After viewing Snow White and the Seven Dwarfs, Edgar Rice Burroughs wrote to Walt Disney about adapting his novel of an ape-man into a feature animated cartoon. Sixty odd years later, the tale is finally told with brilliant design work that looks unlike any previous animated film. The story is a natural for Disney since the themes of misunderstood central figures have been at the heart of most of its recent hits. Disney's Tarzan doesn't wander far from the familiar story of a shipwrecked baby who is brought up by apes in Africa. What gives the film its zing is its clever use of music (the songs are sung by Phil Collins himself rather than onscreen characters) and the remarkable animation. Deep Canvas, a 3-D technology, was developed for the film, creating a jungle that comes alive as Tarzan swings through the trees, often looking like a modern skateboarder racing down giant tree limbs. The usual foray of sidekicks, including a rambunctious ape voiced by Rosie O'Donnell, should keep the little ones aptly entertained. The two lead voices, Tony Goldwyn as Tarzan and Minnie Driver as Jane, are inspired choices. Their chemistry helps the story through the weakest points (the last third) and makes Tarzan's initial connection with all things human (including Jane) delicious entertainment. Disney still is not taking risks in its animated films, but as cookie-cutter entertainment, Tarzan makes a pretty good treat. On the DVD: It's the dish--mistakes, unused footage, creative differences, embarrassing behind-the-scene stories--that makes collector's editions so much fun. Unfortunately, this goes against the Disney philosophy of picture-perfection, and this two-set disc shows it; only half of the new material is engaging. The other half of this second disc, the "Tarzan Archives," is a slickly produced filler--more publicity fluff than real insight on the development of the film and the animation process. Much better are the three abandoned scenes (with voices and storyboards), including a much fiercer opening and ending, plus dozens of sketches made over the years as the designers pursued the luscious look of the film. The original audio demos Phil Collins made for the film are also intriguing (mostly filled with dummy or place-holding lyrics). The new audio commentary (by the producer and two directors) is a "fireside chat" variety, hardly worth more than one listen. Two side-by-side comparisons of storyboards to final film are a great tool to show youngsters how the animated process works, as is animator Glen Keane's talks on animating Tarzan. Also for kids: a read-along book and trivia game. --Doug Thomas
Eddie Weinbauer is a typical all-American teenager. At least he was until he fell under the evil spell of rock music. Now he's obsessed with his superstar idol Sammi Curr and as Halloween approaches Eddie begins to realise this isn't only rock n roll.. It's life or death!
When children are found murdered just before Christmas 1992, the locals turn on a woman they believe to be the killer, and an angry mob hang her in the woods. Before she dies, she curses the town and vows to return to take her revenge. Twenty five years later, the story is just a local legend, but when more children start to go missing again, everyone fears the curse might be true, in this terrifying re-telling of the legend of the witch Frau Perchta. Features: Behind the scenes commetary trailers
Why did 13 women willingly open their doors to the Boston Strangler? With 13 women murdered Boston is held under siege by a madman. One by one they fall each death more gruesome than the last. The actual murders that rocked Boston in the 60's are the gripping subject of this unforgettable police thriller. The Boston Strangler is one of the most powerful films in its genre with possibly Tony Curtis' finest performance.
In an isolated coastal community, Rachel Wade is sent down an emotionally destructive path after the tragic death of her mother. Forced to leave home, Rachel and her younger sister return years later to find their father missing and the community deserted. What starts as a search for answers quickly turns into a race for survival. In order to escape, Rachel must face her family's dark history and a mysterious figure with sinister intentions.
A lothario visits Las Vegas with his friends to celebrate his engagement. While there he falls in love with a sultry singer -- who just happens to be Bugsy Siegel's girlfriend! Siegel catches the two together and as punishment forces the couple to get married. The duo quickly divorce but they can't stop thinking about each other...
Michael Redgrave gives a striking performance as a distinguished surgeon fighting against the depersonalisation of progress in this engrossing medical drama from director Brian Desmond Hurst. Also featuring Niall MacGinnis, Tony Britton, Ian Bannen and Vanessa Redgrave in her film debut, Behind the Mask is featured here as a brand-new High Definition transfer from original film elements in its original theatrical aspect ratio. Backroom rivalry at the Graftondale Royal Hospital surgical unit is unspoken but self-evident. Sir Arthur Gray, a staunch traditionalist, is determined to keep things going his way in spite of his rival's ambitions to turn the hospital into a laboratory . Then, while carrying out a delicate heart operation, Sir Arthur has a momentary blackout.
