Jim Dempsey was one of New York's finest. A tough, street-wise cop a man who couldn't be bought. But when a corruption scandal hit the force Dempsey was left out on a limb. That's how he found himself in England, waiting for things to cool down and clashing with the beautiful Harriet Makepeace, Cambridge graduate daughter of an English Lord and chasing a high-flying career at Scotland Yard. Holding them together is their boss, Gordon Spikings, irascible head of SI-10 and not a man to be trifled with. Dempsey and Makepeace may seem like an unlikely duo but together they're dynamite! This complete series set includes new interviews and commentaries with series stars Michael Brandon and Glynis Barber, archive interviews and more!
Released in 1971 (the same year Straw Dogs and A Clockwork Orange hit the screens, which must make 71 the annus mirabilis for violent films set in Britain), Get Carter opens with gangsters leering over pornographic slides and ends on a filthy, slag-stained beach in Newcastle. It's a low-down and dirty movie from beginning to end, and possibly the grittiest and best film of its kind to come out of Britain. The granddaddy of Lock, Stock & Two Smoking Barrels and all its ilk, director Mike Hodges' Get Carter offers revenge tragedy swinging-60s style, all nicotine-stained cinematography, shabby locations and the kind of killer catchphrases Vinnie Jones would die for ("You're a big man, but you're in bad shape. With me, it's a full-time job. Now behave yourself", says Michael Caine's deadpan anti-hero Carter before inflicting a few choice punches on Brian Mosley, aka Coronation Street's Alf Roberts, to name but one example from Hodges and Ted Lewis' exquisitely laconic script). Presenting the dark horse in his family of loveable Cockney geezer roles (Alfie, The Italian Job), Michael Caine plays the title role of Jack Carter, a man so hard he barely registers a flicker of regret watching a woman he's just had sex with plunge to her death. After taking the train up to Newcastle as the credits roll and Roy Budd's chunky bass-heavy theme tune plays, Carter returns to his hometown to attend his brother's funeral and investigate the circumstances of his death. Not that he's all that sentimental about family: he shaves nonchalantly over the open coffin, and shows affection to his niece Doreen (Petra Markham) by cramming a few notes in her hand and telling her to "be good and don't trust boys". Gradually, Carter unravels the skein of drugs, pornography and corruption tangled around his brother's death, which brings him up against supremely oleaginous kingpin Kinnear (played by the author of Look Back in Anger John Osborne) among others. A remake starring Sylvester Stallone is in the offing, but quite frankly it will be a 30-degree (Celsius) Christmas night in Newcastle before Hollywood could ever make something as assured, raw and immortal as this. --Leslie Felperin
The biggest hit of 1990, Ghost is part comedy, part romance, part supernatural thriller. Patrick Swayze, previously best known for Dirty Dancing, stars as Sam, the banker who is killed following a mugging. Caught in a limbo between here and the afterlife, he uses Whoopi Goldberg's fake psychic as an intermediary to warn wife Molly (Demi Moore) that his death was no accident but a murder and that she is in danger too. Ghost's original popularity and notoriety originally arose not from its dealings with the supernatural but the scene involving Moore fondly astride her potter's wheel fashioning a somewhat phallic-shaped vase, with Swayze fondly astride her. So infamous did this scene become that it's now more likely to raise a chuckle than a sultry sigh. As for the rest of the movie, it still somehow manages to engage despite the awkward juxtaposition of lachrymose melodrama and zaniness. Demi Moore, whose massive Hollywood success was always a mystery to some, is a little flat as the tomboy-coiffed Molly, her tears occasionally seeming onion-induced. Swayze, however, delivers as Sam while Whoopi Goldberg turns in the best performance of her career, delivering the requisite zip and sass to what otherwise might have been a morose movie. On the DVD: Though well restored, DVD enhancement has only served to emphasise the slightly quaint feel of the special effects here--Ghost was made just prior to the digital era. Otherwise, this is a good package and an essential purchase for fans. There's a 22-minute featurette, "Remembering the Magic", in which scriptwriter Bruce Joel Rubin explains that the film was inspired by the scene in Hamlet in which the Prince meets his Father, and how initially appalled he was that his masterpiece of the supernatural was to be directed by Jerry Zucker, previously responsible for Airplane!. They also reveal that Tina Turner was originally cast for the Goldberg role. Zucker and Rubin team up for a funny commentary track. --David Stubbs
The second series of The Sopranos, David Chase's ultra-cool and ultra-modern take on New Jersey gangster life, matches the brilliance of the first, although it's marginally less violent, with more emphasis given to the stories and obsessions of supporting characters. Sadly, the programme-makers were forced to throttle back on the appalling struggle between gang boss Tony Soprano and his Gorgon-like Mother Livia, the very stuff of Greek theatre, following actress Nancy Marchand's unsuccessful battle against cancer. Taking up her slack, however, is Tony's big sister Janice, a New Age victim and arrant schemer and sponger, who takes up with the twitchy, Scarface-wannabe Richie Aprile, brother of former boss Jackie, out of prison and a minor pain in Tony's ass. Other running sub-plots include the hapless efforts by Chris (Michael Imperioli) to sell his real-life Mafia story to Hollywood, the return and treachery of Big Pussy and Tony's wife Carmela's ruthlessness in placing daughter Meadow in the right college. Even with the action so dispersed, however, James Gandofini is still toweringly dominant as Tony. The genius of his performance, and of the programme-makers, is that, despite Tony being a whoring, unscrupulous, sexist boor, a crime boss and a murderer, we somehow end up feeling and rooting for him, because he's also a family man with a bratty brood to feed, who's getting his balls busted on all sides, to say nothing of keeping the government off his back. He's the kind of crime boss we'd like to feel we would be. Tony's decent Italian-American therapist Dr Melfi's (Loraine Bracco) perverse attraction with her gangster-patient reflects our own and, in her case, causes her to lose her first series cool and turn to drink this time around. Effortlessly multi-dimensional, funny and frightening, and devoid of the sentimentality that afflicts even great American TV like The West Wing, The Sopranos is boss of bosses in its televisual era. --David Stubbs
The whiplash, double-pronged Chungking Express is one of the defining works of 1990s cinema and the film that made Wong Kar Wai an instant icon.
