Following an early career directing low-budget exploitation movies for producer Roger Corman, by the 1990s, Jonathan Demme was known best for making quirky comedies (Something Wild, Married to the Mob) and music documentaries (Stop Making Sense) that is, until he signed on to adapt Thomas Harris' best-selling thriller The Silence of the Lambs. The resulting film a sombre, enthralling nightmare vision of psychopathology became a five-time Academy Award winner* and made cannibal mastermind Hannibal Lecter a household name. FBI agent Clarice Starling (Jodie Foster, The Accused) races against time to stop a serial killer, nicknamed Buffalo Bill (Ted Levine, Heat), before he kills again. To solve the case, she risks her own sanity by consulting with malevolent psychiatrist Hannibal Lecter (Anthony Hopkins, Nixon). A master manipulator, the sinister Dr Lecter offers crucial information that may be key to unlocking the killer's identity but at a price. Clarice must open primal events from her past to Lecter's menacing curiosity and confront the trauma that fuels her search for justice. A deeply disturbing examination of human evil, The Silence of the Lambs changed the face of the serial killer genre and remains a highly influential, landmark classic of mystery, suspense and psychological horror. 4K ULTRA HD BLU-RAY SPECIAL EDITION CONTENTS ¢ 4K (2160p) UHD Blu-ray presentation in Dolby Vision (HDR10 compatible) ¢ Newly restored original lossless 2.0 stereo soundtrack ¢ Optional lossless 5.1 soundtrack ¢ Optional English subtitles for the deaf and hard of hearing ¢ Audio commentary by critics Elizabeth Purchell & Caden Mark Gardner ¢ Audio commentary by critic Tim Lucas ¢ Through Her Eyes, visual essay on the theme of transformation by critic Justine Peres Smith ¢ Healing Humanity, visual essay exploring point of view and personalisation by critic Willow Catelyn Maclay ¢ Breaking the Silence, archival picture-in-picture interviews and trivia track ¢ 2002 episode of the Bravo television series Page to Screen focusing on The Silence of the Lambs ¢ Scoring the Silence, 2004 archival interview with composer Howard Shore ¢ Jonathan Demme & Jodie Foster, three-part archival 2005 documentary by Laurent Bouzereau ¢ Understanding the Madness, 2008 archival featurette featuring various FBI alumni discussing the profiling of serial killers ¢ 1991 Making Of Featurette ¢ 22 deleted scenes ¢ 7 additional deleted scenes, sourced from a VHS workprint ¢ Outtakes ¢ Anthony Hopkins phone message ¢ Theatrical trailer ¢ Teaser trailer ¢ 11 TV spots ¢ Image gallery ¢ Reversible sleeve featuring two choices of original artwork
Since its release in 1998, Steven Spielberg's D-Day drama Saving Private Ryan has become hugely influential: everything, from the opening sequence of Gladiator ("Saving Marcus Aurelius") to the marvellous 10-hour TV series Band of Brothers, has been made in its shadow. There have been many previous attempts to recreate the D-Day landings on screen (notably, the epic The Longest Day), but thanks to Spielberg's freewheeling hand-held camerawork, Ryan was the first time an audience really felt like they were there, storming up Omaha Beach in the face of withering enemy fire. After the indelible opening sequence, however, the film is not without problems. The story, though based on an American Civil War incident, feels like it was concocted simply to fuel Spielberg's sentimental streak. In standard Hollywood fashion the Germans remain a faceless foe (with the exception of one charmless character who turns out to be both a coward and a turncoat); and the Tom Hanks-led platoon consists of far too many stereotypes: the doughty Sergeant; the thick-necked Private; the Southern man religious sniper; the cowardly Corporal. Matt Damon seems improbably clean-cut as the titular Private in need of rescue (though that may well be the point); and why do they all run straight up that hill towards an enemy machine gun post anyway? Some non-US critics have complained that Ryan portrays only the American D-Day experience, but it is an American film made and financed by Americans after all. Accepting both its relatively narrow remit and its lachrymose inclinations, Saving Private Ryan deserves its place in the pantheon of great war pictures. On the DVD: Saving Private Ryan on disc comes in a good-quality anamorphic 1.85:1 transfer with a suitably dynamic Dolby Digital 5.1 sound mix in which bullets fly all around your living room. Extra features are pretty minimal, with a standard 30-minute "making of" piece called "Into the Breach" and two trailers. There are text notes on the cast and crew as well as the production, and a brief message from Mr Spielberg himself about why he decided to make the movie. --Mark Walker
