For his tenth feature, Terry Gilliam (Time Bandits, Twelve Monkeys) adapted Mitch Cullin's celebrated cult novel Tideland, a work he once described as Alice in Wonderland meets Psycho through the eyes of Amélie. To escape her unhappy life in a remote part of Texas, nine-year-old Jeliza-Rose dreams up an elaborate fantasy world. But the reality of having junkie parents played by Jeff Bridges (The Big Lebowski) and Jennifer Tilly (Bound) and the influence of her eccentric neighbours begins to encroach, turning her daydreams ever darker. A rich slice of Southern Gothic blurring whimsical fantasy with unsettling reality, Tideland is among Gilliam's most personal works indeed, with its shifts between the amusing and the macabre, expressive camerawork and striking special effects, the film could be the very definition of Gilliamesque! Features: High Definition Blu-ray (1080p) presentation DTS-HD MA 5.1 audio Optional English subtitles for the deaf and hard of hearing Commentary by writer-director Terry Gilliam and co-writer Tony Grisoni Introduction by director Terry Gilliam Getting Gilliam, a 45-minute documentary on the making of Tideland by Vincenzo Natali (Cube, Splice) The Making of Tideland featurette Filming Green Screen featurette with commentary by Gilliam Interviews with Terry Gilliam, producer Jeremy Thomas and actors Jeff Bridges, Jodelle Ferland and Jennifer Tilly Deleted scenes with commentary by Gilliam B-roll footage Gallery Theatrical trailer Reversible sleeve featuring two choices of original artwork FIRST PRESSING ONLY: Illustrated collector's booklet featuring new writing on the film by Neil Mitchell
A darkly amusing procedural centred on a highly skilled forensic anthropologist whose expertise lies in her uncanny ability to read clues left behind in the victim's bones. She partners with an FBI agent on murder investigations when the standard methods of identifying a body are useless. Last season Booth revealed his true feelings to Brennan who told him she was not able to reciprocate so he decided he needed to move on. In the emotional season finale Brennan Booth and the team each decided to take on new challenges in their lives with Brennan and Booth both leaving Washington D.C. for life-changing experiences and vowing to reunite one year later. As Season Six begins Cam finds her job as a federal medical examiner and her reputation in danger due to the politics surrounding a stalled case involving the remains of a child on her pathology table. One by one the team members come home in order to solve the mystery behind the child's death and to preserve the reputation of one of their own. Also this season Booth has moved on emotionally as he told Brennan he needed to do and has entered into a serious relationship with a war correspondent.
Based on The New York Times bestselling true story of heroism courage and resilience Lone Survivor tells the incredible tale of four Navy SEALs on a covert mission to neutralize high-level al-Qaeda operatives who are ambushed by the enemy in the mountains of Afghanistan. 'Faced with an impossible moral decision the small band is isolated from help and surrounded by a much larger force of Taliban ready for war. As they confront unthinkable odds together the four men find reserves of strength and bravery as they stay in the fight to the finish. Mark Wahlberg (The Fighter Contraband) leads the cast as Marcus Luttrell the author of the first-person memoir 'Lone Survivor ' whose book has become a motivational resource for its lessons on how the power of the human spirit is tested when we are pushed beyond our mental and physical limits. Starring alongside Wahlberg as the other members of the elite team who gave everything for their brothers-in-arms are Taylor Kitsch (Savages Friday Night Lights) as Michael Murphy Emile Hirsch (Into the Wild television's Bonnie and Clyde) as Danny Dietz and Ben Foster (3:10 to Yuma Kill Your Darlings) as Matthew 'Axe' Axelson. Eric Bana (Star Trek Hanna) joins the core team as Erik Kristensen their commanding officer in Afghanistan. Special Features: Will of the Warrior Bringing The Story to Light Recreating the Firefight Learning the Basics The Fallen Heroes of Operation Red Wings The Pashtun Code of Life Feature Commentary with Writer/Director Peter Berg
Jane Austen's beloved comedy about finding your equal and earning your happy ending, is reimagined in this delicious new film adaptation of EMMA. Handsome, clever, and rich, Emma Woodhouse is a restless queen bee without rivals in her sleepy little town. In this glittering satire of social class and the pain of growing up, Emma must adventure through misguided matches and romantic missteps to find the love that has been there all along. Bonus Features Feature Commentary with Director Autumn de Wilde, Screenwriter Eleanor Catton, and Director of Photography Christopher Blauvelt Deleted Scenes Gag Reel A Playful Tease
From JENJI KOHAN, the creator of Weeds, Orange Is the New Black is a thought-provoking, funny, and evocative show about life in a women's prison. Based on the best-selling memoir by PIPER KERMAN, the newest season of Orange Is the New Black delves into the racial and economic tensions that run rampant in the halls of Litchfield. Overrun with new inmates and overseen by inexperienced guards, the prison undergoes an unprecedented culture war. Special features: Gag Reel Visitation: Set Tour Commentaries with Cast and Crew
On the night of the discovery of a duplicate planet in the solar system, an ambitious young student and an accomplished composer cross paths in a tragic accident.
