Horror directed by and starring Stuart Brennan, alongside Mark Paul Wake and Victoria Morrison. In the event of a zombie outbreak, Craig (Brennan) is about as prepared as anyone could be. All of his planning pays off when a sinister and virulent contagion begins to spread and mutate, bringing the dead back to life. Craig enacts his plan, that seems to be working, until a friend calls him desperate for help. His best laid plans are thrown to the wind, along with his caution as he and his fellow survivors force themselves to be brutally violent in order to survive the apocalypse.
Cameron Mitchell stars as Vince Rinaud a former special effects man for Paragon Studios. After he is facially scarred by jealous studio owner Max (Barry Kroeger) over the actress they both love (Anne Helm) he is jilted by the film company and so retires to run a Hollywood wax museum. Vince attracts new acclaim for his eerie and realistic wax models; however it isn't long before the enemies of Vince start to go missing and effigies of the AWOL actors start appearing in Vince's wax museum...
Let's admit it right away, The Tribe may just be the best kids' TV show ever. To be precise, it's for older children and teenagers (and their parents will find it insightful, too), the very age group that occupies all the roles in this post-apocalyptic tale. Mixing the scenario of Lord of the Flies (except there are, y'know, girls in it as well) with the visual imagery of Mad Max and the angst-ridden psychodrama of Sweet Valley High, The Tribe tells of a near-future in which the world's adult population has been wiped out by a virus. Of course, society's infrastructure has gone, too, so the youthful survivors not only have to deal with all the usual trials and tribulations of childhood and adolescence but must also develop some form of functioning society of their own, without any form of adult intervention and with only the barest amount of technology. What happens, of course, is that all the social ills of the old world, from bullying to teenage pregnancy, are writ 10 times larger in the new. The ways in which the characters cope (or fail to cope) with these issues are both exasperating and deeply moving. --Roger Thomas
Lets admit it right away, The Tribe may just be the best kids TV show ever. To be precise, its for older children and teenagers (and their parents will find it insightful, too), the very age group that occupies all the roles in this post-apocalyptic tale. Mixing the scenario of Lord of the Flies (except there are, yknow, girls in it as well) with the visual imagery of Mad Max and the angst-ridden psychodrama of Sweet Valley High, The Tribe tells of a near-future in which the worlds adult population has been wiped out by a virus. Of course, societys infrastructure has gone, too, so the youthful survivors not only have to deal with all the usual trials and tribulations of childhood and adolescence but must also develop some form of functioning society of their own, without any form of adult intervention and with only the barest amount of technology. What happens, of course, is that all the social ills of the old world, from bullying to teenage pregnancy, are writ 10 times larger in the new. The ways in which the characters cope (or fail to cope) with these issues are both exasperating and deeply moving. --Roger Thomas
The first feature shot on the Red One in black and white The Drummond Will is a collision between old and new. A black comedy set in decaying rural England. It follows estranged brothers Marcus and Danny Drummond as they find themselves on a surprisingly dangerous undertaking to unravel the mystery surrounding their father's unlikely wealth.
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