Banned, censored and reviled the world over since its release, Pasolini's final and most controversial masterpiece is presented here fully uncut and uncensored in a new restoration. The content and imagery of Salò is extreme: it remains the power to shock, repel and distress. But it remains a cinematic milestone: culturally significant, politically vital and visually stunning. Based on a novel by the Marquis de Sade - and taking as its setting the miniature fascist republic which Mussolini established in 1944 in Italy - this is a film about power, corruption, and the degradation of the human body. It is a devastating, angry cry from one of the most controversial auteurs in cinema history. Special features: Presented in High Definition Includes both Italian-language and English-language versions Ostia-The Death of Pasolini by Coil the band's 1986 track with a new video accompaniment Original Italian trailer Open Your Eyes! (2008, 21 mins): Pasolini and his actors at work on the set of Salò Walking with Pasolini (2008, 21 mins): documentary featuring Neil Bartlett, David Forgacs, Noam Chomsky and Craig Lapper Whoever Says the Truth Shall Die (1981, 58 mins): the classic documentary on the life and death of Pasolini Fade to Black (2001, 24 mins): documentary exploring the ongoing relevance and power of Pasolini s masterpiece Ostia (1987, 26 mins): a short film about Pasolini starring Derek Jarman with optional director's commentary ***FIRST PRESSING ONLY*** booklet with introduction by Sam Rohdie, reviews, BBFC correspondence exploring the film's troubled history, stills and on-set photographs Other extras TBC
A new restoration of the 1974 Italian exorcist film The Antichrist directed by Alberto De Martino starring Carla Gravina and Mel Ferrer and featuring an amazing score by Ennio Morricone. A car accident caused by her father leaves the young Ippolita paralyzed and her mother dead. Following her uncle's advice she undergoes a hypnotic session with the intent to heal her, but it actually awakens the spirit of her ancestress who was condemned for witchcraft. Product Features NEW SACRED AND PROFANE: The Audio Recollections of Alberto De Martino RAISING HELL: Featuring Alberto De Martino and Ennio Morricone Audio Commentary with Author/Critic Lee Gambin and Critic Sally Christie The Tempter Opening Credits TV Spot
The world's most controversial film comes to DVD and Blu-ray in 2-disc editions. Presented fully uncut and in its most complete version the film has been re-mastered from the original Italian restoration negatives. Pier Paolo Pasolini's final and most shocking film has been banned censored and reviled the world over since its first release in 1975. Salo did not receive UK certification until late 2000 when it was passed uncut. The BFI then released it on DVD in 2001 and despite having been out of print for almost three years the title still ranks amongst BFI's all-time top 10 best-selling DVDs. The film's content and imagery is extreme and it retains the power to shock repel and distress even today. A brutal allegory based on the novel 120 Days of Sodom by the Marquis de Sade the film is a cinematic milestone - culturally significant politically vital and visually stunning.
Directed by Tony Richardson (Tom Jones) and featuring a powerful central performance from Moreau, Mademoiselle is a mesmerising psychological drama - an artistic and disturbing exploration of the darkest of carnal desires. A surpressed and sociopathic school teacher (Jeanne Moreau) unsuspectedly torments residents of a small French village with acts of violence and destruction. An erotic obsession with an ostracised outsider caused her behaviour to become yet more erratic but, as tensions in the community reach boiling point, will the villagers see beyond their prejudices? Special Features To Be Confirmed
In 1930s Germany a wealthy industrialist family struggles to maintain its status and influence in the face of the relentless rising tide of fascism. Divided by the rapidly changing social and economic climate the family members resort to blackmail sexual manipulation and murder in a desperate struggle for power and prestige.
Pier Paolo Pasolini's Salò or the 120 Days of Sodom (known in Italian as Salò o le 120 giornate di Sodoma) provoked howls of outrage and execration on its original release in 1975, and the controversy rages to this day. Until the British Board of Film Classification finally ventured a certificate in 2000, the movie could only be shown at private cinema clubs, and even then in severely mutilated form. The relaxation of the censors' shears allows you to see for yourself what the fuss was about, but be warned--Salò will test the very limits of your endurance. Updating the Marquis de Sade's phantasmagorical novel of the same title from 18th-century France to fascist Italy at the end of World War II, writer-director Pasolini relates a bloodthirsty fable about how absolute power corrupts absolutely. Four upper-class libertines gather in an elegant palazzo to inflict the extremes of sexual perversion and cruelty upon a hand-picked collection of young men and women. Meanwhile, three ageing courtesans enflame the proceedings further by spinning tales of monstrous depravity. The most upsetting aspect of the film is the way Pasolini's coldly voyeuristic camera dehumanises the victims into lumps of random flesh. Though you may feel revulsion at the grisly details, you aren't expected to care much about what happens to either master or slave. In one notorious episode, the subjugated youths are forced to eat their own excrement--a scene almost impossible to watch, even if you know the meal was actually composed of chocolate and orange marmalade. (Pasolini mischievously claimed to be satirising our modern culture of junk food.) Salò is the ultimate vision of apocalypse--and as if in confirmation, the director was himself brutally murdered just before its premiere. You can reject the movie as the work of an evil-minded pornographer, but you won't easily forget it. --Peter Matthews
