Two women, a turquoise Thunderbird, the ride of a lifetime. With this popculture landmark, screenwriter Callie Khouri and action auteur Ridley Scott rewrote the rules of the road movie, telling the story of two best friends who find themselves transformed into accidental fugitives during a weekend getaway gone wrong leading them on a highspeed southwestern odyssey as they elude police and discover freedom on their own terms. Propelled by irresistible performances from Susan Sarandon and Geena Davis (plus Brad Pitt in a sexy, starmaking turn) and nominated for six Academy Awards, winning one for Khouri the exhilaratingly cathartic Thelma & Louise stands as cinema's ultimate ode to rideordie female friendship. Product Features DIRECTOR-APPROVED TWO-BLU-RAY SPECIAL EDITION FEATURES New 4K digital restoration, supervised by director Ridley Scott, with 5.1 surround DTS-HD Master Audio soundtrack Two audio commentaries, featuring Scott, screenwriter Callie Khouri, and actors Geena Davis and Susan Sarandon New interviews with Scott and Khouri Documentary featuring Davis; Khouri; Sarandon; Scott; actors Michael Madsen, Christopher McDonald, and Brad Pitt; and other members of the cast and crew Boy and Bicycle (1965), Scott's first short film, and one of his early commercials Original theatrical featurette Storyboards and deleted and extended scenes, including an extended ending with director's commentary Music video for Glenn Frey's Part of Me, Part of You from the film's soundtrack Trailers English subtitles for the deaf and hard of hearing PLUS: Essays by critics Jessica Kiang and Rachel Syme and journalist Rebecca Traister
An intimate documentary, profiling the enigmatic Susan Boyle as she battles to overcome life-long performance anxieties and struggles to fulfill her musical aspirations of touring live. Very personal access and a triumphant finale mark this out as a must-see programme. Susan Boyle is one of the most successful singers in the world, a Grammy nominated artist who has sold over 20 million records, a woman who came from nowhere to become an overnight global sensation. But she has suffered from an.
Join the whimsical Ally McBeal both in and out of the courtroom to watch her defend and prosecute the most flamboyant and comical cases whilst at the same time falling in and out of relationships. The introduction of icy Nelle Porter (Portia de Rossi) often known as 'sub-zero Nelle' and the tempestuous Ling Woo (Lucy Liu) into the firm creates an ever intriguing element of love and hate in Season 2. Amusing to some but a cause of great anguish to others both of them capture the h
The year is 2020 and the world faces the ultimate threat. Not nuclear war or a terrorist attack but the eruption of a gigantic 'supervolcano' simmering beneath Yellowstone Park. The last eruption of this kind plunged the world into darkness for six years triggered the last Ice Age and reduced the human population to just 2 000 people. Scientists know that the molten lava bulging against the Earth's crust in Yellowstone will explode; it's just a question of when.This power
He's a doll. He's a dreamboat. He's a delinquent. Cry Baby finally makes it to DVD for the first time! Cult director John Waters goes mainstream (well sort of) in this send-up of 1950s teen melodramas. Heart-throb Johnny Depp stars in the title role as a glamorous delinquent who heads a gang of hoods known as the Drapes. Wade 'Cry-Baby' Walker (Depp) is the coolest toughest hood in his Baltimore high school. His ability to shed one single tear drives all the
If Interiors was Woody Allen's Bergman movie, and Stardust Memories was his Fellini movie, then you could say that Sleeper is his Buster Keaton movie. Relying more on visual/conceptual/slapstick gags than his trademark verbal wit, Sleeper is probably the funniest of what would become known as Allen's "early, funny films" and a milestone in his development as a director. Allen plays Miles Monroe, cryogenically frozen in 1973 (he went into the hospital for an ulcer operation) and thawed 200 years later. Society has become a sterile, Big Brother-controlled dystopia, and Miles joins the underground resistance--joined by a pampered rich woman (Diane Keaton at her bubbliest). Among the most famous gags are Miles' attempt to impersonate a domestic-servant robot; the Orgasmatron, a futuristic home appliance that provides instant pleasure; a McDonald's sign boasting how many trillions the chain has served; and an inflatable suit that provides the means for a quick getaway. The kooky thawing scenes were later blatantly (and admittedly) ripped off by Mike Myers in Austin Powers: International Man of Mystery. --Jim Emerson
Famous mystery novelist Richard Castle and NYPD detective Kate Beckett return for the suspenseful Third Season of ABC Studios' brilliantly funny series, Castle. Enjoy every inspired idea and flirtatious moment as this fiery duo solve the strangest homicides New York has to offer. It's the most entertaining season yet as Castle's wildly funny storytelling skills work their way into every case. Between his mixed-up partnership with Beckett and his relationships with his diva mother and his clever daughter, Alexis, Castle is always on his toes. Crime-fighting has never been this much fun! Get on the beat and relive every wild and witty moment in this 6-disc DVD set.
