"Actor: Stephen Dickson"

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  • Puccini: La Boheme -- San Francisco/Severini [1988]Puccini: La Boheme -- San Francisco/Severini | DVD | (28/08/2000) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £24.99

    One way to use the DVD format for opera is to provide a video format with a clear picture and sumptuous sound and let a good performance speak more or less for itself. Severini's La Boheme comes with a minimum of trimmings--subtitles in English, French and German; even a short account of the performance history is relegated to text in a booklet. The live performance has real theatrical presence, even to the extent that, at times, the vocal and orchestral subtleties get lost in wild applause. Pavarotti's Rodolfo was, in 1988, as plangently lyrical as ever and Freni's care-worn Mimi is a deeply touching and musical performance; Pacetti is a beefy full-blooded no-nonsense Musetta--the waltz song and ensuing duet with Marcello is for once the Broadway show-stopper it ought to be. Of the supporting roles, though, perhaps the most moving is Ghiaurov's Colline--his farewell to his old coat is a short passage of deep pathos which he has rarely sung as well as he does here. --Roz Kaveney

  • Ariadne Auf Naxos [1988]Ariadne Auf Naxos | DVD | (02/09/2002) from £26.98   |  Saving you £-6.99 (N/A%)   |  RRP £19.99

    Strauss's opera 'Ariadne Auf Naxos' performed by the Metropolitan Opera Orchestra. Artists include: Jessye Norman Kathleen Battle Tatania Troyanos and James King. Conducted by James Levine.

  • La BohemeLa Boheme | DVD | (30/11/1999) from £37.20   |  Saving you £-18.74 (-101.50%)   |  RRP £18.46

    One way to use the DVD format for opera is to provide a video format with a clear picture and sumptuous sound and let a good performance speak more or less for itself. Severini's La Boheme comes with a minimum of trimmings--subtitles in English, French and German; even a short account of the performance history is relegated to text in a booklet. The live performance has real theatrical presence, even to the extent that, at times, the vocal and orchestral subtleties get lost in wild applause. Pavarotti's Rodolfo was, in 1988, as plangently lyrical as ever and Freni's care-worn Mimi is a deeply touching and musical performance; Pacetti is a beefy full-blooded no-nonsense Musetta--the waltz song and ensuing duet with Marcello is for once the Broadway show-stopper it ought to be. Of the supporting roles, though, perhaps the most moving is Ghiaurov's Colline--his farewell to his old coat is a short passage of deep pathos which he has rarely sung as well as he does here. --Roz Kaveney

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