If Sylvester Stallone plays the world's number one assassin in this thriller, that must make Antonio Banderas, well, number two. The two are competing to hit the same target for a $20-million payoff and their challenge takes them from explosion to explosion on a cat-and-mouse chase from Seattle to Mexico. Julianne Moore plays the cagey cat fancier and computer hacker who possesses a stolen computer disc that makes her a prime target for bad guys, and Robert Rath (Stallone)is only too happy to come to her defense. Director Richard Donner handles action sequences with adequate flair and has a good time blowing things up. Banderas has fun with the nonsensical plot, and Moore is enjoyable in one of her big-budget mainstream roles. --Jeff Shannon
The TV drama that had America mesmerised in the 80's about what could possibly happen after a nuclear bomb hits.
Available for the first time on DVD! Errant brain-dead millionaire twins Stew and Phil Deedle are sent by their father from the paradise of the North Shore to the woebegone wilderness of Camp Broken Spirit where their tender malleable selves will be transformed from ""surf bums"" into corporate-friendly high achievers. Heinous! They bail but a case of mistaken identity soon finds our heroes saving Old Faithful from a disgruntled Ranger's plan to re-route the geyser's flow onto his
The story of Mel Gibson's stately anti-hero begins in Mad Max, George Miller's low-budget debut, in which Max is a "Bronze" (cop) in an unspecified post-apocalyptic future with a buddy-partner and family. But, unlike most films set in the devastated future, Mad Max is notable because it is poised between our industrialised world and total regression to medieval conditions. The scale tips towards disintegration when the Glory Riders burn into town on their bikes like an overcharged cadre of Brando's Wild Ones. Representing the active chaos that will eventually overwhelm the dying vestiges of civil society they take everything dear to Max, who then has to exact due revenge. His flight into the same wilds that created the villains artfully sets up the morally ambiguous character of the subsequent films.
This remake of Neil Simon's l970 comedy finds Goldie Hawn and Steve Martin as Ohio yokels cast adrift in Mayor Rudy Giuliani's sanitised New York City. With their son recently departed for Britain, the empty-nesters travel to the Big Apple for a job interview and are beset with all kinds of bad luck, starting with their flight being rerouted to Boston. Things only go downhill from there, of course, as they're mugged by an Andrew Lloyd Webber imposter, the high-tech multilingual navigation system on their rented Cadillac goes haywire, and their hotel reservations fall through. Although marred by some out-of-place slapstick and mawkish romance scenes, this film's not without its funny moments. The couple stumbles into a sexual-addiction encounter group and has to try to back out gracefully (not succeeding very well, of course). John Cleese is howlingly funny as he reprises his Fawlty Towers role of a cross-dressing hotelier, and Martin has a great drug-delirium scene, in which he's slipped a hit of LSD in jail (thinking it's aspirin). Just try not to think in terms of comparisons to Neil Simon's original and this remake works fairly well. --Jerry Renshaw, Amazon.com
Inspired by research on violence amongst chimpanzees, this chilling fantasy-horror from cult director Richard Franklin stars Elisabeth Shue in an early film role, alongside fellow Oscar nominee and sixties screen icon Terence Stamp as a single-minded anthropologist who sets in motion a terrifying chain of events. Jane, an American zoology student, takes a summer job at the lonely English cliff-top home of one of her lecturers who is exploring the link between man and ape. Soon after her arrival he suddenly vanishes, leaving her to care for his three chimps: Voodoo, a savage female; the affectionate, child-like Imp; and Link - a circus ape trained as the perfect servant and companion. Soon a disturbing role reversal takes place in the relationship between master and servant, and Jane becomes a prisoner in a simian house of horror. In her attempts to escape she's up against an adversary with several times her physical strength - and the instincts of a bloodthirsty killer... Extras: New: Audio Commentary by Film Historian Lee Gambin and Film Critic Jarret Gahan New: Interview with film programmer and horror expert Anna Bogutskaya Deleted workprint scenes Audio interview with director Richard Franklin Jerry Goldsmith demo of the LINK theme Original UK Theatrical teaser trailer
Taped as a lavish cable television special in 1997, One Night Only trades on the Bee Gees' shape-shifting career as pop survivors. Over the course of 111 minutes, this straightforward concert, produced at the MGM Grand in Las Vegas and groomed for both video and CD posterity, sprints through 31 songs from their past three decades. Even after the inevitable disco jokes are expended, and the jaundiced viewer contemplates the role hats, hairspray, and comb-overs now play in dressing the once stylishly long-haired troika, the Gibb brothers' signature vocal harmonies and hook-laden song craft beg respect.Casual listeners can't be blamed for equating the Bee Gees with the dance floor bonanza they reaped through 1978's Saturday Night Fever, yet that commercial zenith was actually the culmination of a comeback for a group that had seemed washed up by the early 1970s. One Night Only thankfully takes an even-handed view of both their original late 1960s hits ("Massachusetts", "To Love Somebody", "Lonely Days"), building from a cannily Beatle-browed vocal sound, and the 1970s blue-eyed soul ("Jive Talkin'", "Nights on Broadway") that led them naturally into disco. The Fever hits are here, as are Gibb originals that clicked for other acts; the family circle also widens for a posthumous duet with their late brother, Andy Gibb, while Celine Dion gets star billing in the collaborative "Immortality". --Sam Sutherland
From the Academy Award®-winning° Coen brothers, The Big Lebowski is a hilariously quirky comedy about bowling, a severed toe, White Russians and a guy named The Dude. Jeff The Dude Lebowski doesn't want any drama in his life heck, he can't even be bothered with a job. But, he must embark on a quest with his bowling buddies after his rug is destroyed in a twisted case of mistaken identity. Starring Jeff Bridges, John Goodman, Julianne Moore, Steve Buscemi, Philip Seymour Hoffman and John Turturro, experience the cultural phenomenon of The Dude in the #1 cult film of all time! (The Boston Globe)
After a mysterious spaceship crashes into Earth, humanity realizes that they are not alone. Fearing a potential threat from space, the world pushes aside their nationalism, conflicting interests, and cultural differences, unifying under the banner of the United Nations. The newly formed UN forces decide to repurpose the alien spacecraft, naming it SDF-1 Macross. Unfortunately, on the day of its maiden voyage, a fleet of spaceships belonging to a race of aliens known as the Zentradi descend upon Earth, and the SDF-1 Macross, acting of its own accord, shoots down the incoming squadron, sparking an intergalactic war.
