Coincidence throws Mij the otter and Graham Merrill (Bill Travers) the computer worker together on a busy London street in Ring of Bright Water. What transpires from this chance meeting is an epiphany that leads to the complete upheaval of Graham's life. Evicted from his city flat thanks to the antics of his newly acquired, mischievous otter, Graham embarks on a train journey to the Scottish Highlands. Suffice it to say that trying to smuggle Mij onboard as a "diving terrier" is not successful. When the pair finally arrives in Scotland, they fall in love with the countryside and a dilapidated cottage by the sea. Fate introduces Graham to the town's animal-loving doctor (Virginia McKenna), and an enduring friendship and romance are forged. The photography of both the Scottish Highlands and the antics of Mij the otter in this 1969 movie are truly wonderful--it might just make you reconsider your current digs and friendships. The story (based on Gavin Maxwell's book of the same name) is somewhat formulaic and dated by its romanticism, but enjoyable nonetheless. Slip into an ideal world of simple happiness and celebrate the cyclical nature of life, if only for 106 minutes. --Tami Horiuchi, Amazon.com
The Hot Spot is best known to lecherous film buffs for Jennifer Connelly's topless scene, but this sultry southern noir deserves more than prurient interest. It's arguably Dennis Hopper's best directorial effort (OK, so that's not saying much), and Charles Williams' source novel Hell Hath No Fury finds Hopper in a comfortable B-movie milieu, riffing on Double Indemnity with an overripe tale of sex, greed and blackmail in an unnamed Texan town. Fresh from the final season of Miami Vice, Don Johnson stars as a shifty drifter, conning his way into a salesman job on a used-car lot, where the boss's insatiable wife (Virginia Madsen) offers him sexual favours and a lovely secretary's (Connelly) innocence is threatened by a percolating scandal. Nobody's really innocent, of course, and Hopper spices this languid web of secrets with enough trashy misbehaviour to qualify The Hot Spot as a bona fide guilty pleasure. --Jeff Shannon
Swamp Thing follows Dr. Abby Arcane as she investigates what seems to be a deadly swamp-born virus in a small town in Louisiana but soon discovers that the swamp holds mystical and terrifying secrets. When a mysterious creature emerges from the murky marsh, she finds herself facing the nightmares of a supernatural world where no one is safe.
With music by Irving Berlin songs by Bing Crosby and dancing by Fred Astaire Holiday Inn is one of the most delightful and memorable musicals of all time nominated for 3 Academy Awards. Crosby plays Jim Hardy a song and dance man who leaves showbiz to open a Connecticut Inn. Astaire plays Ted Hanover Hardy's former partner and rival in love. And of course there are girls (Marjorie Reynolds and Virginia Dale) an agent (Walter Abel) and plenty of lavish song and dance routines with spectacular production numbers. It contains all your favourite Irving Berlin hit songs including the one and only White Christmas.
Submarine commander Duke Gifford feels guilty in the death of his former commanding officer, as well as about his failed marriage. These issues pull at him during a hazardous mission against the Japanese in World War II.
JOY is the wild story of a family across four generations centered on the girl who becomes the woman who founds a business dynasty and becomes a matriarch in her own right. Betrayal, treachery, the loss of innocence and the scars of love, pave the road in this intense emotional and human comedy about becoming a true boss of family and enterprise facing a world of unforgiving commerce. Allies become adversaries and adversaries become allies, both inside and outside the family, as Joy's inner life and fierce imagination carry her through the storm she faces. Jennifer Lawrence stars, with Robert De Niro, Bradley Cooper, Edgar Ramirez, Isabella Rossellini, Diane Ladd, Virginia Madsen, Elisabeth Röhm and Dascha Polanco. Like David O. Russell's previous films, Joy defies genre to tell a story of family, loyalty, and love.
Geraldine McEwan takes over the coveted mantle of the titular super sleuth in one of a series of all-star cast adaptations of Agatha Christie's Miss Marple novels. The villagers of Chipping Cleghorn including Jane Marple are agog with curiosity over an advertisement in the local gazette which reads: ""A murder is announced and will take place on Friday October 29th at Little Paddocks at 6.30 p.m."" A childish practical joke? Or a hoax intended to scare poor Letitia Blacklock? Unab
An early horror classic drawn from Mexico's rich tradition of folklore, La Llorona recounts the chilling tale of the wailing woman' who kills herself and her child before returning to haunt the living. Expressionistic, lyrical and atmospheric, Ramón Peón's film draws on the influence of Universal Pictures' contemporaneous horror cycle and incorporates elements of period melodrama and romance. This landmark production in the evolution of Mexican cinema has been newly restored from the only surviving film elements, and is presented here with a selection of essential extras. Product Features New 2K restoration from the only surviving film element by the Cinema Preservation Alliance Original mono audio Audio commentary with genre-film experts, critics and authors Stephen Jones and Kim Newman (2022) La Llorona': Ghosts of the Past (2021, 17 mins): documentary by Viviana GarcÃa Besné, the producer's great granddaughter, relaying a personal history of the film Transcending Time (2022, 18 mins): Abraham Castillo Flores, head programmer of Mexico's Mórbido Film Fest, explores the myth and the film Lunas y estrellas (2022, 2 mins): short compilation of the source print's distinctive cue marks, which were removed during the restoration Optional English translation subtitles Optional English subtitles for the deaf and hard of hearing
NOTICE: Polish Release, cover may contain Polish text/markings. The disk DOES NOT have English audio and subtitles.
