Long-demanded by fans of the franchise, and by followers of eighties sex comedies in general, PORKY'S REVENGE was released in1985 and marked the conclusion of the blockbuster teen-centred trilogy. In this hilarious and superior sequel the boys from Angel Beach High School are in their senior year, but when old enemy Porky steamrolls back into town with his illegal casino and brothel, the likeable - and every horny - lads find themselves tied-up in an unwelcome plan to compromise the upcoming basketball game! Adding to the headaches is an unwanted marriage, old acquaintances, bad dates and the usual hormonal overload (thanks to the presence of the frequently topless Playboy Playmate Kimberly Evenson) that one would expect from a PORKY'S movie. Unseen in the UK since the days of VHS, and gaining this gobsmacking HD restoration from 88 Films, PORKY'S REVENGE reunites all the old favourites including the late Wyatt Knight as Tommy Turner, Dan Monahan as Pee Wee, Tony Ganios as Meat, Kaki Hunter as Wendy and, of course, the great Nancy Parsons as Beulah Balbricker. Also boasting a hit soundtrack from eighties fave Dave Edmunds, PORKY'S REVENGE is a must-see rib-tickler that conclusively stands the test of time! SPECIAL FEATURES: Limited Edition Gloss Finish O-Card slipcase [First Print Run Only] Limited Edition booklet by Dr Calum Waddell [First Print Run Only] High Definition Blu-ray (1080p) presentation Uncompressed Mono Soundtrack Optional English SDH Subtitles High School Nights - Teens in the Eighties: An Interview with Film Critic Kim Newman Porky's Daughter - An Interview with Actress Wendy Feign Original Theatrical Trailer Reversible Cover Artwork
Kids Favourite Songs: 16 Well Loved Songs to Sing and Dance to
Cult American horror film from 1997 directed by Robert Kurtzman and executive produced by Wes Craven (Scream). Telling the story of a djinn (evil genie), an omnipotent, supremely evil entity who is released from a jewel and seeks to capture the soul of the woman who discovered him, thereby opening a portal and freeing his fellow djinn to inhabit the earth. The film stars Andrew Divoff and Tammy Lauren.
Lovers Eddie and Michael witness a murder and go on the run with a professional hitman on their trail.
Welcome to the schol of hard knocks. Ben a struggling teacher in his 30s is desperately trying to get his life back in order to win back his ex-wife. After abundant struggle and a haunting past an old friend gets him a teaching position at Riker's Island Prison. Meanwhile Gabriel a 17-year-old drug-dealer is arrested and sent to the same prison. Ben is having terrible luck with his teaching program and is given an ultimatum that he must have more students or the program w
Like all the best celebrity tributes, Dame Elizabeth Taylor: A Musical Celebration (2001) combines the essence of its subject--in this case, charity work for HIV and AIDS research and a legendary career in movies, both meriting every ounce of recognition--with the fascination of a spectacular car smash. The highlights are the screenings of trailers for some of her best films, including Giant and Butterfield 8 (she won an Oscar but derided the picture) and an archive interview in which she memorably describes a tiresome gossip columnist as "a frustrated old biddy". The live entertainment is far shakier than the event's inspiration, though. Presented by David Frost and Stephen Fry--an uneasy, fawning partnership-- there is some real quality: Andrea Bocelli (sending the guest of honour into transports of delight), John Barry conducting a couple of his most symphonic Bond themes and Reba McEntire, the powerhouse country and western diva-turned-Broadway actress. On the down side, Marti Pellow's self-congratulatory posing would make Robbie Williams seem a model of modesty, Jay Kay's attempts to jazz up a standard are woeful and Ute Lemper is at her most pretentious for a cacophonic "Mack the Knife". Michael Jackson's mute presence at Taylor's side emphasises the hypnotic strangeness of the whole affair, though the Dame herself takes the entire marvellously lurid spectacle in her stride. On the DVD: Dame Elizabeth Taylor: A Musical Celebration comes to DVD with no extra features. A Taylor filmography would have been useful. Otherwise, the 4:3 video aspect ratio reproduces the television gala feel and for sound quality, you can choose between LPCM stereo, Dolby Digital 5.2 and DTS surround sound (best for that authentic, muddy Royal Albert Hall acoustic).--Piers Ford
