In 1977 Voyager II was launched into space, inviting all lifeforms in the universe to visit our planet. Get ready. Company's coming. When his spacecraft is shot down over Wisconsin, Starman (Bridges) arrives at the remote cabin of a distraught young widow, Jenny Hayden (Karen Allen), and clones the form of her dead husband. The alien convinces Jenny to drive him to Arizona, explaining that if he isn't picked up by his mothership in three days, he'll die. Hot on their trail are government agents, intent on capturing the alien, dead or alive. En route, Starman demonstrates the power of universal love, while Jenny rediscovers her human feelings for passion.
Director John Carpenter presents a romantic science fiction odyssey starring Jeff Bridges in his Oscar(R)-nominated role as an innocent alien from a distant planet who learns what it means to be a man in love. When his spacecraft is shot down over Wisconsin, Starman (Bridges) arrives at the remote cabin of a distraught young widow, Jenny Hayden (Karen Allen), and clones the form of her dead husband. The alien convinces Jenny to drive him to Arizona, explaining that if he isn't picked up by his mothership in three days, he'll die. Hot on their trail are government agents, intent on capturing the alien, dead or alive. En route, Starman demonstrates the power of universal love, while Jenny rediscovers her human feelings for passion.
The body count continues in this vivid thriller the fourth but not final story in the widely successful 'Friday The 13th' series. Jason Crystal Lake's least popular citizen returns to wreak further havoc in 'Friday The 13th Part 4: The Final Chapter'. After his revival in a hospital morgue the hockey-masked murderer fixes his vengeful attention on the Jarvis family and a group of hitherto carefree teenagers. Young Tommy Jarvis is an aficionado of horror films with special talent f
The true story of James Van Praagh the medium many believe opened the door between life and death. Praagh has been haunted by psychic visitations since childhood and although terrified by them he is encouraged by his friend Midge to delve deeper and by his mother - after she dies - to accept his gift as a blessing. But then a criminal investigation forces James to use his powers to solve a 30 year old murder involving seven young boys. Detective Karen Condrin helps him identify the children and they both set about solving the crime allowing the lost boys to continue their path to heaven.
Starman is easily director John Carpenter's warmest and most beguiling film, and the only one that ever earned him an Oscar nomination. While most movie buffs are likely to call Halloween the best movie from Carpenter, die-hard romantics and anyone who cried while watching E.T. will vote in favour of the director's 1984 hit. Jeff Bridges is the alien visitor to Earth who is knocked off course and must take an interstate road trip to rendezvous with a mothership from his home planet. To complete this journey he assumes the physical form of the dead husband of a Wisconsin widow (Karen Allen) who responds first with fear, then sympathy, and finally love. Carpenter's graceful strategy is to switch the focus of this E.T.-like film from science fiction to a gentle road-movie love story, made believable by the memorable performances of Bridges and Allen. It's a bit heavy-handed with tenacious government agents who view the Starman as an alien threat (don't they always?), but Carpenter handles the action with intelligent flair, sensitivity and lighthearted humour. If you're not choked up during the final scene, well, you just might not be human. --Jeff Shannon, Amazon.com On the DVD: Starman on disc is presented in anamorphic widescreen transferred from NTSC and letterboxed at 2.35.1. The picture is clear and sharp with very little grain. The soundtrack is crisp, perfectly complementing the romantic nature of this film. The overriding reason to shell out on this special edition is the commentary from John Carpenter and Jeff Bridges, in which director and actor show a genuine affection for the film. Other extras are a featurette filmed around the original release in 1884, a music video starring Bridges and costar Karen Allen covering The Everly Brothers classic "All I Have to Do is Dream", and a trailer for Close Encounters of the Third Kind. --Kristen Bowditch
The body count continues in this vivid thriller the fourth but not final story in the widely successful 'Friday The 13th' series. Jason Crystal Lake's least popular citizen returns to wreak further havoc in 'Friday The 13th Part 4: The Final Chapter'. After his revival in a hospital morgue the hockey-masked murderer fixes his vengeful attention on the Jarvis family and a group of hitherto carefree teenagers. Young Tommy Jarvis is an aficionado of horror films with special talent for masks and make-up. Has the diabolical Jason finally met his match?
Few 1950s creature features deliver in the way Fiend Without a Face does. The first hour is all build-up as tension grows between an Air Force research base and a small Canadian town (this is one of those British B films that pretends to be set overseas) as a series of mystery deaths are blamed by the superstitious on weird military experiments. It's not a spoiler to give away the big revelation, since every item of publicity material, including the DVD cover, blows the surprise: the initially invisible culprits turn out to be a killer swarm of disembodied brains with eyes on stalks and inchworm-like spinal cord tails. These creatures have a nasty habit of latching onto victims and sucking out their grey matter. The finale is a siege of a house by the fiends, which swarm en masse making unsettling brain-sucking sounds, and are bloodily done away with by the heroes. Using excellent stop-motion animation, this climax goes beyond silliness and manages to be genuinely nightmarish. The orgy of splattering brains stands proud among the cinema's first attempts at genuine horror-comic glee, setting a precedent for everything from The Evil Dead to Peter Jackson's Braindead. Marshall Thompson is a bland, stolid uniformed hero and most of the rest of the cast struggle with "anadian" accents, but Kynaston Reeves is fun as the decrepit lone researcher whose fault it all is. On the DVD: Fiend Without a Face on disc comes with a montage of scenes from other films in this batch of releases (The Day of the Triffids, The Stars Look Down) that plays automatically when the disc is inserted, but otherwise not even a trailer, much less the commentary track and other material found on the pricey but luxurious US Region 1 Criterion release. The print has nice contrasts but is pretty grainy. --Kim Newman
Beth Early is trying to get over her broken marriage. She attends the local college where she meets Martin Knapek a successful lawyer. One night after accepting his lift home she is subjected to a brutal assault. At his trial he is freed and Beth is then faced with a libel suit for wrongly accusing him of rape... Based on a true story...
Kinky and Ta-Ta are two hot girls both looking to get hitched. The trouble is they are not sure what type of guy they are looking for...
Few bands can claim to have defined a musical genre; fewer can claim to have invented one. Metallica has done both. . The world's greatest exponents of the art of Thrash Metal have sold an incredible 90 million albums and this exclusive DVD takes us on a journey to the very heart of the machine. Featuring rare archive interviews with guitarist James Hetfield and former bassist Jason Newstead we hear how the band drew on British heavy metal and US punk to fashion their extraordinary sound. We hear about the highs and the lows included the tragic death of bass player Cliff Burton in Sweden in 1986. Also featured are revealing interviews with Bay Area musicians Dave White John Torres and Lee Altus who as members of thrash band Heathen speak with authority about the influence Metallica have had on rock music. As peers of the band they delve into the early years of bay area thrash examine the musical roots of Metallica and comment on the bands musical evolution. Drawing on blistering archive performances of classic tracks such as 'Enter Sandman' 'One' and 'Stone Cold Crazy' this standout programme is an incomparable record of a band that shook rock music to its core.
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