Some comedies secure cult status after just one episode. The first series of Phoenix Nights, created by and starring Bolton-born comic Peter Kay, is one of those rare gems that few saw on first showing but that everyone was soon talking about. Wheelchair-bound Brian Potter (Kay) runs the Phoenix, a shabby social club populated by an assortment of wonderfully observed characters. It's grim up North and despite the best efforts of the staff to inject life into the proceedings--be it an alternative comedy night, a version of Robot Wars in Potter's beloved Pennine Suite or a Wild West extravaganza--each evening's entertainment always ends badly. Undaunted, the Phoenix denizens continue to strive for their dream: a world in which "clubland never dies". Even though Kay is the focus of the show (having also directed and penned the series), this is no star vehicle; the hapless security guards, the club entertainer Jerry, and Ray Von the dodgy DJ all combine in an ensemble comedy the like of which hasn't been seen since Fawlty Towers. You have to watch it a couple of times just to catch all the visual gags, let alone pick up on all the nuances of the brilliantly written script. If you missed it first time round, now's your chance to own one of the best British sit-coms of recent years. On the DVD: Phoenix Nights on disc comes with a plethora of extras to enjoy. "One Man and His Horse" is behind the scenes footage of Trigger and his handler (who is almost as entertaining as his charge); there are some great deleted scenes, trailers for the first series and an episode-by-episode sequence of outtakes where the cast hilarity is definitely contagious. A commentary from Kay and some of the team consists more of reminiscence than information, but is well worth a listen. --Kristen Bowditch
The beginning of the second series of Phoenix Nights sees Brian Potter's beloved Phoenix Club lying in ashes and the staff scattered to the four winds. Even club compere Jerry St Clair is reduced to singing "Come get your black bin bags" to the tune of Men in Black in the local supermarket. But not even being barred from having a licence for the rest of his natural life can deter the northern Svengali from reopening the club and making it bigger and better than before--even if that means making Jerry the licensee and offering up-market Chinese nosh. This second instalment of Peter Kay's cult sit-com is more upbeat than the first, with some genuine success coming to the characters and club, but it still has its hilariously subversive undertones: a botched hit job; an inflatable castle with an extra appendage; and Brian stuck on his stair lift for a day after a power cut, to take just three examples. The script remains brilliantly surreal and incredibly funny. All the favourite characters remain, with club bouncers Paddy and Max featuring in a couple of the meatier storylines (perhaps setting them up for their own spin-off series?) and Jerry continuing to wow the crowds with his original vocal stylings, the highlight being the grand Stars in Their Eyes final in which he offers his own unique clubland take on Eminem. It's brilliantly original stuff: roll on Series 3. --Kristen Bowditch
Walt Disney studios had previously adapted Sheila Burnford's classic animal-adventure novel The Incredible Journey in 1963, and the story proves just as durable in this popular 1993 version, Homeward Bound, in which the heroic trio of animals are given voices provided by Don Ameche, Michael J Fox, and Sally Field. They don't actually speak (like the clever critters in Babe), but we hear their "voices" as the lost household pets--Shadow the golden retriever, Chance the bulldog, and Sassy the cat--survive a harrowing series of adventures as they struggle to find their way home. Perfect entertainment for kids, this frequently clever movie offers an abundance of wildlife and beautiful location scenery, and the vocal performances by Ameche, Fox and Field are surprisingly effective. A hit with parents and children alike, the film was followed by a sequel in 1996. --Jeff Shannon
Wacky Professor Philip Brainard (Robin Williams) has just invented a revolutionary new compound. Its green it flies and it looks like rubber. Its Flubber! And it has the ability to save his financially troubled college as well as his broken engagement to his girlfriend Sara. That is until the gooey substance is stolen right from under the nose of his beloved but jealous robot assistant Weebo! Now the professor's got to get the goo and the girl back where they belong. Mix one
It's been three years since theme park and luxury resort Jurassic World was destroyed by dinosaurs out of containment. Isla Nublar now sits abandoned by humans while the surviving dinosaurs fend for themselves in the jungles. When the island's dormant volcano begins roaring to life, Owen (Chris Pratt) and Claire (Bryce Dallas Howard) mount a campaign to rescue the remaining dinosaurs from this extinction-level event. Owen is driven to find Blue, his lead raptor who's still missing in the wild, and Claire has grown a respect for these creatures she now makes her mission. Arriving on the unstable island as lava begins raining down, their expedition uncovers a conspiracy that could return our entire planet to a perilous order not seen since prehistoric times. With all of the wonder, adventure and thrills synonymous with one of the most popular and successful series in cinema history, this all-new motion-picture event sees the return of favorite characters and dinosaursalong with new breeds more awe-inspiring and terrifying than ever before. Welcome to Jurassic World: Fallen Kingdom.
