The biggest hit of 1990, Ghost is part comedy, part romance, part supernatural thriller. Patrick Swayze, previously best known for Dirty Dancing, stars as Sam, the banker who is killed following a mugging. Caught in a limbo between here and the afterlife, he uses Whoopi Goldberg's fake psychic as an intermediary to warn wife Molly (Demi Moore) that his death was no accident but a murder and that she is in danger too. Ghost's original popularity and notoriety originally arose not from its dealings with the supernatural but the scene involving Moore fondly astride her potter's wheel fashioning a somewhat phallic-shaped vase, with Swayze fondly astride her. So infamous did this scene become that it's now more likely to raise a chuckle than a sultry sigh. As for the rest of the movie, it still somehow manages to engage despite the awkward juxtaposition of lachrymose melodrama and zaniness. Demi Moore, whose massive Hollywood success was always a mystery to some, is a little flat as the tomboy-coiffed Molly, her tears occasionally seeming onion-induced. Swayze, however, delivers as Sam while Whoopi Goldberg turns in the best performance of her career, delivering the requisite zip and sass to what otherwise might have been a morose movie. On the DVD: Though well restored, DVD enhancement has only served to emphasise the slightly quaint feel of the special effects here--Ghost was made just prior to the digital era. Otherwise, this is a good package and an essential purchase for fans. There's a 22-minute featurette, "Remembering the Magic", in which scriptwriter Bruce Joel Rubin explains that the film was inspired by the scene in Hamlet in which the Prince meets his Father, and how initially appalled he was that his masterpiece of the supernatural was to be directed by Jerry Zucker, previously responsible for Airplane!. They also reveal that Tina Turner was originally cast for the Goldberg role. Zucker and Rubin team up for a funny commentary track. --David Stubbs
Maybe "nobody's perfect", as one character in this masterpiece suggests. But some movies are perfect, and Some Like It Hot is one of them. In Chicago, during the Prohibition era, two skirt-chasing musicians, Joe and Jerry (Tony Curtis and Jack Lemmon), inadvertently witness the St Valentine's Day Massacre. In order to escape the wrath of gangland chief Spats Colombo (George Raft), the boys, in drag, join an all-woman band headed for Florida. They vie for the attention of the lead singer, Sugar Kane (Marilyn Monroe), a much-disappointed songbird who warbles "I'm Through with Love" but remains vulnerable to yet another unreliable saxophone player. (When Curtis courts her without his dress, he adopts the voice of Cary Grant--a spot-on impersonation.) The script by director Billy Wilder and I.A.L. Diamond is beautifully measured; everything works, like a flawless clock. Aspiring screenwriters would be well advised to throw away the how-to books and simply study this film. The bulk of the slapstick is handled by an unhinged Lemmon and the razor-sharp Joe E. Brown, who plays a horny retiree smitten by Jerry's feminine charms. For all the gags, the film is also wonderfully romantic, as Wilder indulges in just the right amounts of moonlight and the lilting melody of "Park Avenue Fantasy". Some Like It Hot is so delightfully fizzy, it's hard to believe the shooting of the film was a headache, with an unhappy Monroe on her worst behaviour. The results, however, are sublime. --Robert Horton
Dying Young: A vivacious young woman begins work as a carer for a wealthy young man only to fall in love with him as his terminal condition worsens... Sleeping With The Enemy: A put-upon wife wakes up the fact that the beatings she receives from her husband are not likely to end and may very well take her life. Faking her own death she sets up home in a new town with a new name but her husband is none too keen to let her go...
This remake of the classic horror film follows a family that inherit a spectacular house, only to find themselves trapped within it, pursued by powerful and vengeful entities.
David Lean's masterpiece based on Charles Dickins' timeless novel about Pip, a blacksmith's apprentice who suddenly comes into great fortunes.
