Eli Whipp, a retired Pawnee scout out to claim his birthright, meets Cornelia Locke, an Englishwoman hell-bent on revenge. Their paths fated to cross, they travel north together. Emily Blunt stars in an indelible revisionist Western written and directed by Hugo Blick, the mind behind Black Earth Rising, The Honourable Woman and The Shadow Line.
Follows a woman as she seeks revenge on the man she sees as responsible for the death of her son.
The Metropolitan Opera give a live performance of Thomas Ad�s' work based on William Shakespeare's play. Ad�s also conducts the Metropolitan Opera Orchestra with Simon Keenlyside as the exiled Duke of Milan, Prospero, Isabel Leonard as his daughter, Miranda, Audrey Luna as the spirt, Ariel, and Alan Oke as the villainous slave, Caliban.
A performance of the Rameau opera which follows the tale of Queen Alphise who is contemplating abdication rather that an arranged marriage.
In his penultimate opera based on text adapted from Homer's Odyssey Monteverdi ventures further than ever before into the depths of human emotion. In this 'dramma in musica' human frailty falls victim to time fortune and love. Gods and humans comic and intensely serious characters and spectacular scenic effects are brought together in a wonderfully rich and effective texture. Pierre Audi's highly stylised and timeless production is captured here in a live recording from Het Muziektheater Amsterdam in 1998.
Musical drama in three acts.
Kurt Weill's complex score reigns supreme in Peter Zadek's 1998 Salzburg Festival staging of The Rise and Fall of the City of Mahagonny, the collaboration with Brecht which became a target for Nazi insurrection on its 1930 premiere. The city itself is suggested by the attitudes and personalities of the singers rather than by Richard Peduzzi's Spartan sets. It's bleak stuff in many ways, not least in its vision of the human state: squaring up to corruption is a lonely and fatal business. But thanks to Weill's musical eclecticism, which ranges from barbershop to lieder, there are moments of intense beauty, not least in the duets between lumberjack Jimmy Mahoney and prostitute Jenny. There are, too, flashes which anticipate Weill's American future on Broadway. The lilting "Alabama Song", that gift to every would-be cabaret artist in search of a Lotte Lenya moment, works wonderfully as an ensemble piece. Despite occasional inaudibility, the singing is often breathtaking. Gwyneth Jones is a majestic Begbick, Catherine Maltifano's voluptuous and earthy Jenny also has a rarely seen sweetness and Jerry Hadley's Jimmy Mahoney is ultimately almost unbearably moving. Food for thought, indeed. On the DVD: The Rise and Fall of the City of Mahagonny is presented in 16:9 picture format, but would have benefited from the scale of a widescreen treatment. It can be difficult to keep track of everything that's going on. The cavernous stage is probably responsible for the acoustics which sometimes allow the orchestra to overwhelm the singing, otherwise well served by the PCM stereo sound. There are no DVD extras but the excellent booklet and production notes are welcome.--Piers Ford
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