Comedy legend Tony Hancock makes his feature film-starring debut in this witty satire that takes both white-collar monotony and the pretensions of the art-world in its crosshairs. A self-taught artist with an enthusiasm that far exceeds any ability, Anthony Hancock throws in his hollow office job and moves to Paris to live his dream. Although he quickly finds acceptance among the bohemians and beatniks, legitimate critics scoff at his work. However, he begins to taste critical success when the art of his talented former roommate becomes confused with his own.
Appearing in his second feature film-starring role, comedy legend Tony Hancock gives a memorable performance in this bittersweet comedy of small-town snobbery and one-upmanship. Content to scratch out a living in the faded seaside town of Piltdown, puppeteer Wally Pinner (Hancock) is unhappily married to Delia (Sylvia Syms), a gift-shop owner with social pretensions. When Wally is invited to perform at the town's anniversary gala reception, however, Delia scents a once-in-a-lifetime opportunity to raise the couple's social standing...
This collection contains all 39 surviving episodes from 1956 to 1961 of the classic sitcom written by Galton & Simpson featuring East Cheam's most famous resident Tony Hancock. Featuring such classics as The Radio Ham The Blood Donor The Bed Sitter this collection is a must for any fan of classic comedy.
Tony Hancock has been voted Britain's best ever comedy performer thirty-five years after his premature death in 1968. This DVD contains the remaining episodes from Series 2 and Series 3 plus a Christmas Special. Episodes from Series 2: 1. The Alpine Holiday Episodes from Series 3: 1. Air Steward Hancock The Last Of The Many 2. The Lawyer: The Crown vs Sidney James 3. Competitions: How To Win Money And Influence People 4. There's An Airfield At The Bottom Of My Garden The Christmas
Sitcom legend Tony Hancock makes his feature film-starring debut in this clever comedy from long-time collaborators Ray Galton and Alan Simpson. A witty satire that vigorously ridicules effete pseudo-intellectualism, middle-class pretensions and bohemian artiness, The Rebel is presented here as a brand-new High Definition restoration from the original camera negative in its original theatrical aspect ratio. A self-taught artist with an enthusiasm that far exceeds any ability, Anthony Hancock throws in his monotonous office job to live the dream. His genius unappreciated by the local peasantry he decides there's only one place for his talents to flower - amongst the beatniks and bohemians of Paris! Special Features: Limited edition booklet containing the script for The Day Off - what would have been Galton and Simpson's second film for Hancock had he not turned it down Theatrical trailer Image gallery
The Punch and Judy Man is a British comedy from 1963 directed by Jeremy Summers (Crooks In Cloisters). It was Tony Hancock's second film in a starring role, following The Rebel (1961). Hancock plays Wally Pinner, the unhappily married Punch and Judy Man. Wally and the other beach entertainers are socially unacceptable to the town's snobbish elite. Wally's wife, Delia (Sylvia Syms), runs a seaside shop below their flat. She's desperate to have Wally invited to entertain at the official reception for Lady Jane Caterham (Barbara Murray), who she sees as her ticket to a rise in the social ladder. At the Mayoress' suggestion the Reception Committee invites Wally to entertain. During the dinner, events degenerate and a food fight begins when one of the drunken guests begins heckling Wally. When Lady Jane vents her anger at Wally for ruining the evening, Delia floors her with a punch, her dreams of social acceptance shattered.
The mercurially talented comedian Tony Hancock returns to DVD with more from his epoch-making comedy series Hancock's Half Hour. Containing all 10 episodes from the fifth series originally broadcast in 1959.
