, eerie and eccentric short subjects from the heyday of the British cinematic supporting programme. This carefullycurated collection the first of its kind anywhere includes a plethora of soughtafter titles, some newly remastered in HD for the very first time and showcases an eclectic range of delights spanning the second half of the 20th century from the 1940s right through to the 1980s. A lavish doubledisc limited edition set, it comes complete with an illustrated booklet with full credits and new contextual writing on the films by devotees of the field. Expect strange, spooky stories, odd twists in the tale, imaginative lowbudget weirdness and oodles of atmosphere in these juicy bitesize morsels of cult film delight from decades gone by. Featuring the following films: Lock Your Door (Anthony Gilkison, 1949) The Reformation of St Jules (Anthony Gilkison, 1949) The TellTale Heart (J B Williams, 1953) Death Was a Passenger (Theodore Zichy, 1958) Portrait of a Matador (Theodore Zichy, 1958) Twenty Nine (Brian Cummins, 1969) The Sex Victims (Derek Robbins, 1973) The Lake (Lindsey C Vickers, 1978) The Errand (Nigel Finch, 1980) Extras: Interview with Peter Shillingford (2020): newly recorded interview with the producer of Twenty Nine Interview with David McGillivray (2020): newly recorded interview the writer of The Errand Interview with Kate Lees (2020): the chair of Adelphi Films discusses the 2017 discovery of the long thought lost 1953 short The TellTale Heart starring Stanley Baker Interview with Renee Glynn (2020): newly recorded interview with the scriptsupervisor on Twenty Nine Image galleries for The TellTale Heart, The Lake and The Errand Script galleries for The Lake and The Errand The original short story of The Errand, presented as a viewable gallery Other extras TBC ***FIRST PRESSING ONLY*** Fully illustrated booklet with new writing on the films by Vic Pratt, Dr Josephine Botting, William Fowler, Jonathan Rigby, Peter Shillingford, Lindsey C Vickers and David McGillivray
The second ten episodes from the fourth season of the historical drama following the adventures of a Viking clan. The season follows Ragnar (Travis Fimmel), a Viking chieftain who, with help from his brother Rollo (Clive Standen) and wife Lagertha (Katheryn Winnick), plots to become king. A formidable warrior, Ragnar often leads his men on raids overseas. However, even as he makes a name for himself on the battlefield, Ragnar must be aware of rivals plotting behind his back in his homeland. The episodes are: 'The Outsider', 'The Vision', 'Two Journeys', 'In the Uncertain Hour Before the Morning', 'All His Angels', 'Crossings', 'The Great Army', 'Revenge', 'On the Eve' and 'The Reckoning'.
A sequel to the 1942 Disney classic, Bambi, is laden with expectations since audiences are justifiably protective of this beloved tale abounding with enchantment and nostalgia. Rest assured: Bambi II rises to the occasion, succeeding at every turn. Brian Pimental directs the 70-minute direct-to-video release, which seamlessly integrates the beauty, subtlety, and essence of the original film. The new tale is actually a "midquel" as it takes place in the middle of the original film's story line, exploring Bambi's coming-of-age challenges. The saga begins soon after Bambi's mother has died--and for viewers who shudder at the thought of having to relive that traumatic movie experience, you won't. With gentle inferences to her passing, Bambi (voiced by Alexander Gould, Finding Nemo) is left to the clumsy-though-well-meaning care of his father, the Great Prince (voiced by Patrick Stewart) who faces the difficult task of raising a son while silently mourning his own loss. Yet the weighty subject of death is soon overshadowed by the wonders of forest life. Through skillful storytelling, the film takes an early turn toward levity. After all, it's spring and Bambi's familiar friends, Thumper and Flower, are ready to play. Especially charming are the scenes where the forest animals give each other lessons in bravery and soon have a chance to test their mettle in scuffles with a newcomer to the mix, a blustering bully named Ronno (voiced by Anthony Ghannam). A strong soundtrack includes selections by Martina McBride, Michelle Lewis, Alison Krauss, and Anthony Callea. There is even a nostalgic nod to the original composer, Frank Churchill, with "Let's Sing a Gay Little Spring Song." The film's strength, however, is in its well-crafted humor: simple one-liners and animated antics that refrain from 21st century trends to cloak inappropriate innuendoes and double entendres in G-rated clothing, hoping to pander to an adult audience. This is vintage Disney; it panders to no one yet pleases all--delightfully worth the wait. The DVD's bonus material includes a "making-of" featurette, Bambi trivia, and a mini-tutorial with a Disney animator. (All ages) --Lynn Gibson
It's 3:07am and two girls burst into a run down toilet - one's clothes are ripped the other's face is bruised. So begins this British urban thriller.
