All the action from the 20th annual wrestling extravaganza. Disc 1 - Wrestlemania XX feature program Disc 2 - Wrestlemania XX feature program Disc 3 - WWE Film Presents ""The Mania of Wrestlemania"" - Top 10 Matches of Wrestlemania special Wrestlemania Matches: Goldberg vs. Brock Lesnar Special referee: Stone Cold Steve Austin Word Heavyweight Championship Triple H vs. Chris Benoit vs. Shawn Michaels Undertaker vs. Kane WWE Championship Kurt Angle vs. Eddie Gu
Includes the following films:The Terminal:Starring Tom Hanks and Catherine Zeta Jones. Viktor Navorski (Hanks) gets caught in bureaucratic glitches that make it impossible for him to return to his home country to enter the U.S. Now, caught up in the richly complex and amusing world inside J.F.K. airport, Viktor makes friends, gets a job, finds romance and ultimately discovers America itself.Catch Me If You Can:Inspired by the true story of a brilliant master of deception and the FBI agent, hot on his trail, Catch Me If You Can stars Leonardo DiCaprio and Tom Hanks in one of the year's most acclaimed hits! From director Steven Spielberg, Catch Me If You Can follows Frank W. Abagnale, Jr. as he successfully passes himself off as a pilot, a lawyer and a doctor - all before his 21st birthday!Cast Away:Tom Hanks stars as Chuck Noland, a FedEx systems engineer whose ruled-by-the-clock existence abruptly ends when a harrowing plane crash leaves him isolated on a remote island. As Chuck struggles to survive, he finds that his own personal journey has only just begun...
Johnny Vaughan and his mudlarking guide and buddy “Mud God” Steve Brooker, are on a muddy archaeological adventure, digging up the banks of the Thames to reveal our astonishing hidden history. Armed with metal detectors and trowels – the pair have just five hours before the tide rushes in to wade, search and dig the banks of the River Thames finding artefacts, from medieval chain mail to WW2 artillery shells and Tudor trading tokens to cursed Bellarmine pots. The extraordinary objects that they find propel them on quests through the streets of London and around the country to unlock the secrets of remarkable shared British past.
Arthur Bishop (Bronson) is a mob hit man who operates in a world of his own an uncompromising world where conventional rules of morality don't apply and where one wrong move could cost him his life! He's always worked alone but as age catches up with him Bishop takes on a competent and ruthless apprentice (Jan-Michael Vincent) and teaches him everything he knows. Together they become an unmatchable team of globetrotting killers until the pupil's ruthlessness puts him on a colli
DI Chandler (Rupert Penry-Jones) DS Miles (Phil Davis) and unpaid historical advisor Edward Buchan (Steve Pemberton) have yet to make a conviction in Whitechapel 'the birthplace of the serial killer'. This season sees the pressure become greater - and this time highly personal. The team are confronted by dark twisted gothic murders that reach right into their fears and superstitions... someone is killing suspected witches; flayed bodies suggest the murderer is more interested in the victims' skin than in their death; and the sewers of Whitechapel threaten with an additional layer of horror. In Whitechapel history isn't dead it's deadly...
A panel comprising of 4 former Anfield favourites - Steve Heighway Phil Thompson David Fairclough and Alan Kennedy evaluate what was for Liverpool a golden decade even by their standards. FA Cup winners in 1974 European Champions in '77 and '78 and First Division Champions on no less than a staggering five occasions. Liverpool chose this decade to set the benchmark for success. After choosing their personal Team Of The Decade plus a manager they then support their choice by analysing some of the key moments from Liverpool's successful Seventies cup campagians. Entertaining and expert in equal measure the panel provide their own unique insight into the great Liverpool sides of the seventies.
