Four old school villains, Waldorf (Terry Stone, Rise of the Footsoldier: Origins, Once Upon A Time In London), Prozac (Sam Gittins), Fisherman (Ricky London), and Slips (Michael Head) plan one 'Last Heist' to liberate the key to the stashed fortune of the (recently passed away) head of South London crime family, Mick (Perry Benson). Unfortunately, in carrying out the heist, the gang encounters significant obstacles, and violence is the inevitable outcome. Is there really honour amongst thieves, and how far will they go to protect each other, especially as the main threat seems to come from within the gang.
In Casper's Haunted Christmas, a direct-to-video animated film, the haunted world of spooks meets the happy spirit of Christmas--a faulty premise to begin with. The plot gets even more absurd when Kibosh, supreme ruler of all ghosts, declares that Casper's "scare quota" is way down. To avoid serious repercussions, Casper must scare at least one person before Christmas Day, or he will be banished to the dark side. Talk about a merry holiday tale! To force the fear factor, Kibosh catapults Casper and the Ghostly Trio to Chrismassachusetts, where they must find an unsuspecting victim to scare. Kindhearted Casper doesn't have the nerve to scare anyone, so the Ghostly Trio secretly hires Casper's loo k-alike cousin, Spooky, to do the job. There's no doubt the wide-eyed little ghost is endearing, but his heyday may have ended with his series in Harvey Comics. There are some redeeming moments of humour, such as when Spooky mistakenly calls himself "Casper, the Frenzied Ghost", and country singer Randy Travis does his best to add his musical charms to the score, but overall, Scrooge would be more welcome under the mistletoe than these bunch of ghouls. Teens may discover a few laughs (if the video can keep their attention), but mildly scary scenes, thematic elements and irreverent language suggest parental guidance for the younger set. (Ages 5 and older.) --Lynn Gibson, Amazon.com
A perennial afternoon telly treat, Carlton-Browne of the F.O. is a little less tart and smart in its assault on British diplomacy than the earlier John and Roy Boulting satires. The much-loved Terry Thomas, is the idiot son of a great ambassador, given a sinecure in the Foreign Office that becomes a hot seat when crises rock the almost-forgotten former colony of Gaillardia. Clod-hopping "dance troupes" of every world power dig for cobalt, a line of partition is painted across the entire island, and the young King (Ian Bannen) is undermined by his wicked uncle (John le Mesurier) and unscrupulous Prime Minister Amphibulos (Peter Sellers). There's a touch of Royal romance as the King gets together with a rival princess (the winning Luciana Paoluzzi), but it's mostly mild laughs at the expense of British ineptitude, with Thorley Walters as the dim army officer who sends his men to put down a rebellion with orders that lead them to turn in a circle and capture his own command post, Miles Malleson as the gouty consul who should have come home in 1916, and a snarling Raymond Huntley as the minister appalled that the new monarch of a British ally was a member of the Labour Party at Oxford. The film finds Sellers' non-specific foreign accent unusually upstaged, with Terry Thomas walking off with most of the comedy scenes, blithely inspecting a line of shabby crack troops who keep passing out at his feet. It fumbles a bit with obvious targets, especially in comparison with similar films like Passport to Pimlico and The Mouse That Roared, but you can't argue with a cast like this. Down in the ranks are: John Van Eyssen, Irene Handl, Nicholas Parsons, Kenneth Griffith, Sam Kydd and Kynaston Reeves. On the DVD: Carlton-Browne of the F.O. comes to disc in fullscreen, with a decent-ish quality print. The film is also available as part of the four-disc Peter Sellers Collection.--Kim Newman
Deep Space Nine's sixth series began ambitiously with a six-part story arc devoted to the Dominion War. This was a brave move in many ways, but a sensible one too. Whereas other SF shows wouldn't commit to showing the impact of war (Babylon 5), here there were numerous visible sacrifices. Characters were frequently kidnapped and held prisoner, allowing screen time for other members of the ever-growing cast (at its peak there were as many as 18 individuals with speaking roles per episode). This year also introduced the idea of Starfleet Intelligence and its sinister Section 31; alliances were built only to crumble almost immediately; Sisko led a suicide mission and at long last his destiny as the Emissary took a serious turn. Amid all this sturm und drang the writers felt it necessary to inject some levity. In fact, there was so much comedic sidetracking this year it actually seemed sometimes as if they were afraid of the series dark tone. Witness: