Hotshot rookie race car Lightning McQueen learns a valuable life lesson in Pixar's latest animated adventure.
Released in 1971 (the same year Straw Dogs and A Clockwork Orange hit the screens, which must make 71 the annus mirabilis for violent films set in Britain), Get Carter opens with gangsters leering over pornographic slides and ends on a filthy, slag-stained beach in Newcastle. It's a low-down and dirty movie from beginning to end, and possibly the grittiest and best film of its kind to come out of Britain. The granddaddy of Lock, Stock & Two Smoking Barrels and all its ilk, director Mike Hodges' Get Carter offers revenge tragedy swinging-60s style, all nicotine-stained cinematography, shabby locations and the kind of killer catchphrases Vinnie Jones would die for ("You're a big man, but you're in bad shape. With me, it's a full-time job. Now behave yourself", says Michael Caine's deadpan anti-hero Carter before inflicting a few choice punches on Brian Mosley, aka Coronation Street's Alf Roberts, to name but one example from Hodges and Ted Lewis' exquisitely laconic script). Presenting the dark horse in his family of loveable Cockney geezer roles (Alfie, The Italian Job), Michael Caine plays the title role of Jack Carter, a man so hard he barely registers a flicker of regret watching a woman he's just had sex with plunge to her death. After taking the train up to Newcastle as the credits roll and Roy Budd's chunky bass-heavy theme tune plays, Carter returns to his hometown to attend his brother's funeral and investigate the circumstances of his death. Not that he's all that sentimental about family: he shaves nonchalantly over the open coffin, and shows affection to his niece Doreen (Petra Markham) by cramming a few notes in her hand and telling her to "be good and don't trust boys". Gradually, Carter unravels the skein of drugs, pornography and corruption tangled around his brother's death, which brings him up against supremely oleaginous kingpin Kinnear (played by the author of Look Back in Anger John Osborne) among others. A remake starring Sylvester Stallone is in the offing, but quite frankly it will be a 30-degree (Celsius) Christmas night in Newcastle before Hollywood could ever make something as assured, raw and immortal as this. --Leslie Felperin
Maybe "nobody's perfect", as one character in this masterpiece suggests. But some movies are perfect, and Some Like It Hot is one of them. In Chicago, during the Prohibition era, two skirt-chasing musicians, Joe and Jerry (Tony Curtis and Jack Lemmon), inadvertently witness the St Valentine's Day Massacre. In order to escape the wrath of gangland chief Spats Colombo (George Raft), the boys, in drag, join an all-woman band headed for Florida. They vie for the attention of the lead singer, Sugar Kane (Marilyn Monroe), a much-disappointed songbird who warbles "I'm Through with Love" but remains vulnerable to yet another unreliable saxophone player. (When Curtis courts her without his dress, he adopts the voice of Cary Grant--a spot-on impersonation.) The script by director Billy Wilder and I.A.L. Diamond is beautifully measured; everything works, like a flawless clock. Aspiring screenwriters would be well advised to throw away the how-to books and simply study this film. The bulk of the slapstick is handled by an unhinged Lemmon and the razor-sharp Joe E. Brown, who plays a horny retiree smitten by Jerry's feminine charms. For all the gags, the film is also wonderfully romantic, as Wilder indulges in just the right amounts of moonlight and the lilting melody of "Park Avenue Fantasy". Some Like It Hot is so delightfully fizzy, it's hard to believe the shooting of the film was a headache, with an unhappy Monroe on her worst behaviour. The results, however, are sublime. --Robert Horton
With its high-intensity plot about an attempt to assassinate French President Charles de Gaulle, the bestselling novel by Frederick Forsyth was a prime candidate for screen adaptation. Director Fred Zinnemann brought his veteran skills to bear on what has become a timeless classic of screen suspense. Not to be confused with the later remake The Jackal starring Bruce Willis (which shamelessly embraced all the bombast that Zinnemann so wisely avoided), this 1973 thriller opts for lethal elegance and low-key tenacity in the form of the Jackal, the suave assassin played with consummate British coolness by Edward Fox. He's a killer of the highest order, a master of disguise and international elusiveness, and this riveting film follows his path to de Gaulle with an intense, straightforward documentary style. Perhaps one of the last great films from a bygone age of pure, down-to-basics suspense (and a kind of debonair European alternative to the American grittiness of The French Connection), The Day of the Jackal is a cat-and-mouse thriller that keeps you on the edge of your seat until its brilliantly executed final scene (pardon the pun), by which time Fox has achieved cinematic immortality as one of the screen's most memorable killers. --Jeff Shannon
When two musicians witness a mob hit, they flee the state in an all female band disguised as women, but further complications set in.
