On its original release in 1988, the pairing of Steve Martin and Michael Caine in Dirty Rotten Scoundrels was seen as something of a dream ticket. Viewing the film many years later, that assessment still proves completely accurate: the casting is perfect. American Freddy Benson and Briton Lawrence Jamieson are con men who work the French Riviera--at first as colleagues, later as rivals--praying on rich, gullible women before finally meeting their match. Having spent the decade veering between popular rubbish and low-key quality, for once Caine was able to find a populist vehicle that did justice to his talents. Steve Martin is, well, very Steve Martin but there are few better suited to the visual comedy of his character. The film has an old-fashioned feel (no sex, violence or bad language) and owes much to the earlier period of film humour--it really doesn't take that much imagination to see this as an Ealing comedy. All round, it's a stylish, charming, witty film. On the DVD: Extras are few, limited to scene selection, subtitles and the very funny trailer. Picture quality is superb, allowing the film's exotic setting to sparkle and there are many scenes of breathtaking beauty. Given that the film is full of fantastic comedy set pieces, the ability to select scenes is a real plus, allowing to the viewer to locate that classic Martin pratfall at the push of a button. --Phil Udell
Freddy Benson (Steve Martin) is a crass, loud American. Laurence Jameson (Michael Caine) is a suave, urbane European. Their common ground is that they both are confidence men, and they meet in a train compartment as Benson is scamming his way across Europe, taking advantage of women's generosity. The two are forced into a rivalry, which culminates in a wager to see who can be the first to bilk $50,000 out of American heiress Janet Colgate (Glenne Headly). Their game of one-upmanship is, of course, brought to ridiculous heights as things progress. Written by Paul Henning (the mind behind such TV shows as Green Acres and The Beverly Hillbillies), Dirty Rotten Scoundrels is an uneven but funny mix of Martin's physical comedy and Caine's oily charms. Martin's first role as cohort is to assume the persona of Ruprecht, the "special" younger brother intended to scare off potential brides. As Ruprecht, he comes off as a down-home version of Jerry Lewis; hilarious as it is, it doesn't quite fit with the rest of the film. Once the wager is on, though, Martin slips into his overly earnest mode as an American military man suffering from hysterical paralysis, with Caine as a psychologist who takes on his case. All in all, Dirty Rotten Scoundrels (a loose remake of the 1964 film Bedtime Story with David Niven and Marlon Brando) is a droll, intelligent comedy, short on knee slappers but long on comic situations and characterisations. --Jerry Renshaw, Amazon.com
Steve Martin and Michael Caine are Dirty Rotten Scoundrels, and they're absolutely ruining the Riviera in this wonderfully crafted, absolutely charming, classy and consistently amusing (Variety) comedy. Martin is Freddy Benson, a small-time con man sleazing his way through Europe on whatever handouts he can scam. Caine is Lawrence Jamieson, an impeccably dressed and high-minded artiste who thinks Freddy is giving him - and all con men - a bad name. At first, Lawrence agrees to help Freddy spruce up his talents and his wardrobe. But when it becomes apparent that the Riviera isn't big enough for the both of them, they make a winner-take-all wager over the fortunes of a naive American soap heiress (Glenne Headly). Charged with hysterical performances, Dirty Rotten Scoundrels is a hilarious battle of wits and double-crosses (Boxoffice) that couldn't be more delightful (The Wall Street Journal)!
Barry is a single stand-up comedian looking for Ms. Right. When he meets Thea a political activist romance blooms. But the relationship runs into trouble during the political season when Thea must go on the campaign trail. Barry decides to follow the woman he loves no matter what happens. All Barry Singer wants is a woman to like him for who he pretends to be...
Dirty Rotten Scoundrels (Dir. Frank Oz) (1988): One's got a sophisticated suave and debonair con act. The other's got... well an act. Together Steve Martin and Michael Caine are Dirty Rotten Scoundrels and they're absolutely ruining the Riviera in this wonderfully crafted absolutely charming classy and consistently amusing comedy. Martin is Freddy Benson a small-time con man sleazing his way through Europe on whatever handouts he can scam. Caine is Lawrence Jamieson an impeccably dressed and high-minded artiste who thinks Freddy's giving him and all con men a bad name. At first Lawrence agrees to help Freddy spruce up his stunts and his wardrobe. But when it becomes apparent that the Riviera isn't big enough for the both of them they make a winner-takes-all wager over the fortune of a nave American soap heiress (Glenne Headly): the first one to 'clean her out' can make the other clear out - and keep the Riviera and its unsuspecting tourists to himself! Three Amigos (Dir. John Landis) (1986): In the days of silent film serials one of the noblest trios to grace the screen and get the bad guys was the Three Amigos: Dusty Bottoms (Chevy Chase) Lucky Day (Steve Martin) and Ned Nederlander (Martin Short). But when their Hollywood glory days wane they receive a letter from a desperate community in Mexico that thinks their heroic characters are for real: they want the Three Amigos to come to their tiny Mexican village and defeat the notorious bandit El Guapo (Alfonso Arau). Unfortunately the Three Amigos misinterpret the letter - they're off to visit the Mexican village dressed as their movie characters thinking they're getting a high paying gig. A plethora of pinatas and a comedy of errors occurs before they can prove themselves as worthy as their screen heroes!
Bitter & Twisted
This darkly comic story of love and revenge set in a barren Australian industrial town explores the tempestuous relationships and sexual adventures of Lola (Lola Marceli) and her family. The day that Lola's husband Ricardo (Simon Palomares) walks out on her to live with Wendy (Helen Thomson) - his blonde Australian mistress - Lola is enraged. When he buys a new car and starts to enjoy the good life with the savings he took from the family home she is pushed to the limit and plots
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