From the writer and producer behind such comedy heavyweights as The Day Today Knowing Me Knowing You...With Alan Partridge and I'm Alan Partridge as writer / performer comes Armando Ianucci's very own incisive and sometimes downright vicious comedy series. With the inventive and unpredictable Ianucci at the helm each episode loosely follows a theme where he'll comment upon human behaviour through his quirky gaze poking fun at all those who deserve it and probably those who don't as well. Joined by Hugh an old man who talks about the old days and the East End Thug who has a unique way of problem solving there has never been a more entertaining way of looking at the peculiarities of modern existence! Produced and cut with deftness the show initially received little media attention however it has since become a firm cult favourite and deserves its place in the cannon along side the likes of Alan Partridge and Brasseye. Episodes Comprise 1. Episode #1.1 2. Work 3. Mortality 4. Communication 5. Episode #1.5 6. Neighbours 7. Reality 8. Imagination
Selene and Michael continue the saga of war between the Death Dealers and the Lycans.
Teenager Tim Dawson's comedy takes a frank look into the outrageous world of a group of sixth form students living in Abingdon as they enjoy a final adolescent romp. DK fancies fat girl Sky but will his unusual seduction techniques - a mix of chocolate rap and breakdancing - succeed in getting her into bed or will he have to resort to wooing her with pies? Meanwhile it's essay time. When Matt steals Chloe's essay to make sure he gets a good grade he seriously annoys her. Jas tries to get her grade improved by flirting with teacher Simon but her boyfriend Ollie becomes madly jealous. He decides to teach Jas a lesson by getting off with another girl. Furious and hurt Jas and Chloe take revenge on the boys for their bad behaviour by giving them a swimming lesson they'll never forget.
Three bodies are found. Beside each lies a copy of the ABC Railway Guide. The police are baffled. But the killer has made one mistake; he has challenged Hercule Poirot to unmask him...
A man who loves to travel journies to an island and is horrified to discover a mad doctor is creating a race of zombies! A wild frenzy of blood and destruction takes place that equals anything ever seen on the screen. This was billed as the ""first audience participation horror movie"" as audiences viewed the ""green blood prologue"" ahead of the film and had samples of ""green blood"" distributed to them to drink as they took the oath for their own protection.
They came they saw they changed their minds! A group of disillusioned townsfolk living in the West renounce their settlemen and decide to return to their homes in the East. Hiring a grizzled and eccentric wagonmaster (Candy) they set off on the trail...
More intriguing investigations for Agatha Christie's famed Belgian detective... Yellow Iris: A new French restaurant is opening in London. Poirot is reminded of an unsolved case that occured at a restaurant with the same name in Buenos Aires where the wife of an oil tycoon died mysteriously. When the London restaurant opens events appear to be repeating themselves but this time Poirot is determined not to fail. The Case Of The Missing Will: Poirot and Hastings are in Cambridge attending a Union Society debate. Poirot's old friend Andrew Marsh is one of the speakers. Marsh is in poor health and later at his home announces that he intends to change his will the next day. When on the following morning he is found dead in the nearby wood Poirot becomes involved in a case of infedelity illegitimacy and inheritance.
Sitcom legend Tony Hancock makes his feature film-starring debut in this clever comedy from long-time collaborators Ray Galton and Alan Simpson. A witty satire that vigorously ridicules effete pseudo-intellectualism, middle-class pretensions and bohemian artiness, The Rebel is presented here as a brand-new restoration from the original camera negative in its original theatrical aspect ratio. A self-taught artist with an enthusiasm that far exceeds any ability, Anthony Hancock throws in his monotonous office job to live the dream. His genius unappreciated by the local peasantry he decides there's only one place for his talents to flower - amongst the beatniks and bohemians of Paris!
A high-profile action/exploitation thriller set in the late 20th century, The Siege is really a fantasy that extrapolates from major terrorist bombings, such as the one at the World Trade Centre. Denzel Washington is FBI special agent Hubbard, "Hub" to his friends, whose anti-terrorist task force must track down the terrorist cells responsible for a spate of bombings in New York. His partner is an FBI agent of Arabian extraction (played convincingly by Tony Shalhoub), proving not all Arabs are bad guys--a point the film should be lauded for making again and again. Thrown into the mix is a CIA spy (played almost kittenish at times by Annette Bening), whose ties to the terrorists appear to be at the centre of the conflicts. When the bombings escalate out of control, the President institutes martial law, sending in General Devereaux (played with impenetrable countenance by Bruce Willis) with tanks and troops to ferret out the terrorists. Echoes of Japanese-Americans in internment camps ring out as Arabs, including the son of the Arab-American FBI agent, are herded into a stadium. Periodic audio-montages of "man in the street" sentiments anchor the material in the present and show how serious and relevant the material is. But finally what we have is a taut and entertaining popcorn movie, giving itself the humanistic nod when it can. --Jim Gay, Amazon.com
From before the nativity to the Crucifixion and Resurrection Jesus Of Nazareth brings to life all the majesty and sweeping drama of the Gospels. This extended version features an additional 2 hours of footage not seen before! Robert Powell plays Jesus and a star-studded international cast adds depth and humanity to the roles of the saints sinners and ordinary people who walked in the footsteps of the Lord. The film shows the setting and background for the birth childhood and many miracles of the Messiah culminating in the Divine Resurrection. Directed by Oscar nominee Franco Zeffirelli and acclaimed by critics and religious leaders worldwide Jesus Of Nazareth tells the greatest of all stories with tremendous emotion and splendour.
