Wrong Turn: In a hunt to the death would you survive? When a group of friends get stranded in the back woods of Virginia they find that they are not alone... hunted by cannibalistic mountain men they must try to escape without transport before they become the next meal. Roadkill: It's summer break and college freshman Lewis Thomas (Paul Walker) has decided to embark on a cross-country road trip to pick up the girl of his dreams Venna (Leelee Sobieski). But Lewis' romantic hopes hit a detour when he stops on the way to rescue his older brother Fuller (Steve Zahn) who goads him into playing a practical joke on a lonely trucker over a CB radio. Now that trucker an unseen and terrifying force known only by the CB handle 'Rusty Nail' wants the last laugh; and revenge... The Hole: Liz (Thora Birch) staggers towards her exclusive school bloodied and deeply traumatised. Whilst a police psychologist is trying to figure out what happened to her she reveals this twisted and chilling tale. Three rebellious friends Mike Geoff and Frankie are desperate to avoid a school fieldtrip to Wales. Martin the school nerd helps them hide away in an old underground bunker and his only condition is that his friend Liz joins them. Martin is in love with Liz but she wants Mike the coolest guy in school. The teenagers party uncontrolled and undetected in the soundproofed bunker hidden deep in the woods. For three days it is this wild place; Mike even starts to notice Liz for the first time. But when Martin doesn't return to let them out the party atmosphere drains and their sanctuary quickly becomes their living nightmare.
THE LUCKY ONES DIED FIRST... Horror master Wes Craven achieved critical and commercial success with the likes of Scream and A Nightmare on Elm Street but for many genre fans, the director s seminal 1977 effort The Hills Have Eyes remains his masterpiece. Taking a detour whilst on route to Los Angeles, the Carter family run into trouble when their campervan breaks down in the middle of the desert. Stranded, the family find themselves at the mercy of a group of monstrous cannibals lurking in the surrounding hills. With their lives under threat, the Carters are forced to fight back by any means necessary. As gruelling a viewing experience today as it was upon initial release, The Hills Have Eyes stands alongside the likes of The Texas Chain Saw Massacre and Night of the Living Dead as one of the defining moments in American horror cinema.
In The Larry Sanders Show Garry Shandling is Larry Sanders, host of a fictitious chat show. But the real The Larry Sanders Show (1992-98), was alongside Sienfeld, one of the great cult successes of 1990's American TV. Nominally a sitcom, the naturalistic acting, uncensored strong language and absence of canned laughter lend the show a distinctive pseudo-documentary feel, as every week some of the top names in US entertainment appear as themselves. The viewer can't help but wonder just how much these celebrities are for real, and how much they are having us on when, for example, Billy Crystal seems so mercenary about using the episode "The Talk Show" to plug his movie, Mr Saturday Night. Other guests on the seven episodes of this DVD include Dana Carvey ("The Guest Host"), Alex Baldwin ("The List"), Robin Williams ("Montana"), Henry Winkler ("Hank's Sex Tape"), Courtney Cox ("Larry's Big Idea") and Brett Butler ("I Was a Teenage Lesbian"--a bonus episode exclusive to DVD). Clever and caustic, rather than laugh-out-loud funny, this release offers good value at 167 minutes, though the only DVD extra is a trailer. The picture on the first five episodes is soft and grainy. That matters improve considerably for the last two episodes suggests this is because of poor original tapes rather than a bad transfer. --Gary S. Dalkin
Ralph Richardson and Roland Young head the cast in this film in which a group of heavenly observers decide to bestow magical powers on a mild mannered draper's assistant George Fotheringay (Roland Young) with amazing results. At first George doesn't realise the extent of his gift and uses it to play tricks to impress and woo Ada Price (Joan Gardner). When others try to exploit George's gift for their own ends he is dismayed by their selfishness and takes it upon himself to assert moral authority. When things start getting out of hand the celestial beings decide it is time to intervene. Based on the novel by H.G Wells.