Robbie the Reindeer is as short as many of the made-for-TV classics that have preceded it. However, so much action, zippy dialogue and witty visual puns have been packed into its 29-minute running time that you'd swear it was longer. The content of the film, like many new animations and cartoons, is geared slightly in favour of older audiences, because of its sexual innuendos and adult comedy, but the kids will love the slapstick comedy and loveable characters. Robbie's father is another stop-motion favourite, Rudolph, the Red-Nosed Reindeer, and pop is keen to see his loveable--but lazy--son follow in his famous hoof prints. The adult theme continues in the shape of the storyline, which was actually inspired more by Rocky than by Rudolph. As in Rocky, there's a supportive female (Donner) and a crusty trainer (Old Jingle). Together they help Robbie get in shape for the Reindeer Games, where he'll have the chance to show Santa whether he has the right stuff or not. Fans of Aardman Animations should appreciate the detailed animation and clever humour. The cream of Britain's comic crop provides the voices, including Jane Horrocks as Donner. Robbie Williams narrates the story, and Mark Knopfler provides the music. --Kathleen C Fennessy, Amazon.com
Battlestar Galactica was one of the first off the starting blocks in the rush to repeat the Box Office business of Star Wars. The original pilot episode was adapted for both cinema and television viewing, and this DVD features the more self-contained theatrical release, which eliminates certain plot threads (such as John Colicos's treacherous character Baltar). Mixing Egyptian, Greek and made-up mythologies and designs, the premise was almost too sprawling for a two-hour presentation. In the series, we'd go on to learn why there were only a handful of humans left floating around, and what their relationship with the eagerly sought planet Earth was. Here it's all about set up, with Apollo (Richard Hatch) and Starbuck (Dirk Benedict) stealing the show as the fighter pilots with all the charm and the best lines. Lorne Greene adds a classy element to the large-scale acting ensemble, as does an uncredited Patrick Macnee as narrator and voice of the villainous Cylon Leader. Producer/writer Glen A Larson debuted Buck Rogers in the 25th Century at almost the same time (again for both TV and cinema), but something about this has always made it the most fondly remembered Star Wars wannabe. It's a shame that the soundtrack, and Stu Phillips's cracking music in particular, is only presented in mono, but a clean digital transfer at least means that Daggits, Centons and all the other felgercarb look its best. Extras on the DVD include cast and filmmakers' biographies, production notes and Web links. --Paul Tonks
The Sopranos, writer-producer-director David Chase's extraordinary television series, is nominally an urban gangster drama, but its true impact strikes closer to home: This ambitious TV series chronicles a dysfunctional, suburban American family in bold relief. And for protagonist Tony Soprano, there is the added complexity posed by heading twin families, his collegial mob clan and his own, nouveau riche brood.The series' brilliant first season is built around what Tony learns when, whipsawed between those two worlds, he finds himself plunged into depression and seeks psychotherapy--a gesture at odds with his mid-level capo's machismo, yet instantly recognisable as a modern emotional test. With analysis built into the very spine of the show's elaborate episodic structure, creator Chase and his formidable corps of directors, writers and actors weave an unpredictable series of parallel and intersecting plot arcs that twist from tragedy to farce to social realism. While creating for a smaller screen, they enjoy a far larger canvas than a single movie would afford, and the results, like the very best episodic television, attain a richness and scope far closer to a novel than movies normally get.Unlike Francis Coppola's operatic dramatisation of Mario Puzo's Godfather epic, The Sopranos sustains a poignant, even mundane intimacy in its focus on Tony, brought to vivid life by James Gandolfini's mercurial performance. Alternately seductive, exasperated, fearful and murderous, Gandolfini is utterly convincing even when executing brutal shifts between domestic comedy and dramatic violence. Both he and the superb team of Italian-American actors recruited as his loyal (and, sometimes, not-so-loyal) henchman and their various "associates" make this mob as credible as the evocative Bronx and New Jersey locations where the episodes were filmed.The first season's other life force is Livia Soprano, Tony's monstrous, meddlesome mother. As Livia, the late Nancy Marchand eclipses her long career of patrician performances to create an indelibly earthy, calculating matriarch who shakes up both families; Livia also serves as foil and rival to Tony's loyal, usually level-headed wife, Carmela (Edie Falco). Lorraine Bracco makes Tony's therapist, Dr Melfi, a convincing confidante, by turns "professional", perceptive and sexy; the duo's therapeutic relationship is also depicted with uncommon accuracy. Such grace notes only enrich what is not merely an aesthetic high point for commercial television, but an absorbing film masterwork that deepens with subsequent screenings. --Sam Sutherland, Amazon.com
Action superstar Jean-Claude Van Damme is back and at his hard-hitting best as Ben Archer an ex-mob enforcer seeking revenge against a ruthless Chinese kingpin responsible for his wife's brutal murder. When Archer joins forces with his old underworld friends an all-out war is waged against the Chinese Triads... Hong Kong favourite Simon Yam faces off against the Muscles From Brussels in this pulse-pounding action thriller!