Three features now in High Definition. Directed by Andrew Lau and Alan Mak, Infernal Affairs is a tense thriller featuring Hong Kong superstars Andy Lau and Tony Leung. The film follows the parallel lives of Ming (Lau), a cop who secretly reports to ruthless Triad crime boss Sam (Eric Tsang); and Yan (Leung), an undercover police officer who poses as a Triad member in Sam's gang. For Yan, the years of living in the criminal underworld have taken their toll, and he longs to return to regular police duty. However, the only person who knows Yan's true identity is his mentor Superintendent Wong (Anthony Wong), also the unsuspecting superior of Ming. When Wong's officers come face to face with Sam's gang, both leaders realise there are moles in their midst. Soon Yan and Ming must track each other down, leading to an inevitable confrontation. Unlike many contemporary Hong Kong films, Infernal Affairs steers clear of over-the-top action in favour of a more stylised and subdued story that builds on emotional and psychological tension. Leung is riveting as the undercover cop who desperately wants a normal life, while Lau instils his corrupt character with confidence and charm that mask his deep inner conflict. These two stellar turns are ably supported by veteran actors Wong and Tsang, along with Sammi Cheng and Kelly Chen. A huge blockbluster in Asia, Infernal Affairs is a landmark of Hong Kong cinema that deserves the same status abroad. Part of the New Directors/New Films 2003 series presented by The Department of Film and Media at the Museum of Modern Art and the Film Society of Lincoln Center in New York City. Also features: 'Infernal Affairs II' and 'Infernal Affairs III'.
Vampires with machine guns what's not to love? Sebastian Crockett is in for the ride of his life when his night of desire with sexy, alluring cougar Vanessa turns into a fight for survival when she introduces him to some of her friends - a coven of hungry vampires - at a remote farmhouse. As if Sebastian's night couldn't get any worse, a heavily armed band of mercenary vampire hunters led by the steadfast Colonel Bingham crashes the party - and much like the vampires, they're out for blood.....it's going to be a night to remember! Eat Locals is the directorial debut of actor Jason Flemyng (Lock, Stock and Two Smoking Barrels, Snatch), and features fight direction from Jason Statham (Snatch, Spy) as well as an all star cast, including Charlie Cox (Daredevil), Dexter Fletcher (Lock, Stock and Two Smoking Barrels, Layer Cake), Mackenzie Crook (Game of Thrones, Pirates of the Caribbean), Tony Curran (Gladiator), Eve Myles (Broadchuch), Vincent Regan (300), Ruth Jones (Gavin and Stacey), Annette Crosbie (Into the Woods), and Freema Agyeman (Doctor Who).
The human beings are almost as interesting as the title character in the surprisingly subtle and engaging Paulie, a film about the cross-country adventures of a smart-mouthed parrot. As director John Roberts deploys the footage, the bird becomes a vivid personality; every quizzical twist of his head is oddly expressive. The people who interact with Paulie are a quirky and interesting bunch as well, and the casting is topnotch: Tony Shalhoub (The Siege) as a Russian immigrant janitor, Cheech Marin as an open-hearted mariachi musician, and Gena Rowlands as a widowed painter in a footloose Winnebago--all are vividly eccentric individuals, memorable in their own right. There are some tired swipes at the cold-blooded meanies of Big Science (beady-eyed researcher Bruce Davison has Paulie clapped in irons), but for the most part the film respects the complexity of everyone's motivations, and that's virtually unheard of in today's Hollywood, even in films supposedly designed for grownups. --David Chute
There was something genuinely heart-warming about the decision by Black Sabbath's founding members to take to the road again in 1999. The fractious intra-band relationships that have characterised Black Sabbath's long career were a major inspiration for the writers of This is Spinal Tap, and so there was something pleasingly symmetrical and evocative of the closing scenes of that fine film about the Sabs' reunion.The concert footage was taken from six of the concerts on that tour. It is conclusive proof that the original quartet of Osbourne, Iommi, Butler and Ward--or, in Osbourne's words, "four dickheads from Aston, near Birmingham"-were every bit as exuberantly juvenile a rock & roll band in their early fifties as their late teens. Also included is a sketchy biography and interviews with the band by Henry Rollins, one of the countless contemporary musicians influenced by Sabbath. It's a nice idea, but the only real weakness of the package is that Ozzy is never granted time to wheel out any of his peerless reserve of grotesque rock & roll anecdotes. Nevertheless, the already formidable case for Osbourne's knighthood is strengthened further. --Andrew Mueller
Four classic John Wayne films are featured on this fantastic box set. The Big Trail: John Wayne hits the pioneer trail in his first feature film. Starring as the leader of a wagon trail he battles through tough terrain and Indian attacks and learns of love and friendship in this sweeping Western epic! The Comancheros: John Wayne is a Texas Ranger in this rollicking good humored western assigned to bring an arms-running gang to justice. After Wayne arrests one of the
Dave (Stephen Boyd) and Jim (Tony Wright) are British soldiers who escape from an Italian POW camp. They are smuggled into Marseilles, where Dave falls in love with orphan waif Lisa. The men then meet Dr Martout, who is to organise their escape from France. However, Dave and Jim object to Martout's vicious methods, and find themselves forced to outwit both him and the Nazis.