Dating from 1969, Butch Cassidy and the Sundance Kid has never lost its popularity or its unusual appeal as a star-driven Western that tinkers with the genre's conventions and comes up with something both terrifically entertaining and--typical of its period--a tad paranoid. Paul Newman plays the legendary outlaw Butch Cassidy as an eternal optimist and self-styled visionary, conjuring dreams of banks just ripe for the picking all over the world. Robert Redford is his more level-headed partner, the sharp-shooting Sundance Kid. The film, written by William Goldman (The Princess Bride) and directed by George Roy Hill (The Sting), basically begins as a freewheeling story about robbing trains but soon becomes a chase as a relentless posse--always seen at a great distance like some remote authority--forces Butch and Sundance into the hills and, finally, Bolivia. Weakened a little by feel-good inclinations (a scene involving bicycle tricks and the song "Raindrops Keep Falling on My Head" is sort of Hollywood flower power), the film maintains an interesting tautness, and the chemistry between Redford and Newman is rare. (A factoid: Newman first offered the Sundance part to Jack Lemmon.) --Tom Keogh, Amazon.com On the DVD: This anamorphic widescreen print of the 2.35:1 Panavision original looks marvellously crisp, highlighting the sepia tinting and washed-out, over-exposed look of the film nicely and making the best of the deep focus cinematography. The mono soundtrack sounds clean and clear in Dolby 2.0. The commentary track is hosted by documentary-maker Robert Crawford with contributions from George Roy Hill, cinematographer Conrad Hall, and lyricist Hal David (who chips in during the "Raindrops" sequence). The 40-minute documentary dates from 1968 and is narrated by director Hill, who talks in detail about the making-of process, comments on his relationship with the three principals (Katharine Ross was the difficult one apparently), and adds little nuggets such as how they sprayed the bull's testicles to make him charge at the end of the bicycle scene. Also included are a series of absorbing 1994 interviews with all the main players: Newman, Redford, Ross, writer William Goldman, and composer Burt Bacharach. Trailers, Production Notes and an Alternate Credit Roll complete an attractive package. --Mark Walker
Welcome to The Good Place. Everything is fine. Eleanor Shellstrop (Kristen Bell, Veronica Mars) has passed away, her spirit's final resting place being 'The Good Place'. Spirits live in specially designed neighbourhoods. Michael (Ted Danson, Cheers) is the architect of Eleanor's neighbourhood. All spirits are paired with soul mates and Eleanor's is an ethicist named Chidi (William Jackson Harper) Life is absolutely perfect. The only problem is Eleanor isn't supposed to be in The Good Place. In fact, her life decisions wouldn't have even gotten her close. But due to a clerical error, she's been given someone else's reward and now has to struggle with being good in order to make sure her secret isn't discovered. From Michael Schur, executive producer of Brooklyn Nine-Nine and Parks And Recreation, comes this hilarious comedy, with fantastic cast, Ted Danson, Kristen Bell, Jameela Jamil, William Jackson Harper, Manny Jacinta, D'Arcy Carden and Maya Rudolph.
Jesus Christ Superstar is a phenomenon: a brilliant example of modern moviemaking that translates a legendary rock opera to the screen. Told entirely in song images and music the story focuses on the last week of Christ's life his betrayal and crucifixion seen from the point of view of Judas. Producer-director Norman Jewison shot his film entirely on location in Israel and fills the screen with a never-ending series of dazzling images.
JAWS, the original, terrifying, summer blockbuster is digitally restored and back in cinemas for a limited time only from June 15
Larry's back and that's pritty, pritty, pritty good news! Six years after the award-winning Curb Your Enthusiasm ended its last season, the Emmy®- and Golden Globe-winning hit series starring writer/producer/comedian Larry David as writer/producer/comedian Larry David is back. Each episode features verité-style footage of David (playing himself) as he gets into everyday predicaments with both fictional and real-life personalities. With cast regulars Jeff Garlin (as manager Jeff Greene), Susie Essman (as Jeff's wife Susie), Cheryl Hines (as Larry's ex-wife Cheryl) and JB Smoove (as Larry's live-in friend Leon) reprising their roles, the series continues to feature appearances by guests playing themselves or characters. Appearing on new episodes are returning favorites Richard Lewis, Bob Einstein, Ted Danson and Mary Steenburgen, as well as Elizabeth Banks, Ed Begley, Jr., Carrie Brownstein, Bryan Cranston, Lauren Graham, Jimmy Kimmel, Nick Offerman, Nasim Pedrad, Elizabeth Perkins and others. This season, Larry has a big idea that elicits promising feedback from a number of prospective investors until a string of missteps undermines the plan, at least temporarily.
