Lipstick On Your Collar (2 Discs)
This Special Edition 2-disc set of 'In The Mood For Love' presents a vast and sumptuous array of the very best of director Wong Kar-Wai's selected additional features. The special bonus features will satisfy the longings for audiences who have been seduced by 'In The Mood For Love' and its timeless beauty style and sensuality. Hong Kong 1962. Chow (Tony Leung) is a junior newspaper editor with an elusive wife. His new neighbour Li-zhen (Maggie Cheung) is a secretary whose husband s
A collection of movies featuring the lovable little Volkswagon! Herbie - The Love Bug: He tale of a struggling race car driver named Jim Douglas who only begins winning races once he starts driving Herbie. Elated at his new found success Jim does not realise that it is the Volkswagen who is responsible for the first-place finishes! Herbie Goes Bananas: There's disorder south of the border when Herbie the almost human Volkswagen meets Paco the pickpocket and has to
Muhammad AliThis programme is the definitive biography of Muhammad Ali, the true story of his ups and downs, both in and out of the ring. With the backdrop of racial segregation find out how a young, loud, overconfident boy from Southern USA started on his long journey to success. Defeating Sonny Liston, Ali (born Clay) would carry on the legacy left by the likes of Johnson and Louis. But Ali's life is as peppered with lows as it is with highs. His refusal to be drafted for service in Vietnam and being stripped of his title, three failed marriages, and his continuous struggle against the authorities would not make Ali falter. This programme includes fantastic footage of his fights such as 'The Rumble in the Jungle' and 'The Thriller in Manila', and also contains rare behind the scenes archive footage, giving us a greater insight into the man. Mike TysonMike Tyson rose from a boyhood of dire poverty and crime to become the youngest heavyweight champion in boxing history and one of the richest and most famous athletes on the planet. But no sooner had he reached the top of the professional ranks everything started to fall apart. Two marriages came and went, his championship slipped away, and his career descended into a carnival of crooked promoters, femmes fatales, assaults, prison and, after winning more than $300 million in his career, bankruptcy. Even at the age of 40, Mike Tyson continued to fight to pay his bills. His fall is famous, but the reasons are as complex and misunderstood as Mike himself. This fascinating documentary looks at the man whose spectacular rise and fall has fascinated the world like that of no other athlete of his time. Roy JonesOne of the best fighters in boxing history, Roy Jones Jr. has held titles in four different weight classes, a previously unheard of feat. The finest achievements of his career are presented in 'Roy Jones Jr.'s Greatest Knockouts'. This compilation features footage highlighting the climaxes of a number of Jones's fights. Jones has stood out as the dominant boxer of his generation, and the 'Greatest Knockouts' shows why in great detail, illustrating how he has managed to overmatch much of his competition.
It could have been a stroke of genius reuniting Peter Cooke and Dudley Moore in a send-up of The Hound of the Baskervilles. In the event, director Paul Morrissey goes for Carry On-style humour: plenty of coarse word-play and camp innuendo, but little wit or subtlety. Cooke is a rather androgynous Sherlock Holmes, while Moore inexplicably attempts a Welsh accent to portray Dr Watson (his cameo as Holmes' mother is far less contrived). The support cast is a compendium of British comedy acting of the period--all now departed, and clearly relishing the one-liners and musical-hall farce. There are excellent contributions from Max Wall, Joan Greenwood (priceless in the seduction scene), and--in one of his last major screen appearances--Terry Thomas, as well as a winning "madame" from Penelope Keith. Don't expect even a free adaptation of Conan Doyle's novel, just let the humour take its enjoyably silly course. On the DVD: The Hound of the Baskervilles film reproduces very decently in the 4:3 aspect ratio, with stereo sound that's not too artificial in effect. Special features consist of nine biographical overviews, the re-release trailer, and a six-minute interview with director Morrissey. Die-hard fans of "Pete and Dud" will most welcome the inclusion of the original theatrical feature, playing for almost 80 minutes and featuring extra footage of Moore's wonderfully inept piano playing. --Richard Whitehouse
On a Saturn space station Adam and Alex are two scientists seeking new forms of food for the impoverished planet earth. Their idyllic life is interrupted by the arrival of Captain James a psychopathic maniac from earth who brings with him a 'helper' in the form of a murderous robot who gradually develops a mind of its own. Saturn 3 is an entertaining fusion of sci-fi horror and suspense culminating in the ultimate battle of man against machine.