Wild at Heart is drawing to a close and for Danny Trevanion (Stephen Tompkinson) it’s been a long strange journey. The fatal end of one marriage the birth of another. Children growing and leaving and returning. And through it all a constant spirit of adventure that something magical he needed feeling alive like never before in the heart of the wild. This moment should be a time of great joy as his daughter Rosie is about to marry and for once there seems to be some kind of peace at Leopard’s Den. But fate pulls one more series of strings as the family’s pet cheetah is one of several animals mysteriously kidnapped and Danny Duplessis Rosie and Dylan must undertake its rescue. For Duplessis this is a turning point. A life well-lived may be drawing to a close. And how is a man like Duplessis to see it out? There’s only one way to go when you have to leave the arms of the woman you love and face the setting sun in a life lived Wild at Heart
Oscar-winning drama with an all-star cast exploring the interwoven relationships of the residents of a plush Berlin hotel...
One of the most sublimely silly products to emanate from Roger Corman's studio, The Raven has the very loosest of connections with the Edgar Allen Poe poem that gives it its title and which Vincent Price intones sepulchrally at the beginning. A retiring magician, Craven (Price) has opted out of the power struggles of peers such as Dr Scarabus (Boris Karloff) to brood on his dead wife and bring up his daughter. The arrival of Bledlo (Peter Lorre), an incompetent drunk whom Scarabus has turned into the raven of the title, involves him in everything he had renounced--life is complicated further by the arrival of Bledlo's son Rexford, played by a staggeringly young Jack Nicholson. The special effects are almost perfunctory, yet the culminating magical duel between Price and Karloff is inventive and charming; this is one of those films that looks as if the actors enjoyed making it; while the script by Richard Matheson has a blithe awareness of its own shortcomings that makes it hard to dislike. On the DVD: The Raven comes to DVD with very boxy remastered mono sound, but is presented in its original widescreen 2.35:1 ratio, formatted for 16:9 TVs. The only extra is the original theatrical trailer. --Roz Kaveney
Eureka Entertainment to release CUJO, the terrifyingly effective 80s cult horror based on the best-selling novel from Stephen King, on Blu-ray for the first time ever in the UK in a Special Limited Two-Disc Edition as part of the Eureka Classics range from 15 April 2019. Featuring a Limited Edition Hardbound Slipcase, with artwork designed by Graham Humphreys, a Limited Edition Collector's Booklet and Bonus Blu-ray disc. Evil bites when a monstrous canine terrorises a helpless family in this legendary cult classic. Based on Stephen King's best-selling novel, Cujo gives horror a new name. While Donna (Dee Wallace, The Howling, E.T. the Extra-Terrestrial) and Vic Trenton struggle to save their rocky marriage, their son Tad befriends the loveable St. Bernard who belongs to their mechanic. But what they don't realise is that a bat bite has transformed Cujo from a docile pup to a vicious killer. With Vic away on business, Donna and Tad's car trouble pushes them into a living nightmare trapped by the demonic, relentless dog from hell. This critically acclaimed thriller promises to have you glued to your seat and foaming at the mouth! Making its UK debut on Blu-ray, with over 7 hours of extra content, Eureka Classics is proud to present Lewis Teague's Cujo in this special Limited Two-Disc Blu-ray Edition. Special Limited Edition Contains: Hardbound Slipcase, featuring newly commissioned artwork by iconic British illustrator Graham Humphreys Reversible sleeve featuring artwork by Justin Osbourn and original poster artwork A LIMITED EDITION 60-PAGE