The Very Best of Hancock isn't just a miscellaneous compilation of his television work, rather it is five of the six episodes from Hancock's last season with the BBC in 1961. Writers Ray Galton and Alan Simpson followed Hancock to television after making him a star on radio, and it is to them as much as to Hancock's lugubrious persona that these few shows owe their classic status. In a conscious effort to throw the spotlight more firmly on himself, Hancock had parted company with his radio cohorts in the transition to TV, and here for the first time he also dispensed with stalwart comedy partner Sid James. Thanks to Galton and Simpson, however, the gamble paid off handsomely and these shows remain some of the best sitcoms ever created for British television. No longer a resident of Railway Cuttings, East Cheam, here we find Hancock in Earl's Court in the first episode, "The Bedsitter". Whether trying vainly to live the life of a carefree bachelor, playing an old country character in a thinly disguised version of "The Archers" ("The Bowmans"), wrestling with the complexities of valve radio ("The Radio Ham"), annoying everyone in an awkward situation ("The Lift") or giving that famous pint of blood ("The Blood Donor"), Galton and Simpson provide Hancock with every opportunity to exercise his wonderful pomposity and pretentiousness with scripts full of comic invention and eminently quotable lines. Hugh Lloyd and June Whitfield are among the supporting cast.On the DVD: The disc includes a good recent interview with Galton and Simpson, who talk about their sometimes difficult relationship with the star. After Hancock used cue cards while recording "The Blood Donor", they reveal, he decided never to bother learning any lines again, even though this had a detrimental effect on his ability to use comic facial expressions ever afterwards. The picture and sound quality are what might be expected from TV of this vintage. --Mark Walker
Sitcom legend Tony Hancock makes his feature film-starring debut in this clever comedy from long-time collaborators Ray Galton and Alan Simpson. A witty satire that vigorously ridicules effete pseudo-intellectualism, middle-class pretensions and bohemian artiness, The Rebel is presented here as a brand-new restoration from the original camera negative in its original theatrical aspect ratio. A self-taught artist with an enthusiasm that far exceeds any ability, Anthony Hancock throws in his monotonous office job to live the dream. His genius unappreciated by the local peasantry he decides there's only one place for his talents to flower - amongst the beatniks and bohemians of Paris!
Long Lost Comedy Classics is a collection of films from a golden age of British Cinema remembered stars and some unique movies that have stood the test of time. So why not take a trip down memory lane and see how cinema used to be? A Sleepy army barracks is about to be overrun by a film company planning to shoot a science fiction caper. And it's not long before the enticing female stars persuade the boys of the brigade to take part - much to the annoyance of the Divisional Commander who decides to make a surprise inspection. This wonderful comedy is packed with character and features some of the finest British talent of the age - including Tony Hancock Peter Sellers and Sid James.
A "tontine" is drawn up on behalf several young British boys. Each of the boys' parents had placed 1000 pounds in a pool, to be invested and expanded upon. The resultant fortune will go to the last surving member of the tontine. A series of montages depicts the various demises of the heirs. Finally, only two of the tontine participants are left: aged brothers Ralph Richardson and John Mills. On his last legs, Mills is determined that Richardson will not outlive him, and to that end attempts to kill his brother; each attempt fails spectacularly, with the doddering Richardson none the wiser. Standing to benefit from the tontine are Mills' dimwitted med-student son Michael Caine and Richardson's greedy nephews Peter Cook and Dudley Moore. When Richardson is supposedly killed in a train wreck, Cook and Moore don't want the authorities to find out, so they appropriate what they think is their uncle's corpse and ship it home in a box. Thus it is that Caine finds the body of a perfect stranger on his doorstep. The farcical complications begin flying about thick and fast from this point onward. Among the participants in this wacky film are such formidable talents as Peter Sellers, Tony Hancock, Wilfred Lawson, Thorley Walters, Norman Rossington, Irene Handl and Cicely Courtenedge. Based on a novel by Robert Louis Stevenson, The Wrong Box is a delightful harkback to the glory days of Britain's Ealing comedies.
The Rebel is a 1961 comedy film starring Tony Hancock (Hancock's Half Hour). Hancock plays a downtrodden London office clerk who gives up his job to pursue his dream of being an artist. With an enthusiasm far exceeding any artistic talent, he sets to work on his masterpiece Aphrodite at the Waterhole, moving to Paris where he expects his genius will be appreciated. While his ideas and persona gain acceptance among the art set, legitimate critics scoff at his work. He manages, however to achieve success when the work of his former roommate, a genuinely talented painter, becomes confused with his own.
