While attending the United States Space Camp five teenagers and their instructor are accidentally launched into space on board a shuttle. They must figure out how to bring themselves safely back to Earth.
Set against the Iranian hostage crisis of 1979 and 1980, Ben Afflecks Argo is a nerve-jangling footnote to the birth of Ayatollah Khomeinis Islamic Republic. The movie opens at the crest of the 1979 revolution--the storming of the US embassy in Tehran, and the escape of six diplomats to the precarious safety of the Canadian ambassadors residence. To the rescue is Tony Mendez--a composed CIA agent whose heroism remained classified until 1997--and his state-approved plan to get the stranded embassy staff out of Iran under a brazen cover story: theyre an innocent film crew on a location hunt for the fake sci-fi blockbuster Argo. Hollywood is usually pressed into the service of the state in the name of comedy (either burying dictators in Team America: World Police or just bad news in Barry Levinsons Wag the Dog), but Argo is a true story, and the tone of Affleck's Oscar-winning script is carefully split, switching between mounting tension in consular Tehran and a satire of the Hollywood machine as fronted by Alan Arkin and John Goodman--two raffish producers hired by Mendez to reverse-engineer some convincing buzz for the Argo movie. Affleck himself takes the role of Mendez, the steady-eyed agent betting everything on Hollywoods age-old efficiency at creating a media circus for a project long before it exists. History starts out as farce and ends up a tragedy, remarks Goodman, but Argo ends on a patriotic upbeat, and doesnt reflect much on history. It politely nods at the context of Irans attitude to the West, and were told about but not shown--bar the blank rage of the revolutionary mob--Irans anger at the Westerly flow of resources under Shah Pahlavi. Instead, Argo concentrates on the eggshell complexities of deception in plain sight, including a climactic set-piece in which Mendez team must fend their way through layers of suspicious Iranian airport security--with imminent capture, execution and political calamity only on the other side of their paper-thin pretext. It may have the ring of historical escapism, but Argo holds its nerve as a great Hollywood escape. --Leo Batchelor /* Style Definitions */ table.MsoNormalTable {mso-style-name:"Table Normal"; mso-tstyle-rowband-size:0; mso-tstyle-colband-size:0; mso-style-noshow:yes; mso-style-priority:99; mso-style-parent:""; mso-padding-alt:0cm 5.4pt 0cm 5.4pt; mso-para-margin:0cm; mso-para-margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:10.0pt; font-family:"Times New Roman","serif";}
The premise of Love Potion No. 9--that a magic potion makes the user irresistible to the opposite sex--could be the setup for the crassest sex farce imaginable. Instead, this film is a surprisingly subtle romantic comedy. Nebbishy scientist Paul (Tate Donovan) goes to a Gypsy fortune teller (Anne Bancroft), who tells him she sees no women in his entire life. To make up for this depressing news, she gives him a few drops of a love potion--number 8. Paul, a biochemist, scoffs; but when his pet cat accidentally gets a taste and attracts every female cat in the neighborhood, he enlists fellow dweeby scientist Diane (Sandra Bullock) to analyse it. After experimenting on monkeys, they decide to test it on themselves; soon Diane is being pursued by handsome Italians in the street and comes close to marrying the Prince of England (sic), while Paul gets a little revenge on a woman who previously rejected him, then embarks on his own love spree. Shortly they discover that they really want each other; but before they can get married, an old boyfriend of Diane returns with his own dose of love potion number 8. Paul's only hope is to get something even more powerful. Love Potion No. 9 is genuinely clever and sweet, and both Donovan and Bullock work well with the low-key but effective humour of the movie's well-written script. It's a tribute to her talent and her girl-next-door looks that Bullock, unlike most pretty stars dressing down, is effective as both a lovelorn loser and the confident glamour-girl she becomes. Altogether, a charming and enjoyable film.--Bret Fetzer, Amazon.com
Whether you're swingin through the trees in Africa or groovin to the gods in Ancient Greece you're always in good company when you join your favorite Disney Heroes - Tarzan and Hercules - on their coolest adventures ever! Watch Tarzan race to the rescue as he takes on everything from a ruthless gang of crooks to a seemingly unstoppable giant python! Then hang out with that 'zero to hero' legend Hercules and see if Herc can reverse a nasty curse and save the day when a fierce Titan
Three stories that centering around the African-American fight against racial prejudice.
