What is it about director Richard Donner that Mel Gibson enjoys so much that he's appeared in five of Donner's films? Is it the on-set pranks? Could it be the big-budget perks and $20 million paychecks? Or is it just a well-stocked catering table? Whatever the case, the Lethal Weapon star and director teamed up again, along with fellow superstar Julia Roberts, for this typically glossy, entertaining but ultimately hokey thriller. Gibson plays New York cab driver Jerry Fletcher, whose wacky belief in conspiracies finally hits on a coincidental truth involving an evil figure named Jonas (Patrick Stewart) and a secret program of government-funded mind control. Roberts plays the Justice Department attorney who finally believes in Jerry's paranoid ramblings. With a plot (from LA Confidential co-writer Brian Helgeland) that's a lot of fun as long as you don't think about it too critically, Conspiracy Theory benefits immeasurably from the charisma of its high-magnitude stars. --Jeff Shannon
And Now for Something Completely Different, Monty Python's first feature, is a reworking of their best skits from the first two seasons of the TV series. Originally made for the US market (where the show had yet to be aired), it was shot on film outside the usual studio sets ("Nudge Nudge", for example, is set in a tavern filled with passers-by). The writing and performances are fine and the film is packed with some of their best bits: "How to Avoid Being Seen", " Hell's Grannies", "Blackmail", "The Lumberjack Song" and "The Upper Class Twit of the Year", among others. Many of the sketches have been shortened, however, and the loss of the overly bright video sheen (the film has a muddy, dull look to it) and the invigorating presence of a live audience leaves the film sluggish at times. They're still feeling out the possibilities of the feature length, which they conquered with their next movie, Monty Python and the Holy Grail (1974). --Sean Axmaker
At first, this behind-the-scenes documentary about professional wrestling seems as if it will be an unabashed fan's whitewash of the increasingly bizarre and popular world of "sports entertainment", as it is known. But director Barry Blaustein (a Saturday Night Live veteran who has co-written many of Eddie Murphy's films) goes much deeper than you'd expect in a film that is at once entertaining and disturbing. By focusing on a trio of wrestlers who give him surprising access, Blaustein uncovers human stories that can be wrenching in their stark honesty. That's particularly true of one-time superstar Jake "the Snake" Roberts, whose career has fallen on hard times because of a crack habit; Roberts brings Blaustein along for his first encounter in several years with his grown, estranged daughter. Blaustein also goes into the lives of Terry Funk and Mick "Mankind" Foley in ways that are both revealing and, at times, upsetting. More than just a fan's appreciation, this is that rare documentary that shows you sides of a familiar subject you never knew existed. --Marshall Fine, Amazon.com
Terry and June Medford are both middle aged and beginning to find the trials of life are more difficult as they try to succeed in their daily lives. The couple have just moved to Purley south-east London... Aunt Lucy and the mynah bird had disappeared as had the occasionally visiting daughters. Terry and June now mixed with a friendly next door neighbour Beattie; Terry's chatty work colleague Malcolm; and their gruff boss Sir Dennis Hodge. Otherwise things were much as before wi
Terry and June Medford are both middle aged and beginning to find the trials of life are more difficult as they try to succeed in their daily lives. The couple have just moved to Purley south-east London... Aunt Lucy and the mynah bird had disappeared as had the occasionally visiting daughters. Terry and June now mixed with a friendly next door neighbour Beattie; Terry's chatty work colleague Malcolm; and their gruff boss Sir Dennis Hodge. Otherwise things were much as before w
Day of the Dead, chapter three of George Romero's mighty zombie trilogy, has big footsteps to follow. Night of the Living Dead was a classic that revitalised a certain corner of the cinema, and Dawn of the Dead was nothing short of epic. Day of the Dead, however, has always been regarded as a comedown compared to those twin peaks--and perhaps it is. But on its own terms, this is an awfully effective horror movie, made with Romero's customary social satire and cinematic vigour--when a "retrained" zombie responds to the "Ode to Joy", the film is in genuinely haunting territory. The story is set inside a sunken military complex, where Army and medical staff, supposedly working on a solution to the zombie problem, are going crazy (strongly foreshadowing the final act of 28 Days Later). Tom Savini's make-up effects could make even hardcore gore fans tear off their own heads in amazement. --Robert Horton
The Dead have waited. The day has come. The walking dead have taken over the world and only a small band of the living survive. This motley group of scientists and soldiers are barricaded in an abandoned missile silo where the chief scientist is conducting grotesque research experiments to find a way of controlling the ravenous marauding Zombies. Tensions meanwhile become intolerable especially when the self appointed psychotic military leader discovers that some of his soldi
Conspiracy Theory: New York cab driver and conspiracy buff Jerry Fletcher (Mel Gibson) knows about the secret movers shakers and assassins who really control things. Trying to put Justice Department attorney Alice Sutton (Julia Roberts) in the know he's run out of her of office. Soon both will run for their lives. The two stars conspire for suspense romance and twists that click like a rush-hour taximeter. (Dir. Richard Donner 1997 Cert. 15) Payback: Mel Gibson po
From Roy Ward Baker - 'the Grand Old Man' of British horror comes a collection of stories that will reach out and grip you in a vice of fear. Based on the spine-chilling comic-books ""Vault of Horror"" & ""Tales from the Crypt"" and featuring a sensationally star-studded cast these are the tales of five hapless men huddled together in a vault beneath the Thames each awaiting the fulfilment of their own prophetic nightmares. See Curt Jurgens as a murderous magician with a few rope
The ladies of the Kensington Residential Club For Women have a problem - she's petite has long blonde hair hourglass figure and has a nasty habit of turning every man's head who sees her. Sally is the shy sweet and not-so-innocent cousin of Betty Tate who has come to visit her in London from the small village of Twickelberry. It's not long before every man in London is swooning at Sally's feet something Betty and her fellow residence of the woman's club are not going to stand for. In an attempt to distract the gold digging Sally the women hire an actor to play an aristocratic millionaire leaving the other men of London free to pursue however when the actor begins to take his role a little to literally Betty and her friends must cancel the performance before it's too late.
