College: Coming hard on the heels of Keaton's comic masterpiece 'The General' this was a relaxing romp in both setting and approach after the exacting precision of the American Civil War comic-drama. (Dir. James W. Horne 1927) Steamboat Bill Jr.: Steamboat Bill is William Canfield (Ernest Torrence) the larger-than-life owner of the stern-wheeler 'Stonewall Jackson' which he has operated for many years with his first (and only) mate played by Tom Lewis. Almost the e
Oscar-winning drama with an all-star cast exploring the interwoven relationships of the residents of a plush Berlin hotel...
The Lost World created a worldwide sensation when it opened in 1925. When romance threw down the gauntlet to Edward Malone, not only did he realise another young woman's dreams and open the door to Professor Challenger to take a party deep into the unforgiving Brazilian jungle, he found himself in terrifying danger, in a pre-historic time, with no hope of escape.Professor Challenger - ridiculed for his speeches on living dinosaurs and desperate to prove their existence, engineers the expedition with Malone to rescue Paula White's father (previously stranded on the plateau) and to further his research and show the mocking dis-believers that dinosaurs do still exist after all.Initially unaware that their efforts are being closely followed by an ape-man - science's missing link - an early appearance of a pterodactyl only hints at what terrifying realities exist high on the isolated plateau.
The granddaddy of giant monster movies, The Lost World was one of the most expensive movies ever made in 1925, costing more than a million dollars, and has remained one of the most influential. Every larger-than-life creature feature since--from King Kong to Godzilla and Jurassic Park--owes a debt to this original adventure fantasy based on Arthur Conan Doyle's novel. It's the story of a maverick scientist (Wallace Beery under a bushy beard) who finds a land that time forgot on a plateau deep within the South American jungles and comes back to London with a captured brontosaurus to prove it. His expedition includes Bessie Love, the daughter of an explorer who disappeared on the previous expedition, and big game hunter Lewis Stone. The ostensible stars of the picture are all upstaged by Willis O'Brien's dinosaurs, simple models brought to life with primitive stop-motion animation (the technique was soon to be perfected by O'Brien for King Kong). Hardly realistic by any measure, these pioneering special effects are still a sight to behold, especially the lumbering brontosaurus which receives the most care from O'Brien, both foraging in his jungle and rampaging through the streets of London. With the coming of talkies, The Lost World became obsolete: all known American prints were destroyed in favour of a sound remake (which became King Kong) and the film only survived in a severely truncated form (even the original negative was lost). For this release David Shepard meticulously "rebuilt" the film using material from eight different surviving prints from all over the world, cleaning and restoring along the way. The result is 50% longer than previously extant prints, still not complete but closer than any version since its 1925 debut. The difference is not merely in restored scenes but in a rediscovered sense of grace in scenes filled out to their original detail and pace. The film moves and breathes once again like a silent film. On the DVD: From the attractive solid slipcase to the wonderful "period" menu interface, this is a delightful DVD package. The film itself looks surprisingly good--a real tribute to the restoration team's efforts--with careful tinting in the style of the period (blues for evening, reds for dawn etc.). The disc features the choice of either an original score by The Alloy Orchestra or a classical orchestral score compiled and conducted by Robert Israel (both enjoyable and effective), 13 minutes of O'Brien's animation outtakes (including a couple of isolated frames that capture O'Brien manipulating his models) and a well-meaning but basic commentary by Arthur Conan Doyle historian Roy Pilot. There's also a text biography of Conan Doyle and a display of original postcards, posters and other promotional items. --Sean Axmaker, Amazon.com
This is the original screen version of Robin Hood prince of thieves. Recreating the chivalry of England in all it's glory as it unveils the conflicts and betrayals that threaten to destroy the Kingdom of Richard the lion-heart. Fairbanks epitomises the valiant loyal knight immortalised in Arthurian legend gently wooing the virtuous Lady Marian. When King Richard and a band of warriors embark on a crusade to Palestine Richard's conniving brother assumes the throne and turns the onc
The original silent adaptation of Sir Arthur Conan Doyle's classic novel about a distant land where dinosaurs still roam the Earth.