In an uncanny piece of art imitating life, Who Dares Wins came out in 1982 just after the infamous storming of the Iranian Embassy by the legendary British Special Air Services (SAS) unit. The plot builds up to that unshakeable image of black-clad troops abseiling the front of a stately home and smashing through the windows, and pays off expectations with a thrilling finale. Anyone expecting two hours of military instruction will be disappointed however. After the opening 10 minutes with the troops, the almost James-Bond-like story follows Lewis Collins (riding high in those days after TV's The Professionals) as he infiltrates a radical anti-Nuclear society. Operation: Destroy requires him to go undercover with their potentially insane leader Frankie (Judy Davis), ignoring his wife and child. The period detail is often the film's most entertaining feature as Collins tours across 1980s London constantly eluding spies on his tail. Apart from the endless permed hairdos and the fact that the Campaign for Nuclear Disarmament hasn't got much to demonstrate about these days, there's the fashions and low-tech gadgetry to enjoy. In the US the film was called The Final Option. The DVD includes a photo gallery, and a history of the SAS. --Paul Tonks
Beyblade is an animé tie-in to the high-tech spinning top toys. It has some of the standard faults of the cheaper Japanese animations--such as static backgrounds and overly perky facial design--but it makes inventive use of the idea that the competitions of the Beybladers are the outward manifestation of more occult conflicts in another realm. Young Tyson is a keen and inventive Beyblader--in the first episode, he works out a way of quadrupling the speed and force of his top--but it helps that his Beyblade is inhabited by the spirit of an ancestral dragon. Thus equipped, he moves through one round after another of an international competition, sometimes in alliance with the haughty Kai and his gang and sometimes opposing them, and always helped by Kenny and Dizzi, the spirit beast that inhabits Kenny's laptop. How much of this you want to watch will ultimately depend on how many duels between spinning tops you are going to be interested in, but the byplay between physical and spirit realms, and the conflict of characters is moderately interesting as well. On the DVD: Beyblade, Volume 1 comes with stereo sound and a visual aspect ratio of 4:3. The special features are limited to promotional material for the Beyblade tops, including quizzes and guides to customising. --Roz Kaveney
Some Like It Hot: As well as being acknowledged as one of Marilyn Monroe's finest performances Some Like It Hot is a comedy which presents sharp satire and zany slapstick from acting talents led by Tony Curtis and Jack Lemmon. It's Billy Wilder's film as much as anything else as the comic genius manages to offer plenty of laughs in this cross-dressing classic. Some Like It Hot bridges a gap between traditional Hollywood screwball comedies and the dawning of a saucier more permissive era. For Monroe it's her sexiest and funniest role. As well as looking great she shows natural comedy talent while Curtis and Lemmon have rarely bettered their performances. From the opening scene to the classic closing line of ""nobody's perfect"" this film is an absolute joy. The Adventures Of Priscilla Queen Of The Desert: When Anthony ""Tick""/Mitzi (Hugo Weaving) is invited to perform in Alice Springs he recruits flamboyant young stud Adam/Felicia (Guy Pearce) and the legendary refined Bernadette (Terence Stamp) to join him. Mitzi however fails to disclose one important fact to his friends: his wife is the one who invited them to Alice Springs. With one big secret about to be revealed and another one up his sleeve Mitzi is a little stressed. With long hours on the road ahead of them the trio lip-synchs campy songs on the bus creates fabulous costumes and meets a multitude of colourful characters along the way. They party with friendly aborigines are confronted by judgmental townspeople who are averse to drag queens and meet Bob (Bill Hunter) a warmhearted mechanic and drag fan who joins them for the last leg of their trip when their bus breaks down in the middle of nowhere. La Cage