This wrong-headed adaptation of the very funny (and scatological) novel by T. Coraghessan Boyle was written and directed by Alan Parker, who doesn't seem to have much of a clue. It's not a botch, just a movie that hammers its efforts at humour too hard. The focus is split between three storylines: the life of cereal tycoon John Kellogg (Anthony Hopkins with buck teeth), who has created a health spa for the wealthy that focuses on regular cleansing of the digestive tract (as well as applications of electricity); the troubles of an unhappy young couple (Matthew Broderick and Bridget Fonda), who come to the spa hoping to cure their marital ills (Broderick gets the worst of the deal); and the efforts of a young hustler (John Cusack), who is trying to break into the breakfast-cereal business but gets taken by an even bigger hustler (Michael Lerner). There are subplots about Kellogg's children but they add little. For all the excrement and enema jokes, the joys of this movie are distinctly scattered. --Marshall Fine
This is the true story of Molly Craig, a young black Australian girl who leads her younger sister and cousin in an escape from a camp set up as part of an official government policy to train them as domestic workers and integrate them into white society.
Up Pompeii: A funny thing happens to Lurcio (Frankie Howerd) on the way to the rent-a-vestal-virgin market stall. A mysterious scroll falls into his hands listing the names of all the conspirators plotting to murder Emperor Nero. And when the upstart slave is elected to infiltrate the ringleader's den the comical ups-and-downs lead to total uproar. Up The Chastity Belt: A funny thing happened to Lurkalot serf to Sir Coward de Custard on the way to Custard Castle. Lurkalot sells lusty love potions and rusty chastity belts in the market place but on this day Sir Graggart de Bombast arrives to sack the castle and to get the lovely Lobelia Custard in the sack! Lurkalot must help Custard cream the knight in pining armour...
A martial arts adventure in which a young man out to avenge the murder of his brother finds him-self opposed by dozens of armed men. When it comes to a final showdown he is forced to pit all his strength against an enormous force of evil...
Aimed at a young audience but hugely popular with children and adults alike, Pardon My Genie was devised and written by future Roberts Robots and Rentaghost creator Bob Block. When a young shop assistant called Hal Adden casually tries to polish an old watering can - well, you can guess what happens! But the genie who appears is as rusty as the can he lives in; he's four thousand years old, and hisĀ magic doesn't always work as well as it should... Ellis Jones plays Hal, with Roy Barraclough (Sez Les) starring as his long-suffering boss, hardware shop owner Mr Cobbledick, and Hugh Paddick (Round the Horne) as the Genie.
There's nowhere to turn nowhere to hide no way to stop... A monstrous black sedan roars out of the desert without warning and mercilessly begins to terrorize the residents of a small New Mexico town. Is it a phantom a demon...or even the Devil himself?
Spencer Tracy's last performance was in this well-meaning, handsome film by Stanley Kramer about a pair of white parents (Tracy and Katharine Hepburn) trying to make sense of their daughter's impending marriage to an African American doctor (Sidney Poitier). Guess Who's Coming to Dinner has been knocked over the years for padding conflict and stoking easy liberalism by making Poitier's character in every socioeconomic sense a good catch: but what if Kramer had made this stranger a factory worker? Would the audience still find it as easy to accept a mixed-race relationship? But there's no denying the drawing power of this movie, which gets most of its integrity from the stirring performances of Tracy and Hepburn. When the former (who had been so ill that the production could not get completion insurance) gives a speech toward the end about race, love and much else, it's impossible not to be affected by the last great moment in a great actor's life and career. --Tom Keogh
Hong Kong 1962. Chow (Tony Leung) is a junior newspaper editor with an elusive wife. His new neighbour Li-zhen (Maggie Cheung) is a secretary whose husband seems to spend all his time on business trips. They become friends making the lonely evenings more bearable. As their relationship develops they make a discovery that changes their lives forever... In this sumptuous exploration of desire internationally acclaimed director Wong Kar-Wai creates a world of sensuality and longing