"12 and Holding" explores the complexities of children losing their innocence and adults struggling to guide them.
Lovers Eddie and Michael witness a murder and go on the run with a professional hitman on their trail.
Like all the best celebrity tributes, Dame Elizabeth Taylor: A Musical Celebration (2001) combines the essence of its subject--in this case, charity work for HIV and AIDS research and a legendary career in movies, both meriting every ounce of recognition--with the fascination of a spectacular car smash. The highlights are the screenings of trailers for some of her best films, including Giant and Butterfield 8 (she won an Oscar but derided the picture) and an archive interview in which she memorably describes a tiresome gossip columnist as "a frustrated old biddy". The live entertainment is far shakier than the event's inspiration, though. Presented by David Frost and Stephen Fry--an uneasy, fawning partnership-- there is some real quality: Andrea Bocelli (sending the guest of honour into transports of delight), John Barry conducting a couple of his most symphonic Bond themes and Reba McEntire, the powerhouse country and western diva-turned-Broadway actress. On the down side, Marti Pellow's self-congratulatory posing would make Robbie Williams seem a model of modesty, Jay Kay's attempts to jazz up a standard are woeful and Ute Lemper is at her most pretentious for a cacophonic "Mack the Knife". Michael Jackson's mute presence at Taylor's side emphasises the hypnotic strangeness of the whole affair, though the Dame herself takes the entire marvellously lurid spectacle in her stride. On the DVD: Dame Elizabeth Taylor: A Musical Celebration comes to DVD with no extra features. A Taylor filmography would have been useful. Otherwise, the 4:3 video aspect ratio reproduces the television gala feel and for sound quality, you can choose between LPCM stereo, Dolby Digital 5.2 and DTS surround sound (best for that authentic, muddy Royal Albert Hall acoustic).--Piers Ford
Vampires with machine guns what's not to love? Sebastian Crockett is in for the ride of his life when his night of desire with sexy, alluring cougar Vanessa turns into a fight for survival when she introduces him to some of her friends - a coven of hungry vampires - at a remote farmhouse. As if Sebastian's night couldn't get any worse, a heavily armed band of mercenary vampire hunters led by the steadfast Colonel Bingham crashes the party - and much like the vampires, they're out for blood.....it's going to be a night to remember! Eat Locals is the directorial debut of actor Jason Flemyng (Lock, Stock and Two Smoking Barrels, Snatch), and features fight direction from Jason Statham (Snatch, Spy) as well as an all star cast, including Charlie Cox (Daredevil), Dexter Fletcher (Lock, Stock and Two Smoking Barrels, Layer Cake), Mackenzie Crook (Game of Thrones, Pirates of the Caribbean), Tony Curran (Gladiator), Eve Myles (Broadchuch), Vincent Regan (300), Ruth Jones (Gavin and Stacey), Annette Crosbie (Into the Woods), and Freema Agyeman (Doctor Who).
The human beings are almost as interesting as the title character in the surprisingly subtle and engaging Paulie, a film about the cross-country adventures of a smart-mouthed parrot. As director John Roberts deploys the footage, the bird becomes a vivid personality; every quizzical twist of his head is oddly expressive. The people who interact with Paulie are a quirky and interesting bunch as well, and the casting is topnotch: Tony Shalhoub (The Siege) as a Russian immigrant janitor, Cheech Marin as an open-hearted mariachi musician, and Gena Rowlands as a widowed painter in a footloose Winnebago--all are vividly eccentric individuals, memorable in their own right. There are some tired swipes at the cold-blooded meanies of Big Science (beady-eyed researcher Bruce Davison has Paulie clapped in irons), but for the most part the film respects the complexity of everyone's motivations, and that's virtually unheard of in today's Hollywood, even in films supposedly designed for grownups. --David Chute
Four classic John Wayne films are featured on this fantastic box set. The Big Trail: John Wayne hits the pioneer trail in his first feature film. Starring as the leader of a wagon trail he battles through tough terrain and Indian attacks and learns of love and friendship in this sweeping Western epic! The Comancheros: John Wayne is a Texas Ranger in this rollicking good humored western assigned to bring an arms-running gang to justice. After Wayne arrests one of the
The Complete Collection Tremors Kevin Bacon and Fred Ward are in a fight for their lives when they discover that their desolate town has been infested with gigantic man-eating creatures that live below the ground! Tremors 2: Aftershocks The giant underground creatures are terrorizing their way through Mexican oil fields, gobbling up everything and everyone -and only one man can stop them! In the style of its predecessor, this comedy sci-fi creature feature reunites two desert desperados who take on the task of destroying the monsters Tremors 3: Back to Perfection Those morphing, man-eating monsters are shaking things up again in the little town of Perfection, and survivalist Burt Gummer s the only solution to the latest in evolution! Tremors 4: The Legend Begins This prequel to the original phenomenon will thrill you with incredible action sequences and earth-shaking special effects created by the award-winning team behind the first box-office hit! Tremors 5: Bloodlines The stakes are raised for survivalist Burt Gummer in his most dangerous monster hunt yet. When Gummer's hired to capture a deadly Ass Blaster terrorizing South Africa, he and his new sidekick, Travis Welker engage in a battle of survival against the fiercely aggressive ass-blasters and Graboids. Tremors 6: A Cold Day in Hell Burt Gummer (Michael Gross) and his son Travis Welker (Jamie Kennedy) are called to a research facility in the frozen tundra of the Canadian Arctic. They find themselves up to their ears in Graboids and Ass-Blasters investigating a series of deadly giant-worm attacks. Burt begins to suspect that Graboids are secretly being weaponized, but before he can prove his theory, he is sidelined by Graboid venom. With just 48 hours to live, the only hope is to create an antidote from fresh venom but to do that, someone will have to figure out how to milk a Graboid!
