Tom Hanks's debut as a writer and director is a lively, affectionate account of the shooting-star career of a forgotten (fictional) 1960s pop-rock band called The Wonders--as in "one-hit wonders". Hanks plays the manager of the group, which includes drummer Guy "Sticks" Patterson (Tom Everett Scott) who works the floor at his parents' appliance store in Erie, Pennsylvania; Jimmy (Johnathon Schaech), the talented and temperamental lead singer and songwriter; Lenny (Steve Zahn), the goofy guitarist; and Ethan Embry as a geeky little fellow identified in the cast list only as "The Bass Player". The movie traces their meteoric rise and fall, from cutting their first record, to going on tour with a Phil Spector/Motown-type revue, to the internal tensions that lead to the band's disintegration, which comes when they fail to follow up their smash hit single, "That Thing You Do!" And that song, by the way, is so catchy it would definitely have been a hit in 1964--and deserves to be one today. This delightful movie would make a great double-bill with Allison Anders's wonderful Grace of My Heart. --Jim Emerson
Get ready for hours of wimpy mischief and nonstop laughs with 4 hilarious Diary of a Wimpy Kid films, based on Jeff Kinney's best-selling book series! Greg Heffley is just trying to survive his middle school years, but it won't be easy. He'll have to contend with wedgie-loving bullies, the torment of his older brother Rodrick, and his totally uncool best friend Rowley. This sidesplitting collection includes the newest adventure, Diary of a Wimpy Kid: The Long Haul, in which the Heffley family road trip takes a wild detour thanks to Greg's latest and greatest scheme!
Pack your bags for more fun, more laughs and more wimpy mischief! In Diary of a Wimpy Kid: The Long Haul, the Heffley family road trip to Meemaw's 90th birthday party takes a wild detour thanks to Greg's newest scheme to attend a video gaming convention. Based on one of the best-selling book series of all time, this cross-country adventure turns into an experience the Heffleys will never forget!
A proud mom of three decides to set her daughter up with the perfect man, to prevent her youngest from making the same mistakes she did.
Pack your bags for more fun, more laughs and more wimpy mischief! In Diary of a Wimpy Kid: The Long Haul, the Heffley family road trip to Meemaw's 90th birthday party takes a wild detour thanks to Greg's newest scheme to attend a video gaming convention. Based on one of the best-selling book series of all time, this cross-country adventure turns into an experience the Heffleys will never forget!
Artie (Billy Crystal) and Diane (Bette Midler) realise that they're the "other grandparents"--the ones their three grandkids barely know and dread seeing. So when they have a chance to take care of Harper (Bailee Madison), Turner (Joshua Rush), and Barker (Kyle Harrison Breitkopf), Diane jumps at it, dragging a reluctant Artie along. Naturally, their old-school approach to parenting clashes with the anxious, helicopter-parenting of their daughter Alice (Marisa Tomei) and her husband Phil (Tom Everett Scott). Which will win out? There's really no suspense--contemporary parenting is an easy target and every time Artie complains about how the kids are indulged, random strangers applaud him. However, as Artie's parenting technique yoyos between threats and bribery, movie audiences may find themselves on Alice's side. Parental Guidance is a flimsy movie built around cartoonish kids with cliché problems and jokes about poop and getting hit in the crotch. The plot eventually gets stuck in a mire of nostalgia and vanity (did Midler really have to have a musical number?). But along the way there are moments between kids and grandparents--and between parents and grandparents--that are genuinely sweet. Midler is just coasting through this, but Crystal, who remains a talented and charismatic actor, puts his heart into it. --Bret Fetzer
On the strength of his Hitchcockian-thriller debut, Mute Witness, writer-director Anthony Waller was hired to direct this belated sequel to the 1981 horror comedyAn American Werewolf in London but lycanthropy in the City of Light just ain't what it used to be. The movie offers plenty of gruesome make-up and special wolf-transformation effects and there are some effectively spooky moments in the plot involving an underground population of hungry Parisian werewolves. One of them is seductively played by Julie Delpy, who is rescued from attempted suicide by an American tourist (Tom Everett Scott, from That Thing You Do!) but ultimately can't hide her dual identity when darkness falls and the full moon shines. The movie begins well but gradually succumbs to nonsense and mayhem, prompting critic Roger Ebert to observe that "here are people we don't care about,doing things they don't understand, in a movie without anyrules". In other words, you'd have to be a die-hard horror buff to give this one the benefit of the doubt.--Jeff Shannon
Welcome to the infamous "boiler room" - where twentysomething millionaires are made overnight. Here, in the inner sanctum of a fly-by-night brokerage firm, hyper-aggressive young stockjocks peddle to unsuspecting buyers over the phone.