Adapted from the novel by Mary Wesley, The Camomile Lawn proved one of Channel Four's most successful dramas, telling an intricate story set during World War II and over two days in 1984. In this portrait of the Home Front in Cornwall and London in the Blitz, the titular lawn becomes a symbol for halcyon pre-war days, and also for a lost innocence on a personal level. For this is very much about growing up and sex, including rape and child abuse (both handled tactfully, mainly in dialogue), adulatory, ménage á trois, bisexuality and rampant promiscuity. The attitudes, from the war-damaged, nihilistic Oliver, (a powerfully charismatic Toby Stephens) to the mercenary Calypso (an incendiary Jennifer Ehle), and some individual scenes, shock in their very matter-of-factness. What could be salacious soap is leavened by a comic touch, intensified by tragedy and elevated to intensely moving drama during its final half hour set around a funeral in 1984. Generally excellent production values make the best of the television budget, and there are outstanding performances by a large cast including Felicity Kendal and Paul Eddington (reunited from The Good Life), Tara Fitzgerald in her first starring role, and especially Rebecca Hall as Sophy. On the DVD: The four episodes are presented on two discs, with a total running time of approximately four hours 22 minutes. There are no special features of any sort. The picture is standard television 4:3, and while marginally better than VHS has a slight softness, with occasional after-images to shots with moving lights betraying that the series was made on video rather than film. Some scenes are rather grainy and there is the occasion brief instance of MPEG artifacting. The sound is stereo and appears to have been remixed from mono, some elements such as the music remaining in mono, while some sound effects are stereo. --Gary S Dalkin
The Abominable Dr Phibes is an unusually beautiful horror classic in which Vincent Price stars as the titular genius who specialises in organ music, theology and concocting bizarre deaths for anyone who wrongs him. Discovering why is half the fun, so for now let's just say that Phibes is a little mad and very, very angry. Aided by his assistant, the lovely, silent Vulnavia, Phibes begins cutting a gory swathe through London's medical community, with the dogged Inspector Trout hot on his tail. The film contains many pleasures--exquisite art direction and a dark sense of humour among them--but the real treat is in watching an old pro such as Price at work. Whether he's playing his organ, staring down a victim or drinking through his neck, Price is at the top of his game. He mixes dark menace with wry comic touches, revealing both Phibes' maniacal obsession and offhanded confidence in his own genius. Settle in for an evening of elegant gore--and if an attractive, mute deliverywoman comes to the door, whatever you do, don't answer! --Ali Davis
This mini-series is based on the memories of Vittorio Mussolini the oldest son of Italian dictator Benito Mussolini played by George C. Scott. The film opens in 1922 as Mussolini builds his power base through this Black Shirt militia. Mussolini known as Il Duce creates a national fervor that peaks after the Italian invasion of Abyssinia in 1935. In 1938 in spite of attempting to promote peace at a Munich conference Mussolini aligned himself with Hitler and drew his country into W
Sci-fi drama starring Zosia Mamet and Olympia Dukakis. When Rhea Carver (Mamet) realises that she is different to the other children at school, she reaches out to her grandmother, Rosmarie (Dukakis). As Rhea's mother (Virginia Madsen) and grandmother tell her the truth about the women of the Carver family being descendents of ancient witches, Rhea fears that life as she knew it will never be the same.