Kirk Douglas produced the trendsetting barbarian epic The Vikings and took the showiest, most aggressive role: lusty Viking Prince Einar, the "only son in wedlock" of King Ragnar (a cackling, wild-eyed Ernest Borgnine). With jagged scars down his face and a milky-white blind eye that almost glows in his skull, Douglas has a rowdy time battling defiant slave Tony Curtis (the long-lost heir to the British throne) for the hand of the beautiful princess Janet Leigh. It's pure Hollywood hokum, sure, but spectacular hokum: the great cinematographer Jack Cardiff turns his Norway locations into a lush Valhalla on earth. Faced with an absurd story, journeyman director Richard Fleischer goes for the gusto in brawling Viking parties, furious sieges, and clanging broadsword battles. An enormous hit, the film spawned a huge wave of Viking movies, some perhaps smarter but none as much fun. --Sean Axmaker
The sole son (Tony Leung Ka Fai) in a family of police officers marries Mina (Godenzi) an ambitious colleague only to incur the resentment of his four sisters all policewomen especially the eldest Ling (Carina Lau). There is pressure on Tony to father a son to keep the male line going although Mina wants to delay pregnancy until she gets promoted to Superintendent. However with a vicious Vietnamese gang on the loose in Hong Kong Mina's crime fighting exploits place her in gre
Box-set featuring four classic John Wayne movies. 'The Big Trail' (1930) was Wayne's first starring role. He plays the young leader of a pioneer wagon train travelling across the Oregon Trail. Repulsing Indian attacks and battling against the hostile elements, The Duke still finds time for romance with a fellow traveller (Marguerite Churchill). In 'The Comancheros (1961), Wayne stars as Texas Ranger Jake Cutter whose path crosses with that of professional gambler Paul Regret (Stuart Whitman). The two become uneasy bedfellows in their quest to crush a powerful outlaw gang who are selling arms and alcohol to the local Indians. This was director Michael Curtiz's last film and also stars Lee Marvin and Ina Balin. 'North to Alaska' (1960) is a lighthearted Western starring Wayne and Stewart Granger as rough and tumble gold prospectors in Alaska. When Sam McCord (Wayne) and George Pratt (Granger) eventually strike it rich in the gold rush, George sends Sam to Seattle to fetch his fiancee; but Sam falls in love with her. George eventually accepts his loss and sets about finding a new gal, but only seems to find trouble. In 'The Undefeated' (1969), Confederate Colonel James Langdon (Rock Hudson) prepares to travel to Mexico with his family. When they are attacked by bandits, Union Colonel J.H. Thomas (Wayne) comes to their aid. The former enemies find themselves united in their efforts to resist Mexican Emperor Maximillian, and Juarez, the rebel leader. When the rebels kidnap the Southerners, Colonel Thomas must decide whether to surrender his valuable herd of 3,000 horses and secure their release, or leave them to their fate.
All 38 episodes from the third season of the TV crime drama following an ex-con who assumes the identity of a sheriff in the fictional town of Banshee, Pennsylvania. Having served 15 years in prison following a diamond heist, the unnamed man posing as Sheriff Lucas Hood (Antony Starr) and his crime partner and ex-girlfriend Carrie (Ivana Milicevic) risk having their dark pasts and real identities publicly exposed by the threat of old enemies. Season 1 episodes are: 'Pilot', 'The Rave', 'Meet the New Boss', 'Half Deaf Is Better Than All Dead', 'The Kindred', 'Wicks', 'Behold a Pale Rider', 'We Shall Live Forever', 'Always the Cowboy' and 'A Mixture of Madness'. Season 2 episodes are: 'Little Fish', 'The Thunder Man', 'The Warrior Class', 'Bloodlines', 'The Truth About Unicorns', 'Armies of One', 'Ways to Bury a Man', 'Evil for Evil', 'Homecoming' and 'Bullets and Tears'. Season 3 episodes are: 'The Fire Trials', 'Snakes and Whatnot', 'A Fixer of Sorts', 'Real Life Is the Nightmare', 'Tribal', 'We Were All Someone Else Yesterday', 'You Can't Hide from the Dead', 'All the Wisdom I Got Left', 'Even God Doesn't Know What to Make of You' and 'We All Pay Eventually'. Season 4 episodes are: 'Something Out of the Bible', 'The Burden of Beauty', 'The Book of Job', 'Bloodletting', 'A Little Late to Grow a Pair', 'Only One Way a Dogfight Ends', 'Truths Other Than the Ones You Tell Yourself' and 'Requiem'.
Day is an uptight interior decorator forced to share a party line with an amorous playboy who ties up the line with his exploits while she is trying to conduct business. When the two accidentally meet he's taken with her beauty and pretending to be a wealthy Texan begins to court her mercilessly. Though flattered by this stranger's attention it's not long before she discovers his true identity. Now it's her turn to have a little fun...at his expense!