Splash was big news in 1984. It was the sole reason for a renewed Disney Studios forming its Touchstone Pictures subsidiary. This was so they could get away with displaying Daryl Hannah's nude bottom! It was also big news for launching the film career of Tom Hanks, who immediately became a massive box-office comedy draw in the 80s. For Ron Howard, it was the breakaway success that guaranteed he'd be able to pursue as diverse a directorial career path as he wanted to. It's a simple romance tale, spiced up by making the female lead a mermaid. The stroke of brilliance in the script was in making the comedy happen around the two leads, while letting them believably convey they are hopelessly lost in love. The comedy comes from the ever-reliable John Candy as a larger-than-life womanising older brother, and Eugene Levy as a scatty scientist. Although New York looks a little different today, the movie has hardly aged at all. Which is just as well since it boldly begins "This morning." On the DVD: Splash offers a transfer that has some defects, but colours and dark areas seem just about right. We're spoiled for extras, with a warmly nostalgic Howard joining a key production crew commentary in reminiscing on how much fun they had making the movie. There's a half-hour documentary ("Making a Splash") interviewing everyone involved, including some archival footage of the late Candy. Best of all are the original Audition Tapes for Hanks and Hannah, which reveal the consummate professionals these once-hungry stars really are. --Paul Tonks
From the creator of Wallace & Gromit, the animated tale of chickens planning their great escape from a 1950s chicken farm.
Adapted from Colin Dexter's best-selling novels Inspector Morse took to our screens in 1987 with John Thaw in the lead role as the talented but cynical and lonely Inspector and Kevin Whately as his partner Detective Robert Lewis. Throughout its thirteen year run Morse repeatedly solved difficult murder cases with his old-fashioned methods and Lewis's help. A touching and emotional drama that touched the hearts of its audience.
Jack Torrance (Jack Nicholson) becomes the winter caretaker at the isolated Overlook Hotel in Colorado, hoping to cure his writer's block. He settles in along with his wife, Wendy (Shelley Duvall), and his son, Danny (Danny Lloyd), who is plagued by psychic premonitions. As Jack's writing goes nowhere and Danny's visions become more disturbing, Jack discovers the hotel's dark secrets and begins to unravel into a homicidal maniac hell-bent on terrorizing his family.
Join Tony Shallhoub in his critically acclaimed quirky and irreverent detective show Monk and own this must have complete TV Box set. Includes all 8 Seasons plus an additional bonus disc of unreleased material in the UK. Despite his overwhelming fear of germs crowns and small places... amongst everything else Monk proves once again why he's the only man for the case.