A string of masterpieces behind him including Ossessione, Senso, The Leopard and Death in Venice the great Italian director Luchino Visconti turned his attentions to the life and death of King Ludwig II of Bavaria in 1972, resulting in an epic of 19th-century decadence. Dominated by Helmut Berger (The Damned, The Bloodstained Butterfly) in the title role, Ludwig nevertheless manages to find room for an impressive cast list: Romy Schneider (reprising her Elisabeth of Austria characterisation from the Sissi trilogy), Silvana Mangano (Bitter Rice), Gert Fröbe (Goldfinger), John Moulder-Brown (Deep End) and Trevor Howard (Brief Encounter) as Richard Wagner. As opulent as any of Visconti's epics Piero Tosi's costume design was nominated for an Academy Award Ludwig is presented here in its complete form in accordance with the director's wishes. Special Features 2K restoration from the original film negative High Definition Blu-ray (1080p) presentation Two viewing options: the full-length theatrical cut or as five individual parts Original Italian soundtrack with optional English subtitles Original English soundtrack with optional English subtitles for the deaf and hard-of-hearing Interview with actor Helmut Berger Interview with producer Dieter Geissler Luchino Visconti, an hour-long documentary portrait of the director by Carlo Lizzani (Wake Up and Kill, Requiescant) containing interviews with Burt Lancaster, Vittorio Gassman, Francesco Rosi, Claudia Cardinale and others Speaking with Suso Cecchi d'Amico, an interview with the screenwriter Silvana Mangano: The Scent of a Primrose, a half-hour portrait of the actress Theatrical trailer Reversible sleeve featuring two choices of original poster artwork
In 1970, young first-time director Dario Argento (Deep Red, Suspiria) made his indelible mark on Italian cinema with The Bird with the Crystal Plumage a film which redefined the giallo' genre of murder-mystery thrillers and catapulted him to international stardom. Sam Dalmas (Tony Musante, We Own the Night), an American writer living in Rome, inadvertently witnesses a brutal attack on a woman (Eva Renzi, Funeral in Berlin) in a modern art gallery. Powerless to help, he grows increasingly obsessed with the incident. Convinced that something he saw that night holds the key to identifying the maniac terrorising Rome, he launches his own investigation parallel to that of the police, heedless of the danger to both himself and his girlfriend Giulia (Suzy Kendall, Spasmo) A staggeringly assured debut, The Bird with the Crystal Plumage establishes the key traits that would define Argento's filmography, including lavish visuals and a flare for wildly inventive, brutal scenes of violence. With sumptuous cinematography by Vittorio Storaro (Apocalypse Now) and a seductive score by legendary composer Ennio Morricone (Once Upon a Time in the West), this landmark film has never looked or sounded better in this new, 4K-restored edition from Arrow Video!
One of the handful of films that found Pier Paolo Pasolini sustaining a merrier mode of cultural assault, Hawks And Sparrows (Uccellacci E Uccellini) features Italy's popular comic actor Tot (known to cinephiles as the star of Roberto Rossellini's Dov' la liberta...?) and Pasolini regular Ninetto Davoli in a picaresque fable that lampoons politics, religion, and the legacy of neorealism.A crow gifted with the power of speech accompanies wandering duo Tot and Ninetto on a trail that leads to their roles as Franciscan friars who preach to the literal hawks and sparrows, before returning in time to gaze upon slum-dwellers, Danteist dentists, itinerant actor-hippies, and, ultimately, the state of the modern world.
Handel wrote his Italian opera Rodelinda at the height of his musical powers and it is considered to be one of his greatest with music of astonishing power and beauty. This highly praised production filmed in 1998 was the first ever staging of a Handel opera by the Glyndebourne Festival Opera. Jean-Marie Villegier's stylish production sets Handel's tale of royal exile and fidelity in the silent movie era. Starring Anna Caterina Antonacci in a glamorous portrayal of Rodelinda an
An American writer (Tony Musante - Toma TV series) traveling in Rome is the only witness to an attempted murder by a sinister figure in a raincoat and black leather gloves though he is powerless to do anything to stop them. With a feeling that something is not quite right about the scene he has witnessed and the police's inability to make any progress he launches his own personal investigation - and nearly loses his life in the process. While this modern day Jack-the-Ripper type is slithering through the dark byways of Rome slicing up pretty girls director Dario Argento is carving up the emotions of terrified viewers. Dark deeds are mixed with black comedy worthy of Hitchcock in a film of almost unbearable tension and nail-biting suspense.
HE SOUGHT THE ULTIMATE IN HUMAN AGONY... One of the horror giant Mario Bava's biggest hits, Baron Blood returns to the all-stops-out Gothic atmosphere and the central theme of a witch's curse that fuelled his breakthrough film Black Sunday twelve years later. This time, the curse was placed on Baron Otto von Kleist, Austria's legendarily murderous 'Baron Blood', whose corpse is inadvertently revived when an ancient incantation is read out as a joke by a descendant and his girlfriend. Naturally, the Baron decides to carry on where he originally left off, with the help of an entire vault of elaborate torture devices. Jospeh Cotten (Citizen Kane, The Third Man) has a whale of a time as the deceptively charming Baron, and is given sterling support from Elke Sommer (Lisa and the Devil), who is chased through fog-shrouded alleyways in one of Bava's modst memorably atmospheric set-pieces.
An explosive love story of two women who lead a reclusive professor (Lancaster) into a complex web of sexual intrigue...
Paris 1900: a couple are horribly murdered by a masked man with a metal claw who rips their hearts out. The sole survivor and witness to the massacre is a young girl. Twelve years later in Rome a new wax museum is opened whose main attractions are lifelike recreations of gruesome murder scenes. A young man bets that he will spend the night in the museum but is found dead the morning after. Soon people start disappearing from the streets of Rome and the wax museum halls begin filli
La Speziale.Comic Opera in 3 Acts.
Libretto by J.H. Vernoy de Saint-Georges / Jean F.A. Bayard Comical Opera in two acts recorded at the Teatro alla Scala MilanOrchestra and Chorus of the Teatro alla ScalaConducted by Donato Renzetti
The Night Evelyn Came Out Of The Grave
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