Fletch is a fairly sarcastic and occasionally very funny Chevy Chase vehicle scripted by Andrew Bergman (Blazing Saddles, The Freshman, Honeymoon in Vegas) from Gregory McDonald's lightweight mystery novel about an undercover newspaper reporter cracking a police drug ring. Enjoyment of the film pivots on whether you find Chase's flippant, smart-ass brand of verbal humour funny, or merely egocentric. If you don't like Chase, there's really no one else worth watching (Geena Davis is sadly underused). Chase seems born to play IM "Fletch" Fletcher, a disillusioned investigative reporter whose cynicism and detached view on life mirrors the actor's understated approach to comedy. Fletcher offers Chase the opportunity to adopt numerous personas, as his job requires numerous (bad) physical disguises, and much of film's humour centres on the ridiculous idea that any of these phoney accents or bad hairpieces could fool anyone. These not-so-clever disguises are put to use when Fletch becomes involved in the film's smart but continually self-mocking two-part mystery. As well as trying to gather drug-smuggling evidence against the LAPD for a long-overdue newspaper story, a rich and apparently terminally ill stranger also offers Fletch a large payoff to kill him. While the film does a fairly good job juggling both of these plots, not to mention tossing in a love interest as well, they're subservient, for better or worse, to Chase's memorable one-liners and disguises. Followed by two forgettable sequels that lack both the original's wit and Chase's attention span.--Dave McCoy, Amazon.com
The path to living as one's authentic self is paved with trials and tribulations in this revelatory, assured feature debut by DEE REES (Mudbound)the all too rare coming-of-age tale to honestly represent the experiences of queer Black women. Grounded in the fine-grained specificity and deft characterizations of Rees's script and built around a beautifully layered performance from ADEPERO ODUYE (12 Years a Slave), Pariah follows Brooklyn teenager Alike, who is dealing with the emotional minefields of both first love and heartache and the disapproval of her family as she navigates the expression of her gender and sexual identities within a system that does not make space for them. Achieving an aching intimacy with its subject through the expressive cinematography of BRADFORD YOUNG (Arrival), his deeply felt portrait finds strength in vulnerability and liberation in letting go. Special Features: 2K digital transfer, with 5.1 surround DTS-HD Master Audio soundtrack on the Blu-ray New conversation between director Dee Rees and filmmaker and scholar Michelle Parkerson New cast reunion featuring Rees, Adepero Oduye, Pernell Walker, Kim Wayans, Charles Parnell, and Aasha Davis, moderated by scholar Jacqueline Stewart New programme on the making of the film, featuring Rees, cinematographer Bradford Young, production designer Inbal Weinberg, producer Nekisa Cooper, and editor Mako Kamitsuna, moderated by Stewart New interview with film scholar Kara Keeling, author of Queer Times, Black Futures English subtitles for the deaf and hard of hearing PLUS: An essay by critic Cassie da Costa
Journey to the rough n' rowdy West and join the misadventures of two outlaws as every episode of Alias Smith and Jones comes to DVD! Kid Curry (Ben Murphy) and Hannibal Heyes (Roger Davis) are two ex-bandits who just want to walk the straight and narrow. But before the governor will give them amnesty, they're going to have to live their lives as Thaddeus Jones and Joshua Smith, avoid the bounty hunters on their old personas! Created by Glen Larson (Magnum P.I., Knightrider, Buck Rogers), the inspired TV version of Butch Cassidy and The Sundance Kid.
audio in italiano18 anni dopo elwood blues (aykroyd) esce di prigione. suo fratello jake (belushi) e' morto e la loro orchestra non c'e' piu'. se n'e' andato anche curtis, loro padre spirituale, lasciando un figlio poliziotto duro e puro. insieme con un nuovo partner, il gioviale mighty mack mcteer (goodman) e con buster, orfanello di 10 anni (bonifant), elwood si rimette in marcia. dovra' fare i conti con la mafia russa. tentativo parzialmente riuscito di continuare un film di culto che nel 1980, con l'aereo piu' pazzo del mondo inauguro' il genere catacomico: ludico, demenziale, goliardico, frenetico, buffonesco, tutto ma non rassicurante e mistificatorio. quel che c'e' di divertente e' gia' visto e quel che ha di nuovo non diverte. c'e' tanta musica, d'accordo. troppa.