Aux Folles: When young Laurent returns to exotic St. Tropez he bears big news for his beloved father Renato. Laurent has found the girl of his dreams and they are engaged! What's more she and her family are on their way over for dinner at Renato's home to meet the in-laws-to-be. This traditional meeting of families seems typical but because this ultraconservative family will be expecting to meet Renato and wife they'll never be prepared for the shock of meeting Renato and his flamboyant campy outrageous lover -- and drag-queen -- Albin! So in a great effort to please his son Renato asks Albin for the performance of a lifetime...setting up an unforgettable evening that is charged and ready to detonate an explosion of zaniness and absurdity. Birdcage: Robin Williams stars as Armand the outlandish owner of a wild Miami Beach nightclub whose partner Albert is also the star attraction at the club. Gene Hackman (Crimson Tide) is the ultra conservative US Senator Keeley who faces political problems when his closest political ally dies in bed with a prostitute. When Armand's son Val announces his engagement with Keeley's daughter the scene is set for a riotous comedy of errors. Keeley sees the wedding as the opportunity to restore political fortunes by promoting ""traditional family values"". If he only knew what sort of family's his daughter was marrying into! Put the two families together and watch the sparks fly.
Hollywood superstar James Belushi stars as undercover mole Frank Spello in this all action thriller. After years of deep undercover operation Spello is determined to smash the organized crime syndicates and even endures doing time in one of America's toughest prisons and all the brutal treatment dished out in these so called correction institutions. Spello is by no means the model prisoner and will go to any length in order to be accepted by the underworld and finds himself in many life threatening situations where the cell block rules are..No Rules..No Witnesses.. No Mercy..And No Justice! Eventually winning the respect of Chicago crime lord Sal The Joker Licata Spello is confident his cell block education will assist him on his eventual release . But nothing could prepare Spello for the double-dealing double-crossing and ruthless disregard for human life demonstrated by the Chicago Mafia and Colombian Drug Barons. Teaming up with Gina Gallagher a beautiful young federal prosecutor they find their every move blocked by conspiracy and corruption and as they hurtle from one life threatening situation to another they are convinced that Lady Justice wears a blindfold and must make the ultimate decision as to follow their oath of to serve and protect or dispense their own brand of justice...
Dr. Eric Vornoff (Bela Lugosi in his last speaking role) recruits twelve men for an experiment to create a race of atomic supermen. Assorted police reporters and a rubber octopus conspire to ensure that his quest fails - it just has to be another of Ed Wood's masterpieces!
Arnold Schwarzenegger stars as a pilot presumed dead who returns home only to find he has been replaced by a clone and his life is in danger.
Based upon the classic novel by Nikolai Gogol Taras Bulba is an epic tale of love betrayal honour and conflict. This unforgettable saga begins with story of Cossack warriors joining forces with the Polish army to rid the Ukraine of the invading Turkish. But once the battle is won the Cossacks only face treachery from their allies. Cossack leader Taras Bulba swears revenge. Raising his son with the intent of using him as a spy Teras sends his sibling Andrei into the midst of Polish society with the hope of taking them down from the inside. But his plans go awry when Andrei falls in love with the young daughter of a Polish Nobleman ensuing a conflict between national identity obligation duty and love. Directed by celebrated film maker J.Lee Thompson (Cape Fear The Guns Of Navarone) with a screenplay by Waldo Salt (Midnight Cowboy Serpico) Taras Bulba stars Yul Brynner (The Magnificent Seven The King And I) and Tony Curtis (The Defiant Ones The Sweet Smell Of Success) in a complex story of those who put all their faith into a sword.
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