Comedy legend Tony Hancock makes his feature film-starring debut in this witty satire that takes both white-collar monotony and the pretensions of the art-world in its crosshairs. A self-taught artist with an enthusiasm that far exceeds any ability, Anthony Hancock throws in his hollow office job and moves to Paris to live his dream. Although he quickly finds acceptance among the bohemians and beatniks, legitimate critics scoff at his work. However, he begins to taste critical success when the art of his talented former roommate becomes confused with his own.
A compilation of the best party songs. Join Tony and the kids as they sing and dance to party favourites. Children will love the brilliant songs and will enjoy watching and joining in with all the fun and games.
French filmmakers Jules and Gedeon Naudet were filming a documentary about a 'typical' New York firefighter on the fateful day September 11th 2001 when two planes hit the World Trade Centre. The brothers were able to film the courageous actions of the firefighters as they went about their business in the lobby of Tower One.
16 well loved songs to sing and dance to. Meet Tony and the boys & girls as they sing and dance their way through 16 favourite songs. Children will love the music and enjoy watching and joining in with all the fun and dancing
Series 3 and 4 of the sitcom adventures of Wolfie Smith. Power to the people! In Tooting London SW17 revolution is still brewing. But will the Glorious Day ever come? Will Wolfie (Robert Lindsay) Ken Tucker and Speed - the Tooting Popular Front - ever manage to drag the proletariat out of its lethargy to strike at the heart of capitalism? Or will Wolfie's domestic problems lack of money and the dreadful performance of his beloved Fulham Football Club once again prove effective
Scorching the streets clean... Flamethrowers ready as the alleyways of skid row are set ablaze with the brutal vengeance of one man... The Exterminator!John Eastland has been to ‘Nam and he’s seen things... Things you wouldn’t believe. Surviving torture and witnessing the brutal deaths of his friends, John returns home to a tough neighbourhood in New York and his loving family. But when some local thugs take a crippling dislike to his best friend Mike, leaving him paralysed, something snaps in John. Did he fight the Vietcong for this? Taking the law into his own hands, Eastland sets out to clean the streets of every low life, good for nothing gang banger, mobster and ghetto ghoul across the city in director James Glickenhaus’ (McBain) brutally violent vigilante classic. Special Features: Also Includes an Interview with James Glickenhaus Collector’s Booklet by Author Calum Waddell
A modish creation teased into life by Warren Beatty, Shampoo was an offbeat Hollywood hit back in 1975. Made after Watergate, it reflects on the hedonism of late-60s Los Angeles with a sad, somewhat cynical eye. Basically a bedroom farce, fuelled by some famously raunchy dialogue, its comedy is nevertheless underlain with melancholy. Screenwriter Robert Towne was inspired by Wycherly's Restoration comedy The Country Wife, wherein a wily fellow convinces friends of his impotence even while he is merrily seducing their wives. Hence, Towne invented handsome Beverly Hills hairdresser George Roundy (Beatty), who ought to be gay, but emphatically isn't. Shampoo begins on US Election Day, 1968, as Nixon is trouncing McGovern at the polls, and George Roundy is trying to sort his life out. An earnest advocate of sensual pleasure, he beds most of his female clients, from the fretful Jill (Goldie Hawn) to the wealthy Felicia (Lee Grant). Yet George is himself unfulfilled, and imagines that owning his own salon will satisfy him. He asks Felicia's husband Lester (Jack Warden) to back him, but first Lester coerces George into squiring his mistress Jackie (Julie Christie) to a Nixon victory party. Inevitably, Jackie is another of George's girls and, having seduced Felicia's vivacious daughter (Carrie Fisher) earlier that day, George has much to conceal from Lester and Felicia as the evening's festivities unravel. Shampoo shows the 60s turning sour. The characters are rich hippies, superficially liberated but deeply unhappy, and blandly indifferent to the dawning of the Nixon era. The excellent Lee Grant won an Oscar, but Shampoo is Beatty's film. He produced it, had a substantive hand in Towne's script, and deputised the nominal director, Hal Ashby. The film mildly exploits legends of Beatty's real-life sexual prowess, but mainly it embodies his commitment to making thoughtful movies for grown-ups. Richard Kelly