A group of carousing American tourists is taking in the cultural landmarks of Paris when a chance encounter results in sightseer Andy McDermott (Tom Everett Scott) saving the life of Parisian Serafine Pigot (Julie Delpy). While on a date at a nightclub with Serafine, Andy is suddenly attacked and bitten by a werewolf. The next day he discovers that Serafine is also a lycanthrope, and that he is beginning his own gruelling, hirsute transformation into one of the fanged beasts.
Deep within a forest on the US-Canadian border, two sworn enemies must work together to escape a ruthless drug cartel hell-bent on retrieving a drug shipment which went missing there.
Based on Anna Quindlen's bestselling novel, this is a mother-daughter and father-daughter story, two for the price of one. But director Carl Franklin also tries to inject a police-mystery angle that it neither needs nor will support. Renee Zellweger plays a young writer on the rise, who has finally got her break for a New York magazine. While home for a birthday party for her nearly famous writer father (William Hurt), she learns that her mother (Meryl Streep) has been diagnosed with cancer. Then her father does the unthinkable: he all but commands her to put her career on hold to take care of her mother and nurse her through her illness. Dad, a popular college professor who has never received the literary acclaim he always believed he deserved, essentially checks out--and daughter must play parent to her mother. Strong performances by Streep and Zellweger give this parent-child relationship the heart--and the anger--of the real thing, while Hurt seems slightly disembodied as the self-involved father whose needs have dominated both women. Still, the detective-story aspect (the film is told in flashback, as the cops try to discover whether someone slipped Mom a fatal dose of morphine) is a construct that could have been done without. --Marshall Fine
On the strength of his Hitchcockian-thriller debut, Mute Witness, writer-director Anthony Waller was hired to direct this belated sequel to the 1981 horror comedyAn American Werewolf in London but lycanthropy in the City of Light just ain't what it used to be. The movie offers plenty of gruesome make-up and special wolf-transformation effects and there are some effectively spooky moments in the plot involving an underground population of hungry Parisian werewolves. One of them is seductively played by Julie Delpy, who is rescued from attempted suicide by an American tourist (Tom Everett Scott, from That Thing You Do!) but ultimately can't hide her dual identity when darkness falls and the full moon shines. The movie begins well but gradually succumbs to nonsense and mayhem, prompting critic Roger Ebert to observe that "here are people we don't care about,doing things they don't understand, in a movie without anyrules". In other words, you'd have to be a die-hard horror buff to give this one the benefit of the doubt.--Jeff Shannon
Its ads portrayed The Love Letter as a wacky farce, while critics largely ignored it, presuming it to be a vanity project from Kate Capshaw (better known as Mrs. Steven Spielberg). But The Love Letter is neither; on the contrary, it's a low-key but surprisingly rich and touching film about love, illusions, and regret. Helen (Capshaw), a bookseller in a small seashore town, discovers an unsigned love letter that's fallen into the cushions of a couch in her store. The letter doesn't say who it's for, but Helen assumes it's for her and starts wondering who sent it. One would expect this to lead to a whirling comedy of mistaken identities, but after some amusing daydream moments, the movie follows its story with subtlety and nuance. The characters behave according to their own needs and desires, rather than the demands of standard Hollywood goofiness. The performances--from a cast including Tom Selleck, Tom Everett Scott, Ellen DeGeneres, newcomer Julianne Nicholson, and others--are uniformly unforced and natural. Viewers weary of the hyped-up, absurd emotional climaxes of most so-called romantic comedies will find a respite here. The Love Letter is a genuinely charming film. --Bret Fetzer, Amazon.com
Artie (Billy Crystal) and Diane (Bette Midler) realise that they're the "other grandparents"--the ones their three grandkids barely know and dread seeing. So when they have a chance to take care of Harper (Bailee Madison), Turner (Joshua Rush), and Barker (Kyle Harrison Breitkopf), Diane jumps at it, dragging a reluctant Artie along. Naturally, their old-school approach to parenting clashes with the anxious, helicopter-parenting of their daughter Alice (Marisa Tomei) and her husband Phil (Tom Everett Scott). Which will win out? There's really no suspense--contemporary parenting is an easy target and every time Artie complains about how the kids are indulged, random strangers applaud him. However, as Artie's parenting technique yoyos between threats and bribery, movie audiences may find themselves on Alice's side. Parental Guidance is a flimsy movie built around cartoonish kids with cliché problems and jokes about poop and getting hit in the crotch. The plot eventually gets stuck in a mire of nostalgia and vanity (did Midler really have to have a musical number?). But along the way there are moments between kids and grandparents--and between parents and grandparents--that are genuinely sweet. Midler is just coasting through this, but Crystal, who remains a talented and charismatic actor, puts his heart into it. --Bret Fetzer
Bachelor Party (1984): This outrageously funny look at one man's final moments of bachelorhood stars Tom Hanks as Rick reluctant recipient of a bachelor bash given by a group of friends who view partying as their full-time religion. Rick's worried fiance Debbie (Tawny Kitaen) dresses up in disguise and crashes the party to spy on her future husband. To complicate the night further Debbie's father hires her ex-boyfriend to win back his daughter. It turns out to be an evenin
Deep within a forest on the US-Canadian border, two sworn enemies must work together to escape a ruthless drug cartel hell-bent on retrieving a drug shipment which went missing there.