Though the Charlie Chan film franchise has earned brickbats for its casting of Caucasian actors as the Asian sleuth, the movies have retained popularity among aficionados of '40s-era B-crime pictures, and the six-disc Charlie Chan Chanthology, all featuring Sidney Toler as Chan, should please that crowd. The Missouri-born Toler starred in 11 Chan pictures for Fox before purchasing the rights to the character from creator Earl Derr Biggers's widow and bringing it to budget studio Monogram, where he starred in 11 more Chans before his death in 1947 (Roland Winters replaced him in six more features until 1949). At Monogram, Chan became a Secret Service Agent (a move calculated to cut down on exotic locations and sets), and comedy was integrated into the plots via Mantan Moreland's chauffeur Birmingham Brown; Benson Fong also joined the cast as Number Three Son Tommy, with occasional appearances by daughter Frances (Frances Chan) and son Eddie (Edwin Luke, brother of Keye Luke, who played Number One Son Lee in the Fox Chans). Other than that, the six films collected here (the first six Chans for Monogram, and all but five directed by Phil Rosen) are largely indistinguishable from one another save for the murder victims and their demises. In The Secret Service, Chan investigates the death of a wartime inventor; a San Francisco socialite expires in The Chinese Cat; daughter Frances is involved in the murder of a psychic in Meeting at Midnight (a.k.a. Black Magic); another government scientist is killed in The Jade Mask, and death by remote control is the focus of The Scarlet Clue. Director Phil Karlson (Kansas City Confidential) adds some noirish atmosphere to The Shanghai Cobra, which has bank employees dying from apparent snakebites. Dated and controversial as they may be, the Chan films are engaging diversions for vintage mystery fans. No extras are featured in the set. --Paul Gaita
Experience a deliriously insane world of frog butlers topless princesses machine gun toting teachers chicken boys human chandeliers and the devil himself (Danny Elfman) all ruled by the lascivious midget king Fausto (Herve Villechaize - Fantasy Island The Man With The Golden Gun) and his deranged queen! Propelled by the incredible songs of the one and only Danny Elfman and the mystic kings of Oingo Boingo forbidden zone is an experience like no other with an eye popping
Stomping, whomping, stealing, singing, tap-dancing, violating. Derby-topped hooligan Alex (Malcolm McDowell) has a good time - at the tragic expense of others. His journey from amoral punk to brainwashed proper citizen and back again forms the dynamic arc of Stanley Kubrick's future-shock vision of Anthony Burgess' novel. Controversial when first released, A Clockwork Orange won New York Film Critics Best Picture and Director awards and earned four Oscarr* nominations, including Best Picture. Its power still entices, shocks and holds us in its grasp.This 50th Anniversary Ultimate Collector’s Edition includes:. •A Clockwork Orange on 4K Ultra HD & Blu-ray. •Blu-ray Bonus Disc featuring Stanley Kubrick: A Life in Pictures and O Lucky Malcolm! documentaries. •32-page booklet. •Double-sided Poster. •Set of 3 Art Cards. •Behind the scenes stills. •Newspaper prop replica. Special Features:. • Commentary by Malcolm McDowell and Historian Nick Redman. • Channel Four Documentary Still Tickin’: The Return of Clockwork Orange. • New Featurette Great Bolshy Yarblockos!: Making A Clockwork Orange. • Career Profile O Lucky Malcolm! [in High Definition]. • Theatrical Trailer.
Wandering the city streets, the Little Tramp happens upon a blind flower girl who mistakes him for a wealthy gentleman, and manages to save and befriend a drunken millionaire who is trying to drown himself in the river. A world of disenchanted bourgeoisie, where social structure and class are misconceived and questioned at every turn, City Lights has gone down in history as not only one of Chaplin's best films but one of the best ever committed to celluloid.
Jim Carrey stars as a man whose life unravels after he comes into contact with an obscure book titled 'The Number 23'.
Sister Ann (Jacqueline Byers) believes she is answering a calling to be the first female exorcist but who, or what, called her? In response to a global rise in demonic possessions, Ann seeks out a place at an exorcism school reopened by the Catholic Church. Until now these schools have only trained priests in the Rite of Exorcism but a professor (Colin Salmon) recognizes Sister Ann's gifts and agrees to train her. Thrust onto the spiritual frontline with fellow student Father Dante (Christian Navarro), Sister Ann finds herself in a battle for the soul of a young girl, who Sister Ann believes is possessed by the same demon that tormented her own mother years ago. Determined to root out the evil, Ann soon realizes the Devil has her right where he wants her. Product Features Audio Commentary with Director Daniel Stamm and Actress Jackie Byers Possessed: Creating Prey for the Devil A Lullaby of Terror The Devil's Tricks: Visual Effects Prey For The Devil Cast-Read: The Original First Draft Screenplay (Blu-ray exclusive) Speak No Evil: A Real Exorcist & Church Psychologist Discuss Possession (Blu-ray exclusive)
Hard to imagine now but long before Richard Attenborough became Lord Dickie, benevolent patriarch of British moviedom, he specialised in playing weaselly little thugs and punks. Brighton Rock, adapted from Graham Greene's classic novel, offered him one of his best early roles as Pinkie, juvenile leader of a seedy gang of racetrack crooks in the Sussex seaside town. When it seems an innocent young waitress may know too much about one of their killings, Pinkie decides to keep her quiet by marrying her. But in Greene's world of guilt-ridden Catholicism and inexorable doom, it was never going to be that easy. Is the famous twist ending a cop-out? That depends just how much irony you read into it. But the Brighton atmosphere, all tawdry gaiety shot through with a crackling undercurrent of fear, is so vivid you can smell it. Made with a cool, dispassionate eye by the Boulting Brothers (before they turned jokey with the likes of I'm Alright Jack, for instance) and superbly shot by Harry Waxman, this is one of Britain's few great contributions to the noir thriller cycle. Young Dickie, twitchy, vicious and terrified, is a revelation--and don't miss William Hartnell, the original Dr Who, as his cynical sidekick. --Philip Kemp
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