Set against the Iranian hostage crisis of 1979 and 1980, Ben Afflecks Argo is a nerve-jangling footnote to the birth of Ayatollah Khomeinis Islamic Republic. The movie opens at the crest of the 1979 revolution--the storming of the US embassy in Tehran, and the escape of six diplomats to the precarious safety of the Canadian ambassadors residence. To the rescue is Tony Mendez--a composed CIA agent whose heroism remained classified until 1997--and his state-approved plan to get the stranded embassy staff out of Iran under a brazen cover story: theyre an innocent film crew on a location hunt for the fake sci-fi blockbuster Argo. Hollywood is usually pressed into the service of the state in the name of comedy (either burying dictators in Team America: World Police or just bad news in Barry Levinsons Wag the Dog), but Argo is a true story, and the tone of Affleck's Oscar-winning script is carefully split, switching between mounting tension in consular Tehran and a satire of the Hollywood machine as fronted by Alan Arkin and John Goodman--two raffish producers hired by Mendez to reverse-engineer some convincing buzz for the Argo movie. Affleck himself takes the role of Mendez, the steady-eyed agent betting everything on Hollywoods age-old efficiency at creating a media circus for a project long before it exists. History starts out as farce and ends up a tragedy, remarks Goodman, but Argo ends on a patriotic upbeat, and doesnt reflect much on history. It politely nods at the context of Irans attitude to the West, and were told about but not shown--bar the blank rage of the revolutionary mob--Irans anger at the Westerly flow of resources under Shah Pahlavi. Instead, Argo concentrates on the eggshell complexities of deception in plain sight, including a climactic set-piece in which Mendez team must fend their way through layers of suspicious Iranian airport security--with imminent capture, execution and political calamity only on the other side of their paper-thin pretext. It may have the ring of historical escapism, but Argo holds its nerve as a great Hollywood escape. --Leo Batchelor /* Style Definitions */ table.MsoNormalTable {mso-style-name:"Table Normal"; mso-tstyle-rowband-size:0; mso-tstyle-colband-size:0; mso-style-noshow:yes; mso-style-priority:99; mso-style-parent:""; mso-padding-alt:0cm 5.4pt 0cm 5.4pt; mso-para-margin:0cm; mso-para-margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:10.0pt; font-family:"Times New Roman","serif";}
Little Noises is a superb comedy drama film of a young entrepreneur who craves success fame and fortune in the literary world. He also wants love and approval from his beautiful best friend and he's just created a masterpiece that his agent loves. Crispin Glover plays an awkward and unsuccessful writer (Joey) who dates a playwright Stella (Tatum O'Neal) while sharing a room with an unsuccessful actor Timmy Smith (Steven Schub). He steals the poems of Marty a mute friend (Mat
Acting under the cover of a Hollywood producer scouting a location for a science fiction film, a CIA agent launches a dangerous operation to rescue six Americans in Tehran during the U.S. hostage crisis in Iran in 1979. Product Features Picture-in-Picture: eyewitness account Rescued From Tehran: We were there Feature-length Commentary (On 4K And Blu-ray) With director Ben Affleck and writer Chris Terrio
Biochemist Paul (Tate Donovan) has no luck at all with women and is persuaded by his friends to visit a fortuneteller who gives him a love potion # 8 to make him irresistible to women. Being a scientist Paul believes none of this until his cat accidentally gets a taste and attracts every female cat in the neighborhood. He enlists fellow scientist Diane (Sandra Bullock) to help him analyze it and after experimenting on monkeys they decide to test it on themselves and both embark on a quest to find romance. In the end they discover that they really want each other; but before they can get married an old boyfriend of Diane's returns with his own dose of love potion number 8. Paul's only hope is to get something even more powerful Love Potion #9.
Tarzan:The classic tale of Tarzan an orphan who is brought up by apes and believes them to be his family. This changes when on an expedition he rescues Jane and discovers that he is human after all. Now he must decide where he really belongs. Tarzan was the last Disney animated blockbuster for the 20th century and it pulled out all the stops with star studded voice-overs by the likes of Nigel Hawthorne Minnie Driver Glenn Close and Rosie O'Donnell while all the songs are performed by Phil Collins. Hercules:Bestowed with superhuman strength a young mortal named Hercules sets out to prove himself a hero in the eyes of his father the great god Zeus. Along with his friends Pegasus a flying horse and Phil a personal trainer Hercules is tricked by the hilarious hotheaded villain Hades who's plotting to take over Mount Olympus! Hercules must now choose between his legendary strength and his true love the Grecian beauty Meg. Only by learning a valuable lesson... that it's not the size of your strength that counts but the strength of your heart... will Hercules save Mount Olympus and be proclaimed a hero!
Sometimes Your Only Chance For Love Comes Once. Academy Award winner Diane Keaton (The First Wives Club Annie Hall) and Sam Shepard (Steel Magnolias) are paired as two ill-fated lovers who risk a chance at happiness for fear of commitment. Reece McHenry (Shepard) runs a clothing store where he meets Carol (Keaton) a seamstress and single mother looking for work. The two soon find they are attracted to each other but are afraid of expressing their emotions. As the years pass the deep friendship develops into love but perhaps because of time and circumstances it may be too late. Now Carol's daughter (Diane Lane) and Reece's son (Robert Patrick) who have been friends since childhood have fallen in love and may be making the same mistakes as their parents. The Only Thrill is the powerfully tender story of love long delayed and almost lost.
Have you ever wondered what would happen if your partner suddenly became really really famous? Would you be by his or her side waltzing up the red carpet at awards ceremonies and having your picture in Hello Magazine? Or would you just be left behind? In 'Get Well Soon' Lily (Courtney Cox) has experienced just such a life crisis. Her high-school sweetheart Kevin (Vincent Gallo) abandoned her for the bright lights of Hollywood sold his soul and became Bobby Bishop the nation's favourite talk show host. Without much more than a note (and his inescapable presence on late night TV) Lily was left to get on with things alone. Unfortunately for her this means coping with her manic depressive brother her zany friend and her borderline insane mother.
On the 22nd of Oct. fate places a killer in their midst... October 22nd will change their lives forever. Each person captured in 'this' situation has their own story to tell just why they were there on the fateful day that will change their lives forever. Original music score by Midge Ure (of Ultravox).
Rocketman is an epic musical story about Elton John's breakthrough years. The film follows the fantastical journey of transformation from shy piano prodigy Reginald Dwight into international superstar Elton John. This inspirational story set to Elton John's most beloved songs and performed by star Taron Egerton tells the universally relatable story of how a small-town boy became one of the most iconic figures in pop culture.
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