Buck (Poitier) an ex-Union Army Cavalry sergeant becomes a scout for freed slaves heading to the Colorado frontier. Tagging along with him are his wife (Ruby Dee) and a Bible-thumping con artist known as the Preacher (Belafonte). Attacked by racist bounty hunters determined to return the former slaves to a life of sharecropping in Louisiana Buck and his followers must summon all the courage they have in order to reach their destination and help settle the Wild West...
Woody Allen's gentlest and most unassuming movie, Radio Days isn't so much a story as a series of anecdotes loosely linked together by a voice-over spoken by the director. The film is strongly autobiographical in tone, presenting the memories of a young lad Joe (clearly a stand-in for Allen himself) growing up in a working-class Jewish family in the seafront Brooklyn suburb of Rockaway during the late 1930s and early 40s. In this pre-TV era the radio is ubiquitous, a constant accompaniment churning out quiz shows, soap operas, dance music, news flashes and Joe's favourite, the exploits of the Masked Avenger. Given Allen's well-publicised gallery of neuroses, you might expect childhood traumas. But no, everything here is rose-tinted and even the outbreak of war makes little impact on the easygoing, protective tenor of family life. Now and then Allen counterpoints his family album with the doings of the radio folk themselves (blink, and you'll miss a young William H Macy in the studio scene when the news of Pearl Harbour comes through). The rise to fame of Sally (Mia Farrow), a former night-club cigarette girl turned crooner, is the nearest the film comes to a coherent storyline. But most of the time Allen is content to coast on a flow of easy nostalgia, poking affectionate fun at the broadcasting conventions of the period and basking in the mildly rueful Jewish humour and small domestic crises of Joe's extended family. There aren't even any of his snappy one-liners, and the humour is kept low-key, raising at most an indulgent smile. A touch of Allen's usual acerbity wouldn't have come amiss. But for anyone who shares these memories, Radio Days will surely be a delight. On the DVD: Not much besides the theatrical trailer, scene menu and a choice of languages. The screen's the full original ratio, but nothing seems to have been done to enhance the soundtrack, and the dialogue's not always clear. A boost in volume may help.--Philip Kemp
Focusing on the adventures of an SAS unit, Ultimate Force was conceived around the character of new-man-on-the-team Jamie Dow, but realised as a star vehicle for Ross Kemp as the clichéd tough-but-caring leader Sgt "Henno" Garvie. Kemp essentially plays a legitimate version of his Eastenders hardman persona, Grant Mitchell, while Jamie--Billy Elliot--Draven wins a lot of hearts as the troubled but sensitive Dow. The two are the focus of this hit ITV series which, harking back to the thick-ear undercover shenanigans of The Professionals, echoes the macho camaraderie, soap opera character development and explosive action of London's Burning and Soldier, Soldier. By TV standards the set-pieces are bold and bloody, but the stories are routine, from rescuing hostages in the feature-length opener, to tracking a war criminal in the finale. Despite being cowritten by ex-SAS man Chris Ryan, the show regularly stretches credulity, and sometimes, as when demonising anti-globalisation protestors as would-be assassins, displays a tabloid sensibility quite out of step with reality. Ultimate Force is essentially an updated Who Dares Wins; a far better insight into the real SAS is Bravo Two Zero starring Sean Bean, which, not coincidentally, was also directed by Tom Clegg. On the DVD: Ultimate Force is presented with a near flawless anamorphically enhanced picture in the original TV broadcast ratio of 16:9, while for a modern action drama the sound is perfectly capable but less than spectacular stereo. Two DVDs contain the complete first season; a 74 minute introductory episode and five 48-minute regular shows. Other than subtitles for hard-of-hearing the only extra is a standard 17-minute behind-the-scenes featurette shot on location during the making of series 2. --Gary S Dalkin
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