Crammed with astonishing action and fight sequences this enormously successful sequel to The Robe continues the story of Demetrius (Victor Mature) the Greek slave who after the death of his master is sentenced to train as a gladiator in the Roman arena. There his newfound Christian faith is put to the test when he has to contend not only with the swordsmen and wild beasts of the arena but also the evil and sensuous Messalina (Susan Hayward) and the mad emperor Caligula (Ja
John Ford's epic story of boiling passions amongst the burning sands in which twelve battered fighting men battle it out to the death. Set during the First World War a small British Army group is set out on a mission to the Mesopotamian desert but disaster strikes when their commanding officer is shot by an Arab sniper. Unaware of their intended destination their Sergeant (Victor McLagen) takes charge and decides to head north to meet up with their brigade. Sheltering at an oasis they wake up the next morning to discover their lookout dead and their camp surrounded by Arab tribesmen. Left at the mercy of the Arabs and being slowly picked off one-by-one the men begin to crack under the desert heat and life-or-death situation. As their supplies run low Sanders (Boris Karloff) begins to doubt his sanity but unbeknownst to the soldiers a rescue patrol is only days away...
Of Make Way for Tomorrow, Orson Welles told Peter Bogdanovich: “Oh my God that’s the saddest movie ever made.” Leo McCarey’s personal favourite among all his films (which included The Awful Truth and An Affair to Remember) is sad, yes, but it also stands as cathartic affirmation of the dignity of human feeling, and in the testament of such achieves a subtle complexity of characterisation on par with Renoir, Ford, and Hawks. Victor Moore and Beulah Bondi, two of the great Hollywood character actors, portray the couple whose house the bank has foreclosed upon, and who are forced subsequently to move into their children’s homes in the city. A near-musical restructuring of gratitude and debt ensues once the offspring deem the couple’s lodging an imposition: the two are separated, then reunited weeks later... as they glide inexorably into an uncertain future. Unrelentingly unsentimental, Make Way for Tomorrow exerted a powerful influence on Ozu’s Tokyo Story and several other key entries in the Japanese master’s body of work. It is a film that, to give Welles the last word, “could make a stone cry.” The Masters of Cinema Series is proud to present Leo McCarey’s truly great Make Way for Tomorrow for the first time on Blu-ray anywhere in the world, as part of this Dual Format (Blu-ray + DVD) edition. Dual Format Edition Including: Newly restored 1080p HD encode in the film’s original aspect ratio Peter Bogdanovich discussing McCarey and the film [20:00] Gary Giddins discussing the film’s social and political contexts [21:00] Optional English subtitles (SDH) for the deaf and hearing-impaired 36-PAGE BOOKLET featuring a new essay by writer Geoffrey O’Brien and an excerpt from Josephine Lawrence’s source novel Years Are So Long
This light-hearted romp through Royal India presents a world of maharajas palaces imperiled art objects and the foreign collectors who will stop at nothing to possess them. Peggy Ashcroft and Larry Pine star as two rapacious art collectors who came to the decaying Art Deco palace of a young Maharaja (Victor Banerjee) to examine a legendary collection of Indian miniature paintings. While vying with each other to get the pictures away from the royal couple. Nicknamed Georgie and Bonnie as children by their Scottish governess they must also divine the true motives of the Indian curator of the collection (Saeed Jaffrey) who is in league with the Maharaja's beautiful sister (Aparna Sen) and may be working against them. Amidst the backdrop of lavish tourist entertainments Christmas parties fireworks and even an English ghost a desperate game of palace intrigue will determine the ultimate resting place of the priceless paintings.
Broken Silence features five documentaries from around the world about the Holocaust presented by Steven Spielberg's Survivors of the Shoah Visual History Foundation. The titles are: Lusi Puenzo's Some Who Lived Janos Szasz's Eyes Of The Holocaust Pavel Chukhraj's Children of The Abyss Andrzej Wajda's I Remember and Vojtech Jasny's Hell On Earth.