With a well-established framework of back-story and an increasing list of adversaries, the third series of Stargate SG-1 was the place where casual viewers began to fall away. Unless you were taking notes it was becoming ever harder to stay on top of the Goa'uld history and their constant scheming. Fortunately by now a solid fanbase had appeared worldwide--with clubs, conventions and Web sites galore--so the ratings didn't slip even while ancient gods kept appearing and reappearing. Daniel Jackson could always be trusted to illuminate any relevant myth or legend (or find them in five minutes on the internet), while Carter's memory download from last year supplied the necessary ties with the rebellious Tok'ra. Away from the story arc the show's all-important stand-alone tales gave some thorny old subjects a new SF spin, including organised religion, the use of children in the passing on of knowledge, and leading an alternative life. O'Neill's sarcastic wit went into overdrive this year and Teal'c could be relied upon for a sneer or fish-out-of-water joke. Further comic relief came from Sam "Flash Gordon" Jones and Dom DeLuise, but perhaps the funniest thing of all was the wig Carter would apparently be wearing in an alternate universe. --Paul Tonks
Four nice, but petty criminals find themselves heavily in debt to a murderous London gangster after a crooked card game. To cover their debts and literally save their skins, they decide to rob a bunch of thugs who have just robbed a group of pot growers.
Adam Sandler leads an all-star comedy cast as a troupe of former college friends discover that growing older doesn't mean growing up.
A collection of six classic Doris Day movies in one bumper value box set! Young At Heart (1955) Barney Sloan (Frank Sinatra) is a cynical down-on-his-luck musician who reluctantly agrees to help his composer friend Alex Burke (Gig Young) with a new comedy he is working on. However Barney gains a new perspective on life and love when he meets Alex's irrepressibly perky fiancee Laurie (Doris Day) - and promptly falls in love with her! Lover Come Back (1961) Account ex
Never get between a birder and a Pink-footed Goose. As we learn from The Big Year, the intensity of birders (the term birdwatcher is dismissed here as insufficiently committed) is not to be taken lightly, and their quest of rare species creates the gentle comedy of this film, which is based on a real phenomenon. In the world of birders, there's a goal set each calendar year, and based on the honour system: who can spot the most varieties of our feathered friends? All-time champ Kenny Bostick (Owen Wilson) is a legendary name in the birding game, and this year he's trying to beat his own record--but retired CEO Stu Preissler (Steve Martin) and slovenly upstart Brad Harris (Jack Black) are determined to topple the colourful and ruthless Bostick from his, er, perch. The movie's at its best when charting the movements of these obsessed enthusiasts in the wild, as they scramble from Alaska to Arizona to New Jersey in pursuit of their goal; it's less successful at trying to create human interest in the home lives of these guys. And despite the comedic talents of the main threesome, nobody really stands out; each plays to his usual persona without adding a new wrinkle. Director David Frankel (The Devil Wears Prada) has a weirdly overqualified supporting cast on his hands, but except for Rosamund Pike as Bostick's neglected wife and Rashida Jones as a geeky birder, most of these folks flit by with little to do: Brian Dennehy and Dianne Wiest as Brad's parents, Anjelica Huston as a salty sea captain, Tim Blake Nelson as an awestruck birder. It's easy enough to enjoy this film for its offbeat subject and mild-mannered tone, even if there isn't anything terribly distinctive about it. --Robert Horton
Matthew McConaughey goes looking for some long lost treasure in this adaptation of Clive Cussler's book.