The granddaddy of giant monster movies, The Lost World was one of the most expensive movies ever made in 1925, costing more than a million dollars, and has remained one of the most influential. Every larger-than-life creature feature since--from King Kong to Godzilla and Jurassic Park--owes a debt to this original adventure fantasy based on Arthur Conan Doyle's novel. It's the story of a maverick scientist (Wallace Beery under a bushy beard) who finds a land that time forgot on a plateau deep within the South American jungles and comes back to London with a captured brontosaurus to prove it. His expedition includes Bessie Love, the daughter of an explorer who disappeared on the previous expedition, and big game hunter Lewis Stone. The ostensible stars of the picture are all upstaged by Willis O'Brien's dinosaurs, simple models brought to life with primitive stop-motion animation (the technique was soon to be perfected by O'Brien for King Kong). Hardly realistic by any measure, these pioneering special effects are still a sight to behold, especially the lumbering brontosaurus which receives the most care from O'Brien, both foraging in his jungle and rampaging through the streets of London. With the coming of talkies, The Lost World became obsolete: all known American prints were destroyed in favour of a sound remake (which became King Kong) and the film only survived in a severely truncated form (even the original negative was lost). For this release David Shepard meticulously "rebuilt" the film using material from eight different surviving prints from all over the world, cleaning and restoring along the way. The result is 50% longer than previously extant prints, still not complete but closer than any version since its 1925 debut. The difference is not merely in restored scenes but in a rediscovered sense of grace in scenes filled out to their original detail and pace. The film moves and breathes once again like a silent film. On the DVD: From the attractive solid slipcase to the wonderful "period" menu interface, this is a delightful DVD package. The film itself looks surprisingly good--a real tribute to the restoration team's efforts--with careful tinting in the style of the period (blues for evening, reds for dawn etc.). The disc features the choice of either an original score by The Alloy Orchestra or a classical orchestral score compiled and conducted by Robert Israel (both enjoyable and effective), 13 minutes of O'Brien's animation outtakes (including a couple of isolated frames that capture O'Brien manipulating his models) and a well-meaning but basic commentary by Arthur Conan Doyle historian Roy Pilot. There's also a text biography of Conan Doyle and a display of original postcards, posters and other promotional items. --Sean Axmaker, Amazon.com
Lucky Dog: Stan befriends a stray dog and Oliver Hardy takes a liking to Stan's wallet. After causing so much chaos Stan's only option is to get rid of the dog. Just in time the dog comes up trumps saves the day and teaches the villain Hardy a lesson too. The Stolen Jools: A famous actress has her jewels stolen. Everyone from the police to the mob want to know the identity of the theif and almost everyone is under suspicion. A star studded cast of the most promi
People come. People go. Nothing ever happens, one world-weary patron (Lewis Stone) of Berlin's finest hotel comments. Movie audiences knew better. They were witnessing the glorious comings, goings and intersecting stories of a starry array billed as the greatest cast in stage or screen history! Ruined aristocrat John Barrymore. Terminally ill clerk Lionel Barrymore. Ruthless tycoon Wallace Beery. Scheming stenographer Joan Crawford. And disillusioned ballerina Greta Garbo. Teaming them was a masterstroke whose success fostered more star-packed extravaganzas. The radiant film captured the 1931-32 Best Picture Academy Award. What a grand showcase of the allure and style of classic movie-making! Special Features: Commentary by Jeffrey Vance and Mark A. Viera Behind the Story: Short Feature: Checking out: Grand Hotel Behind the Story: Short Feature: Hollywood Premiere of Metro Goldwyn Mayer’s Grand Hotel Behind the Story: Short Feature: Nothing ever happens Behind the Story: Short Feature: Just a word of warning Trailer: Grand Hotel (1932) Trailer: Week-End at The Waldorf (1945)
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