3 Ninjas High Noon At Mega Mountain: When dastardly villains Medusa and Lothar Zogg and their evil cohorts invade a family fun park and take its summer visitors hostage it's up to the three ninjas to save the day with a little help from an aging action movie hero who needs to pull off the rescue to regain his street credibility. 3 Ninjas Kickback: Colt Rocky and Tum Tum are back in another action-packed story where they travel with their grandfather to Japan in search of a secret cave of gold closely followed by a band of heavy metal rockers. 3 Ninjas Knuckle Up: Rocky Colt and Tum Tum find themselves in action again as they get drawn into a struggle between an American Indian tribe and a ruthless businessman who is dumping toxic waste on their land.
Papillon (Dir. Franklin J. Schaffner 1973): They called him Papillon meaning butterfly. If only he had wings to go with the name. Unable to fly Henri Charriere virtually willed himself free. He persisted until he did the impossible: escape Devil's Island. Based on Charriere's bestseller and shot in Spain and Jamaica Franklin J. Schaffner's film of Papillon united two stars at key career junctions. After a decade of fine work in The Great Escape The Sand Pebbles and Bullitt Steve McQueen found in Charriere another ideal tough-guy role. Coming off The Graduate Midnight Cowboy and Little Big Man Dustin Hoffman again distinguished himself as Dega Charriere's scruffy friend. Midnight Express (Dir. Alan Parker 1973): Brad Davis and John Hurt star in this riveting true story of a young American's nightmarish experiences in a Turkish prison and his unforgettable journey to freedom. Busted for attempting to smuggle hashish out of Istanbul American College student Billy Hayes (Davis) is thrown into the city's most brutal jail. After suffering through four years of sadistic torture and inhuman conditions Billy is about to be released when his parole is denied. Only his inner courage and the support of a fellow inmate (Hurt) give him the strength to catch the Midnight Express (prison code for escape). Missing (Dir. Costa Gavras 1982): Director Constantin Costa-Gavras made his English-language film debut with this political thriller based on a true story. Although the nation depicted is never named directly the action clearly takes place in Chile after the military coup. Missing centers around the disappearance of Charles Horman (John Shea) an American expatriate who lives with his wife Beth (Sissy Spacek) in South America. One night armed soldiers enter their home and drag him away. In desperation Beth decides to contact Charles's father Ed (Jack Lemon) and ask for help. In contrast to his left-wing daughter-in-law Ed is staunchly patriotic. But as he gets the runaround from both American and Chilean officials Ed receives a cold hard lesson in political reality... and learns some ugly truths about US involvement in Latin America.
A portrait of one of the 20th century's most influential cultural icons, with testimonies from artists, musicians, writers and friends. William Burroughs is now regarded as a huge influence over late 20th century fiction and cultural life. This documentary features previously unseen footage of Burroughs in conversation, as well as footage of him at many of his infamous readings, where he brought to life his writing, in front of audiences the world over.
An ex-con just out of the joint finds himself with $5000 a convertible Lincoln and a beautiful woman; that's before he's forced to go on the run from the Mafia...
A unique collection of early shows and rarely seen TV appearances from this hugely popular master of music and comedy. In 1951 Victor Borge was given his own television show which was broadcast live on NBC. Recently a number of original 16mm kinescopes were unearthed digitally re-mastered and transferred to DVD. Here then are 14 ultra-rare episodes that capture Victor at his funniest. These are not the later Victor Borge concert appearances and TV specials that have long been available on tape and disc but live TV shows that have remained largely unseen for more than half a century! As a bonus this 3-disc collection also contains rare appearances by Victor Borge on a 1950 Cavalcade of Stars a 1954 Colgate Comedy Hour and a 1964 Hollywood Palace (featuring Raquel Welch and Alice Faye).