""Outstanding! Bursts With Heart-Stopping Excitement!"" -Leonard Maltin. An all-star cast including Oscar-winners Walter Matthau and Martin Balsam teams up with Robert Shaw to deliver ""sure-fire entertainment [that's] gripping and exciting from beginning to end"" (The Hollywood Reporter). Based on the sizzling best-seller by John Godey this pulse-pounding picture is guaranteed to give you the ride of your life! Somewhere underground in New York's subway system just outside the
Annie Hall is one of the truest, most bittersweet romances on film. In it, Allen plays a thinly disguised version of himself: Alvy Singer, a successful--if neurotic--television comedian living in Manhattan. Annie (the wholesomely luminous Dianne Keaton) is a Midwestern transplant who dabbles in photography and sings in small clubs. When the two meet, the sparks are immediate--if repressed. Alone in her apartment for the first time, Alvy and Annie navigate a minefield of self-conscious "is-this-person-someone-I'd-want-to-get-involved-with?" conversation. As they speak, subtitles flash their unspoken thoughts: the likes of "I'm not smart enough for him" and "I sound like a jerk". Despite all their caution, they connect, and we're swept up in the flush of their new romance. Allen's antic sensibility shines here in a series of flashbacks to Alvy's childhood, growing up, quite literally, under a rumbling roller coaster. His boisterous Jewish family's dinner table shares a split screen with the WASP-y Hall's tight-lipped holiday table, one Alvy has joined for the first time. His position as outsider is incontestable when he looks down the table and sizes up Annie's "Grammy Hall" as "a classic Jew-hater".The relationship arcs, as does Annie's growing desire for independence. It quickly becomes clear that the two are on separate tracks, as what was once endearing becomes annoying. Annie Hall embraces Allen's central themes--his love affair with New York (and hatred of Los Angeles), how impossible relationships are, and his fear of death. But their balance is just right, the chemistry between Allen's worry-wart Alvy and Keaton's gangly, loopy Annie is one of the screen's best pairings. It couldn't be more engaging. --Susan Benson
Valley Of The Dolls: An adaptation of Jacqueline Susann's trashy novel telling the story of three remarkable women whose lives are affected by show-business celebrity. Beyond The Valley Of The Dolls: An uninhibited all-girl rock trio and their manager arrive in Hollywood to claim an inheritance due to one of the group. They meet Ronnie Barzell a strange personality but a gifted promoter who soon has the combo headed for the big time. During their ascent the girls beco
Cape Wrath is the story of the Brogan family and their new lives in their new luxury home. But we soon find out that in fact the 'Brogans' are actually the Foys; they have been put onto a Witness Protection Programme after Danny testified against the dangerous gangsters. The whole family have been given new names and have left their old lives behind to move to the exclusive isolated community of Cape Wrath; a place where they are all safe. At first Cape Wrath seems like the answer to all the family's problems. However the Brogans soon realise that beneath it's welcoming exterior lurks a rich seam of secrets. Secrets held tight by each and every one of its pleasant and seemingly well-balanced residents. Secrets behind the place itself; behind its past present and most importantly its future!
Episodes: Crocodile Tears Guess Who's Coming to Dinner Abide with Me The Weekend The Hostage The Path of True Love But Is It Art? A Christmas Story Speed's Return Rebel Without a Pause The Tooting Connection Working Class Hero Spanish Fly Right to Work Rock Bottom.
