Caesar and his apes are forced into a deadly conflict with an army of humans led by a ruthless Colonel. After the apes suffer unimaginable losses, Caesar wrestles with his darker instincts and begins his own mythic quest to avenge his kind.
A deft balance between special effects, comedy and family dynamics made this 1989 film a hit for Disney and spawned both a string of video sequels and a subsequent TV series. Moranis is endearing as the bumbling inventor/father of the Szalinski family. He inadvertently shrinks his own children then throws them out with the trash. They, along with the neighbour kids, must journey back across their own backyard, now an enormous, dangerous distance, to get back to the right height. Much is done with the perils of the lawn, from a wild deluge from the sprinklers to a nasty encounter with the lawnmower and numerous encounters with gigantic insects. Honey, I Shrunk the Kids is a generally kid-friendly, inventive (no pun intended) and entertaining outing. --Keith Simanton
The beginning of the second series of Phoenix Nights sees Brian Potter's beloved Phoenix Club lying in ashes and the staff scattered to the four winds. Even club compere Jerry St Clair is reduced to singing "Come get your black bin bags" to the tune of Men in Black in the local supermarket. But not even being barred from having a licence for the rest of his natural life can deter the northern Svengali from reopening the club and making it bigger and better than before--even if that means making Jerry the licensee and offering up-market Chinese nosh. This second instalment of Peter Kay's cult sit-com is more upbeat than the first, with some genuine success coming to the characters and club, but it still has its hilariously subversive undertones: a botched hit job; an inflatable castle with an extra appendage; and Brian stuck on his stair lift for a day after a power cut, to take just three examples. The script remains brilliantly surreal and incredibly funny. All the favourite characters remain, with club bouncers Paddy and Max featuring in a couple of the meatier storylines (perhaps setting them up for their own spin-off series?) and Jerry continuing to wow the crowds with his original vocal stylings, the highlight being the grand Stars in Their Eyes final in which he offers his own unique clubland take on Eminem. It's brilliantly original stuff: roll on Series 3. --Kristen Bowditch
What is it about director Richard Donner that Mel Gibson enjoys so much that he's appeared in five of Donner's films? Is it the on-set pranks? Could it be the big-budget perks and $20 million paychecks? Or is it just a well-stocked catering table? Whatever the case, the Lethal Weapon star and director teamed up again, along with fellow superstar Julia Roberts, for this typically glossy, entertaining but ultimately hokey thriller. Gibson plays New York cab driver Jerry Fletcher, whose wacky belief in conspiracies finally hits on a coincidental truth involving an evil figure named Jonas (Patrick Stewart) and a secret program of government-funded mind control. Roberts plays the Justice Department attorney who finally believes in Jerry's paranoid ramblings. With a plot (from LA Confidential co-writer Brian Helgeland) that's a lot of fun as long as you don't think about it too critically, Conspiracy Theory benefits immeasurably from the charisma of its high-magnitude stars. --Jeff Shannon
This is the first time that all episodes of writer-producer-director David Chase's extraordinary US television series The Sopranos have been brought together in one box set which is a seminal event for any fan of the series. The Sopranos is nominally an urban gangster drama but its true impact strikes closer to home chronicling a dysfunctional suburban family in bold relief. And for protagonist Tony Soprano (James Gandolfini) there's the added complexity posed by heading twin families his collegial mob clan and his own nouveau riche brood.
Starring Academy Award® nominees Steve Carell (Foxcatcher, The Big Short) and Timothée Chalamet (Call Me by Your Name), Beautiful Boy is a deeply moving portrait of a family's unwavering love and commitment to each other in the face of their son's addiction and his attempts at recovery. As Nic repeatedly relapses, the Sheff's are faced with the harsh reality that addiction is a disease that does not discriminate and can hit any family at any time. From the producers of Moonlight and 12 Years a Slave and adapted from David and Nic Sheff's best-selling memoirs by BAFTA Award winner Luke Davies (Lion), Beautiful Boy is a searingly honest account of the ways addiction can destroy lives and the power of love to rebuild them.
From the team that brought you "Toy Story" comes this CGI tale about the monsters that every child knows live in the cupboard! However these monsters are far less fierce that they'd have us believe.
From Adam McKay, the Oscar-winning co-writer and director of The Big Short and featuring transformative performances from Christian Bale, Amy Adams, Sam Rockwell and Steve Carell, Vice is the unmissable, hilarious and most relevant film of the year. The untold and epic true story of how Dick Cheney, a bureaucratic Washington insider, quietly became the most powerful man in the world as Vice-President to George W. Bush, reshaping the country and the globe in ways that we still feel today.
