Simulacron 1 is a highly advanced project designed to elevate conventional computer technology to a new level by creating a virtual reality inhabited by computer-generated people or 'identity units'. When the head of the project dies mysteriously after showing signs of mental disturbance Dr Stiller becomes his successor. However Stiller also begins to behave bizarrely. He speaks of people disappearing whom no one else knows belives someone is trying to murder him and has nausea attacks. As he begins to probe deeper into Simulacron the line between the real and virtual world becomes increasingly blurred and his own existence is questioned. Rainer Werner Fassbinder's 2 part TV production is a science-fiction classic that explores the notion of a computer-generated other world pre-dating The Matrix by 26 years. Since its original broadcast in 1973 it has rarely been shown and following increasing demand the Fassbinder Foundation have restored this remarkable film under the artistic direction of the film's highly acclaimed cinematographer Michael Ballhaus.
Rainer Werner Fassbinder had been wanting to adapt Theodor Fontane's classic German novel Effi Briest ever since he first picked up a film camera. Originally intended to be his feature debut, the project took years to get off the ground and finally surfaced in 1974, in the process becoming his most expensive production to date as well as one of his most ambitious. Dubbed the German Madame Bovary', Effi Briest tells of a seventeen-year-old girl (played by Hanna Schygulla) who is married off by her parents to a wealthy Baron (Wolfgang Schenk) more than twice her age. Lonely and dissatisfied, she seeks solace in the companionship of her husband's friend, Major Crampas (Ulli Lommel). Beautifully recreating late nineteenth century Germany and gorgeously shot in black and white, Effi Briest also serves to showcase Schygulla, here giving her first star performance for Fassbinder.
The Early Works of Rainer Werner Fassbinder brings together all of the German director's surviving works from the 1960s plus a documentary portrait examining his earliest days as a filmmaker. In the two short films, The City Tramp and The Little Chaos (heavily influenced by Jean-Luc Godard's Bande à part), we find Fassbinder in search of an identity. In the two features, Love is Colder Than Death and Katzelmacher, he begins to discover it. Dedicated to Claude Chabrol, Ãric Rohmer, Jean-Marie Straub and the main characters from Spaghetti Western A Bullet for the General, Love is Colder Than Death is a playful crime picture, heavily indebted to the nouvelle vague. Katzelmacher is more in line with Fassbinder's stage efforts, a character study and mini-melodrama in which the dynamic between a group of friends is radically altered by the arrival of an immigrant worker. SPECIAL EDITION CONTENTS ¢ Brand new 4K restoration of the films from original camera negatives ¢ High Definition Blu-ray (1080p) presentations ¢ Original uncompressed PCM mono audio ¢ Optional English subtitles ¢ Two early short films by Rainer Werner Fassbinder from 1966, The Little Chaos and The City Tramp ¢ Newly-filmed interview with actor Ulli Lommel on Love is Colder Than Death ¢ End of the Commune?, Joachim von Mengershausen's 1970 documentary portrait of Fassbinder and his troupe including rare footage of his actors rehearsing and Love is Colder Than Death's premiere at the 1969 Berlin Film Festival ¢ Original theatrical trailer for Katzelmacher
Few filmmakers have enjoyed a decade quite so diverse or quite so prolific as Rainer Werner Fassbinder did during the seventies. Amid the likes of The Bitter Tears of Petra von Kant and Fear Eats the Soul, it's easy to forget some of the lesser-known and more singular works, two of which are presented here. Fox and His Friends is among the director's most personal works and the first to tackle homosexuality in a direct manner. Fassbinder himself plays Fox, a sweet working class soul whose relationship with wealthy industrialist Eugen, he discovers, is based almost wholly on his unexpected lottery win. When his money runs out, so does any affection, with tragic consequences. Chinese Roulette, set in an isolated house during a weekend break, is like Agatha Christie's And Then There Were None without the murders a tense psychodrama in which infidelities are revealed and families breakdown. At its centre is nouvelle vague icon Anna Karina, a rare outsider alongside the familiar Fassbinder faces.
A classic punk rock movie from 1980 starring Richard Hell illustrating the end of the first wave of New York City punk rock better than any documentary. Nada (Carole Bouquet) a beautiful French journalist on assignment in New York records the life and work of an up and coming punk rock star Billy (Richard Hell). Soon she enters into a volatile relationship with him and must decide whether to continue with it or return to her lover a fellow journalist trying to track down the elusive Andy Warhol (playing himself). Featuring members of the Voidoids and the Ramones. This long lost film is like a time capsule from pre-Disneynification New York City: sleazy dirty and most importantly real. Includes a lengthy new interview with Hell about the film and more.
In the nineteenth century, seventeen year old Effi Briest is married to the older Baron von Instetten and moves into a house, that she believes has a ghost, in a small isolated Baltic town. She soon bears a daughter, Annie, and hires the lapsed Catholic Roswitha to look after her. Effi is lonely when her husband is away on business, so she spends time riding and walking along the shore with Major Crampas. Instetten is promoted to Ministerial Councillor and the family moves to Berlin, where Effi enjoys the social life. Six years later, the Baron is given letters from Crampas to Effi that convince him that they had an affair. He feels obliged to challenge Crampas to a duel and banish Effi from the house.Nominated for the Golden Bear at the Berlin Film Festival in 1974.
Through the keyhole begins a game that results in the violent death of a prostitute watched helplessly by her daughter. The story continues when the daughter now a prostitute herself suffers psycological ailments that make her seek revenge on those she makes contact with by repeating the events that she witnessed the night her mother was killed. This disturbing 1981 drama comes from German-born director Ulli Lommel and is also known under the titles Olivia Faces of Fear A Taste of Sin.
Curse of the Zodiac is inspired by the true story of the infamous serial killer who terrorised Northern California during the late sixties and early seventies. His use of cryptograms (ciphers) and coded messages baffled police and fueled a media frenzy that propelled The Zodiac Killer to America's No.1 most notorious unsolved case. Let horror master Ulli Lommel take you on a chilling adventure in the footsteps of an evil serial killer who is still at large.
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