A young African American man visits his Caucasian girlfriend's cursed family estate. Bonus Features: Feature Commentary with Writer/Director Jordan Peele Deleted Scenes (Play All: Rose hypnosis, Extended Rutherford, Badminton, Sunken Place Deer, Detective Latoya Extended, Rod Arrival 1 Sex Slave, Rod Arrival 2 Don't Give Up on Love, Rod Arrival 3 White Girls, Rod Arrival 4 Cousin Single, Rod Arrival 5 Bathroom, Rod Arrival 6 Rose's Vote Click Images to Enlarge
Jason Statham (FURIOUS 7, THE EXPENDABLES trilogy, HOMEFRONT) reunites with EXPENDABLES 2 director, Simon West, as the titular Nick Wild, a Las Vegas bodyguard with lethal professional skills and a dangerous gambling problem. When a friend is attacked by a sadistic thug, Nick strikes back, only to find out the attacker is the son of a powerful mob boss. Suddenly Nick is plunged into the criminal underworld, chased by enforcers and wanted by the mob. Having raised the stakes, Nick has one last play to change his fortunes...and this time, it's all or nothing. WILD CARD is directed by Simon West (CON AIR) and written by two-time Academy® Award-winning writer William Goldman (Best Original Screenplay, Butch Cassidy and the Sundance Kid, 1969; Best Adapted Screenplay, All the President's Men, 1976). The Extended Edition features an extra 10 minutes of footage not seen in cinemas!
One Minute Past Midnight: The year is 2058. Robert and Steve celebrate every New Year in the same 24-hour convenience store where they work the nightshift. No matter how much things change they always seem to stay the same even when Steve wins the lottery. But when Robert discovers that the girl of his dreams works on the dayshift he suddenly finds himself with a big decision to make. One Minute Past Midnight is a sweet dark and surreal comedy about love dreams and the fear of change. Fare Bene Mikles: The film explores the relationship between siblings Sergio and Maria from their troubled childhood to the hardships of adult life. Throughout the years their invented game called 'Mikles' provides their very own survival technique. Trafic: It is rush hour in Bucharest and young businessman Tudor is soon to be late for a meeting. Every passing minute seems endless as he sits wedged behind the wheel of his car. When he finally abandons his vehicle to confront a family drama he finds a new perspective on the everyday life he leads. Trafic is a disturbing and dazzling introspective into the sometimes meaningless rituals of contemporary urban life. Canciones De Invierno: It is November on the outskirts of an anonymous European city. Five different people are killing time in a variety of peculiar ways. But the pretence that their lives are under control is unravelling; all of them are trapped in the wreckage of recent love affairs. Wracked by insomnia self-abandonment midnight confessions and desperate behaviour their lives soon take unexpected turns as they try to win back the objects of their affection. Mekong Interior: When a couple travel to Cambodia the man is curious to search out his heritage but finds little to connect with and soon feels alienated in the environment. When the woman begins to experience a fascinating and exotic new world which draws her further and further in a profound tension develops that soon reaches breaking point. Breaking Out: Once a bubbly and extroverted singer Jessie now spends her day in anguished solitude desperately seeking to avoid her friends family and - most of all - her own paranoia. Fuelled by insecurity and a morbid fear of confrontation her fervid imagination finally leads her to make an unexpected reconnection with life.
Vikings returns for a gripping fourth season. Season 3 culminated with the extraordinary battle in Paris, where Ragnar (Travis Fimmel) seized victory from the jaws of defeatbut still returns to Kattegat dangerously ill. Thoughts of his death galvanize the forces who seek to succeed him as king, including his wife Queen Aslaug (Alyssa Sutherland) and his oldest son, Bjorn (Alexander Ludwig). Meanwhile, Lagertha (Katheryn Winnick) continues power struggles with her calculating, former second in command, Kalf (Ben Robson); Rollo (Clive Standen) betrays his Vikings heritage by remaining in Frankia and Floki (Gustaf Skarsgård) is seized for his brutal actions to the Christian priest Athelstan.
Marius Goring, one of British cinema's most gifted and versatile actors, brings his remarkable talents to the role of the enigmatic adventurer risking his life to save innocent French aristocrats from the guillotine during Robespierre's revolutionary Terror. Switching between the flamboyant Pimpernel and his foppish, outwardly simple alter ego Sir Percy Blakeney with consummate ease, Goring is ably supported by Patrick Troughton in another of ITC's mid '50s swashbuckler series which, though not seen in sixty years, easily holds its own alongside stablemates The Adventures of Robin Hood, William Tell and The Buccaneers.This classic adventure series also features a guest cast that includes Robert Shaw, Christopher Lee, Conrad Phillips, Ivor Dean, William Franklyn, Alfie Bass and John Laurie.
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