These three compelling dramas reveal the extraordinary and often turbulent off-camera lives of some of Britain's favourite comedians. Based on the testimonies of friends colleagues and family members these fascinating portrayals uncover the turmoil and heartache found behind the laughter. Frankie Howerd Rather You Than Me: Frankie Howerd is to this day an enduring and celebrated icon of British comedy well known for his camp persona and classic catchphrases. However behind the scenes Howerd was racked with depression and self loathing. In this compelling one-off drama David Walliams (Little Britain) gets to play one of his own comedy favourites telling the moving humorous and poignant story of Howerd's fight with his inner demons. The Curse Of Steptoe: Steptoe and Son was one of the most successful comedy series ever giving birth to the modern sitcom and transforming its actors into national treasures. It told the story of two rag-and-bone men Harry H Corbett (played by Jason Isaacs) and Wilfrid Brambell (Phil Davis) trapped together for eternity. But off-screen a stranger story would mirror fiction as the two men find themselves unable to escape their inner complexities or each other. Hughie Green Most Sincerely: Starring Trevor Eve (Waking the Dead) this fascinating drama tells the inside story of Hughie Green the avuncular front man of Opportunity Knocks and Double Your Money. Hughie's professional rivalry with Stars On Sunday presenter Jess Yates (Mark Benton) and serial womanising ultimately produced an explosive celebrity secret. This drama tells of the destructive power of success and celebrity and explores what family and fatherhood meant to this iconic character. These three compelling dramas reveal the extraordinary and often turbulent off-camera lives of some of Britain's favourite comedians. Based on the testimonies of friends colleagues and family members these fascinating portrayals uncover the turmoil and heartache found behind the laughter.
A deadly virus is unleashed by a military lab wiping out almost the entire population of Earth. A few terrified individuals set out on a desperate race to find other survivors...
In The Foreign Legion: Jonesy and Lou are in Algeria looking for a wrestler they are promoting. Sergeant Axmann tricks them into joining the Foreign Legion after which they discover Axmann's collaboration with the nasty Sheik Hamud El Khalid. Meet The Keystone Cops: Harry and Willie buy the Edison Movie Studio in the year 1912 from Joseph Gorman a confidence man. They follow Gorman to Hollywood where as stunt men they find him directing movies as Sergei Trumanoff and stealing the studio payroll.
As The Flamingo Kid amply demonstrates, there's always room for one more rites of passage film if it's made with care and affection. Garry Marshall's 1984 study of a young Brooklyn poker player who thinks the grass is greener at a Long Island beach club, nails the bad guy, realises he got it wrong and returns to the bosom of his "humble" family certainly satisfies on both counts. It also has a strong cast: Matt Dillon as Jeffrey, whose niggling aspirations create the inevitable barrier between himself and his parents; Richard Crenna as his prospective role model who turns out to have feet of clay; and Hector Elizondo as his bemused father. But Jessica Walter (Clint Eastwood's stalker from hell in Play Misty for Me) almost steals the show as an acid-tongued beach-club wife. If the whole thing lacks the depth and warmth of, say, Neil Simon's Brighton Beach Memoirs, it succeeds on its own merits as an homage to a more innocent time when a young man didn't need to stray far from his own tenement block in order to find himself, with the help of a suitably nostalgic early-1960s soundtrack of course. On the DVD: As far as extras go, this is a budget offering. There are detailed actor biographies but precious little on the film itself, apart from the snippet that Richard Crenna earned a Golden Globe award nomination. There is an adequate scene index and, for those who want to study Dillon in detail, a reasonable stills gallery. The picture is presented in standard format, and hardly distinguishable from ordinary VHS or telecast quality, but the stereo audio certainly helps pump out the period soundtrack. --Piers Ford
Journey to the rough n' rowdy West and join the misadventures of two outlaws as every episode of Alias Smith and Jones comes to DVD! Kid Curry (Ben Murphy) and Hannibal Heyes (Pete Duel) are two ex-bandits who just want to walk the straight and narrow. But before the governor will give them amnesty, they're going to have to live their lives as Thaddeus Jones and Joshua Smith, avoid the bounty hunters on their old personas! Created by Glen Larson (Magnum P.I., Knightrider, Buck Rogers) and co-starring such legendary guest stars as Susan Saint James, the inspired TV version of Butch Cassidy and The Sundance Kid. EXTRAS: Audio Commentary on Pilot Episode with Writer, Creator, Producer Glen Larson
Artie Logan (Schlatter) is about to enter a jungle of sex sleaze and murder. He's going to college! Christopher Walken stars in this suspense-filled thriller that explores the dark and twisted obsessions of a brutal killer. The killer's world is a world where the line between right and wrong is a jagged one....