The regulars of the Boston bar Cheers share their experiences and lives with each other while drinking or working at the bar where everybody knows your name.
Jurassic World Steven Spielberg returns to executive produce the long-awaited next installment of his groundbreaking Jurassic Park series, Jurassic World. Colin Trevorrow directs the epic action-adventure based on characters created by Michael Crichton. Jurassic World: Fallen Kingdom It's been three years since theme park and luxury resort Jurassic World was destroyed by dinosaurs out of containment. Isla Nublar now sits abandoned by humans while the surviving dinosaurs fend for themselves in the jungles. When the island's dormant volcano begins roaring to life, Owen (Chris Pratt) and Claire (Bryce Dallas Howard) mount a campaign to rescue the remaining dinosaurs from this extinction-level event. Owen is driven to find Blue, his lead raptor who's still missing in the wild, and Claire has grown a respect for these creatures she now makes her mission. Arriving on the unstable island as lava begins raining down, their expedition uncovers a conspiracy that could return our entire planet to a perilous order not seen since prehistoric times. With all of the wonder, adventure and thrills synonymous with one of the most popular and successful series in cinema history, this all-new motion-picture event sees the return of favorite characters and dinosaursalong with new breeds more awe-inspiring and terrifying than ever before. Welcome to Jurassic World: Fallen Kingdom.
Created by and starring Bolton-born comic Peter Kay, Phoenix Nights is one of those rare gems that few saw on first showing but that everyone was soon talking about. The first series introduces wheelchair-bound Brian Potter (Kay), who runs the titular Phoenix, a shabby social club populated by an assortment of wonderfully observed characters. It's grim up North and despite the best efforts of the staff to inject life into the proceedings--be it an alternative comedy night, a version of Robot Wars in Potter's beloved Pennine Suite or a Wild West extravaganza--each evening's entertainment always ends badly. Undaunted, the Phoenix denizens continue to strive for their dream: a world in which "clubland never dies". The beginning of the second series sees Brian Potter's beloved Phoenix Club lying in ashes and the staff scattered to the four winds. Even club compere Jerry St Clair is reduced to singing "Come get your black bin bags" to the tune of Men in Black in the local supermarket. But not even being barred from having a licence for the rest of his natural life can deter the northern Svengali from reopening the club and making it bigger and better than before--even if that means making Jerry the licensee and offering up-market Chinese nosh. --Kristen Bowditch
A purely tasteless, moronic, guilty pleasure. Director Harold Ramis employs a mixture of Mad magazine National Lampoon maturity and Saturday Night Live sarcasm in this goofball golf comedy set on the grounds of a posh country club. Somewhere buried in the slapstick antics, drug references, Marx Brothers-like insults, and gratuitous sex scenes are the intertwined, forgettable subplots of a poor caddie (Michael O'Keefe) trying to earn enough cash to attend college, and golf-tournament and class battles between rich and even richer snobs. Mainly, Ramisjust lets his colourful group of eccentrics crash into each other, relying on several inspired performances to create several hilarious moments of sketch comedy. Most come from the trio of Bill Murray (playing a vile, obsessed groundskeeper engaged in a one-man war with a charismatic and very stuffed gopher), Rodney Dangerfield (basically recreating his crude stand-up routine), and Chevy Chase (who looks bemusedly stoned throughout). Quotable favourites include Murray's acted-out fantasy of winning the Masters, his tall tale about caddying for the Dalai Lama, an overreaching priest's rain-soaked golf game, Dangerfield's verbal assault on the club's uptight dining patrons, and Chase's lesson on the essence of golf ("Be the ball, Danny"). A perfect double feature with other comparably crass films such as National Lampoon's Vacation or Stripes. --Dave McCoy
They're creepy and they're kooky mysterious and spooky they're altogether ooky... The Addams Family! The Addams Family America's first family of ghastly giddiness are here in all of their ghoulish glory in the original TV series based on the delightfully demented imagination of Charles Addams. Tarantulas torture racks and tombstones have never been so much fun! Join Gomez Morticia Uncle Fester Lurch Cousin Itt and the rest of the gang for a fiendishly funny and altogether kooky experience! This 9-disc box set contains every episode of the original series.
Two brothers get caught up in Ireland's bid for independence in 1920.
Three Men And A Baby (Dir. Leonard Nimoy 1987): They changed her diapers. She changed their lives. Take three of Hollywood's hottest stars of the '80s add one adorable baby girl and the result is one of the biggest funniest comedy hits ever! Three handsome Manhattan bachelors finding their dating and mating rituals irreparably damaged when an unexpected new roommate - complete with crib pacifier and dirty diaper - shows up on their doorstep. This bouncing bundle of
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