Pinhead is stuck inside a block and is determined to free himself. The block is bought by a young man to use as a sculpture. Once Pinhead is free (by means of a series of somewhat gruesome murders) he wants to destroy the block so that he never has to return to Hell. Only one thing stands between him and his goal: a female reporter...
'Divorced beheaded died; Divorced beheaded survived' - This children's rhyme accurately depicts the sometimes gruesome outcome of Henry VIII's six wives and is a catchy reminder of how a king at the height of his power manipulated the law for his own gratification. The iconic figure of Henry VIII conjures images of opulence and excess but also of a man with a vicious cruel streak that would send two of his wives to the executioner. However as this DVD shows he was also a caring and loving husband desperate for a male heirdesperate enough to kill. Narrated by Terry Molloy.
This two-hour DVD from director Tony Palmer celebrates the extraordinary life of Bobby Moore. Described by veteran sports journalist the late Ian Wooldridge as the best sports documentary I have ever seen the film stars all the 1966 World Cup heroes plus contributions from Michael Caine Pele Harry Redknapp David Beckham George Best Jimmy Greaves and members of Moore's family. Bobby Moore remains an iconic figure and inspiration for generations of football players and fans - a rags-to-riches fairy tale and a special moment in English history. He was the first (and so far only) English captain to hold the World Cup in his hands. Bobby Moore's journey from the poverty-stricken East End to becoming the most famous man in England came to symbolise the triumph of a country and of an entire generation. This film tells the true story of the man and the footballer. All his football contemporaries in the England team of 1966 were interviewed - among them Bobby and Jack Charlton Geoff Hurst Martin Peters Alan Ball and George Cohen - as well as iconic figures such as David Beckham George Best Harry Redknapp Jimmy Greaves Terry Venables Franz Beckenbauer Pel'' Michael Caine Denis Law Jimmy Tarbuck Alan Shearer and Malcolm Allison; and most importantly Bobby Moore's Aunt Ina daughter Roberta and son Dean as well as both his wives Tina & Stephanie. Their eye-witness accounts together with a special contribution from Alf Garnett (Warren Mitchell) football footage of England's campaigns in 1966 and 1970 and archive film of Bobby Moore's parents and of Alf Ramsey throughout that period make this film a unique family record of an extraordinary man.
No way to live. No better way to die. Liberty Wallace the wife of an international arms dealer is taken hostage by an angry father after he traces the gun that killed his child. Liberty is handcuffed to an explosives-laden outdoor food cart. Staked out accross the street with a cell phone and a high-powered assault rifle the father launches a battle of wits to exact his revenge. But the stakes go way up when her husband and the police arrive drawing them deeper into the final
Upon his execution mass murderer Klaus Jenke curses the detective who captured him - Lucas and his family. Jenke returns from the dead to exact his hideous revenge. The horrors he performed before his death are insignificant compared to the circus of evil he now unleashes on Lucas's family...
When a family return to Shanghai for a family funeral their son begins to have visions of ghosts and then falls ill. With medical science offering no hope a mysterious pharmacist offers help and the family are in a race against a time to prevent their son being lost forever.
Every now and then the game is graced by a player that you know is special. Every time they get the ball you sense danger that something is about to happen the atmosphere becomes electric. Gary Lineker was just such a player. Like no other in the modern age Lineker was the supreme predator fast sure footed and with an uncanny nose for goal. Despite being known as Mr Clean (he was never once booked or shown the red card) Lineker was really the arch assassin. Featuring more than
Released as part of the celebrations marking composer Richard Rodgers' centenary in 2002, this Rodgers and Hammerstein collection contains the film versions of State Fair (1945), Oklahoma! (1955), Carousel (1956), The King and I (1956), South Pacific (1958), and The Sound of Music (1965). By the time these pictures were made, the Broadway originals had become the standards by which all else was judged in a golden age of musical theatre. And while film versions tend to dilute the books, there are still threads of darkness for those who require a more varied texture. But it's the fabulous songs which really count. Rodgers' partnership with lyricist Oscar Hammerstein was cemented by their 1945 cinematic joint effort State Fair, rushed into production by 20th Century Fox in response to MGM's all-conquering Meet Me in St Louis and with a similarly folksy theme. Directed by Walter Lang, it's a charmingly flimsy affair with some delightful numbers. Oklahoma!, directed by Fred Zinnemann, features Agnes de Mille's renowned choreography, irresistible songs and two outstanding performances from unlikely musical actors: film noir siren Gloria Grahame playing against type as Ado Annie, the girl who can't say "no", and Rod Steiger as the menacing but tragic Jud. Carousel, the morally dubious tale of fairground barker and wife-beater Billy Bigelow (Gordon MacRae) who gets a chance to redeem himself after death, is crammed with great melodies including the tear-jerking anthem, "You'll Never Walk Alone". South Pacific, which contains perhaps the most spine-tingling songs penned