Punch & Judy Man: Tony Hancock is a melancholy Punch and Judy man trying to establish himself as an important citizen in the seaside town where he works. When his snobbish wife is taught a lesson at an important social event it looks like the British comic genius may just get the new lease of life of which he's always dreamed... (Dir. Jeremy Summers 1963) The Rebel: Tony Hancock portrays a bored city clerk who has ambitions of becoming an artist in France. (Dir. Robert Day 1961)
Two warring elderly brothers and their respective heirs are determined that each will outlive the other in an attempt to hold onto the family fortune and will stop at nothing even murder to achieve their goal. Bryan Forbes' riotous black comedy, based on the 1889 novel by Robert Louis Stevenson and Lloyd Osbourne, stars some of the greatest talents of the day, including Peter Sellers, Michael Caine, Peter Cook, Dudley Moore, Tony Hancock, Ralph Richardson, Nanette Newman and John Mills. Extras: INDICATOR LIMITED EDITION BLU-RAY SPECIAL FEATURES: High Definition remaster Original mono audio The British Entertainment History Project Interview with Bryan Forbes (1994): archival audio recording of the celebrated filmmaker in conversation with Roy Fowler New and exclusive audio commentary with film historians Josephine Botting and Vic Pratt Interview with Nanette Newman (2018): the award-winning actor talks about The Wrong Box and her work with husband Bryan Forbes Original theatrical trailer Image gallery: promotional photography and publicity material New and improved English subtitles for the deaf and hard-of-hearing Limited edition exclusive booklet with a new essay by Vic Pratt, an overview of contemporary critical responses and historic articles on the film World premiere on Blu-ray LIMITED EDITION OF 3,000 copies
Tony Hancock stars with Sid James as the irrepressible tenant of 23 Railway Cuttings East Cheam. Hancock's Half-Hour is the yardstick against which all subsequent British sitcoms have been measured the vast majority failing to size up to its extremely high standards. Based on his famous radio show of the same name the TV run consolidated Tony Hancock's standing as Britain's leading comic of the day; the entertainer providing ample proof that his wonderfully flexible
The Rebel (1961) and The Punch and Judy Man (1963) are the only two feature films made expressly as star vehicles for the great television comic Tony Hancock. The Rebel is by far the more ambitious, being in colour with Parisian locations, a large cast, and not least a supporting role for international star George Sanders. The opening rebellion against office life surely inspired The Fall and Rise of Reginald Perrin, while references follow to Look Back in Anger (1958) and Billy Wilder's The Apartment (1960) and Some Like It Hot (1959). Hancock goes to Paris to follow his artistic muse and as he rises through the art world his naivety is taken for genius, allowing for some very funny moments and spot-on satire, which are just as relevant today as 40 years ago. Filmed in black-and-white in Bognor Regis, The Punch and Judy Man is a more modest yet evocative portrait of life in a small coastal resort. Hancock is the titular beach entertainer who is happy to live from day to day with the affable companionship of John Le Mesurier and Hugh Lloyd. The problem is he's burdened with a socially ambitious wife, Sylvia Syms. Gentle humour comes from Hancock's frustrations as a proto-Basil Fawlty, and the film, packed with familiar British character actors, has an old-fashioned charm. It makes for an enjoyable supporting feature to The Rebel, which is undoubtedly a minor classic. On the DVD: Tony Hancock Double Feature presents both films at 4:3 ratio. The earlier film looks decidedly cropped in several scenes, though the latter survives the reformatting largely unscathed. The Rebel's colour is faded and the image grainy, while The Punch and Judy Man generally has a much stronger black and white image. Even so, there is some flickering and print damage. The music is distorted in The Rebel but the mono sound is fine during The Punch and Judy Man. There are no extras. --Gary S Dalkin
The mercurially talented comedian Tony Hancock returns to DVD with more from his epoch-making comedy series Hancock's Half Hour.
Chasing Liberty: Every family has a rebel. Even the First Family! She's the President's daughter. But she just wants to be herself. Multi-talented Mandy Moore makes her romantic comedy debut as Anna who finally gets Dad (Mark Harmon) to reduce the number of agents while she goes to a music club. But when Anna arrives at the club she realizes her father has backed out of the deal she ditches the agents and goes on the run with Ben a handsome photographer she meets. Anna does
A film biography with a difference, Sir John Mills' Moving Memories charts the life of one of Britain's most distinguished actors. Compiled from interviews with the man himself and with his family and friends, it traces his career from humble beginnings to all-time great of British cinema. The many film clips reveal an electric screen presence and a willingness to undertake a range of difficult, challenging roles. The package creates major interest with its excerpts from hundreds of hours of home movies shot by Mills during the 1950s and 1960s. These not only capture his young family but many of the period's biggest stars at their most candid: there cannot be many films showing Sir Laurence Olivier belly-flopping into a swimming pool. This is a fascinating document of a bygone age and a fine tribute to a genuine legend. On the DVD: Sir John Mills' Moving Memories is a short main feature and there has been little attempt to make use of the additional disc space. Extras are limited to text-only biographies and filmographies, plus a selection of movie stills. The quality of the picture and sound betrays the film's television origins, although the home movie footage is blessed with a rich, vibrant colour. --Phil Udell
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