In the third century of the second calendar, after the chaos of the intergalactic wars, a powerful dictatorship has risen to dynamic proportions and engulfed most of the populated worlds. Liberty has become a crime punishable by death, and the majority of the population lives in a drug-induced state of docility. This tyrannical authority fulfils George Orwell's prophecy of 1984 to its most terrifying extremes. This government is known as the Federation. Each world has its share of rebels who either turned to crime or the Resistance. This is the story of one such group of rebels, led by a man named Blake. His group is largely composed of escaped convicts, thieves and smugglers, who are thrown together by chance. The Blake's 7 Complete Collection includes all 4 series of the cult 1970's British sci-fi show from the mind of Terry Nation. Includes digitally remastered episodes and extras from all individual releases.
Bean: The Ultimate Disaster MovieLondon's National Art Gallery sends Whistler's Mother to the Los Angeles gallery that has just purchased it. Accompanying the masterpiece is none other than the British gallery's shiftless employee Mr. Bean who the board members eager to be rid of him pass off as an esteemed art expert. The charade doesn't exactly go without a hitch. Initially flattered to have the newly dubbed Dr. Bean staying at his home Grierson Gallery curator David Langley ultimately loses his family and a good chunk of his mind when his guest's antics culminate in the devastating destruction of one of the most recognizable works in American art history. Mr Bean's HolidayYet another feature length episode of Chaplinesque silent silliness from Rowan Atkinson's top-earning character. Mr Bean has won a church fete raffle's top prize consisting of a trip to France. A hopeful and starry-eyed Bean boards the Eurostar and hits 'Gay Paree' like a ton of rubble. The language barrier predictably causes our hero no end of grief until he meets Emil a Russian director on his way to judge at Cannes. Emil agrees to film Bean climbing aboard his train to the south and his dream vacation - a move that causes Emil to miss the train himself. Bean comforts Stephan Emil's son who DID make it aboard by trying to entertain him. Little does Bean know he's accompanying a child that's been reported kidnapped and that he himself fits the description of the prime suspect! Bean eventually must go to Cannes himself to try and sort out the mess but he's only gone and left his wallet and travel documents behind! Mr. Bean - Live ActionMr. Bean - Live Action features Rowan Atkinson as the lovable Mr Bean. Mr. Bean - The Animated SeriesFeaturing all six volumes of Mr. Bean Animated. Watch all your favourite episodes in this super six disc special full of amazing adventures.
The Trip Steve Coogan has been commissioned by a Sunday newspaper to review half a dozen restaurants in the North of England. When his food-loving American girlfriend backs out, Steve is faced with a week of meals for one. Reluctantly, he calls Rob Brydon, the only person he can think of who will be available. Heading north in a stylish black Range Rover, the pair begin a journey of bickering, jokes and reflection. Across the dinner tables of the North's best restaurants, the neurotic and sardonic Coogan and the genial, eager-to-entertain Brydon spar on anything from Coleridge or career insecurities to which of them does the best Michael Caine impression. EXTRAS: Deleted Scenes / Costume Drama Rushes / Photo Gallery / Preparing the Food The Trip To Italy From acclaimed director Michael Winterbottom comes the follow-up to the BAFTA winning first series The Trip. Four years after they ate their way round the North of England Brydon and Coogan take their own Grand Tour around Italy, following in the footsteps of Byron and Shelley. The Trip to Italy reunites two men for more delectable food, sharp-elbowed rivalry and plenty of laughs. EXTRAS: Deleted Scenes The Trip To Italy Just as Don Quixote undertook three journeys, so Steve and Rob will set off on a third jaunt of their own, this time travelling over 1,000 miles down the entire length of Spain. Following in the footsteps of poet and novelist Laurie Lee, Steve and Rob's semi-fictional alter-egos hit the road in search of culture, history, breath-taking vistas and, of course, some of the finest food in Europe.
The internal political landscape of 1950's Soviet Russia takes on darkly comic form in a new film by Emmy award-winning and Oscar-nominated writer/director Armando Iannucci. In the days following Stalin's collapse, his core team of ministers tussle for control; some want positive change in the Soviet Union, others have more sinister motives. Their one common trait? They're all just desperately trying to remain alive. A film that combines comedy, drama, pathos and political manoeuvring, The Death of Stalin is a Quad and Main Journey production, directed by Armando Iannucci, and produced by Yann Zenou, Kevin Loader, Nicolas Duval Assakovsky, and Laurent Zeitoun. The script is written by Iannucci, David Schneider and Ian Martin, with additional material by Peter Fellows.
In the 1960s, the Minions need to find a new evil master to serve, so three of them vie for a female mastermind at a villain convention.
Something Borrowed takes you on a journey that will make you laugh and cry as the course of true love - and friendship - never did run smooth...