Collector's booklet featuring new writing on the film by Lee Gambin, author Scott Harrison, and Craig Ian Mann; illustrated with archival imagery from the film's production DISC ONE: 1080p presentation of the film, on Blu-ray for the first time ever in the UK Uncompressed LPCM mono soundtrack Optional English SDH subtitles New and exclusive feature length audio commentary by Lee Gambin, author of Nope, Nothing Wrong Here: The Making of Cujo New interview with Dee Wallace [40 mins] New interview with composer Charles Bernstein [35 mins] New interview with stuntman Gary Morgan [25 mins] New interview with stuntwoman Jean Coulter [21 mins] New interview with casting director Marcia Ross. [20 mins] New interview with visual effects artist Kathie Lawrence [13 mins] New interview with special effects designer Robert Clark [12 mins] New interview with dog trainer Teresa Miller [28 mins] Dog Days: The Making of Cujo archival documentary on the film's production [42 mins] DISC TWO [Limited Edition Only]: Q&A with Dee Wallace from Cinemaniacs & Monster Fest 2015, moderated by Lee Gambin [96 mins] New interview with critic and author Kim Newman [25 mins]
Lieutenant Diamond (Cornel Wilde, The Naked Prey) is determined to bring down mob boss Mr Brown (Richard Conte, Thieves Highway), even if it means jeopardising his own career, but the feeling is mutual and the unscrupulous gangster is more than willing to operate outside the law to get his man. The confrontation escalates, leading to some wince-inducing set-pieces involving such handy props as a radio and a hearing aid. This masterpiece from Joseph H. Lewis (Gun Crazy, Terror in a Texas Town), drenched with sleazy innuendo, came late to the film noir cycle, but is now considered one of the defining examples of the genre, not least thanks to some extraordinary chiaroscuro lighting by the great cinematographer John Alton (already an Oscar-winner for An American in Paris) and a heartbreaking performance by Jean Wallace (No Blade of Grass) as Brown s troubled girlfriend. The film also boasts a menacing early performance from a pre-stardom Lee Van Cleef (The Good, the Bad and the Ugly) as one of Brown s henchmen. When the film was revived in London in the mid-seventies, a polemically breathless Time Out review called it almost certainly the greatest movie ever made... as heady as amyl nitrate andas compulsive as stamping on insects . SPECIAL EDITION CONTENTS: High Definition Blu-ray (1080p) presentation transferred from original film elements Uncompressed mono 1.0 PCM audio soundtrack Optional English subtitles for the deaf and hard of hearing Commentary by noirchaeologist Eddie Muller Geoff Andrew on The Big Combo, the critic and programmer offers an introduction to and analysis of the film Wagon Wheel Joe, a visual essay on director Joseph H. Lewis by filmmaker David Cairns Original Screenplay (DVD/BD-ROM content) International poster gallery Trailer for Lewis final, noir-themed film, Terror in a Texas Town Reversible sleeve featuring original and newly commissioned artwork by Scott Saslow
Featuring an outstanding cast that includes Eliza Scanlen, Toby Wallace, Essie Davis and Ben Mendelsohn, BABYTEETH is the stunning debut feature from director Shannon Murphy. When seriously ill teenager Milla (Scanlan) falls in love with free-spirit Moses (Wallace), it s her parents, Henry (Mendelsohn) and Anna's (Davis), worst nightmare. But as Milla's first brush with love brings her a new lust for life, things get messy and traditional morals go out the window. Milla shows everyone in her orbit - her parents, Moses, a sensitive music teacher, a budding child violinist, and a disarmingly honest pregnant neighbour - how to live like you have nothing to lose. What might have been a disaster for the family instead leads to letting go and finding grace in the glorious chaos of life.