All 38 episodes from the third season of the TV crime drama following an ex-con who assumes the identity of a sheriff in the fictional town of Banshee, Pennsylvania. Having served 15 years in prison following a diamond heist, the unnamed man posing as Sheriff Lucas Hood (Antony Starr) and his crime partner and ex-girlfriend Carrie (Ivana Milicevic) risk having their dark pasts and real identities publicly exposed by the threat of old enemies. Season 1 episodes are: 'Pilot', 'The Rave', 'Meet the New Boss', 'Half Deaf Is Better Than All Dead', 'The Kindred', 'Wicks', 'Behold a Pale Rider', 'We Shall Live Forever', 'Always the Cowboy' and 'A Mixture of Madness'. Season 2 episodes are: 'Little Fish', 'The Thunder Man', 'The Warrior Class', 'Bloodlines', 'The Truth About Unicorns', 'Armies of One', 'Ways to Bury a Man', 'Evil for Evil', 'Homecoming' and 'Bullets and Tears'. Season 3 episodes are: 'The Fire Trials', 'Snakes and Whatnot', 'A Fixer of Sorts', 'Real Life Is the Nightmare', 'Tribal', 'We Were All Someone Else Yesterday', 'You Can't Hide from the Dead', 'All the Wisdom I Got Left', 'Even God Doesn't Know What to Make of You' and 'We All Pay Eventually'. Season 4 episodes are: 'Something Out of the Bible', 'The Burden of Beauty', 'The Book of Job', 'Bloodletting', 'A Little Late to Grow a Pair', 'Only One Way a Dogfight Ends', 'Truths Other Than the Ones You Tell Yourself' and 'Requiem'.
All eight episodes from the fourth season of the TV crime drama following an ex-con who assumes the identity of a sheriff in the fictional town of Banshee, Pennsylvania. Having served 15 years in prison following a diamond heist, the unnamed man posing as Sheriff Lucas Hood (Antony Starr) and his crime partner and ex-girlfriend Carrie (Ivana Milicevic) risk having their dark pasts and real identities publicly exposed by the threat of old enemies. In this series, Lucas comes out of hiding to catch a suspected serial killer after Rebecca Bowman (Lili Simmons) is murdered. Meanwhile, Brock Lotus (Matt Servitto) assumes the position of Sheriff of Banshee and Kai Proctor (Ulrich Thomsen) becomes the town's new mayor. The episodes are: 'Something Out of the Bible', 'The Burden of Beauty', 'The Book of Job', 'Bloodletting', 'A Little Late to Grow a Pair', 'Only One Way a Dogfight Ends', 'Truths Other Than the Ones You Tell Yourself' and 'Requiem'.
This film, which again pairs Richard Gere and Kim Basinger (who starred in 1986's No Mercy), offers up elements of classic noir: a hapless man becomes intimately involved with a beautiful blonde who may or may not be who or what she appears to be. Dedicated psychiatrist Isaac Barr (Gere) reluctantly, and then more obsessively, becomes involved with Heather Evans (Basinger), the sister of his patient, Diana Baylor (Uma Thurman). Evans is unhappily married to a gangster (appropriately played by a muscular and menacing Eric Roberts in a trademark role). Gere and Basinger make a credible, if dangerous couple, and Thurman delivers a subtle, understated performance and demonstrates her range and potential. The thriller is appropriately shot in gorgeous San Francisco, where the literal and figurative curving and hilly roads wind throughout. Credit legendary art director Dean Tavoularis for some amazing sets and scenes, notably the elegantly cavernous restaurant where Evans and her husband have a fateful dinner. This film is, in a way, glossy director Phil Joanou's Hitchcockian tribute--as a climactic lighthouse scene best demonstrates. Final Analysis doesn't offer an intimate look at its characters, but a beautifully stylized one, moody and gloomy. The intricate plot experiments with the device of "pathological intoxication," in which the subject completely loses control after drinking alcohol. And this doesn't mean a conventional ugly drunk; it means a frightening psychotic. Good and evil, hope and despair, beauty and repulsion are often juxtaposed in the film's complex world. --NF Mendoza
On August 21, 2015, the world was transfixed by reports of a thwarted terrorist attack on Thalys train #9364 bound for Paris an attempt prevented by three courageous young Americans. Director Clint Eastwood follows the course of these friends' lives, from childhood through the unlikely events leading up to the attack. Their bond becomes their greatest weapon throughout the harrowing ordeal, allowing them to save the lives of 500+ passengers. Experience the extraordinary bravery of these men who are portrayed here by the actual heroes themselves. Extras: The 15:17 to Paris: Portrait of Courage
A collection of three horror shorts from three of Asia's most revered directors: Fruit Chan Takashi Miike and Park Chan-Wook. This anthology offers three inventively chilling tales from three masters of Asian terror. Takashi Miike's Box presents us with a troubled writer haunted by the memory of her sisters death. Park Chan-wook's Cut delights in more revenge with a film extra deciding to torture a director and his wife. And the final terror tale is Fruit Chan's bite-size version of Dumplings.
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