More ambitious in scope than any of its other animated films (before or to come), Disney's 1940 Fantasia was a dizzying, magical, and highly enjoyable marriage of classical music and animated images. Fantasia 2000 features some breathtaking animation and storytelling, and in a few spots soars to wonderful high points, but it still more often than not has the feel of walking in its predecessor's footsteps as opposed to creating its own path. A family of whales swimming and soaring to Respighi's The Pines of Rome is magical to watch, but ends all too soon; a forest sprite's dance of life, death, and rebirth to Stravinsky's The Rite of Spring too clearly echoes the original Fantasia's Night on Bald Mountain/Ave Maria sequence. But when it's on target, Fantasia 2000 is glorious enough to make you giddy. Hans Christian Andersen's "The Steadfast Tin Soldier" is a perfect narrative set to Shostakovich's Piano Concerto No. 2, and Donald Duck's guest appearance as the assistant to Noah (of ark fame) set to Elgar's Pomp and Circumstance marches is a welcome companion piece (though not an equal) to The Sorcerer's Apprentice, the one original Fantasia piece included here. The high point of Fantasia 2000, though, is a fantastic day-in-the-life sequence of 1930s New York City set to Gershwin's Rhapsody in Blue and animated in the style of cartoonist Al Hirschfeld; it's a perfect melding of music, story, and animation. Let's hope future Fantasias (reportedly in the works) take a cue from the best of this compilation. The music is provided by the Chicago Symphony Orchestra, conducted by James Levine, interspersed with negligible intros by Steve Martin, Bette Midler, Itzhak Perlman, James Earl Jones, and others. --Mark Englehart
All 12 episodes from the first two series of the BBC drama starring Sarah Lancashire as a police sergeant in a rural West Yorkshire valley. In series 1, Catherine Cawood (Lancashire) receives a visit from Kevin Weatherill (Steve Pemberton), a distressed member of the Yorkshire community she oversees, and is drawn into a ransom case in which the life of Ann Gallagher (Charlie Murphy) is at stake. Kevin employed local thug Ashley Cowgill (Joe Armstrong) to kidnap Ann in the hope of extracting a ransom from his boss, and his remorse has come too late to prevent the crime. Can Catherine get to the girl in time? In series 2, while investigating a case of sheep-stealing, Sgt Cawood discovers the decomposed body of a murdered prostitute who she later discovers is the mother of Tommy Lee Royce (James Norton). This revelation places Catherine at the centre of the investigation as a possible suspect while Royce continues to torment her from inside his cell with the help of his new accomplice Frances (Shirley Henderson). While she takes on a new case of human trafficking, Catherine deals with more complications in her personal relationships and is recommended by her bosses to undertake a course of counselling therapy.
Father of the Bride is the feel-good smash-hit comedy about the outrageous trials and tribulations a well-intentioned father goes through trying to prepare for his only daughter's wedding. The prenuptial pandemonium begins when the bride-to-be announces her engagement setting off on an outrageous chain of events including a chaotic first meeting with the in-laws and a wedding day snowstorm. Starring Steve Martin Diane Keaton and Martin Short this remake of the 1950 comedy classic is warm wacky look at a daughter's dream come true... and a father's proudest moment!
The second series of The Sopranos, David Chase's ultra-cool and ultra-modern take on New Jersey gangster life, matches the brilliance of the first, although it's marginally less violent, with more emphasis given to the stories and obsessions of supporting characters. Sadly, the programme-makers were forced to throttle back on the appalling struggle between gang boss Tony Soprano and his Gorgon-like Mother Livia, the very stuff of Greek theatre, following actress Nancy Marchand's unsuccessful battle against cancer. Taking up her slack, however, is Tony's big sister Janice, a New Age victim and arrant schemer and sponger, who takes up with the twitchy, Scarface-wannabe Richie Aprile, brother of former boss Jackie, out of prison and a minor pain in Tony's ass. Other running sub-plots include the hapless efforts by Chris (Michael Imperioli) to sell his real-life Mafia story to Hollywood, the return and treachery of Big Pussy and Tony's wife Carmela's ruthlessness in placing daughter Meadow in the right college. Even with the action so dispersed, however, James Gandofini is still toweringly dominant as Tony. The genius of his performance, and of the programme-makers, is that, despite Tony being a whoring, unscrupulous, sexist boor, a crime boss and a murderer, we somehow end up feeling and rooting for him, because he's also a family man with a bratty brood to feed, who's getting his balls busted on all sides, to say nothing of keeping the government off his back. He's the kind of crime boss we'd like to feel we would be. Tony's decent Italian-American therapist Dr Melfi's (Loraine Bracco) perverse attraction with her gangster-patient reflects our own and, in her case, causes her to lose her first series cool and turn to drink this time around. Effortlessly multi-dimensional, funny and frightening, and devoid of the sentimentality that afflicts even great American TV like The West Wing, The Sopranos is boss of bosses in its televisual era. --David Stubbs
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