by Rodgers and Hammerstein--"Some Enchanted Evening" is just one--a wartime love story which also manages to touch on racism and morality; anything but lightweight. Both The King and I and The Sound of Music, of course, have become cinematic legends in their own right, thanks in no small part to their leading ladies, Deborah Kerr and Julie Andrews. On the DVD: Rodgers and Hammerstein's classic musicals glow as freshly as if they were made yesterday in four of these DVD transfers, with the other two a disappointment in comparison. South Pacific, Carousel, The King and I and The Sound of Music are offered in widescreen, giving the full benefit of the original Cinemascope presentations. Oklahoma!'s titles are presented in widescreen, but unforgivably the film then reverts to a disappointing 4:3 format which hardly does justice to the big sky settings of the Scope original. The sound quality is also disappointingly muffled for Oklahoma! and State Fair, both of which are crying out for a good polish. --Piers Ford
With so many promises to fulfil and questions left unanswered, the ninth and final series of The X-Files was inevitably going to short-change some of its audience. Mulder is missing, Scully is in and out with various baby concerns, Reyes frequently seems like she's only along for the ride and Doggett seems so right in the role that some fans wondered if he should have appeared sooner. Other cult cameos flitted across the screen in an attempt to keep viewers transfixed. Lucy Lawless, Cary Elwes and Robert Patrick's real-life wife were interesting diversions, but when Burt Reynolds appeared to be none other than God himself, it was apparent that nothing at all was sacred in this last year. Standalone episodes (for example, on Satanic possession and a Brady Bunch psycho) proved to be amongst the least interesting of the show's efforts. No doubt because everyone was focussing on the all-important arc story episodes. Was there more than one alien faction? Were they all in collusion? Who had control of the black oil virus? Who had been in charge of the abductions? More importantly, would Mulder and Scully finally get in bed together? Scattered through the 19 episodes (the fewest of any season), were answers to some of these points. Then as much as possible that remained was packed into the two-hour finale. After 200 episodes, it's just possible that The X-Files overstayed its welcome; nonetheless it will always be remembered for being the most influential TV product of the 1990s. And since this is science-fiction, don't assume it's completely dead either. --Paul Tonks
Set around a London bus depot, On the Buses starred Reg Varney as Stan, an ageing bachelor and driver of the No 11 bus who still lives with his mum (Cicely Courtneidge in the first series, Doris Hare in the second), his plain sister Olive (Anna Karen) and disgruntled brother-in-law Arthur (Michael Robbins). At work, he fraternises with the laddish and lecherous Jack (Bob Grant), with whom he pursues innumerable (and improbable) giggly, mini-skirted "clippies" (conductors) and cheeks the beady-eyed and punctilious bus inspector, Blakey (Steven Lewis) The first series was broadcast in black and white in 1969, and the show eventually ran until 1973. Eventually, On the Buses would be both celebrated and reviled for its leery, pre-feminist sauciness, and for the exasperated gurning of Lewis' little Hitler-esque inspector. The first series in particular, however, is more keen to develop the theme of Stan as Mummy's boy, with Lewis only a secondary character. Much of the comedy derives from gender role reversal--Stan and Arthur forced to do the household chores when Olive and Mum fall ill ("Family Flu"); "The Canteen", in which the busmen decide to run the canteen themselves; or "The Darts Match", in which Stan and Jack are bested at darts by--imagine--a pair of dollybird clippies. Despite its immense popularity, On the Buses hasn't dated well. Like the buses themselves, the jokes don't arrive very often and when they do, they're visible a long way off. The studio audience whoops cathartically at anything remotely alluding to sex--even a bared male nipple--making you wonder at the repressed nature of British society in 1969. In later decades it would come to be treasured as somewhat creaky kitsch by audiences nostalgic for an age of politically incorrect innocence. On the DVD: On the Buses has no extra features here. The original black and white versions have scrubbed up reasonably well, although defects such as fading sound and poor dubbing have proven beyond amendment. --David Stubbs
Take An Easy Ride: Special Edition
A Box Set featuring 3 fabulous Comedy films from the Golden Age of British Cinema
Made In Britain Tim Roth made an unforgettable screen debut as the tattooed contemptuous racist Trevor. Made In Britain depicts his relationship with Harry and the reasons behind his violence with documentary-style naturalism. Filmed on location in London Made In Britain is one of the most memorable feature-length TV dramas of the 1980s. Prick Up Your Ears Joe Orton was one of the 1960s golden boys from working class Leicester lad to national celebrity from sexual innocent to grinning satyr from penniless student to icon of Swinging London. He became a star by breaking the rules - sexual and theatrical. But while his plays including Loot What the Butler Saw and Entertaining Mr Sloane were hugely successful his private life was sometimes sordid often farcical and ended in tragedy... Meantime A drama which centres on the Pollack family who live in a council house in East London whose lives are affected by unemployment and boredom...
