It was her vanity that destroyed her... In the Paris of the early 20th century Louise wife of a general sells the earrings his husband gave her: she desperately needs money for a gambling debt. As the general should not know during an opera she acts as she had lost them. When the resulting fuss in Paris frightens the local jeweler he tells the truth to the general. The general secretly buys the earrings back and with disdain for his wife gives them to his mistress Lola. Lola sells the trinket to an Italian diplomat Baron Donati who buys them to impress his mistress back in Paris Louise... Ophuls camera glides with seemingly effortless elegance in this visually dazzling masterpiece which renowned film critic Andrew Sarris described as ""the most perfect film ever made.""
This dense adaptation of Ernest Hemingway's novel features Rock Hudson as American soldier Lt. Henry and his ill-fated love affair with British Nurse Catherine, portrayed by Jennifer Jones, during World War I. The two lovers will stop at nothing to be together but Lt. Henry's internal struggles ultimately threaten the relationship. Hemingway's theme of questioning the nature of war and fighting is fully recognised under Charles Vidor's direction.
Based on a play by George Bernard Shaw which studies an immensely wealthy woman who falls for the charms of a poor Indian doctor. Sophia Loren plays a spoilt heiress able to buy anything she wants. When she meets an Indian doctor (Peter Sellers) whose sole concern is to help the poor and needy she knows that this is the man for her. Although in love with her he is so terrified of being in her power that he foils all her attempts to 'buy' him. Only by setting an endurance test for each other are they able to be sure of their true feelings.
When, beset by debt, the titular Countess Louise (Danielle Darrieux) decides to sell a pair of earrings that were a wedding gift from her husband André (Charles Boyer), she unwittingly sets in motion a chain of events that will have serious consequences not only for the Parisian couple but for André's mistress and for an Italian Baron (Vittorio De Sica), who purchased the, by then, much-travelled jewellery. Featuring nuanced performances by all three lead actors and directed by celebrated auteur Max Ophüls, this intricately constructed and elegantly designed drama is a searing study of fateful passion wound up in deceits, deals and desires. Special Features: Fully illustrated booklet featuring writing on the film and full film credits Other extras TBC)
An American lawyer travels to Naples to settle the estate of his recently deceased expatriate brother. When he arrives he discovers that his sister-in-law was also killed in the accident leaving their son Marrietto in the guardianship of an aunt he hardly knows. The mutual suspicion of the two towards one another eventually turns to attraction.
The Longest Day (Dir. Ken Annakin and Andrew Marton 1962): On June 6 1944 the Allied Invasion of France marked the beginning of the end of Nazi domination over Europe. The attack involved 3 000 000 men 11 000 planes and 4 000 ships comprising the largest armada the world has ever seen. Presented in the original black & white version The Longest Day is a vivid hour-by-hour re-creation of this historic event. Featuring a stellar international cast and told from the perspectives of both sides it is a fascinating look at the massive preparations mistakes and random events that determined the outcome of one of the biggest battles in history. Sink The Bismarck! (Dir. Lewis Gilbert 1960): In the Spring of 1941 Nazi Germany's greatest battleship - the Bismarck scourge of Atlantic shipping - is pinned down at her anchorage in Norway. Making a break for freedom and the safety of air cover from the Luftwaffe the great ship is chased by the Royal Navy. Eventually after heavy casualties including the loss of HMS Hood the Bismarck is finally trapped and sunk. Kenneth More stars as Captain Shepherd - the Admiralty's Director of Naval Operations - who embittered by the death of his wife in an air raid is assigned to this post just as the Bismarck makes its escape. The Desert Rats (Dir. Robert Wise 1953): Richard Burton stars in this exciting film about the courageous men who held off notorious German Field Marshal Erwin Rommel despite being hopelessly outnumbered. The year is 1941 and all that stands between Rommel and the Suez Canal is the fortress of Tobruk which is manned only by a small Australian battalion whom Captain MacRoberts (Burton) must whip into shape - fast! James Mason co-stars in a stunning portrayal as Rommel in this stirring action-packed story of the World War II heroes known as the Desert Rats. Twelve O'Clock High (Dir. Henry King 1949): Convinced an Air Force Commander is at breaking point Brigadier General Savage (Gregory Peck) takes over his struggling bomber group. At first resentful and rebellious the flyers gradually change as Savage guides them to amazing feats. But the stress of command soon takes its toll and the weary general reaches his own breaking point. Authentic aerial battle footage and numerous acclaimed performances make Twelve O'Clock High a credible stirring tale of courage and sacrifice. A Farewell To Arms (Dir. Charles Vidor 1957): This dense adaption of Ernest Hemingway's novel features Rock Hudson as American soldier Lt. Henry and his ill-fated love affair with British Nurse Catherine portrayed by Jennifer Jones during World War I. The two lovers will stop at nothing to be together but Lt. Henry's internal struggles ultimately threaten the relationship. Hemingway's theme of questioning the nature of war and fighting is fully recognised under Charles Vidor's direction.