Matthew McConaughey goes looking for some long lost treasure in this adaptation of Clive Cussler's book.
Get ready for plenty of thrills and excitement as everyone's favourite pups unleash their charm in this lively tale of courage love and friendship that is captivating entertainment and doggone good fun for all! All dogs do go to heaven...and some lucky few return to earth. That's what happens when mischievous mutt Charlie Barkin (Charlie Sheen) is asked to retrieve Gabriel's horn when it is stolen from heaven. Seeing his chance to have some fun Charlie recruits his sidekick Itchy (
The 2000 Sydney Olympics DVD features official highlights of the games as well as a number of extra features. Includes a British Medal Review celebrating every one of our 28 medal-winning performances.
Available for the first time on DVD. New York 1935: Billy Bathgate a naive Bronx-born teenager wangles his way into the gang of his hero crime boss Dutch Schultz (Dustin Hoffman). Although the boy doesn't know it Schultz is approaching the end of his storied career and the Feds are closing in hoping to put him behind bars for income-tax evasion. The youth quickly learns about the endless violence treachery and double-crossing that characterize mob life such as Schultz's cold-
One of the oddest shows ever mounted for mainstream UK television, Sapphire & Steel was one of ITV's many short-lived attempts at grabbing the sci-fi cult status of the BBC's Doctor Who. Ex-Man From U.N.C.L.E. David McCallum and ex-Avenger Joanna Lumley play human-looking incarnations of the eponymous substances, mysterious investigators working at the behest of an apparent God of Order and zipping about TARDIS-like to cope with anomalies in the time-stream that manifest as apparent supernatural forces in remote English locales like an isolated farmhouse (Adventure One), a deserted rural railway station (Adventure Two) and a high-rise block of flats (Adventure Three). McCallum and Lumley play their "medium atomic weights" with blank style and a few touches of baffled humour, not to mention visual flair in the case of Lumley's blue fashions and occasional glowing eyes. But the lengthy serial format, strictly limited guest casts and claustrophobic confinement to studio floor sets tend to mean individual serials straggle on with a great deal of repetition, providing longeurs as six or eight-part stories seem to take forever to get moving and then resolve. Shot on video, with a few strange 1970s effects (evil follow-spots, floating pillows), this remains prime cult material, though it's hard to sit still for more than one episode at a time. It will take an extremely devoted fan to get through all three adventures in under six months. On the DVD: Sapphire & Steel on disc has to be reckoned a disappointment when compared with the wealth of extra material included on the Gerry Anderson or Doctor Who DVDs. This set stretches only to a few press releases and a TV Times article from the launch of the series that tries hard to build up a mystique about the show which it would take some years to actually acquire. There are basic bios of the two stars, and some unresonant stills. Image quality-wise, this looks much the same as previous VHS releases: shot on video, with only a few tiny film inserts for Adventure Three (on the roof of a London building), the series' transfer to DVD is plagued by artefacting of various kinds (some of which can just about be passed off as visual effects), but then again so were the original transmissions. The pristine look is especially unfortunate in exposing the extremely ordinary trickery as far less terrifying than the onscreen characters make them out to be. --Kim Newman
The definitive fully authorised story of Yes is as controversial as their music and is now told in a series of exclusive interviews with Yes members past and present. Tracing the musical journey from their debut album yes 1969 up until Magnification 2001 and beyond. As told by Jon Anderson Chris Squire Steve Howe Rick Wakeman Alan White Bill Bruford Peter Banks Trevor Horn Geoff Downes Keith Emerson and many more.