Prepare for the chill of a lifetime as the master of suspense Rod Serling hosts this classic series featuring every spine-tingling episode from the complete first season of Night Gallery. Thrill to stories adapted from short stories by such legendary writers as H.P. Lovecraft and Conrad Aiken starring Hollywood greats including Diane Keaton Joan Crawford and Roddy McDowall and directed by cinematic masters like Steven Spielberg in this unforgettable series - now available on DVD for the first time! Episodes Comprise: 1. The Cemetery 2. Eyes 3. The Escape Route 4. The Dead Man 5. The Housekeeper 6. Room with a View 7. The Little Black Bag 8. The Nature of the Enemy 9. The House 10. Certain Shadows on the Wall 11. Make Me Laugh 12. Clean Kills and Other Trophies 13. Pamela's Voice 14. Lone Survivor 15. The Doll 16. The Last Laurel 17. They're Tearing Down Tim Riley's Bar
Taken from a long-running DC Comics strip, Wonder Woman was made into a popular television series between 1978 and 1981, starring former Miss America Lynda Carter. Capturing the hearts of TV audiences with her sexy outfit as much as her superheroine abilities, Wonder Woman quickly became a kitsch icon, battling the forces of evil with the unforgettably camp "garb of justice", including bullet-proof bangles, a golden lasso and the belt of strength built into her corset. She had an invisible plane, too. Originally Princess Diana of Paradise Island (an uncharted land of Amazon women in the Bermuda Triangle), Wonder Woman is sent as an emissary to the outside world to protect the human race from the forces of evil. And so she becomes Diana Prince, the geeky, bespectacled assistant to Steve Trevor of the Inter Agency Defense Command in Washington, whose father she assisted against the Nazis in the 1940s. In the 70-minute pilot, "The Return of Wonder Woman", our gal is sent in to prevent the nefarious Dr Solano from capturing a nuclear generating plant the Americans are flying into Latin America as a new source of energy. In "Anschluss 77", Steve and Diana are sent to investigate a former Gestapo agent now living in Latin America and have to battle a Nazi force that includes a cloned Adolf Hitler. Finally, in "The Man Who Could Move the World", Wonder Woman's adversary is a Japanese ex-intern from World War II who has developed telekinetic powers. Carter plays the role commendably straight, but just one listen to the theme tune ("in your satin tights, fighting for our rights") makes it clear this isn't meant to be taken seriously. Who else could save us from evil so stylishly? On the DVD: Wonder Woman, Volume 1 includes a gallery of memorabilia, a pretty extensive biography of Lynda Carter and the rest of the cast, and finally a short photo gallery for all you die-hard Wonder Woman fetishists. --Laura Bushell
Starman is easily director John Carpenter's warmest and most beguiling film, and the only one that ever earned him an Oscar nomination. While most movie buffs are likely to call Halloween the best movie from Carpenter, die-hard romantics and anyone who cried while watching E.T. will vote in favour of the director's 1984 hit. Jeff Bridges is the alien visitor to Earth who is knocked off course and must take an interstate road trip to rendezvous with a mothership from his home planet. To complete this journey he assumes the physical form of the dead husband of a Wisconsin widow (Karen Allen) who responds first with fear, then sympathy, and finally love. Carpenter's graceful strategy is to switch the focus of this E.T.-like film from science fiction to a gentle road-movie love story, made believable by the memorable performances of Bridges and Allen. It's a bit heavy-handed with tenacious government agents who view the Starman as an alien threat (don't they always?), but Carpenter handles the action with intelligent flair, sensitivity and lighthearted humour. If you're not choked up during the final scene, well, you just might not be human. --Jeff Shannon, Amazon.com On the DVD: Starman on disc is presented in anamorphic widescreen transferred from NTSC and letterboxed at 2.35.1. The picture is clear and sharp with very little grain. The soundtrack is crisp, perfectly complementing the romantic nature of this film. The overriding reason to shell out on this special edition is the commentary from John Carpenter and Jeff Bridges, in which director and actor show a genuine affection for the film. Other extras are a featurette filmed around the original release in 1884, a music video starring Bridges and costar Karen Allen covering The Everly Brothers classic "All I Have to Do is Dream", and a trailer for Close Encounters of the Third Kind. --Kristen Bowditch
A woman bravely battles schizophrenia in this thought-provoking drama starring Heather Locklear.
