Robert Clayton Dean (Will Smith) is a lawyer with a wife and family whose happily normal life is turned upside down after a chance meeting with a college buddy (Jason Lee) at a lingerie shop. Unbeknownst to the lawyer, he's just been burdened with a videotape of a congressman's assassination. Hot on the tail of this tape is a ruthless group of National Security Agents commanded by a belligerently ambitious fed named Reynolds (Jon Voight). Using surveillance from satellites, bugs and other sophisticated snooping devices, the NSA infiltrates every facet of Dean's existence, tracing each physical and digital footprint he leaves. Driven by acute paranoia, Dean enlists the help of a clandestine former NSA operative named Brill (Gene Hackman) and Enemy of the State kicks into high-intensity hyperdrive. Teaming up once again with producer Jerry Bruckheimer, Top Gun director Tony Scott demonstrates his glossy style with clever cinematography and breakneck pacing. Will Smith proves that there's more to his success than a brash sense of humour, giving a versatile performance that plausibly illustrates a man cracking under the strain of paranoid turmoil. Hackman steals the show by essentially reprising his role from The Conversation--just imagine his memorable character Harry Caul some 20 years later. Most of all, the film's depiction of high-tech surveillance is highly convincing and dramatically compelling, making this a cautionary tale with more substance than you'd normally expect from a Scott-Bruckheimer action extravaganza. --Jeremy Storey
Sherlock Holmes ever abetted by the trusty Watson investigates a series of deaths at a castle with each foretold by the delivery of orange pips to the victims...
50 years on from its first transmission, the BBC's Play for Today anthology series remains one of British television's most influential and celebrated achievements. Between 1970 and 1984, plays which combined some of the era's finest writing, acting and directing talents were broadcast direct to living rooms, regularly challenging viewers and pushing the boundaries of TV drama. In Play for Today: Volume Three, six more iconic dramas from the series arrive on Blu-ray for the first time, further demonstrating the trailblazing qualities of these innovative, stimulating and abiding television landmarks. The Plays Edna, the Inebriate Woman (Written by Jeremy Sandford | Dir. Ted Kotcheff, 1971) Just Another Saturday (Written by Peter McDougall | Dir. John Mackenzie, 1975) Bar Mitzvah Boy (Written by Jack Rosenthal | Directed by Michael Tuchner, 1976) * The Mayor's Charity (Written by Henry Livings | Dir. Mike Newell, 1977) Coming Out (Written by James Andrew Hall | Dir. Carol Wiseman, 1979) A Hole in Babylon (Written by Jim Hawkins and Horace Ové | Dir. Horace Ové, 1979)
Pressure (1976):Set in 1970s London Pressure follows the story of Tony the son of West Indian immigrants as he struggles to find a sense of belonging and social acceptance. Baldwin's Nigger (1968): James Baldwin accompanied by civil rights activist Dick Gregory discusses the issues surrounding black identity.
Robert Clayton Dean (Will Smith) is a lawyer with a wife and family whose happily normal life is turned upside down after a chance meeting with a college buddy (Jason Lee) at a lingerie shop. Unbeknownst to the lawyer, he's just been burdened with a videotape of a congressman's assassination. Hot on the tail of this tape is a ruthless group of National Security Agents commanded by a belligerently ambitious fed named Reynolds (Jon Voight). Using surveillance from satellites, bugs and other sophisticated snooping devices, the NSA infiltrates every facet of Dean's existence, tracing each physical and digital footprint he leaves. Driven by acute paranoia, Dean enlists the help of a clandestine former NSA operative named Brill (Gene Hackman) and Enemy of the State kicks into high-intensity hyperdrive. Teaming up once again with producer Jerry Bruckheimer, Top Gun director Tony Scott demonstrates his glossy style with clever cinematography and breakneck pacing. Will Smith proves that there's more to his success than a brash sense of humour, giving a versatile performance that plausibly illustrates a man cracking under the strain of paranoid turmoil. Hackman steals the show by essentially reprising his role from The Conversation--just imagine his memorable character Harry Caul some 20 years later. Most of all, the film's depiction of high-tech surveillance is highly convincing and dramatically compelling, making this a cautionary tale with more substance than you'd normally expect from a Scott-Bruckheimer action extravaganza. --Jeremy Storey
Please wait. Loading...
This site uses cookies.
More details in our privacy policy