A young girl attempts to deal with her mother's death from a heroin overdose.
Following the failure on yet another peace treaty between the Apache nation and the United States government a troop of cavalrymen attacked and massacred a sleeping camp of Indian men women and children. Unbeknown the them they left several survivors including a women and an Indian leader who were some of the few who had upheld the treaty. A once peaceful man has now become a feared and hated warrior the scourge of the white-man known as Yellow Shirt.
One of a series of revisionist Vietnam cinema released in the late 1980s, Stanley Kubrick's Full Metal Jacket is essentially split into two stories linked by a number of characters. The film follows new recruit Joker (Matthew Modine) and his fellow soldiers through their basic training and into combat in Vietnam. The first half is a chilling portrayal of military brutality and de-humanisation, mainly at the hands of Sgt Hartman (played at a level of staggering intensity by ex-Marine Lee Ermey), that centres around the tragic character of Private Pyle, a young man pushed to the edge of his endurance. The tone of the film is no less harsh when transported to the combat zone as we see the results of the training process in action: the young men turned into unquestioning killing machines. Joker is perhaps the one exception, a soldier with "Born to Kill" written on his helmet who also sports a peace sign on his lapel. But the film finds itself caught in the trap of many of the war movies of the time--how to create audience empathy with characters who are essentially in the wrong. It's a dilemma that Full Metal Jacket never really solves, although as a spectacle the film is a masterpiece. Made in the days before CGI became the norm, the battle sequences--filmed, rather bizarrely, in London's Docklands before its redevelopment--are hugely realistic and are perhaps the key moments of the movie, heightening the disorientation and fear felt by the soldiers. By offering no more than a snapshot of the Vietnam conflict (the action deals with one individual skirmish), Kubrick cleverly leaves any judgement on the war to the audience, although clearly attempting to influence them. The fate of the characters who survive is also left in the balance, but we can perhaps imagine what awaits them. On the DVD: Part of a series of Kubrick DVD reissues, Full Metal Jacket has been treated to the full remastering and restoration treatment. The battle sequences have benefited the most, gaining a new audio and visual crispness and clarity that adds to their already impressive sense of realism--you can almost feel the heat searing from the screen and the explosions detonating around you. Maybe not the best war film ever made, as some may claim, but certainly one to take you right to the heart of the action. --Phil Udell
The world's most renowned fictional lawyer is back on the case in this exciting HBO series that tells the origin story of master criminal defence attorney Perry Mason. Set in 1932 Los Angeles, this edgy, noirish update puts a new spin on the iconic character created by Erle Stanley Gardner and made famous by the classic TV show that ran from 1957 to 1966. The series begins with Mason (Matthew Rhys) living paycheck to paycheck as a low-rent private investigator who's haunted by his wartime experiences and managing the fallout of a broken marriage. During eight twisty, cliff-hanger episodes, Mason is determined to do what's righteven when it's not necessarily legalas he digs into a controversial and politically loaded case, exposing a fractured city and a possible police coverup. The stellar cast includes John Lithgow, Tatiana Maslany, Juliet Rylance, Chris Chalk and Shea Whigham.
The complete 1st and 2nd series of A Bit of a Do. Randy revelations and feuding families. Ted Simcock maker of toasting forks coal scuttles and door knockers Laurence Rodenhurst dentist to the more up-market members of society and Rodney Sillitoe all enjoy A Bit Of A Do as do their wives relations and assorted friends. The ""do's"" range from A White Wedding to a Dentist Dinner Dance An Angling Club Christmas Party to the Crowning of Miss Frozen Chicken UK and a Registry Office Wedding to a Funeral and a Civil Wedding! Season 1: 1. The White Wedding 2. The Dentists Dinner Place 3. The Angling Club Christmas Party 4. The Charity Horse Racing Evening 5. The Crownnig Of Miss Frozen Chicken (UK) 6. The Registry Office Wedding Season 2: 1. The Church Wedding 2. The Christening 3. The Grand Opening Of Stillitoe's 4. The Farewell Party 5. The Inauguration Of The Outer INner Relief Ring Road 6. The Funeral 7. The Civil Wedding
It's been ninety-seven years since nuclear Armageddon decimated the Earth, destroying civilization. The only survivors were the 400 inhabitants of 12 international space stations that were in orbit at the time. Now, unbeknownst to the general population, the Ark is dying. In a desperate attempt to prevent the extinction of humanity, a group of 100 juvenile prisoners are secretly exiled to the ground to test whether the atmosphere can once again support life. The youth have quite literally inh.