All About Eve (Dir. Joseph L. Mankiewicz 1950): From the moment she glimpses her idol at the stage door Eve Horrington (Anne Baxter) moves relentlessly towards her goal: taking the reins of power from the great actress Margo Channing (Bette Davies). The cunning Eve manoeuvres her way into Margo's Broadway role becomes a sensation and even causes turmoil in the lives of Margo's director boyfriend (Gary Merrill) her playwright (Hugh Marlowe) and his wife (Celeste Holm). Only
Shopping Will Never Be The Same Again! Missing presumed dead in a fire which destroyed his home. Eric Matthews returns a year later to the site now occupied by a massive shopping mall. Demented even insane Eric is obsesed with being re-united with his childhood sweetheart Melody and destroying the mall. Eric is a tragic victim half human half monster trapped between extremes which propel this story beyond reality into fantasy relams of chilling horror and explosive action in this multi-million dollar production with special effects from the man responsible for 'The Kindred'.
Lover Come Back: Jerry Webster (Hudson) and Carol Templeton (Day) are rival Madison Avenue advertising executives who each dislike each other's methods. After he steals a client out from under her cute little nose revenge prompts her to infiltrate his secret VIP campaign in order to persuade the mystery product's scientist to switch to her firm. Trouble is the product is phony and the scientist is Jerry who uses all his intelligence and charm to steal her heart! (Dir. Delbert Mann 1961) Pillow Talk: Day is an uptight interior decorator forced to share a party line with an amorous playboy who ties up the line with his exploits while she is trying to conduct business. When the two accidentally meet he's taken with her beauty and pretending to be a wealthy Texan begins to court her mercilessly. Though flattered by this stranger's attention it's not long before she discovers his true identity. Now it's her turn to have a little fun...at his expense! (Dir. Michael Gordon 1959) Send Me No Flowers: Rock is ready to make love yesterday tomorrow and especially to Day (Doris that is!) When he overhears a doctor discussing the imminent death of a patient hypochondriac George (Hudson) believes the doc is referring to him. Convinced he's living on borrowed time George enlists the aid of his best friend Arnold (Randall) to find a new husband for his soon-to-be-widowed wife Judy (Day). Already alarmed by her husband's increasingly strange behavior Judy is even more bewildered when an old flame shows up George bends over backwards to encourage his advances! (Dir. Norman Jewison 1964)
London dweller Christina is called to a castle in a small village for the reading of her father's will. Soon after meeting her peculiar family her nights are filled with strange apparitions and supernatural happenings.
Part of a new collection of DVDs charting the outstanding range of Frank Sinatra's live performances. A man who put a unique stamp on the music of the 20th Century. Featuring many classic songs. Tracklist: Instrumental Medley of It Was A Very Good Year All The Way & My Kind Of Town The Lady Is A Tramp I Get A Kick Out Of You Let Me Try Again Autumn In New York I've Got You Under My Skin (Bad Bad) Leroy Brown Angel Eyes You Are The Sunshine Of My Life The House I L
A triple bill of Doris Day movies including Lover Come Back Send Me No Flowers and Pillow Talk. Lover Come Back: Jerry Webster (Hudson) and Carol Templeton (Day) are rival Madison Avenue advertising executives who each dislike each other's methods. After he steals a client out from under her cute little nose revenge prompts her to infiltrate his secret VIP campaign in order to persuade the mystery product's scientist to switch to her firm. Trouble is the product is phony and the scientist is Jerry who uses all his intelligence and charm to steal her heart! Send Me No Flowers: When he overhears a doctor discussing the imminent death of a patient hypochondriac George (Hudson) believes the doc is referring to him. Convinced he's living on borrowed time George enlists the aid of his best friend Arnold (Randall) to find a new husband for his soon-to-be-widowed wife Judy (Day). Already alarmed by her husband's increasingly strange behavior Judy is even more bewildered when an old flame shows up George bends over backwards to encourage his advances! Pillow Talk: Day is an uptight interior decorator forced to share a party line with an amorous playboy who ties up the line with his exploits while she is trying to conduct business. When the two accidentally meet he's taken with her beauty and pretending to be a wealthy Texan begins to court her mercilessly. Though flattered by this stranger's attention it's not long before she discovers his true identity. Now it's her turn to have a little fun...at his expense!
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