Prepare yourself for the darkest day of horror the world has ever known!A Night of living terror led to a Dawn of false hope, but nothing before will prepare you for the darkest Day the world has known!Below ground in a fortified installation, scientists conduct experiments to understand the virus that has turned humanity into flesh-hungry zombies. Isolated and deprived of natural light, the researchers begin clashing with their military protectors and it soon becomes apparent that their co-dwellers are just as dangerous and unpredictable as the zombies gathering to enter their safe haven...Director George A. Romero follows Night of the Living Dead and Dawn of the Dead with this stark, unflinching sequel that stands as the series' most gritty and astoundingly gory instalment.
Philosophical cab driver Keith Barret hosts a series of celebrity debates on what makes a successful relationship. 1. Richard Madeley & Judy Finnigan 2. Kerry & Bryan McFadden 3. Ronnie & Anne Corbett 4. Darren Day & Suzanne Shaw 5. Sian Lloyd & Lembit Opik 6. Tony Wilson & Yvette Livesey
A Night of living terror led to a Dawn of false hope, but nothing before will prepare you for the darkest Day the world has known! Below ground in a fortified installation, scientists conduct experiments to understand the virus that has turned humanity into flesh-hungry zombies. Isolated and deprived of natural light, the researchers begin clashing with their military protectors and it soon becomes apparent that their co-dwellers are just as dangerous and unpredictable as the zombies gathering to enter their safe haven... Director George A. Romero follows Night of the Living Dead and Dawn of the Dead with this stark, unflinching sequel that stands as the series' most gritty and astoundingly gory installment. Special Features:Also includes Audio commentary with the special effects team, Joe of the dead featurette and travelogue and also a booklet by For Every Dawn There is a Day Collector's Booklet!
Upon his execution mass murderer Klaus Jenke curses the detective who captured him - Lucas and his family. Jenke returns from the dead to exact his hideous revenge. The horrors he performed before his death are insignificant compared to the circus of evil he now unleashes on Lucas's family...
A 1960's style jeep lies buried in the Texan dessert with $800 000 in cash a human skeleton and a rifle. Uncovered by two downtrodden Texan border guards could their luck be about to change? On the verge of losing their jobs Ernie Wyatt (Treat Williams) persuades his patrol partner Bobby Logan (Kris Kristofferson) to keep the money but make some enquiries about the origins of the 20 year old jeep. Meanwhile the FBI are making some enquiries of their own intent on ensuring the
The walking dead have taken over the world and only a small band of the living survive. This motley group of scientists and soldiers are barricaded in an abandoned missile silo where the chief scientist is conducting grotesque research experiments to find a way of controlling the ravenous marauding Zombies. Tensions meanwhile become intolerable especially when the self appointed psychotic military leader discovers that some of his soldiers have been used as guinea pigs in the zombie experiments. A last ditch battle results in the darkest day of horror the world has ever known.
And Now for Something Completely Different, Monty Python's first feature, is a reworking of their best skits from the first two seasons of the TV series. Originally made for the US market (where the show had yet to be aired), it was shot on film outside the usual studio sets ("Nudge Nudge", for example, is set in a tavern filled with passers-by). The writing and performances are fine and the film is packed with some of their best bits: "How to Avoid Being Seen", " Hell's Grannies", "Blackmail", "The Lumberjack Song" and "The Upper Class Twit of the Year", among others. Many of the sketches have been shortened, however, and the loss of the overly bright video sheen (the film has a muddy, dull look to it) and the invigorating presence of a live audience leaves the film sluggish at times. They're still feeling out the possibilities of the feature length, which they conquered with their next movie, Monty Python and the Holy Grail (1974). --Sean Axmaker
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