'Audition' is an eerie tale of a man (Ryo Ishibashi) who in his search for a new wife at the insistence of his son holds an audition for potential mates. He disguises his actual intentions by saying that the audition is for an actress to star in a new movie that he is making. When at last he finds the perfect woman (the model Eihi Shiina) she disappears leaving a bizarre trail of gruesome murders in her path... This collector's edition of 'Audition' features specially prepared
Much of the controversy surrounding Takashi Miike's Audition centres on the disturbing nature of the later part of the film--understandable when you consider the imprint these admittedly horrific images leave on the viewer--but fails to note the intricate social satire of the rest. This is a film that offers insight into the changing culture of Japan and the generation gap between young and old. Shigeharu Aoyama is looking for an obedient and virtuous woman to love and asks, "Where are all the good girls?"--a comment that seals his fate. A fake audition is organised to find Aoyama a wife. Asami Yamazaki is introduced as the virtuous woman he is looking for, dressing for the majority of the film in white and behaving with the courtesy of an angel, especially when juxtaposed against the brash stupidity of the other girls at the audition. Although his friend takes an immediate "chemical" dislike to her, Aoyama begins a love affair to end all love affairs. But as Asami's history unfolds we see her pain and torture and slowly understand that the tortured in this instance holds the power to become the torturer. Aoyama is slowly drawn away from his white, metallic and homely environment into the vivid- red and dirty-dark environment of Asami's sadistic world. Audition can be viewed on a number of levels, with important feminist, social and human rights issues to be drawn from the story. However, the real power of this film is its descent into the subconscious, to a point where reality is blurred and the audience is unable to decide whether the disturbing images on screen are real or surreal. This refined, hard-hitting and essentially Japanese style of horror is ultimately much more powerful than anything offered by Hollywood. This is a film that will get under your skin and infect your consciousness with a blend of fearless gore and unimaginable torture. It is not for the faint-hearted. --Nikki Disney
Much of the controversy surrounding Takashi Miike's Audition centres on the disturbing nature of the later part of the film--understandable when you consider the imprint these admittedly horrific images leave on the viewer--but fails to note the intricate social satire of the rest. This is a film that offers insight into the changing culture of Japan and the generation gap between young and old. Shigeharu Aoyama is looking for an obedient and virtuous woman to love and asks, "Where are all the good girls?"--a comment that seals his fate. A fake audition is organised to find Aoyama a wife. Asami Yamazaki is introduced as the virtuous woman he is looking for, dressing for the majority of the film in white and behaving with the courtesy of an angel, especially when juxtaposed against the brash stupidity of the other girls at the audition. Although his friend takes an immediate "chemical" dislike to her, Aoyama begins a love affair to end all love affairs. But as Asami's history unfolds we see her pain and torture and slowly understand that the tortured in this instance holds the power to become the torturer. Aoyama is slowly drawn away from his white, metallic and homely environment into the vivid- red and dirty-dark environment of Asami's sadistic world. Audition can be viewed on a number of levels, with important feminist, social and human rights issues to be drawn from the story. However, the real power of this film is its descent into the subconscious, to a point where reality is blurred and the audience is unable to decide whether the disturbing images on screen are real or surreal. This refined, hard-hitting and essentially Japanese style of horror is ultimately much more powerful than anything offered by Hollywood. This is a film that will get under your skin and infect your consciousness with a blend of fearless gore and unimaginable torture. It is not for the faint-hearted. --Nikki Disney
When maverick director Mike Takashi unleashed this stylish slice of extreme cinema upon his unsuspecting audience few were ready for what they were about to see. Since then this twisted vision of a hell on earth has become a notorious critically acclaimed classic. Following his son's advice widower Shigeharu Aoyama decides that it's time to look for a new wife. By devising a plan to audition for the part of a female lead in a non-existent production he uses his professional position to track her down. Among the many applicants he is struck by the mysterious charms of Asami a quiet 24-year-old woman. It transpires that Asami is responsive to his attentions and Aoyama becomes convinced that she is the woman for him. But when he asks her to accompany him on a romantic holiday things take a dark and disturbing turn. Soon Aoyama will discover that there is a side to Asami that he could never have imagined even in his most depraved nightmares.
Friends Mamoru and Yuji are aimless young men stuck in dead-end jobs in a dreary factory in Tokyo. Mamoru the more antisocial of the two is obsessed with his pet project of acclimating a poisonous jellyfish to fresh water by gradually changing the water in its tank. One night he inexplicably murders his boss' family and is sentenced to death. Yuji left to continue the jellyfish experiment befriends Mamoru's estranged father and the two form a bond. But Yuji's attachment to the j
Three classics to remind you why the new wave of Asian horror has been ripped off by Hollywood so often! A single man looking for a good time finds terror instead in the notorious Audition directed by cult auteur Takashi Miike (Ichi The Killer Visitor Q). T he man who kicked off the J-horror wave with Ring Hideo Nakata increases the tension realism and unease in the urban nightmare Dark Water since remade by Hollywood. Finally Pan-asian auteurs The Pang Bros. bring their famed editing skills to bear on the horror genre in the tense terrifying The Eye.
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