"Actor: Victor Millan"

• Chato's Land | DVD | (05/07/2004) from £17.45   |  Saving you £-4.46 (N/A%)   |  RRP £12.99

  Chato is a half-breed Apache Indian who treads the thin line between two cultures balancing allegiance to his his tribe with the allure of the white man's world. When Chato kills a Sheriff in self-defense he finds himself hunted by a posse determined to see him hang.

• Terror In A Texas Town | Blu Ray | (10/07/2017) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £N/A

  For his 41st and final feature film, Joseph H. Lewis was able to combine the two genres in which he had excelled. The man in the director s chair for My Name is Julia Ross, Gun Crazy and The Big Combo, Lewis was one of the all-time greats in film noir. But he was also a fine director of Westerns, having made A Lawless Street, 7th Cavalry and The Halliday Brand, all of which especially the last remain underrated. Terror in a Texas Town would bring his noir sensibilities to the American West, resulting in one of his finest works. McNeil (Sebastian Cabot, The Time Machine) is a greedy hotel owner who wants to take control of Prairie City, the Texas town of the title. Keen to drive the local farmers of their land, McNeil hires a gunman, Johnny Crale (Nedrick Young, who would pen the Oscar-winning screenplay for The Defiant Ones the same year), resulting in the death of a former whaler. The dead man s son, George Hansen (Sterling Hayden, The Killing), arrives in town to inherit the farm and set the stage for revenge armed with only his father s old harpoon... Terror in a Texas Town was written by Dalton Trumbo, one of the Hollywood Ten blacklisted by the film industry and forced to write under pseudonyms or to use fronts . Two years before he helped break the blacklist with on-screen credits for Otto Preminger s Exodus and Stanley Kubrick s Spartacus, his work was credited to Ben Perry, but it demonstrates a psychological depth and political dimension that is undoubtedly that of Trumbo. SPECIAL EDITION CONTENTS: Brand-new 2K restoration from original film elements produced by Arrow Films exclusively for this release High Definition Blu-ray (1080p) Uncompressed Mono 1.0 PCM Audio Optional English subtitles for the deaf and hard of hearing Introduction by Peter Stanfield, author of Hollywood, Westerns and the 1930s: The Lost Trail and Horse Opera: The Strange History of the Singing Cowboy Scene-select commentaries by Stanfield Theatrical trailer Reversible sleeve featuring original and newly commissioned artwork by Vladimir Zimakov FIRST PRESSING ONLY: Illustrated collector s booklet featuring new writing by Glenn Kenny

• Touch Of Evil | DVD | (10/11/2003) from £7.63   |  Saving you £2.36 (30.93%)   |  RRP £9.99

  Considered by many to be the greatest B movie ever made, the original-release version of Orson Welles' film noir masterpiece Touch of Evil was, ironically, never intended as a B movie at all--it merely suffered that fate after it was taken away from writer-director Welles, then reedited and released in 1958 as the second half of a double feature. Time and critical acclaim would eventually elevate the film to classic status (and Welles' original vision was meticulously followed for the film's 1998 restoration), but for four decades this original version stood as a testament to Welles' directorial genius. From its astonishing, miraculously choreographed opening shot (lasting over three minutes) to Marlene Dietrich's classic final line of dialogue, this sordid tale of murder and police corruption is like a valentine for the cinematic medium, with Welles as its love-struck suitor. As the corpulent cop who may be involved in a border-town murder, Welles faces opposition from a narcotics officer (Charlton Heston) whose wife (Janet Leigh) is abducted and held as the pawn in a struggle between Heston's quest for truth and Welles' control of carefully hidden secrets. The twisting plot is wildly entertaining (even though it's harder to follow in this original version), but even greater pleasure is found in the pulpy dialogue and the sheer exuberance of the dazzling directorial style. --Jeff Shannon