Originally made for TV in 1977, this in-depth version of Jesus' life is so thorough that the first hour is devoted solely to the story of his birth. The film doesn't skimp on some of the other landmark events of this famous story either. Director Franco Zeffirelli gives ample screen time each to the Last Supper and the Crucifixion. Passages of the Bible are quoted verbatim, the locations have a Palestine-like authenticity, and, aside from some of the principals (Robert Powell as Jesus, Olivia Hussey as Mary, and Stacy Keach as Barabbas), many of the non-Roman characters are actually played by Semitic-looking actors. Zeffirelli diligently provides the socio-political background that gave rise to Jesus' following and the crisis in belief it caused for the people of Israel (and one or two Romans). --Kimberly Heinrichs, Amazon.com
How To Marry A Millionaire (1953) Marilyn delivers one of the finest comedic performances of her career in this outrageously funny film co-starring Betty Grable and Lauren Bacall! Three beautiful models plan to snag rich husbands by pooling their funds and renting a posh Manhattan penthouse in which to lure their victims. What follows is a series of near-marital mishaps where love prevails over money proving that even gold-diggers sometimes have hearts of gold! There's N
A lavish British musical from the 1950s, this glamorous romantic comedy stars actress and dancer Vera-Ellen, whose Hollywood pedigree included films with Gene Kelly, Fred Astaire and Bing Crosby. Co-starring singer and actor Tony Martin and then-rising British starlet Zena Marshall, Let's Be Happy is featured here in a brand-new transfer from the original film elements, in its as-exhibited theatrical aspect ratio. On receiving an inheritance from her grandfather, Canadian Jeannie MacLean decides to visit the family's Scottish roots. On the plane she meets businessman Stanley Smith, and romance blossoms in Edinburgh. The complications begin when Stanley breaks a date with Jeannie to woo voluptuous redhead Helene, and Jeannie is flattered by the attentions of the impoverished Lord McNairn; he's heard about her good fortune, and gallantly offers to show her the city... much to the annoyance of Stanley!
The Bill went from strength to strength in 1988 when it was restructured into the half-hour format that stormed to the top of the ITV ratings, and the show remained a Top Ten UK drama for over two decades becoming the longest-running police procedural drama ever screened on British television.Starring fan favourites Sgt. Cryer (Eric Richard), WPC Ackland (Trudie Goodwin), DS Ted Roach (Tony Scannell), DC Lines (Kevin Lloyd) and the irascible DI Burnside (Christopher Ellison), this set contains 48 consecutive episodes originally screened in 1990.
Tremors didn't actually break any new ground (even though its tunnelling worm monsters certainly did), but it revved up the classic monster-movie formulas of the 1950s with such energetic enthusiasm and humour that it made everything old seem new again. It also has a cast full of enjoyable actors who clearly had a lot of fun making the film, and director Ron Underwood strikes just the right balance of comedy and terror as a band of small-town rednecks battle a lot of really nasty-looking giant worms. The special effects are great, the one-liners fly fast and furious between heroes Kevin Bacon and Fred Ward (and yes, that's country star Reba McEntire packin' awesome firepower), and it's all done with the kind of flair one rarely associates with goofy monster flicks like this. --Jeff Shannon
The horrors of war take on a whole new meaning for Vietnam vet Norman Hopper (John Saxon) whose quiet domestic life in Atlanta is shattered by the return of Charlie Bukowski a combat buddy who dredges up terrifying flashbacks of flesh eating and bloodshed in the war-torn jungles. Now on the run from the law Charlie begs Norman to help him get out of town with another fellow veteran Tom (Tony King). Soon the ragtag team of cannibals are fighting for their lives spreading a deadly contagion through the city before heading into the sewers for a gut-wrenching climax you won't soon forget! One of the most infamous Italian horror films of all time 'Cannibal Apocalypse' is a thrilling collision of action-packed combat and monstrous horror from cult director Antonio Margheriti.
