The Railway Children (1970) and Swallows and Amazons (1974) are perfect bedfellows: two classic children's novels, simply and faithfully adapted for the big screen. Together they evoke a poignant nostalgia for the periods in which they are set--Edwardian and 1920s England, respectively--and for the childhood of anyone who has grown up watching them. Sentimentality reigns, of course, but it's never cloying. The truthfulness of the juvenile performances, balanced with restrained sympathy from the adults, sees to that. Flourishing under Lionel Jeffries' delicate direction, Jenny Agutter dominates The Railway Children as the oldest daughter of a family thrown on hard times when their father is wrongly sent to prison. They avert a train disaster, save an imperilled steeple chaser and reunite an exiled Russian with his wife, all with equal enterprise. Happy endings prevail after every crisis. And no number of repeat viewings can ever diminish the impact of father's return. One of the most expert tear-duct work-outs in film history, it hits the spot every time. Perhaps the lack of such a pivotal scene has kept Swallows and Amazons in the relative shade. But its gentle appeal survives with equal charm, not least in the resourcefulness of the eponymous children and the period detail. Together this pairing makes a double bill to treasure, and a piquant reminder that Disney doesn't have a complete monopoly on the rich heritage of children's cinema. On the DVD: The Railway Children and Swallows and Amazons is presented in standard 4:3 picture format, from so-so prints, and with acceptable mono soundtracks. Both films envelope the viewer in a comforting Sunday-afternoon haze. There are no extras, apart from scene indexes. --Piers Ford
Based on a memoir of English writer Laurie Lee and featuring narration by Lee himself, this made-for-television adaptation begins in wartime 1918 with Lee's family moving to the Gloucestershire countryside. Juliet Stevenson (Truly, Madly, Deeply) shines as the matriarch of this large blended family, a compassionate and distracted woman who pines for the brood's missing father. The movie takes Lee from a young boy sleeping in his mother's bed through his girl-obsessed adolescence, fondly dealing with an assortment of relatives, schoolmates and villagers along the way. Lee doesn't actually have cider with girlfriend Rosie until a few minutes before the 82-minute movie ends, but in the meantime Charles Beeson, directing from an adaptation by John Mortimer, has offered up a gentle homage to long-passed era. --Kimberly Heinrichs, Amazon.com
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