As Fernanda (Rooney Mara) enters her senior year at the sheltered New England boarding school Tanner Hall, she's faced with unexpected changes in her group of friends.When Victoria (Georgia King), a manipulative troublemaker from her childhood shows up for the fall semester she immediately begins to win over Fernanda's friends: adventurous and sexy Kate (Brie Larson), and tomboy Lucasta (Amy Ferguson), while causing tension between all the girls. Escaping from the drama at school, Fernanda begins a complicated friendship with an older family friend Gio (Tom Everett Scott). Jealous of Fernanda's exciting and dangerous relationship, Victoria plots to sabotage her plans and publicly humiliate her.Meanwhile, Lucasta struggles with newfound feelings towards another classmate, and Kate is too preoccupied with making her teachers nervous to pay attention to her classes. Flirting with adulthood, each girl realizes they need each other to get through their first grown-up decisions - and the consequences they bring.
Artie (Billy Crystal) and Diane (Bette Midler) realise that they're the "other grandparents"--the ones their three grandkids barely know and dread seeing. So when they have a chance to take care of Harper (Bailee Madison), Turner (Joshua Rush), and Barker (Kyle Harrison Breitkopf), Diane jumps at it, dragging a reluctant Artie along. Naturally, their old-school approach to parenting clashes with the anxious, helicopter-parenting of their daughter Alice (Marisa Tomei) and her husband Phil (Tom Everett Scott). Which will win out? There's really no suspense--contemporary parenting is an easy target and every time Artie complains about how the kids are indulged, random strangers applaud him. However, as Artie's parenting technique yoyos between threats and bribery, movie audiences may find themselves on Alice's side. Parental Guidance is a flimsy movie built around cartoonish kids with cliché problems and jokes about poop and getting hit in the crotch. The plot eventually gets stuck in a mire of nostalgia and vanity (did Midler really have to have a musical number?). But along the way there are moments between kids and grandparents--and between parents and grandparents--that are genuinely sweet. Midler is just coasting through this, but Crystal, who remains a talented and charismatic actor, puts his heart into it. --Bret Fetzer
PARENTAL GUIDANCE Billy Crystal Bette Midler and Marisa Tomei prove that laughter is relative in this hilarious comedy that’s fun for the whole family! Old-school grandparents Artie (Crystal) and Diane (Midler) get more than they bargained for when they get stuck babysitting their daughter’s (Tomei) over-protected kids. But things go from hectic to hysterical when Artie realises the kids are running the house with their newfangled technology. By playing by his own rules which include sugary snacks old-fashioned games and tough love Artie manages to outsmart the kids and achieve the impossible – bringing the family closer together! CHEAPER BY THE DOZEN Comedy superstar Steve Martin (Bringing Down The House) and film favourite Bonnie Hunt (Jerry Maguire) team up in this hilarious tale of two hard-working parents trying to manage careers and a household–amid the chaos of raising twelve rambunctious kids! With a crowd-pleasing supporting cast including rising young stars Hilary Duff (Lizzie McGuire) Tom Welling (Smallville) and Piper Perabo (Coyote Ugly) this heart-warming hit comedy delivers super-sized fun and laughs by the dozen! DIARY OF A WIMPY KID The hysterically funny best-selling book comes to life in this smash-hit family comedy! Greg Heffley is headed for big things but first he has to survive the scariest most humiliating experience of any kid’s life–middle school! That won’t be easy considering he’s surrounded by hairy-freckled morons wedgie-loving bullies and a mouldy slice of cheese with nuclear cooties!
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