Quark undergoing a temporary sex change, leading a Magnificent Seven-style band of Ferengi (with a cameo from Iggy Pop), Morn's non-speaking character being sorely missed, the blend of Troi and Guinan into 60's crooner Vic Fontaine and, in one fan favourite episode ("Far Beyond the Stars"), Sisko having visions of himself and the crew as 1950s staff writers on pulp magazine Incredible Tales. There were also cute reconciliations amongst Worf's extended family (leading to Trek's first cast wedding), and even the revelation of Bashir's genetically enhanced origins quickly became a subject for easy jokes. Any of these events would have been satisfactorily cute if the war had ended and the show had moved on. But confusing the viewer, every so often the battle would be rejoined mid-episode. The clinching proof that no grand design was really at work was in the sudden and brutal dispatch of Dax. Actress Terry Farrell gave sufficient forewarning of having had enough of the show, but specifically asked not to be killed off. Despite all the jarring humour scattered about after the strong opening, the show seemed unable to avoid reverting to shock tactics for its finale. All of which hardly made the promised final year seem a particularly enticing prospect. --Paul Tonks
Set around a London bus depot, On the Buses starred Reg Varney as Stan, an ageing bachelor and driver of the No.11 bus who still lives with his Mum (Cicely Courtneidge), his plain sister Olive (Anna Karen) and disgruntled brother-in-law Arthur (Michael Robbins). At work, he fraternises with the laddish and lecherous Jack (Bob Grant), with whom he pursues innumerable (and improbable) giggly, mini-skirted "clippies" (conductors) and cheeks the beady-eyed and punctilious bus inspector, Blakey (Steven Lewis) This first series was broadcast in black and white in 1969. Much of the comedy derives from gender role reversal--Stan and Arthur forced to do the household chores when Olive and Mum fall ill ("Family Flu"); "The Canteen", in which the busmen decide to run the canteen themselves; or "The Darts Match", in which Stan and Jack are bested at darts by--imagine--a pair of dollybird clippies. Despite its immense popularity, On the Buses hasn't dated well. Like the buses themselves, the jokes don't arrive very often and when they do, they're visible a long way off. The studio audience whoops cathartically at anything remotely alluding to sex, making you wonder at the repressed nature of British society in 1969. In later decades it would come to be treasured as somewhat creaky kitsch by audiences nostalgic for an age of politically incorrect innocence. On the DVD: On the Buses has no extra features here. The original black and white versions have scrubbed up reasonably well, although defects such as fading sound and poor dubbing have proven beyond amendment. --David Stubbs
This ECW release features the notorious Catfight and the shocking Kimona Wanalaya striptease! Matches include: Catfight: Beulah McGillicutty (with Raven) vs Francine Barbed Wire Match: Cactus Jack vs Sandman; the Shocking ; Prime Time Brian Lee vs Tommy Dreamer Sabu vs Chris Jericho Street fight: Public Enemey vs The Gangstas Terry Gordy vs Bam Bam Bigelow Rick and Scott Steiner vs Vampire Warrior and Dudley Dudley Sandman (with Woman) and Terry Funk vs Shane Douglas and Cactus Jack Sabu vs Chris Benoit
The Mimic is centred around Martin Hurdle (Terry Mynott - 'Very Important People'), a seemingly unremarkable maintenance man who in fact conceals an exceptional talent... an uncanny ability to mimic voices. Labouring without prospect at a large pharmaceutical company, Martin's options appear bleak. His one true friend in life is a girl called Jean (Jo Hartley - 'This Is England') who, despite having the best intentions for Martin, is also his live-in landlord. The only other 'friend' Martin can really boast of is Neil (Neil Maskell - 'Utopia'), a newsagent petrified by the news. Now, in a huge revelation by a former lover, Martin is about to discover that he could be the father of an eighteen-year-old son called Steven (Jacob Anderson - 'Adulthood'). With their first meeting on the horizon, is this the news that will finally prompt Martin to escape his prolonged adolescence? And if it is, just how will he use his voices to cope with this life-changing development?
Ever since homicidal maniac Jason Voorhees got trapped in chains at the bottom of Crystal Lake the nearby summer camp has operated without a hitch; without a murder. But one of this season's happy campers has brought along a deadly secret... Tina Shepherd can see the future and levitate objects. Her doctor knows just how dangerous telekinesis can be but he's out to exploit her not help her. And now it's too late for Tina has accidentally unchained Jason from his watery grave and the bloodbath is underway!