A small town detective finds herself tracking a truly terrifying serial killer across the country.
In one of the most unlikely cinematic pairings of all time, David Nelson (who rose to fame as a child star playing alongside his real-life family in the wholesome TV show The Adventures of Ozzie and Harriet) directs Playboy Playmate and adult star Susan Kiger in this bodycount-heavy, long overlooked slice of Southern fried hack-and-slash - 1982's Death Screams! Late one night, a young couple are brutally murdered at a make-out spot by an unseen assailant, their bodies tossed into the nearby river. As the lifeless lovers drift slowly downstream, the residents of the town excitedly prepare themselves for their annual carnival, unaware that a machete-wielding maniac with a twisted grudge is lurking in their midst. When a group of teen revellers plan a late-night after party down in the local cemetery, they unwittingly set the stage for a bloodbath. Death Screams, which was released on US VHS as House of Death (and on UK DVD with the reels in the wrong order!) oozes early '80s regional slasher charm from its every pore, boasting an everything-plus-the-kitchen-sink final reel featuring slashed throats, bisected bodies and exploding heads. Lovingly restored from the only-known existing 35mm print, this little-seen slasher classic is ready to carve its way into the bleeding hearts of horror fans everywhere! Product Features 2K restoration from an archival 35mm print High Definition Blu-ray (1080p) presentation Original uncompressed mono audio Optional English subtitles for the deaf and hard of hearing Audio commentary with producer Charles Ison and special effects artist Worth Keeter moderated by filmmaker Phil Smoot Audio commentary with The Hysteria Continues All the Fun of the Scare: The Making of Death Screams - making-of documentary featuring interviews with producer Charles Ison, special effects artist Worth Keeter, writer Paul Elliott, actors Hanns Manship and Curt Rector, actor/producer's assistant/assistant supervising editor Sharon Alley and actor/talent wrangler Robert Billy BobĀ Melton TV and Radio Spots Image Galleries House of Death Alternate VHS Opening Titles Two versions of the screenplay under the original title of Night Screams [BD-ROM content] Reversible sleeve featuring original and newly-commissioned artwork by Sadist Art Designs
All the illicit thrills which genre fans cherish (sex, violence, weirdness galore) are present woven in a Hitchcockian woman-in-peril/murder mystery plot with trippy, supernatural frills. Bruno Nicolai s sitar-tinged music score swirls into psychedelic overdrive. Starring the undisputed Queen of Italian exploitation: the impossibly beautiful, sensuous, Edwige Fenech, whose uninhibited nudity in films is never ever vulgar. Here she stars as a woman who joins a satanic sect in order to escape from a man who is trying to kill her. black-robed orgy ensues, replete with blood sacrifice, oddball chanting, and a delectable helping of nudity and sex...
John Travolta stars as a divorced father who discovers that his 11-year-old son's new stepfather is not what he made himself out to be.