Early on in Robocop 3, an action figure of our metal hero on the nightstand in a little girl's room informs us that he's now become a children's toy. The image is right on the money; despite following up two of the most violent, hilarious sci-fi/action films ever made, Robocop 3 is strictly for the kiddies. It's not just that the gore has been toned down considerably to make for a PG-13 rating; also excised is the straight-faced portrait of a world run by corporate fascism. When evil corporation OCP, and its even more evil Japanese parent company, plan to raze a Detroit neighbourhood to put up the shining new Delta City, the residents (including the aforementioned adolescent, who conveniently happens to be a computer expert) gang up to fight back, just like the angry neighbours in Death Wish V. Robocop (played this time out by Robert John Burke, Peter Weller having wisely passed) could be a hindrance to the companies' plans, so a ninja android is sent in to deal with him. Even all this could have been enjoyable, in a campy sort of way, but nothing pays off as either comedy or action--tellingly, the two big showdowns with the ninja start exhilaratingly (Robocop's clunky movements hilariously counterpoised by the android's acrobatic leaps), only to end just when they're getting good. Director Fred Dekker has some nice stylistic touches scattered about, but not nearly enough to save the film. One high note, though: the animated "Johnny Rehab" spot may be the funniest ad in the whole series. --Bruce Reid, Amazon.com
A dazzling, high-tech thriller that infuses Ray Bradbury's classic novel of the same name with a decidedly 21st Century sensibility, the HBO Films presentation of Fahrenheit 451 depicts an American future where the media is an opiate, internet bots control everyday routines, history is truncated or rewritten, and brigades of celebrity firemen engage in televised search-and-destroy missions to burn books and bring their shamed owners to justice. Within this paranoid world, a zealous fireman (Michael B. Jordan) who's being groomed to replace his longtime captain (Michael Shannon) begins to question long-held assumptions about the practice of torching books and other graffiti that leaders say caused widespread dissent and, as a result, a Second Civil War where millions perished. After meeting a young informant (Sofia Boutella) who's on probation for supporting those who value literature and history, the fireman makes a dangerous decision to assist a group of underground Eels who have a bold plan for preserving the contents of thousands of classic books, arts and culture if they can outwit the all-seeing forces intent on destroying them.
Jim Carrey is up to all his old tricks (and some nifty new ones) in The Grinch Who Stole Christmas, a live-action film of Dr Seuss's holiday classic. Under a thick carpet of green-dyed yak fur and wonderfully expressive Rick Baker makeup, he commands the title role with equal parts madness, mayhem, pathos and improvisational genius, channelling Grinchness through his own screen persona so smoothly that fans of both Carrey and Dr Seuss will be thoroughly satisfied. Adding to the fun is a perfectly pitched back-story sequence (accompanied by Anthony Hopkins's narration) that explains how the Grinch came to hate Christmas, with a heart "two sizes too small". Ron Howard proves a fine choice for the director's chair with a keen balance of comedy, sentiment and light-hearted Seussian whimsy. Production designer Michael Corenblith gloriously realises the wackiness of Whoville architecture, and his rendition of the Grinch's Mt Crumpit lair is a marvel of cartoonish, subterranean grime. Then there's Cindy Lou Who (Taylor Momsen), the thoughtful imp who rallies her village to recapture the pure spirit of Christmas and melts the gift-stealing Grinch's cold, cold heart. You've even got a dog (the Grinch's good-natured mongrel, Max) who's been perfectly cast, so what's not to like about this dazzling yuletide movie? The production gets a bit overwhelmed by its own ambition, and the citizens of Whoville (including Jeffrey Tambor, Christine Baranski, Molly Shannon and Bill Irwin) pale in comparison to Carrey's inspired lunacy, but who cares? If a film can unleash Jim Carrey at his finest, revamp the Grinch story and still pay tribute to the legacy of Dr Seuss, you can bet it qualifies as rousing entertainment. (Ages five and older.) --Jeff Shannon, Amazon.com.On the DVD: You'd be hard pushed to cram any more special features on to this disc: as well as four deleted scenes, there's over an hour of behind the scenes featurettes. From a documentary about the stunts, the Oscar-winning make-up and how the team visually translated Dr Suess' festive tale to the screen, to a segment on the visual effects and CGI, allowing you to follow the filmmaker's process from beginning to end. And just when you think you have filled up on Grinchy extras there's another menu with the cinema trailer, "Wholiday" recipes, statistics about the film, cast and crew biographies, a trailer for the PlayStation game and the Faith Hill music video "Where are you Christmas". In a bid not to exclude the kids in this DVD bonanza, the Grinch's canine chum takes you through "Max's Playhouse" including interactive games and music, Dress the Grinch, a read-along story and a rhyming game. The candy-cane colours of the Christmas-obsessed town of Whoville shine brightly in anamorphic widescreen; the Dolby 5.1 Soundtrack will fill your house with festive cheer; and the intelligent commentary from Ron Howard give you some great behind the scenes info. --Kristen Bowditch