There Are Worse Things Than Dying A chilling teen horror flick starring nominee Emily Blunt. Two college students share a ride home for the holidays. When they break down on a desolate stretch of road they're preyed upon by the ghosts of people
A Grand Day Out: Wallace likes a nice bit of cheese with his crackers so when this eccentric inventor finds his fridge empty and the local cornershop shut for the Bank Holiday he is forced to look further afield for his cheddar. His faithful dog Gromit is used to his master's flights of fancy but this time his ears prick up with excitement because our two plasticine heroes are about to blast off in their home-made rocket on the ultimate day trip - Wallace and Gromit are off to the moon! The Wrong Trousers: This time it's action and laughter all the way as our plasticine stars are plunged into a hilarious tale of skullduggery involving an extraordinary pair of automated trousers and a villainous penguin. Posing as an innocent lodger the friendish fish-easter sets about recruiting mild mannered Wallace as an unwitting accomplice to his dastardly plot - a diamond heist with a technically advanced trouser-inspired difference. It is left to the faithful Gromit to turn detective and save the day as malice and mayhem culminate in a breathless train-top chase - around the sitting room! A Close Shave: Trade is booming for Wallace and Gromit's Wash'n'Go window cleaning service and love is in the air as Wallace falls for the owner of the local wool shop the lovely Wendolene Ramsbotom. But Wallace has a new incentive - a Kinit-O-Matic machine - and adventure looms: sheep are being rustled wool is in short supply and Wendolene's malevolent pooch is on the prowl . . .
Rip Murdock (Bogart) and Johnny Drake (Prince) are en route to Washington when Johnny disappears and then turns up dead. Rip learns that Johnny had been accused of murder and sets out to resolve the mystery surrounding his death...
Woody Allen's gentlest and most unassuming movie, Radio Days isn't so much a story as a series of anecdotes loosely linked together by a voice-over spoken by the director. The film is strongly autobiographical in tone, presenting the memories of a young lad Joe (clearly a stand-in for Allen himself) growing up in a working-class Jewish family in the seafront Brooklyn suburb of Rockaway during the late 1930s and early 40s. In this pre-TV era the radio is ubiquitous, a constant accompaniment churning out quiz shows, soap operas, dance music, news flashes and Joe's favourite, the exploits of the Masked Avenger. Given Allen's well-publicised gallery of neuroses, you might expect childhood traumas. But no, everything here is rose-tinted and even the outbreak of war makes little impact on the easygoing, protective tenor of family life. Now and then Allen counterpoints his family album with the doings of the radio folk themselves (blink, and you'll miss a young William H Macy in the studio scene when the news of Pearl Harbour comes through). The rise to fame of Sally (Mia Farrow), a former night-club cigarette girl turned crooner, is the nearest the film comes to a coherent storyline. But most of the time Allen is content to coast on a flow of easy nostalgia, poking affectionate fun at the broadcasting conventions of the period and basking in the mildly rueful Jewish humour and small domestic crises of Joe's extended family. There aren't even any of his snappy one-liners, and the humour is kept low-key, raising at most an indulgent smile. A touch of Allen's usual acerbity wouldn't have come amiss. But for anyone who shares these memories, Radio Days will surely be a delight. On the DVD: Not much besides the theatrical trailer, scene menu and a choice of languages. The screen's the full original ratio, but nothing seems to have been done to enhance the soundtrack, and the dialogue's not always clear. A boost in volume may help.--Philip Kemp
Alfred Hitchcock considered this 1943 thriller to be his personal favourite among his own films, and although it's not as popular as some of Hitchcock's later work, it's certainly worthy of the master's admiration. Scripted by playwright Thornton Wilder and inspired by the actual case of a 1920s serial killer known as "The Merry Widow Murderer," Shadow of a Doubt sets a tone of menace and fear by introducing a psychotic killer into the small-town comforts of Santa Rosa, California. That's where young Charlie (Teresa Wright) lives with her parents and two younger siblings, and where murder is little more than a topic of morbid conversation for their mystery-buff neighbour (Hume Cronyn). Charlie was named after her favourite uncle, who has just arrived for an extended visit, and at first Uncle Charlie (Joseph Cotten) gets along famously with his admiring niece. But the film's chilling prologue has already revealed Uncle Charlie's true identity as the notorious Merry Widow Murderer, and the suspense grows almost unbearable when young Charlie's trust gives way to gradual dread and suspicion. Through narrow escapes and a climactic scene aboard a speeding train, this witty thriller strips away the fa ade of small-town tranquillity to reveal evil where it's least expected. And, of course, it's all done in pure Hitchcockian style. --Jeff Shannon
With brand new material never to be broadcast on TV the UK's favourite soap opera comes to DVD! Follow the trials and tribulations of the most volatile family in British soap - the Slaters. Locked up in a cell following an altercation outside School Disco the girls look back on some of the most explosive dramatic and tear-jerking events since they moved to Albert Square. All the drama and emotion we have come to expect together with more than a little humour makes 'Slaters In Detention' an ideal Christmas present for all the soap's fans.