The Forsyte Saga is often cited as the first television miniseries; it wasn't, but there's no question that it was a singular, powerful cultural phenomenon that deservedly got under the skin of European viewers in 1967. Today the 26-episode production, based on several novels and short stories by John Galsworthy, is a more timeless enterprise than many of the protracted British TV dramas that have followed. While it would be wrong to consider The Forsyte Saga high art, it's certainly a mesmerizing and inspired mix of theater, sprawling Victorian narrative, thinking man's soap opera, and some finely tuned, 1960s black-and-white production values that (especially when shot outdoors) are strikingly handsome. Above all, Forsyte is driven by its characters--perhaps to an extreme, though the two-generation storyline makes no apologies for creating compelling people whose capacity for short-sighted blundering, bursts of grace, and slow-brewing redemption make them recognizably human. Eric Porter towers over everything as Soames Forsyte, a humorless attorney whose guiding principles of measurable value cause great heartache but slowly evolve, leaving him a graying, good father, arts patron, and sympathetic repository of memory. From the cast of 150 or so, other standouts include Susan Hampshire as Soames's troubled daughter, Nyree Dawn Porter as the wife of two very different Forsyte men, and Kenneth More as the family's artistic black sheep. --Tom Keogh
There have been a number of notable cinematic versions of King Lear and Peter Brook's depiction of Shakespeare's epic tragedy is no exception. The majesticl Paul Scofield tackles the role of Lear with such aplomb that it is clear to see why many of his contemporaries consider him to be the finest Shakespearian actor to emerge from the RSC (Royal Shakespeare Company).
From director Richard Franklin (Roadgames) comes Patrick, a terrifying fusion of science fiction and Hitchcockian thriller, starring Susan Penhaligon (House of Mortal Sin), Robert Helpmann (The Red Shoes), and Robert Thompson (Thirst). Murderer Patrick (Thompson) is kept in a comatose state between life and death, under the watchful eye of the eccentric Dr Roget (Helpmann). When he is assigned a caring new nurse, Kathy (Penhaligon), he becomes possessive, and uses telekinetic powers to torment anyone who comes between them. Produced by Antony I Ginnane (Snapshot), written by Everett De Roche (Harlequin), and scored by Brian May (Mad Max), Patrick's unprecedented international success made it a landmark of the Australian New Wave.
Clint Eastwood is Walt Coogan, a deputy sheriff from Arizona on the loose in the urban jungle of New York. Searching for a violent prisoner he has let slip ("It's got kinda personal now"), Coogan, in Stetson and cowboy boots, runs up against hippies, social workers and a bluntly hostile New York police chief played by Lee J. Cobb. It's a key film in the Eastwood oeuvre, the one in which his definitive persona first emerges, marrying the cool, laid-back westerner of the Rawhide TV series and the Italian westerns to the street-wise, kick-ass toughness which would be further developed in the Dirty Harryfilms. Directed by Eastwood's mentor, Don Siegel, Coogan's Bluff has pace, style and its share of typical Eastwood one-liners (to a hoodlum: "You better drop that blade or you won't believe what happens next"). Like all Eastwood's successful movies, it cunningly plays it both ways. Coogan represents the old-fashioned conservatism of the west in conflict with the decadence of city life. Yet he's the perennial outsider, hostile to authority, a radical loner who gets the job done where bureaucracy and legal niceties fail. The film was to be the inspiration behind the TV series McCloud, in which Dennis Weaver took the Eastwood role. --Edward Buscombe
A performance of the Vivier opera in two acts that tells a mystical story which centres on the character called Agni. Reinbert De Leeuw conducts.
Director Paul Greengrass recounts the final moments of the ill-fated flight in this 9/11 drama.
Times are hard for Lou (Burt Lancaster) an ageing petty crook. He glamorises his past by claiming he worked for the 'big time' gangsters like Al Capone. However his fantasies start to take on a new significance when he becomes involved with a young hippy couple who have stolen a consignment of cocaine from the Mob...
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