This dense adaption of Ernest Hemingway's novel features Rock Hudson as American soldier Lt. Henry and his ill-fated love affair with British Nurse Catherine portrayed by Jennifer Jones during World War I. The two lovers will stop at nothing to be together but Lt. Henry's internal struggles ultimately threaten the relationship. Hemingway's theme of questioning the nature of war and fighting is fully recognised under Charles Vidor's direction.
Millionairess
Roberto Rossellini's box-office success after a string of commercial failures notably with Ingrid Bergman was also a return to the themes of the films which brought him international fame Rome Open City and his other neorealist classics. Based on an article by the Italian journalist Indro Montanelli Rossellini casts Vittorio De Sica as confidence trickster Emanuele Bardone who helps to save Italians arrested by the Gestapo or at least pretending to do so in exchange for money or gifts from their family. When he attempts to save a man already executed he is turned over by the man's wife and is given the choice of execution or carrying out a confidence trick for the Germans; to assume the identity of the General Della Rovere. Turning on his country to save his skin Bardone enters prison to seek out the identity of the partisan commander Fabrizio. Arrow Academy is pleased to present Roberto Rossellini's gripping resistance story with Vittorio De Sica in one of his greatest performances on DVD for the first time in the UK.
Andy Warhol along with his long-time collaborator and director Paul Morrissey combined their mighty talents for these campy trashy masterpieces of mid-70s horror. Flesh or Frankenstein (1973): Dr. Frankenstein desires to create perfect male and female specimens from body parts he has 'collected'. If all goes well his creations will then start a 'perfect' new race. However when the brain of a holy man is mistakenly placed in the head of the male creature things don't go as the good doctor planned. The result is an abundance of nudity and gore as well as a disturbing gall bladder fetish! Blood For Dracula (1974): Tired and sickly Count Dracula (Udo Kier) travels to Italy in search of a virgin bride. He and his domineering assistant Anton stumble across the supposedly virginal DiFiore family. Unfortunately the DiFiore daughters are less than virginal thanks to the determined efforts of servant Mario Balato (Joe Dallesandro) prompting the Count to bed all the sisters until he has found one with pure virgin blood.
From the minds of Andy Warhol and Paul Morrisey comes this cult horror film starring Udo Kier and Joe Dallesandro one of the most prominent actors from 'The Factory'. Tired and sickly Count Dracula (Udo Kier) travels to Italy in search of a virgin bride. He and his domineering assistant Anton stumble across the supposedly virginal DiFiore family. Unfortunately the DiFiore daughters are less than virginal thanks to the determined efforts of servant Mario Balato (Joe Dallesandro
The Millionairess (1960): Based on a play by George Bernard Shaw which studies an immensely wealthy woman who falls for the charms of a poor Indian doctor. Sophia Loren plays a spoilt heiress able to buy anything she wants. When she meets an Indian doctor (Peter Sellers) whose sole concern is to help the poor and needy she knows that this is the man for her. Although in love with her he is so terrified of being in her power that he foils all her attempts to 'buy' him. Only
This big budget French production accurately depicts Napoleon's most celebrated military victory - the Battle of Austerlitz.
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