When a mistreated beagle pup follows 11-year-old Marty Preston (Blake Heron) home one day, it sparks a passion in the boy that leads him into a web of moral and emotional turmohil. Marty knows the dog belongs to his irascible neighbour, Judd Travers (a spittin' mean performance by Scott Wilson); he also knows Judd breaks local gaming laws and abuses his hounds. But Marty's father (Michael Moriarty) is a stickler for the first rule of pet ownership: he who owns the pet rules the pet. Marty seeks advice from the wise Doc Wallace (Rod Steiger), who tells the boy about his own struggle to claim legal guardianship over his granddaughter following her parents' death. The story inspires Marty to fight for the creature he has come to love. With a believable blend of nerve, conviction, and a hint of fear, Marty works every angle to beg, buy, or (finally) strike a trade with Travers to save Shiloh. While its pace runs a bit slow, the film provides a thoughtful lesson in weighing right and wrong and should appeal to families with children under 12. Based on the Newbery Award-winning book Shiloh, by Phyllis Reynolds Naylor. --Liane Thomas
Starring Michael Fassbender (X-Men: Days of Future Past, 12 Years a Slave) and Kodi Smith-McPhee (Dawn of the Planet of the Apes), SLOW WEST follows the story of 16-year-old Jay Cavendish (Smit-McPhee) as he journeys across the American frontier at the end of the 19th century, in search of the woman he loves. Along the way he is joined by Silas (Fassbender), a mysterious traveller with his own agenda, and is hotly pursued by an outlaw named Payne (Mendelsohn). Directed by John Mclean, SLOW WEST also stars Ben Mendelsohn (Exodus: Gods and Kings), Caren Pistorius (The Light Between Oceans) and Rory McCann (Game of Thrones).
It's trouble in space, as a crew of astronauts brings a little something extra back on their bargain spaceship. One explorer goes mental and hijacks the tram inside a space mining facility, then another gets her foot caught and amputates it with a hedge trimmer. A third (Judy Geeson, looking like a poor man's Angie Dickinson) is impregnated by a big slimy-looking alien and then the trouble really starts. She has the rest of her crewmates on the run as the gestating little monsters inside her command her to KILL KILL KILL, eventually smashing up the control room aboard the ship and generally causing trouble. The plot elements will ring familiar bells for sci-fi fans, dating back to Alien and even the mouldy 50s classic It! The Creature from Beyond Space, with an alien stowaway and paranoid, suspicious crew members aboard a claustrophobic spacecraft. The movie's cheesy look is unavoidable throughout, with sets about on a par with an episode of the original Star Trek. However, there's a rather high gore quotient, wonderfully hammy performances (Geeson has a shriek that rivals any 50s scream queen) and a fairly repulsive (and inexpensive) alien. Fans of B-movie sci-fi should find that Inseminoid will deliver some fairly familiar goods in a pleasingly trashy package. --Jerry Renshaw
Contains some of Brando's finest but lesser known performances: Burn The Formula Bedtime Story The Men One Eyed Jacks (also directed by Brando). Burn (Dir. Gillo Pontecorvo 1969): (English - Dolby Digital (1.0) Mono / Fullscreen) Manipulative English mercenary Sir William Walker (Marlon Brando) is posted to a Portuguese colony in the Caribbean. Once there he uses his skills to engineer a slave revolt as part of his calculated plans for the English to seize control of t
Richard Burton stars in this exciting film about the courageous men who held off notorious German Field Marshal Erwin Rommel despite being hopelessly outnumbered. The year is 1941 and all that stands between Rommel and the Suez Canal is the fortress of Tobruk which is manned only by a small Australian battalion whom Captain MacRoberts (Burton) must whip into shape - fast! James Mason co-stars in a stunning portrayal as Rommel in this stirring action-packed story of the World War
Two (fictional) producers dream up the idea of placing six disabled people on a deserted island in a misguided hunger for good telly ratings. The series as such takes the form of a faux documentary; six hours six characters - each episode will focus on one. As the Cast Offs struggle to overcome the challenges presented by living on the island so we learn who they are through 'flashbacks' to the year leading up to the marooning during which time in the fictional reality presented by the series the six Cast Offs were followed by documentary crews. The stories will always be darkly comic poignant and sometimes surreal but also give us opportunity to address some of the many misconceptions about disabled people.
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