Twenty years before the Farrelly Brothers turned raunch into acceptable film comedy, the team of David Zucker, Jim Abrahams and Jerry Zucker exploited it first. The college threesome made it big with Airplane in 1980, but this 1977 cinematic version of their live theatre show was the ground zero for their talents. Kentucky Fried Movie is a mish-mash of sketches, fake commercials, and parodies with no central theme--except their crudeness and laugh-out-loud humour. Highlights include a commercial for "Scot Free", a board game based on the Kennedy assassination conspiracy; "The Wonderful World of Sex", in which a couple goes through foreplay with a self-help narrator instructing them step-by-step; and a 20-minute spoof of Bruce Lee films entitled "A Fistful of Yen". Brazen to a fault, the movie will reach for any punchline, no matter how crude (and those who flocked to the film's initial release looking for R-rated sex will remember the final sketch and the infamous trailer for "Catholic High School Girls in Trouble".) Directed by then-unknown John Landis (who went on to make The Blues Brothers and An American Werewolf in London) on a shoestring budget, the film has aged. But crassness, when this funny, is forever. --Doug Thomas, Amazon.com
Timothy Hutton stars as Martin Ryan a crusading journalist and author who becomes hopelessly entangled in the dark and dangerous world of Mafia hardmen corrupt film moguls whores strippers and vicious killers. With shades of Get Shorty and Goodfellas Ryan's big break comes when his Mafioso novel is chosen to be turned into a Hollywood movie. Heading for fame and fortune in Los Angeles Ryan's accompanied by two very different friends an ex-wiseguy enforcer desperate to escape being 'whacked' by his own side (Joe Pantoliano) and a beautiful but troubled stripper (Michelle Burke) yearning to abandon her seedy and tragic past.
The four films in this Agatha Christie Murder Mystery Collection demonstrate exactly why Christie's reassuringly formulaic whodunits have been extraordinarily resilient source material. In each we find a corpse (or several), an assorted group of suspects gathered in a self-contained location, all with a motive to commit murder, and the coincidental presence of the totem detective (Poirot or Miss Marple). Between 1974 and 1981, producers John Brabourne and Richard Goodwin mined the Christie seam for some of its ripest riches. Murder on the Orient Express (1974), directed by Sidney Lumet, features a cavalcade of stars including Ingrid Bergman, Lauren Bacall, John Gielgud and Sean Connery; while Christie herself gave Albert Finney's Poirot her blessing. The Art Deco setting exudes glamour; the plot is preposterously diverting; the lighting, silvery and washed-out, giving the suspects an appropriately grim and ghoulish air. With a superior Anthony Shaffer screenplay Death on the Nile (1978) saw Peter Ustinov taking over as Poirot. The backdrop of ancient Egyptian monuments helps bring this adaptation a touch of class, complemented by composer Nino Rota's epic theme tune. The Mirror Crack'd (1980) features Elizabeth Taylor and Kim Novak as rival Hollywood legends descending on a quaint English village to make a film, with Rock Hudson as Taylor's husband and Angela Lansbury as a rather unconvincingly robust Miss Marple. Shaffer returned to the fray, adapting Evil Under the Sun (1981) and moving Poirot from the Cornish Riviera to an island off the coast of Albania. Ustinov reprises his role and Maggie Smith returns, camper than ever, as the hotel owner inconvenienced by murder. On the DVD: It's a pity that the sound quality hasn't been sharpened up, though: Murder on the Orient Express sometimes evokes memories of the muffled incoherence of an old fleapit. Apart from trailers, extras are few and far between. There are no cast lists or filmographies. But Death on the Nile and Evil Under the Sun both feature interesting short promotional "'making of"' documentaries in 4:3 format. --Piers Ford
A trilogy of stories from Elm Street hosted by its' most famous inhabitant Freddy Krueger. No More Mr Nice Guy: The sinister Freddy Krueger recounts the horrific events that led to his burning and how he became a dream killer. When Freddy Kruger is acquitted on a technicality for the slayings of innocent children an enraged mob led by the parents of the victims seeks revenge against the fedora-donned razor-gloved janitor of the Springwood power plant. It's a Miserable Life: A moment becomes a lifetime between the pulling of the trigger and the impact of the bullet to an innocent victim of a drive-by shooting: while his girlfriend's fear of hospitals fiendishly materialise when she becomes a victim as well. Killer Instinct: A high school track star who's lost her competitive edge experiences the thrill of victory and the painful agony of defeat when her coach urges her to get the killer instinct. He provides her with a talisman to help her not only visualise winning but focus on the gruesome destruction of her opponents.
A collection of six classic Doris Day movies in one bumper value box set!; ; Young At Heart (1955) Barney Sloan (Frank Sinatra) is a cynical, down-on-his-luck musician, who reluctantly agrees to help his composer friend Alex Burke (Gig Young) with a new comedy he is working on. However, Barney gains a new perspective on life and love when he meets Alex's irrepressibly perky fiancee, Laurie (Doris Day) - and promptly falls in love with her! ; ; Lover Come Back (1961) Account exec...
BBC drama about young boxers entertaining dressed diners at a club with a bout or two. Thaw plays the manager of one of the boxers. Written by Leon Griffiths (also the writter of 'Minder').
Join Lassie the ever-faithful companion and her friends in their exciting adventures. The courageous canine will always be there in times of trouble and strife helping those in need. Lassie truly is everyone's best friend!
Return with us now to a look back at a more innocent time. This outstanding collection of vintage films rescued from obscurity features four early examples of selling a product or service to a less hardened audience. It wasnt until 1984 that the first ever modern-day infomercial was created but these films from the 1950s and 1960s delivered a message and attempted to brand an image in American minds. We have lovingly restored these little cinematic gems and offer them to you for the very first time on DVD. First from the 1950s comes This Is Roller Skating a free-wheeling examination of the popular sport that also serves as a promotion tool for a line of skates that were sold by the Ware Brothers. Next actor Jock MacGregor hosts Science and Your Garden featuring a look at how to make your greenery great. Then the stars of Leave It to Beaver teach the importance of saving money in Beaver U.S. Saving Bonds and Stamps. Lastly 1968's The Noisy Landscape is a film presented by the American Institute of Architects that argues against putting up too many signs in urban areas.
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