Irish drama that follows 'Mad' Mary McArdle (Seána Kerslake) as she returns to her home town of Drogheda after a short stint in prison. Following her release, Mary returns to Drogheda for her best friend Charlene (Charleigh Bailey)'s wedding. As she prepares for her big role as the maid of honour, Mary tends to her duties and prepares her speech while dealing with the social repercussions of her time behind bars for a violent assault and trying to find a date for the big day.
Mickey Skinner (Leo Gregory Cass) is a small time crook with little success and a lot of debts. While out on yet another doomed petty crime he makes a last minute escape in a stolen car. The only problem is that Don Barber (Vincent Regan 300) psychopathic head of the London underworld is stuffed inside the boot. Ratted out by one of his closest friends and now facing arrest Barber does the unthinkable and gives Mickey the keys to his empire for 24 hours. With the cards stacked against him Skinner embarks on the mammoth task of filling Barber's shoes... Has he got it in him to give it THE BIG I AM?
In a glorious finish to the race for the Premiership crown Chelsea thumped arch-rivals and nearest challengers Manchester United 3-0 to win back-to-back titles for the first time in their history. The party could finally begin! In their Centenary season Jose Mourinho's men were in a league of their own and left their rivals trailing in their wake. The mighty Blues scored more goals and conceded fewer than any other team in the country and Stamford Bridge became a fortress with o
The movie of the successful TV series in which two arguing families discover that their respective offsprings have been having a secret affair and plan to marry...
Halloween III: Season of the Witch was producer John Carpenter's attempt to get the series away from the original psycho-on-the-loose storyline and turn it into a vehicle for more far-fetched Halloween-themed horror tales. Incredibly, the fans voted for more of the same and Carpenter walked away for others to rehash the Michael Myers plotline in a succession of lookalike movies that are still turning up every few years. Though original screenwriter Nigel Kneale (of the Quatermass series and The Stone Tape) removed his name from the final film after a coarsening rewrite by director Tommy Lee Wallace, his strange touch is evident in the offbeat story. After the mysterious deaths of a toyshop owner, a doctor (Tom Atkins) and the man's daughter (Stacy Nelkin), an investigation takes place in the Irish-dominated Northern California community of Santa Mira, a company town owned by the Silver Shamrock Novelty corporation, whose bestselling Halloween masks are pushed by an amazingly irritating TV jingle you won't ever be able to get out of your head ("Two more days to Halloween, Halloween, Halloween"). Atkins and Nelkin are typical low-rent horror movie protagonists, dim-bulbs who discover an Invasion of the Body Snatchers-style conspiracy involving sharp-suited corporate robots. But guest star Dan O'Herlihy steals the film as a Celtic joke tycoon ("the man who invented sticky toilet paper and the dead dwarf gag") who hates the way American kids are despoiling the religious spirit of Samhain and decides to teach them a nasty lesson. His scheme, which involves a stolen Stonehenge megalith ("sure, you'd never believe how we did it") and a techno-magic spell that turns the heads of TV watchers into writhing masses of snakes and insects, is value for money. O'Herlihy mixes enough serious malice into the charm to come across as a great screen baddie. On the DVD: Halloween III: Season of the Witch is a disappointment on disc. After letterboxed titles, this defaults to full frame throughout, severely cramping Dean Cundey's Panavision cinematography, and it's a grainy, indifferent print that ill-serves the performances or the atmospherics. However, the severe cuts to the gruesome scenes made to previous video releases (in order to preserve the theatrical 15 rating) seem to have been restored. With an extras-packed Halloween disc on the market, it's a shame the most interesting of the follow-ups rates such a flimsy release--with not so much as a trailer as an extra. --Kim Newman
Warren Beatty, Diane Keaton, Andie MacDowell, Goldie Hawn, Jenna Elfman and Garry Shandling star in this romantic comedy about life, love, friendship and the sometimes blistering nature of marital bliss.
Peter Weir's first film is a surreal and fantastic horror. An outstanding hit at the 1974 Cannes Film Festival and a landmark in Australian film-making it remains a cult classic. On the outskirts of the small town of Paris cars crash with alarming regularity. Arthur (Terry Camilleri) survives one such accident and becomes a prisoner of Paris although he's unaware of his predicament as the town has provided him with something he's never had - a family. But these crashes are far fro
Erik a fine example of a Viking one day questions the ethics of his livelihood; raping and pillaging so he sets out for enlightenment and the gods of Valhalla. His men become adept at creating chaos on this wacky adventure.
The sole survivor of a mining accident who was confined in a mental institution after the ordeal returns to get revenge...
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