WELCOME TO BENIDORM! This all-inclusive package features 10 glorious seasons at The Solana Hotel bringing you a laugh-out-loud mix of hilarious holiday makers and hapless holiday staff. Benidorm is Britain's favourite holiday resort and it's certainly been a British comedy phenomenon for over a decade, winning countless awards and attracting guest stars such as Joan Collins, Cilla Black, Sheridan Smith, Shane Richie, Uri Gellar and The Chuckle Brothers! Not forgetting musical legends Bananarama, Madness and Holly Johnson. Enjoy this classic series again and again with exclusive content including outtakes, Benidorm: 10 Years on Holiday documentary special, and Benidorm's infamous 2017 Royal Variety Performance. RELEASED IN SPECIAL SUITCASE PACKAGING WITH 4 POST CARDS Extras: Series 1: Cast Interviews, Photo Album Series 2: Outtakes, Behind the Scenes, Audio Commentaries, Photo Album 2009 Special: Behind the Scenes, Photo Album Series 3: Outtakes, Behind the Scenes, Audio Commentaries, Photo Album, Deleted Scenes 2010 Xmas Special: Making Of including Deleted Scenes, Photo Gallery Series 4: Behind the Scenes, Outtakes, Audio Commentaries Series 5: Behind the Scenes, Outtakes, Audio Commentaries Series 6: Outtakes Series 7: Outtakes Series 10: Benidorm: 10 Years on Holiday, Royal Variety Performance Sketch, Deleted Scenes, Photo Gallery
Adapted from the novel of the same name by J L Carr, A Month in the Country, is set during a 1920s summer in rural Yorkshire. Tom Birkin (Colin Firth), a destitute World War I veteran coming to terms with the after-effects of the war, has been employed by a village church to carry out restoration work on a medieval mural. During his time in the slow-paced village, Birkin forms a close friendship with archaeologist James Moon (Kenneth Branagh), a fellow veteran who is also emotionally scarred following the conflict. The film follows Birkin as he settles into village life, forming romantic relationships and bonding with families and locals. Neglected after its initial 1987 cinema release, the film features a score by Howard Blake (The Snowman, The Avengers) and is notable for its strong British cast which also includes Natasha Richardson, Patrick Malahide and Jim Carter.
Richard Gere plays an enrollee at a Naval officers candidate school and Debra Winger is the woman who wants him.That's pretty much it, story-wise, in this romantic drama, which is more effective in a moment-to-moment, scene-by-scene way, where the two stars and Oscar-winner Louis Gossett Jr.--as Gere's tough-as-nails drill instructor--are fun to watch. Sexy, syrupy, with occasional pitches of high drama (Gere having a near-breakdown during training is pretty strong), An Officer and a Gentleman proves to be a no-brainer date movie. --Tom Keogh
From the producers of The Fault in Our Stars comes the relatable and heartfelt coming-of-age film LOVE, SIMON. Everyone deserves a great love story, but for 17-year-old Simon, it's a bit complicated. The gay teenager hasn't come out yet, and doesn't know the identity of the anonymous classmate he's fallen for online. Resolving both issues will be a hilarious, scary, life-changing adventure.
Maybe "nobody's perfect", as one character in this masterpiece suggests. But some movies are perfect, and Some Like It Hot is one of them. In Chicago, during the Prohibition era, two skirt-chasing musicians, Joe and Jerry (Tony Curtis and Jack Lemmon), inadvertently witness the St Valentine's Day Massacre. In order to escape the wrath of gangland chief Spats Colombo (George Raft), the boys, in drag, join an all-woman band headed for Florida. They vie for the attention of the lead singer, Sugar Kane (Marilyn Monroe), a much-disappointed songbird who warbles "I'm Through with Love" but remains vulnerable to yet another unreliable saxophone player. (When Curtis courts her without his dress, he adopts the voice of Cary Grant--a spot-on impersonation.) The script by director Billy Wilder and I.A.L. Diamond is beautifully measured; everything works, like a flawless clock. Aspiring screenwriters would be well advised to throw away the how-to books and simply study this film. The bulk of the slapstick is handled by an unhinged Lemmon and the razor-sharp Joe E. Brown, who plays a horny retiree smitten by Jerry's feminine charms. For all the gags, the film is also wonderfully romantic, as Wilder indulges in just the right amounts of moonlight and the lilting melody of "Park Avenue Fantasy". Some Like It Hot is so delightfully fizzy, it's hard to believe the shooting of the film was a headache, with an unhappy Monroe on her worst behaviour. The results, however, are sublime. --Robert Horton
Michael Felgate (Hugh Grant), an elegant, debonair Englishman who runs an auction house in New York, is head-over-heels in love for the first time in his life.
Disney's magical classic that taught us to believe We can fly! has enchanted generations with its spectacular story, memorable music and beloved characters including Peter Pan, the feisty Tinker Bell and infamous Captain Hook. Now you can experience the Peter Pan, its sequel Peter Pan in the Return to Neverland Bursting with fantasy, adventure and pixie dust and more!
With the magic of DVD you can now go to your favourite Tap moments whether it is the diminutive Stonehenge the pod that won't open or the amp that goes all the way to 11. For the first time ever you can choose how to watch the greatest rockumentary in history. See this cult phenomenon in its splendid entirety or use the menu to follow the band's antics via an interactive tour map of select scenes from a list of classic Tap quotes. And if all that isn't enough there is after all. the music - Hell Hole Sex Farm and the timeless Big Bottom. Whether or not you're a die-hard fan of the group you'll love this detailed rockumentary of England's legendary Spinal Tap. Acclaimed commercial director Marty DiBergi takes you behind-the-scenes for an intimate look at a band whose time has come...and gone...and come again... and... Through interviews rare footage and lots of music - including classic Tap tunes like Big Bottom and Hell Hole - you'll get acquainted with David St. Hubbins (lead guitar) Nigel Tufnel (lead guitar) Derek Smalls (lead bass) and every drummer who ever lived - and died - for this renowned rock band.
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