""He's the greatestHe's fantasticWhere ever there is danger he'll be there. He's the ace He's amazing.He's the strongest he's the quickest he's the best. Dangermouse Dangermouse Dangermouse"" The world's greatest mouse detective Dangermouse together with his bumbling sidekick Penfold embark on a series of devilishly dangerous and definitely death defying missions. Includes Rhyme And Punishment where Dr Crumhorn ""Ka-zonks"" DM and Penfold into a hallucinatory world in an attempt to drive them crazy.
This second instalment in The Black Sabbath Story covers the period between 1978 and 1992. These were the wilderness years after founding vocalist Ozzy Osbourne left the group and it often seemed as though Sabbath had fitted their tour bus with a revolving door--by 1986, guitarist Tony Iommi was the only founder member left in the group. Five different vocalists are featured in this programme: Ronnie James Dio (ex-Rainbow), Ian Gillan (ex-Deep Purple), Glenn Hughes, Geoff Nicholls and Tony Martin. The nine promo videos collected here are representatives of an era that all but the most die-hard of Sabbath fans have tried to forget. It is an ignominy that is richly merited. The kindest thing that can be said of this collection of awful 80s hair-metal soundtracking dreadful black-and-white videos of men with haircuts that not even German football players would be caught dead with is that it's an interesting period piece. On the DVD: The Black Sabbath Story is presented in widescreen. Sound is available in Dolby 5.1 Surround or Dolby Digital. The menu of extras is badly laid out, but includes a gallery of Sabbath albums and further interviews with band members--including an extraordinary and hilarious reminiscence from Ian Gillan, which confirms that that Black Sabbath's reality was far more preposterous than any of the satirical conceits offered by This Is Spinal Tap.--Andrew Mueller
When close siblings Leon and Ursula lose their parents in a tragic car accident they inherit the imposing family homestead along with a creepy heirloom - their late father's medical dummy 'Pin'. Leon has always treated Pin like a member of the family but this bizarre relationship starts to take a decidedly sinister turn; and when the dummy starts donning dad's old suits and terrorising the house-guests Ursula begins to have serious concerns about her brother's sanity. After all Pin is just a dummy... isn't he? Starring Lost's Terry O'Quinn (who genre fans will know best for his gleefully demented star turn in The Stepfather) Pin is a gem of late 80s horror in the tradition of classic dummy fright flicks such as Magic and Dead of Night. Special Features: Reversible Sleeve of Original Artwork Collector's Booklet by Lee Gambini Original Theatrical Trailer
Twelve classic titles in one box set
Failure To Launch (Dir. Tom Dey 2006): Matthew McConaughey is Tripp a 35 year old who still lives with his parents. And who can blame him? It's free he's got a great room and mom (Kathy Bates) does the laundry. Desperate to get him out of the house his parents hire a gorgeous woman Paula (Sarah Jessica Parker) to give him a little...push. They just didn't expect Tripp would push back! In this romantic battle of wills there's no place like home... How To Lose A Guy In 10 Days (Dir. Donald Petrie 2003): Andie needs to prove she can dump a guy in 10 days. Ben needs to prove he can win a girl in 10 days. Now the clock is ticking-and the year's most wildly entertaining comedy smash is off and running in this irresistible tale of sex lies and outrageous romantic fireworks!
An explosive tale of friendship and combat. Robert Wagner Broderick Crawford and Buddy Ebsen star in this absorbing drama about a recruit who comes of age during World War II. Sam Gifford (Wagner) is a young successful cotton planter who lacks compassion for others especially his own sharecroppers. But once in combat he answers to a sadistic commander (Crawford) and must rely on the friendship of a 'cropper'(Ebsen). Nominated for a 1956 Oscar for Best Music Between
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