Wolfgang Petersen's harrowing and claustrophobic U-boat thriller Das Boot was released as both a theatrical film and a six-hour mini-series, and remains the most expensive production ever made by a German studio. The expanded "Director's Cut" of the movie was re-released 1997 and it is this version that is available for home viewing. This epic story became an instant classic on its first release, provoking critical and audience acclaim worldwide for its sympathetic and entirely truthful portrayal of a German U-boat crew. Faithfully adapted from the bestselling novel by Lothar-Günther Buchheim, Petersen and his committed cast (led by the amazing Jürgen Prochnow) were concerned to ensure that every detail was rendered with painstaking accuracy--both physical and psychological--and the result is not only the best submarine drama ever made but also arguably the finest cinematic portrait of men at war and the terrible madness they must endure. On the DVD: The 200-minute "Director's Cut" version of the movie not only has several major scenes restored that were not in the theatrical release but also has been digitally remastered with significantly improved sound (new sound effects have been added) and anamorphic picture. (The six-hour TV version has yet to be released.) Here, the viewer can watch the movie in the original German, with or without subtitles, or in an English dubbed version that uses the voices of many of the original cast. On the utterly engrossing commentary track, director Wolfgang Petersen and star Jürgen Prochnow talk animatedly and in great detail about every aspect of making this epic story--from model shots using Barbie dolls to meeting the Captain of the original U-boat. This is one of the most consistently rewarding commentaries on disc. Also included is a five-minute featurette that promotes this new version. --Mark Walker
This 282-minute version of Das Boot is the full-length TV series, originally shown in six parts but here edited into a seamless whole. Director Wolfgang Petersen has since graduated to mega-budget Hollywood productions (2004's Troy for example), but has never managed even to come close to this, his German-language masterpiece. Petersen and his sterling cast (including Jürgen Prochnow in his best role as the U-boat captain) went to great lengths to ensure that this claustrophobic depiction of life aboard the German sub U-97 while attacking British convoys in the Atlantic is thoroughly authentic and totally convincing. Even the set itself, which is a replica of a U-boat interior, had no false walls, so all camera angles are necessarily from within its horribly narrow, overcrowded and sweaty confines. The result is certainly the finest submarine drama ever made, and one of the most compelling depictions of the physical, psychological and emotional effects of warfare. This mini-series is rather longer than the movie version, which is also available on DVD in a Director's Cut version. The differences are not in matters of plot, but in the pacing: everything here takes longer to happen, while the crew must sit around, bicker, swear and sweat it out--the agonising searching for action, the tension of the attack, the terrible stress of hiding from enemy destroyers. Everything unfolds as if in real time, which is the great advantage a TV production has over a movie (contrast, for example, Band of Brothers with Saving Private Ryan). This, therefore, is the definitive presentation of a World War II classic. On the DVD: Das Boot is presented on two discs, with no breaks where the original TV episodes started and finished. The default language option is German with optional English subtitles. For those constitutionally allergic to subtitles there is also an alternative English-language dub, voiced by many of the original cast (including Prochnow). Sound is adequate stereo or Dolby 5.1, and the anamorphic widescreen is good for the murky green underwater shots. Unlike the theatrical version, though, there is no commentary. --Mark Walker
Based on Michel Houellebecq's controversial novel, this movie focuses on Michael and Bruno, two very different half-brothers and their disturbed sexuality.
Frank Herbert's Dune is a three-part, four-and-a-half-hour television adaptation of the author's bestselling science fiction novel, telling a more complete version of the Dune saga than David Lynch's 1984 cinema film. The novel is a massive political space-opera so filled with characters, cultures, intrigues and battles that even a production twice this length would have trouble fitting everything in. While television is good at setting a scene, it loses the novel's capacity to explain how the future works, and as with Lynch's film, Frank Herbert's Dune focuses on Paul Atreides, the young noble betrayed who becomes a rebel leader--an archetypal story reworked everywhere from Star Wars (1977) to Gladiator (2000). Top-billed William Hurt is only in the first of the three 90-minute episodes, and while he gives a commanding performance, carrying the show falls to the less charismatic Alec Newman. This version is at its strongest in the ravishing Renaissance-inspired production and costume design and gorgeous lighting of Vittorio Storaro (The Last Emperor). The TV budget special effects range from awful painted backdrops to excellent CGI spaceships and sandworms. The performances are variable, from the theatrical camp of Ian McNeice as Baron Harkonnen to the subtlety of Julie Cox's Princess Iruelan. John Harrison's direction is less visionary than Lynch's, but he tells the story more coherently and ultimately the tale's the thing. --Gary S. Dalkin
Das Boot is a graphic and gripping tale that follows the daring patrol of U-96 one of the famed German U-Boats known as ‘The Grey Wolves’. Prowling the North Atlantic they challenged the British Navy at every turn. The crew abroad the U-96 is portrayed in a desperate life-and-death struggle coping with life beneath the waves quickly gives way to terror when confronting the enemy...
A collection of wacky teams compete in the Swiss Alps for the richest prize in history 135 million dollars. Anything goes!
A feature-length edit of Andrea Porporati's Italian-made mini-series set in the Middle Ages. In 1079 AD, three friends - bell founder Peter (Alessandro Gassman), baron's son Richard (Johannes Brandrup) and peasant farmer Andrew (Thure Riefenstein) - set out to join the Crusades and play their part in the liberation of Jerusalem.
A bomb expert (Peter Weller) is sent to the US embassy in Bucharest to defuse an old Cold War bomb that is stored in the basement. Unexpectedly a group of terrorists representing the ""Serbian Liberation Front"" raid the embassy killing a number of people and taking 37 hostage. The special mission operative must save his son and old flame Erica Long (Daryl Hannah)...
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