No matter how many sequels they've made or how big a hit it was in 1980, it's difficult to view the first Friday the 13th as anything but a quickie designed to cram in as many elements from horror movies that had been hits in the late 1970s--most obviously, Halloween and Carrie--while adding as little as possible to the formula. Director Sean S Cunningham has an archetypal plot at his disposal as a group of attractive, shallow teenagers out in the woods to reopen a once-cursed summer camp are murdered in manners designed to show off Tom Savini's gore effects. Kevin Bacon, killed early (arrow through the throat), is the only player who went on to have a career, and he hardly stands out from the strip-Monopoly-playing, goon-acting meat-on-the-hoof teens who fall prey to the mostly unseen murderer. That it's not a total write-off is down to a few neatly edited bits of classical suspense and, two decades on, a simmering nostalgia for a world of bouffant-haired bubbleheads in short shorts (and that's just the guys) observed by edgy subjective camera as the music hisses "kill kill kill". On the DVD: Friday the 13th may be the least worthy of all horror "classics", but it's still nice to have an edition that (unlike earlier video releases) offers a 16x9-enhanced 1.85:1 restored image and a healthy dose of extras. The hard-sell trailer gives away most of the big scares, and so should be sampled after the film. The making of the movie is covered by a 20-minute "Return to Crystal Lake" featurette and a commentary track with input from many of the creatives (Cunningham, composer Harry Manfredini, stars Adrienne King and Betsy Palmer, writer Victor Miller). Some anecdotes get repeated, but there's a lot of solid background material. --Kim Newman
Don't let the cheesy title put you off, because Jammin' with the Blues Greats, essentially a roadshow headed up by John Mayall's Bluesbreakers, is quality stuff, managing to convey all the virtues of the music without sacrificing one ounce of the atmosphere of what must have been an extraordinary gig. It's pretty much impossible to identify any one contributor as outshining the others, given that there are as many takes on the music here as there are practitioners, but it's worth noting Mayall's ongoing commitment to the form as the Bluesbreakers deliver "An Eye for an Eye", "Room to Move" and several other tunes. Buddy Guy and Junior Wells get a couple of numbers ("Messin' with the Kid" is wonderful), BB King gets three and Etta James just one. However, despite everyone getting the opportunity to cut loose on the finale ("CC Rider Jam"), the whole circus is totally upstaged by the 83-year-old Sippie Wallace, who is gently led onstage, leans on the piano and sings "Shorty George" with the kind of conviction that makes everyone else look like upstarts. On the DVD: Jammin' with the Blues Greats is presented in 4:3 aspect ratio and has only one extra feature, a John Mayall discography. --Roger Thomas
Star Wars: Clone Wars will be an expansion and continuation of the similarly-named 2003 TV series which picked up where the theatrical feature Star Wars: Episode II: Attack of the Clones left off as an epic civil war rages. It will feature the various conflicts between the Galactic Republic led by Supreme Chancellor Palpatin and the Confederacy of Independent Systems led by Count Dooku and General Grievous.
Kick-AssWhen average teenager Dave Lizewski (Aaron Johnson) decides to take his obsession with comic books as inspiration to become a real-life superhero he chooses a new name - Kick Ass - assembles a suit and mask and gets to work fighting crime. There's only one problem - Kick Ass has absolutely no superpowers. His life is forever changed when he meets up with a pair of crazed vigilantes - an eleven year old sword-wielding dynamo Hit Girl (Chloë Moretz) and her father Big Daddy (Nicolas Cage) - and forges a friendship with another fledging superhero Red Mist (Chris Mintz-Plasse). But thanks to the scheming of a local mob boss Frank D'Amico (Mark Strong) this new alliance will soon be put to the test... Kick-Ass 2After Kick-Ass's (Aaron Taylor-Johnson) insane bravery inspires a new wave of self-made masked crusaders led by the badass Colonel Stars and Stripes (Jim Carrey) our hero joins them on patrol. When these amateur superheroes are hunted down by Red Mist (Christopher Mintz-Plasse) - reborn as The MotherF!?ker - only the blade-wielding Hit Girl (Chloe Grace Moretz) can prevent their annihilation! Special Features: Kick-Ass It's on the Comic Book Origin of Kick-Ass Feature Commentary
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