Problem At Sea: Poirot and Hastings are enjoying a pleasant cruise but are asked to investigate a case of murder on the high seas when the wife of one of their fellow passengers is robbed and murdered in her cabin. The Incredible Theft: The future safety of the country rests on Poirot's shoulders when a vital design sheet for a secret new fighter aircraft goes missing. Can one of Lord Mayfield's trusted weekend guests really be spying for the Germans?
The Third Floor Flat: Poirot is bored and discontended as he has had no murder case to investigate for several weeks. Only hours later he finds himself embroiled in the strange shooting of Mrs Grant the new resident who has moved in just two floors below his own apartment. Triangle At Rhodes: Poirot is on holiday at Rhodes' Palace Hotel when a British woman is mysteriously poisoned. Is this the simple crime of passion it appears to be or is the woman's husband an innocent man?
A potpourri of international intrigue awaits Belgian sleuth Hercule Poirot in How Does Your Garden Grow? / The Million Dollar Bond Robbery. An alleged Communist conspiracy casts suspicion on the Russian servant of a murdered woman in How Does Your Garden Grow?. In The Million-Dollar Bond Robbery, it's the theft of American bonds en route from London to New York. But even the most devious criminal mind is no match for Agatha Christie's famous detective. --Larisa Lomacky Moore
Finals are the last thing on anyone's mind at Billingsley University! When a foreign exchange student and a hooker - both named Dominique - show up on campus the unsuspecting student body is in for the education of a lifetime!
In The Veiled Lady / The Lost Mine David Suchet once again brings the great detective Hercule Poirot to rich life. The Veiled Lady is a comic caper, as Poirot and the ever-ready Captain Hastings (Hugh Fraser) resort to burglary to stop a blackmailing cad. The Lost Mine is cleverly set in a Chinatown reminiscent of the 1930s concept of the Mysterious East. Suchet is a perfect Poirot, capturing both his dignity and his humour, and Fraser does a beautiful job of underplaying Hastings enough to keep him the perfect sidekick without ever making him boring. --Ali Davis
Five Little Pigs: Poirot is called in to investigate a fourteen year old murder... A woman was hanged for poisoning her husband to death. Her only daughter has come of age and is back from living overseas. She must find out if there was a mis-carriage of justice all those years ago if she is to have any future. Her late father was an artist reknowned for having affairs with his models. The family home was full of visitors. Who else had a motive? The Sad Cypress: Another intriguing investigation for the brilliant Belgian detective as the beautiful Elinor Carlisle stands accused of a double murder; that of her wealthy aunt Laura Wellman and also of her rival in love Mary Gerrard. Elinor had the motive and the opportunity to administer the fatal poison to both women. Poirot believes the evidence to be irrefutable but once his little grey cells get to work he begins to piece together another version of events as Elinor finds time running out...
With his 1956 play 'Look Back in Anger' British dramatist John Osborne renewed the emotional and rhetorical intensity of English theatre. Unfortunately misunderstanding and controversy surrounded most of his career. This program reconstructs Osborne's life and artistic journey using rarely seen archival films and firsthand accounts from the author's inner circle. A veritable who's who of the London stage appears here-including Laurence Olivier Albert Finney Nicol Williamson Rich
Two words suffice to sum up the enduring and endearing qualities of Agatha Christie's Poirot: David Suchet. Despite all the careful Art Deco trappings, the light, spacious sets and luxurious country locations, despite the excellent supporting cast and atmospheric music score, despite all its admirable qualities this series would be for nothing without Suchet's magnificent grasp on the fussy little Belgian detective. Poirot's obsessive mannerisms, his mania for sartorial detail, his maniacal devotion to personal hygiene (especially when it comes to looking after the moustache) are all rendered exactly by Suchet, clearly as much a perfectionist in this respect as his alter ego in every other. Buoyed by their success with Jeremy Brett's Sherlock Holmes, Granada TV brought a lighter touch to Poirot, which first aired in 1989, and this series is often breezily humorous in contrast to the gloomy Victorian Gothic of its predecessor. The producers took similar care in maintaining the spirit of Christie's original books even when--as with the Holmes adventures--the screenwriters occasionally took pardonable liberties with story and characters. Suchet is ably supported by Hugh Fraser as the Bertie Woosterish Captain Hastings, Philip Jackson as the tenaciously bulldog-like Inspector Japp, and Pauline Moran as Poirot's often exasperated PA, Miss Lemon. --Mark Walker
Previous UK releases of Catchfire have listed the pseudonymous Allan Smithee as director, but this version proudly opens with "a Dennis Hopper film". Also known as Backtrack, it offers a plot that advances by illogical leaps and bounds while whole scenes seem to go astray. With prominently billed actors getting almost nothing to do while major players go un-credited, a bland music score that might have been laid in from another film entirely and an ending that makes a lot of noise without actually resolving much, the film certainly has its bad points. However, it's also one of Hopper's more eccentric films, and more fun than Colors or The Hot Spot (which he had no trouble owning up to), partly because the director also takes a quirky lead role and his own personal interests are stirred by the modern art frills of the chase plot. The film opens with LA-based conceptual artist Jodie Foster, looking chunkily terrific just before her adult career took off, suffering a minor breakdown on the freeway and happening on a gangland execution. Pint-sized mob boss Joe Pesci sets his killers on her but the crooks ineptly murder Foster's boyfriend (Charlie Sheen, taking a very early bath). Pesci calls in Hopper, a professional hitman who immerses himself in Foster's life and art in order to track her down only to develop an obsessive crush on the woman. When he finds her, he gives her the choice between getting rubbed out or becoming his property. Hopper retains the knack for finding odd-looking byways of rural America, but is uncomfortable with helicopter chases and shoot-outs. The leads, despite great chunks of missing story, are both interesting--Foster sexily vulnerable and Hopper doing a wry New York drawl as the sax-playing hit man. Catchfire also offers an amazing supporting cast of the director's friends, including Dean Stockwell, Vincent Price, Catherine Keener (Being John Malkovich), Tony Sirico (The Sopranos), Bob Dylan (with a chainsaw), Helena Kallianotes (Five Easy Pieces), Julia Adams (The Creature from the Black Lagoon), and John Turturro.On the DVD: the film itself comes in a good-looking widescreen transfer, but the lack of special features let the disc down, with only feeble notes for three cast members (and no Smithee filmography). --Kim Newman
A woman raped and assaulted in her own home is further terrorised by the assailant's intention of finishing 'the job'. No-one can protect her now... Based on a true story.
THREE BUSINESSMEN:; Two lone businessmen, Bennie (Miguel Sandoval) and Frank (Alex Cox) find themselves alone one night in the dining room, of a large Victorian hotel in Liverpool, England. Abandoned by the staff of the wierd dining room, they tentatively join forces and go in search of food, in a city neither of them knows. But restaurant after restaurant fails them.; ; Without realising their destination, Bennie and Frank travel halfway around the planet, via public transport. Prattling abo.
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