It's better than the 1994 remake starring Kim Basinger and husband Alec Baldwin, but this 1972 thriller relies too heavily on the low-key star power of Steve McQueen and Ali MacGraw, and the stylish violence of director Sam Peckinpah, reduced here to a mechanical echo of his former glory. McQueen plays a bank robber whose wife (MacGraw) makes a deal with a Texas politician to have her husband released from prison in return for a percentage from their next big heist. But when the plan goes sour, the couple must flee to Mexico as fast as they can, with a variety of gun-wielding thugs on their trail. MacGraw was duly skewered at the time for her dubious acting ability, but the film still has a raw, unglamorous quality that lends a timeless spin to the familiar crooks-on-the-lam scenario. As always, Peckinpah rises to the occasion with some audacious scenes of action and suspense, including a memorable chase on a train that still grabs the viewer's attention. Getaway is not a great film, but a must for McQueen and Peckinpah fans. --Jeff Shannon
Eight memorable films from one of the most acclaimed directors in motion-picture history come together for the first time ever in the Steven Spielberg Director's Collection available on Blu-ray™. Spanning over 40 years Steven Spielberg's career began as a teenager when he made his way onto the Universal backlot and befriended studio executives. His passion and talent quickly developed allowing him to direct an unprecedented number of blockbuster films. The Steven Spielberg Director's Collection showcases a selection of the Academy Award® winner's unforgettable movies filmed for Universal including his very first TV feature Duel and his first theatrical release The Sugarland Express and blockbusters such as Jaws E.T. The Extra-Terrestrial and Jurassic Park Steven's work has captivated audiences worldwide and continues to set the standard for filmmaking. 8 Unforgettable Movies from 1 Visionary Director: Duel The Sugarland Express Jaws 1941 (Theatrical and Extended Versions) E.T. The Extra-Terrestrial Always Jurassic Park Jurassic Park: The Lost World Special Features: Layflat Book (Housing the 8 Movies) 32 Page Booklet: Steven Spielberg: A Journey In Film
David Mamet's 1987 directorial debut House of Games is mesmerising study of control and seduction between two kinds of detached observers: a gambler who is also a con artist and a psychotherapist who is also an emerging pop-psych guru in the book market. The latter (played by Lindsay Crouse) meets the former (Joe Mantegna) when one of her clients is driven to despair from his debts to the card shark. Mantegna's character agrees to drop the IOUs in exchange for Crouse's attention at the seedy House of Games in Seattle, a mecca for conmen to talk shop and hustle unsuspecting customers. The shrink gets so caught up in the arcane rules and world view of her guide over subsequent days that she observes--with no false rapture--various stings in progress inside and outside the club. Mamet's story finally becomes a fascinating study of two people protecting and extending their respective cosmologies the way rival predators fight for the same piece of turf. The psychological challenge is compelling; so is the stylised dialogue, with its pattern of pauses and hiccups and humming meter. Mostly shooting at night, Mamet also gave Seattle a different look from previous filmmakers, turning its familiar puddles into concentrations of liquid neon and poisonous noir. --Tom Keogh
The words of the opening song pretty much describe the menu in A Funny Thing Happened on the Way to the Forum--"Something familiar, something peculiar, something for everyone: a comedy tonight!"--a frantic adaptation of the stage musical by Larry Gelbart and Burt Shevelove. The wild story, based on the Latin comedies of Plautus and set in ancient Rome, follows a slave named Pseudolus (Zero Mostel, snorting and gibbering) as he tries to extricate himself from an increasingly farcical situation; Mostel and a bevy of inspired clowns, including Phil Silvers, Jack Gilford and Buster Keaton, keep the slapstick and the patter perking. The cast also includes the young Michael Crawford as a love-struck innocent. This project landed in the lap of Richard Lester, then one of the hottest directors in the world after his success with the Beatles' films. Lester telescoped the material through his own joke-a-second sensibility, and also ripped out some of the songs from Stephen Sondheim's Broadway score. The result is very close to the vaudeville spirit suggested by the title--though anyone with a low tolerance for Zero Mostel's overbearing buffoonery may be in trouble. Oddly enough, amid all the frenzy, Lester creates a grungy, earthy Rome that seems closer to the real thing than countless respectable historical films on the subject. Frankie Howerd, who played Pseudolus on the London stage, kept the tradition going with his Up Pompeii TV series. --Robert Horton
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