The Complete Collection Tremors Kevin Bacon and Fred Ward are in a fight for their lives when they discover that their desolate town has been infested with gigantic man-eating creatures that live below the ground! Tremors 2: Aftershocks The giant underground creatures are terrorizing their way through Mexican oil fields, gobbling up everything and everyone -and only one man can stop them! In the style of its predecessor, this comedy sci-fi creature feature reunites two desert desperados who take on the task of destroying the monsters Tremors 3: Back to Perfection Those morphing, man-eating monsters are shaking things up again in the little town of Perfection, and survivalist Burt Gummer s the only solution to the latest in evolution! Tremors 4: The Legend Begins This prequel to the original phenomenon will thrill you with incredible action sequences and earth-shaking special effects created by the award-winning team behind the first box-office hit! Tremors 5: Bloodlines The stakes are raised for survivalist Burt Gummer in his most dangerous monster hunt yet. When Gummer's hired to capture a deadly Ass Blaster terrorizing South Africa, he and his new sidekick, Travis Welker engage in a battle of survival against the fiercely aggressive ass-blasters and Graboids. Tremors 6: A Cold Day in Hell Burt Gummer (Michael Gross) and his son Travis Welker (Jamie Kennedy) are called to a research facility in the frozen tundra of the Canadian Arctic. They find themselves up to their ears in Graboids and Ass-Blasters investigating a series of deadly giant-worm attacks. Burt begins to suspect that Graboids are secretly being weaponized, but before he can prove his theory, he is sidelined by Graboid venom. With just 48 hours to live, the only hope is to create an antidote from fresh venom but to do that, someone will have to figure out how to milk a Graboid!
Eureka Entertainment to release THE INCIDENT, the raw and intense 1967 New York thriller featuring Martin Sheen, Tony Musante and an ensemble cast, making its WORLDWIDE DEBUT on Blu-ray in a Dual Format (Blu-ray & DVD) edition as part of the Eureka Classics range from 12 August 2019. A riveting urban tension thriller, and a fantastic snapshot of 1967 New York City in all its seedy, black-and-white glory, The Incident also features an iconic 60s cast that must be seen to be believed. Martin Sheen makes his feature film debut as one of two small-time hoods the other is Tony Musante (The Bird with the Crystal Plumage) in one of his earliest roles terrorising a subway car full of trapped passengers, portrayed by an ensemble cast including Thelma Ritter (Rear Window), Beau Bridges (The Fabulous Baker Boys), Ed McMahon, Donna Mills (Play Misty for Me), Jack Gilford (Save the Tiger), Brock Peters (To Kill a Mockingbird), Ruby Dee (A Raisin in the Sun), and a host of other instantly recognisable faces from NYC films and television of the era. After mugging an old man for a few dollars, thugs Artie (Sheen) and Joe (Musante) hop a subway deep in the Bronx, and proceed to threaten and intimidate the Sunday night commuters all the way to Times Square. The terrified riders are a mixed group an elderly Jewish couple, a family trying to protect their 5-year-old daughter, an alcoholic, two teens on a date, two military Privates, a bigoted African-American man and his wife, etc. but they are united by their fear and sense of helplessness as switchblade-wielding Joe and Artie block the subway doors from opening at stops, and prevent the riders from leaving. Will any of them have the courage to confront the two maniacs? A high-velocity home invasion-styled hostage drama on rails, The Incident is a NYC transit suspense film that precedes the better-known The Taking of Pelham One Two Three by seven years. When director Larry Peerce (Goodbye, Columbus) and cinematographer Gerald Hirschfeld (Young Frankenstein) were denied permission to shoot in the NYC subways, they did it anyway, using concealed cameras for some footage, providing a gritty time capsule of the 60s Big Apple as it begins to rot.
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