With its high-intensity plot about an attempt to assassinate French President Charles de Gaulle, the bestselling novel by Frederick Forsyth was a prime candidate for screen adaptation. Director Fred Zinnemann brought his veteran skills to bear on what has become a timeless classic of screen suspense. Not to be confused with the later remake The Jackal starring Bruce Willis (which shamelessly embraced all the bombast that Zinnemann so wisely avoided), this 1973 thriller opts for lethal elegance and low-key tenacity in the form of the Jackal, the suave assassin played with consummate British coolness by Edward Fox. He's a killer of the highest order, a master of disguise and international elusiveness, and this riveting film follows his path to de Gaulle with an intense, straightforward documentary style. Perhaps one of the last great films from a bygone age of pure, down-to-basics suspense (and a kind of debonair European alternative to the American grittiness of The French Connection), The Day of the Jackal is a cat-and-mouse thriller that keeps you on the edge of your seat until its brilliantly executed final scene (pardon the pun), by which time Fox has achieved cinematic immortality as one of the screen's most memorable killers. --Jeff Shannon
Episodes: Crocodile Tears Guess Who's Coming to Dinner Abide with Me The Weekend The Hostage The Path of True Love But Is It Art? A Christmas Story Speed's Return Rebel Without a Pause The Tooting Connection Working Class Hero Spanish Fly Right to Work Rock Bottom.
20 fun songs to sing and dance to. Meet the boys and girls as they sing and dance their way through 20 favourite songs. Join Tony and the kids on a pirate ship, on a bus, down at the zoo, on the beach and much more. Children will love the brilliant songs and will enjoy watching all the fun and games.
Features the all episodes from the BBC television comedy series which sees Tom and Barbara leave the rat-race in an attempt to live a self-sufficient life; with varying degrees of success! Episodes comprise: 1. Plough Your Own Furrow 2. Say Little Hen ... 3. The Weaker Sex? 4. Pig's Lib 5. The Thing In The Cellar 6. The Pagan Rite 7. Backs To The Wall 8. Just My Bill 9. The Guru Of Surbiton 10. Mr Fix-It 11. The Day Peace Broke Out 12. Mutiny 13. Home Sweet Home 14. Going To Pot? 15. The Early Birds 16. The Happy Event 17. A Tug Of The Forelock 18. I Talk To The Trees 19. The Wind-Break War 20. Whose Fleas Are These? 21. The Last Posh Frock 22. Away From It All 23. The Green Door 24. Our Speaker Today 25. The Weaver's Tale 26. Suit Yourself 27. Sweet And Sour Charity 28. Anniversary 29. When I'm 65 30. Silly But It's Fun
Sitcom legend Tony Hancock makes his feature film-starring debut in this clever comedy from long-time collaborators Ray Galton and Alan Simpson. A witty satire that vigorously ridicules effete pseudo-intellectualism, middle-class pretensions and bohemian artiness, The Rebel is presented here as a brand-new High Definition restoration from the original camera negative in its original theatrical aspect ratio. A self-taught artist with an enthusiasm that far exceeds any ability, Anthony Hancock throws in his monotonous office job to live the dream. His genius unappreciated by the local peasantry he decides there's only one place for his talents to flower - amongst the beatniks and bohemians of Paris! Special Features: Limited edition booklet containing the script for The Day Off - what would have been Galton and Simpson's second film for Hancock had he not turned it down Theatrical trailer Image gallery
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