""Sometimes there's a man well he's the man for his time and place. He fits right in there. And that's the Dude. The Dude from Los Angeles. And even if he's a lazy man - and the Dude was most certainly that. Quite possibly the laziest in all of Los Angeles County which would place him high in the runnin' for laziest worldwide. Sometimes there's a man sometimes there's a man. Well I lost my train of thought here. But... aw hell. I've done introduced it enough."" - The Str
Enter another dimension with Jordan Peele and Simon Kinberg's modern take on the all-time classic. Hosted by Academy Award® and Emmy® Award winner Jordan Peele, each of these ten Season One episodes of the CBS All Access Original Series is its own mesmerising, mind-bending journey into another dimension. Featuring contemporary, socially conscious storytelling, this anthology includes standout cast members like Oscar® nominee Kumail Nanjiani in his Emmy® nominated role, Seth Rogen, Tracy Morgan, Greg Kinnear, Sanaa Lathan, Adam Scott, DeWanda Wise, Zazie Beetz, Ginnifer Goodwin, John Cho, and others BONUS FEATURES Crossing Over: Living in The Twilight Zone Two-part documentary on developing and producing the new series Remembering Rod Serling An insightful journey into his life, legacy, and fertile imagination Opening the Door A behind-the-scenes look at each episode Music Video from The Wunderkind Episode Audio Commentary on Select Episodes Deleted Scenes and Extended Scenes Gag Reel
An exercise in film noir fairytale, 1955's Killer's Kiss was Stanley Kubrick's second feature film (he had the first buried forever) and shows just how powerful a filmmaker he was right out of the gate. Followers of Kubrick's career will note the appearance of themes and images that recurred (a final axe-fight in a warehouse full of disembodied mannequin parts would not be out of place in The Shining), but this is also notably unlike later Kubrick films in its use of authentic locations and its 65-minute running time. The plot is a tiny anecdote about a washed-up boxer (Jamie Smith), a dance hall dame (Irene Kane) and a slimy hood (Frank Silvera) during one crowded weekend of brutality and romance. There's a sense of a young director playing games: the boxing match (a definite influence on Raging Bull) is all low-angle close-ups and subjective shots with plenty of thump and dazzle, and the traditional Expressionist look of noir is exaggerated with many a tricky shot or doomy plot twist. The three unfamiliar leads are all excellent as small-timers struggling with big passions, and there is already a potent use of raucous source music and subtle sound design to augment the stark, haunted black and white imagery. On the DVD Killer's Kiss on disc features no extras other than a blaring trailer ("a picture as brazen as the naked lights of Broadway, as hard as the New York streets in which it was shot!"). The black and white picture is 4:3, and comes with soundtracks in English, German, Italian and Spanish; subtitles in English, German, Italian, French, Dutch and Spanish. --Kim Newman
Just as Gru starts to adjust to his role as a suburban family man, an ultra-secret organization dedicated to fighting evil around the globe comes knocking. Now, it's up to Gru and his new partner to discover who is responsible for a spectacular crime.
Compiled from McCartney's two concert tours of North America in 2002, Back in the U.S. is chiefly a "selective" biographical film of Macca on tour. Unlike the CD of the same name, which is made up of full-length versions of the songs performed on the tour, the DVD features only excerpts. Presenting the legend and those around it in a somewhat superficial light, the film is as much a tribute to the Heather-reinvigorated McCartney as to his music. There's plenty of footage of the new Mrs McCartney accompanying Paul on his marathon of television and radio interviews; band and crew members pipe on about how much of an honour it is to work with McCartney; and fans' of all ages gush hysterically about how amazing it is to see the star perform live. After sitting through three hours of such material, you can't help wishing that something would go wrong. The set-list includes Beatles favourites, tunes by Wings and selected numbers from McCartney's solo back catalogue. Realising the audience's obvious taste for nostalgia, the film mixes shots of the wild contemporary audience with footage of tearful, screaming fans from 40 years earlier. While the songs and audience reactions remain the same, the most touching moment of the film is when Macca performs his tributes to Lennon ("Here Today") and Harrison ("Something"). On The DVD: Back in the U.S. appears to break all DVD capacity records. As well as the main feature, there's plenty of extra behind-the-scenes material and bonus songs. While the picture quality is satisfactory, the three audio soundtracks (including DTS Surround) more than compensate for any visual shortcomings. Playing the disc on a DVD-ROM drive allows access to a secret Back In The U.S. Web site--one of the most comprehensive bonus Web sites ever. Highlights include additional soundcheck clips, outtakes, music promos and extended performances from the show. --John Galilee
In October 1998 21 year-old Matthew Shepard was found savagely beaten tied to a fence and left to die in Laramie Wyoming. 'The Laramie Project' is the portrait of a town painfully forced to confront itself in the reflective glare of the national spotlight responding with love anger sympathy support and defiance...
They were perfect strangers, assembled to pull off the perfect crime. Then their simple robbery explodes into a bloody ambush, and the ruthless killers realise one of them is a police informer. But which one? Critically acclaimed for its raw power and br
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