The Simpsons have never been as big on Christmas as they have on Halloween and while Christmas with The Simpsons contains five episodes, one of them, "Mr Plow", is only seasonal insofar as it contains snow. Fortunately, it's also a cracker, with Homer resorting to low-budget screen advertising to launch his snowploughing business ("It may be a lousy channel but the Simpsons are on TV!") before a pep-talk he gives to inebriate buddy Barney encourages the latter to set up as a rival. This compilation also contains "The Simpsons Roasting on an Open Fire", the very first Simpsons episode broadcast, in which their dog Santa's Little Helper is introduced. Years on, this episode looks ancient and a little average by later, stratospheric standards. "Miracle on Evergreen Terrace" is a slightly downbeat parody of It's a Wonderful Life, in which the town turns on the Simpsons after helping them out when Bart lied about their presents being burgled. "Grift of the Magi" features luckless ex-sitcom star Gary Coleman reprising his real-life job as a security guard as an unscrupulous toy company aggressively merchandise a faddish new toy in time for Christmas ("If you don't have Funzo, you're nothing".) The plot is very similar to "She of Little Faith"--uncharacteristic repetition for this show--but that's forgiven as Lisa is forced to become a Buddhist following the commercialisation of the church in another episode that's as un-seasonally un-cosy as you'd expect from the greatest TV programme ever made. On the DVD: Christmas with The Simpsonscontains one extra feature: a short montage of evil power plant boss Mr Burns' finest comedic moments, including his tussle with baby Maggie over ownership of teddybear BoBo and a money fight with the servile Smithers. --David Stubbs
Undeniably the hippest show to air on HBO in the 1990s The Larry Sanders Show takes you backstage at a fictional late-night talk show with real-life guests from movies music and television.
An instant werewolf classic, The Howling was directed by Joe Dante, a graduate of Roger Corman's school of low-budget ingenuity who had gained enough momentum with 1978's Piranha to rise to this bigger challenge. He brought along Piranha screenwriter John Sayles, too, and recruited makeup wizard Rob Bottin to create what was then the wildest on-screen transformation ever seen. With Gary Brandner's novel The Howling as a starting point, Sayles and Dante conceived a werewolf colony on the California coast, posing as a self-help haven led by a seemingly benevolent doctor (Patrick Macnee), and populated by a variety of "patients", from sexy, leather-clad sirens (Elisabeth Brooks) to an old coot (John Carradine) who's quite literally long in the tooth. When a TV reporter (Dee Wallace) arrives at the colony to recover from a recent trauma, the resident lycanthropes prepare for a howlin' good time. Dante handles it all with equal measures of humour, sex, gore, and horror, pulling out all the stops when the ravenous Eddie (Dante favourite Robert Picardo, later known as The Doctor on Star Trek: Voyager) transforms into a towering , bloodthirsty werewolf. (Bottin's mentor Rick Baker would soon raise the make-up ante with An American Werewolf in London.) As usual in Dante's movies (qv. Gremlins), in-jokes abound, from characters named after werewolf movie directors, amusing cameos (Corman, Sayles, Forrest J Ackerman), and hammy inserts of wolfish cartoons and Allen Ginsberg's "Howl". It's best appreciated now as a quintessential example of early-80s horror, with low-budget limitations evident throughout, but The Howling remains a giddy genre milestone. --Jeff Shannon, Amazon.com
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