Now you see it. You're amazed. You can't believe it. Your eyes open wider. It's horrible, but you can't look away. There's no chance for you. No escape. You're helpless, helpless. There's just one chance, if you can scream. Throw your arms across your eyes and scream, scream for your life!" And scream Fay Wray does most famously in this monster classic, one of the greatest adventure films of all time, which even in an era of computer-generated wizardry remains a marvel of stop-motion animation. Robert Armstrong stars as famed adventurer Carl Denham, who is leading a "crazy voyage" to a mysterious, uncharted island to photograph "something monstrous ... neither beast nor man". Also aboard is waif Ann Darrow (Fay Wray) and Bruce Cabot as big lug John Driscoll, the ship's first mate. King Kong's first half-hour is steady going, with engagingly corny dialogue ("Some big, hard-boiled egg gets a look at a pretty face and bang, he cracks up and goes sappy") and ominous portent that sets the stage for the horror to come. Once our heroes reach Skull Island, the movie comes to roaring, chest-thumping, T-rex-slamming, snake-throttling, pterodactyl-tearing, native-stomping life. King Kong was ranked by the American Film Institute as among the 50 best films of the century. Kong making his last stand atop the Empire State Building is one of the film's most indelible and iconic images. --Donald Liebenson, Amazon.comOn the DVD: Although a little light on extras, this is happily the Director's Cut, restoring scenes that were censored after the film's original 1933 run, including Kong peeling off Fay Wray's clothes like a banana, and our hirsute hero using unfortunate natives as dental floss. The ratio of 4:3 is correct for a film of this age; the picture and (mono) sound are perfectly acceptable without being revelatory. The 25-minute "making of" documentary from 1992 is a 60th anniversary tribute to the film, which details all of Kong's many ground-breaking contributions to cinema, from Willis O'Brien's use of stop-motion and rear projection effects to Max Steiner's music score. There are contributions from film historians, modern admirers of the film including composer Jerry Goldsmith--who admits that Steiner created a template that Hollywood composers are still following--and a few surviving participants such as sound effects man Murray Spivak. Apparently, director Merian C. Cooper's original idea was to capture live gorillas, transport them to the island of Komodo and film them fighting the giant lizards! Thanks to Willis O'Brien's pioneering effects work good sense prevailed and a cinema classic was born. --Mark Walker
From acclaimed director Michael Winterbottom two never-before-available full feature length films of The Trip and The Trip to Italy. Beautiful scenery exquisite gourmet cuisine and inspired free-flowing improvised comedy from two of the finest comic actors around. Steve Coogan and Rob Brydon enjoy two hilarious tours one of the North of England and one of Italy.
Both warmly funny and surprisingly touching, the one-off 90-minute BBC comedy Cruise of the Gods (2002) unites the twin comic talents of Rob Brydon and Steve Coogan for the first time. Brydon, whose Marion & Geoff brought him instant cult status and critical acclaim, plays Andy Van Allen, a washed-up actor who once enjoyed celebrity as the star of a TV science-fiction series but who is now down on his luck as a hotel porter. Desperate to rescue his self-esteem, but equally desperate to conceal his failure, he reluctantly embarks on a Mediterranean cruise for die-hard fans of the old show organised by uber-nerd Jeff Monks (David Walliams). To compound his humiliation, Van Allan's one-time costar, Nick Lee (Coogan), now a Hollywood big shot thanks to his starring role in Sherlock Holmes in Miami, gatecrashes the trip. Elements of both Marion & Geoff's agonising pathos and the squirm-inducing embarrassment of I'm Alan Partridge feature prominently here as the merciless portrayal of geeky fandom slowly gives way to a more gentle, affectionate portrait of people whose lives were inexplicably touched by the fantastically awful Children of Castor (imagine a camp cross between Blake's 7 and The Tomorrow People). Unlike the sympathetically pathetic ex-husband of Marion, here Brydon plays a cruelly cynical and embittered character, whose self-loathing contrasts painfully with the annoying ebullience of Coogan's superstar. The supporting cast are all a delight, too: witness lugubrious Philip Jackson, as alcoholic writer Hugh Bispham, clashing hilariously with Walliams' deadly earnest super-fan over the interpretation of names in the show, which turn out to be nothing more cryptic than anagrams of Bispham's favourite curries. James Corden and Helen Coker are emotionally fragile followers whose lives intertwine unexpectedly with their heroes, while Brian Conley and Jack Jones gamely provide cameos. --Mark Walker
One of director Sam Peckinpah's lesser-known and little-seen outings, Junior Bonner is actually one of his most interesting for being so relaxed. Yet it deals with the themes that always interested him: the man who has watched the world pass him by and realises that his time is gone. In this case, it's rodeo rider Junior Bonner (Steve McQueen), who returns home to try to win top prize in the bull-riding competition to raise money to stake his father (Robert Preston) to a future. As easy-going and good-natured as you'd like, with a delicious chemistry between Preston and a feisty Ida Lupino as Junior's estranged parents, who are still able to strike romantic sparks. Great rodeo footage captures both the violence and beauty of the sport. --Marshall Fine, Amazon.com
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