The stunningly beautiful Evelyn Dick (KATHLEEN ROBERTSON I Am Sam) is arrested for murder after the grisly discovery of the torso of her missing husband. Known as 'The Black Widow' Evelyn believed her husband's murder was her ticket to the good life after admitting to numerous affairs with hundreds of wealthy and powerful men.She was certainly no innocent but did that make her guilty of murder?This is one of the most notorious and shocking murder cases on file. Starring VICTOR GARBER (Titanic) Academy Award winner BRENDA FRICKER (The War Bride) and CALLUM KEITH RENNIE (Memento) Torso is a story as bizarre tangled and tragic as they come.
Two American astronauts are involved in a collision with a Russian space station. One of them is more than he appears; a terrorist with plans to sabotage the mission...
Lousiana Purchase
The warrior Deathstalker is tasked by an old witch lady to obtain and unite the three powers of creation - a chalice an amulet and a sword lest the evil magician Munkar get them and use them for nefarious purposes. After obtaining the sword Deathstalker joins with other travellers going to the Big Tournament to determine the strongest warrior. The false king holds the true princess in captivity and plots to have Deathstalker killed and Deathstalker must fight to free the princess.
Of Make Way For Tomorrow Orson Welles told Peter Bogdanovich: Oh my God that's the saddest movie ever made. Long unavailable for home viewing Leo McCarey's personal favourite among all his films (which included The Awful Truth and An Affair To Remember) is sad yes but it also stands as cathartic affirmation of the dignity of human feeling and in the testament of such achieves a subtle complexity of characterization on par with Renoir Ford and Hawks. Victor Moore and Beulah Bondi two of the great Hollywood character actors appear makeup-aged beyond their actual years to portray the couple whose house the bank has foreclosed upon (the film was set and produced in the midst of the Great Depression) and who are forced subsequently to move into their children's homes in the city. A near-musical restructuring of gratitude and debt ensues once the offspring deem the couple's lodging an imposition: the two are separated then reunited weeks later... as they glide inexorably into an uncertain future. Unrelentingly unsentimental yet maintaining a balance of pathos and levity unseen in not only American studio pictures but most of the rest of world cinema Make Way For Tomorrow exerted a powerful influence on Yasujir'' Ozu's Tokyo Story and several other key entries in the Japanese master's body of work. It is a film profoundly concerned with questions of filial obligation and the way we treat one another as human beings; it is a film that to give Welles the last word could make a stone cry. The Masters of Cinema Series is proud to present Leo McCarey's truly great Make Way For Tomorrow for the first time on Blu-ray anywhere in the world.
Of Make Way for Tomorrow Orson Welles told Peter Bogdanovich: Oh my God that's the saddest movie ever made. Long unavailable for home viewing Leo McCarey's personal favourite among all his films (which included The Awful Truth and An Affair to Remember) is sad yes but it also stands as cathartic affirmation of the dignity of human feeling and in the testament of such achieves a subtle complexity of characterization on par with Renoir Ford and Hawks. Victor Moore and Beulah Bondi two of the great Hollywood character actors appear makeup-aged beyond their actual years to portray the couple whose house the bank has foreclosed upon (the film was set and produced in the midst of the Great Depression) and who are forced subsequently to move into their children's homes in the city. A near-musical restructuring of gratitude and debt ensues once the offspring deem the couple's lodging an imposition: the two are separated then reunited weeks later... as they glide inexorably into an uncertain future. Unrelentingly unsentimental yet maintaining a balance of pathos and levity unseen in not only American studio pictures but most of the rest of world cinema Make Way for Tomorrow exerted a powerful influence on Yasujir Ozu's Tokyo Story and several other key entries in the Japanese master's body of work. It is a film profoundly concerned with questions of filial obligation and the way we treat one another as human beings; it is a film that to give Welles the last word could make a stone cry.
The amazing breadth and depth of Da Vinci's unique genius and character provide wonderful proof of the power of humility.
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