Strap yourself in for the edge-of-your-seat thrill ride that wrote the rulebook on high-stakes heist movies Joseph Sargent's 1974 masterclass in relentless suspense, The Taking of Pelham One Two Three. Beneath the streets of Manhattan, on an afternoon like any other, four armed men hijack a subway carriage, demanding a $1 million ransom within an hour or they'll start executing their hostages. Upstairs, in the New York Transit Authority's control room, world-weary transit cop Lt Garber (Walter Matthau) is forced into a deadly game of cat and mouse with the cool, calculating Mr Blue (Robert Shaw), parrying the demands of both the hijackers and the city's authorities as the clock counts down to the fateful deadline. One of the seminal New York crime films of the seventies, shot on location and oozing period detail and authenticity, The Taking of Pelham One Two Three boasts pitch-perfect performances, pitch-black humour, an unrelenting pace and an unforgettable score by David Shire. Oft-imitated, never bettered, this rugged gem of Hollywood heist cinema remains a perennial classic of the genre and one hell of a ride. Gesundheit! 4K ULTRA HD BLU-RAY LIMITED EDITION CONTENTS ¢ 4K restoration from the original camera negative ¢ 4K (2160p) UHD Blu-ray presentation in Dolby Vision (HDR10 compatible) ¢ Original lossless mono audio ¢ Optional lossless 5.1 DTS-HD Master Audio remix ¢ Optional English subtitles for the deaf and hard of hearing ¢ Audio commentary by film historians Steve Mitchell and Nathaniel Thompson ¢ Audio commentary by actor/filmmaker Pat Healy and film programmer/historian Jim Healy ¢ The Mapping of Pelham One Two Three brand new then and now tour of the film's locations by critic Bryan Reesman, featuring Jodi Shapiro, curator of the New York Transit Museum ¢ Central to Pelham One Two Three brand new filmed appreciation by Barry Forshaw, author of American Noir ¢ 12 Minutes with Mr. Grey and Shades of Grey two interviews with actor Hector Elizondo ¢ Cutting on Action 2016 interview with editor Gerald B. Greenberg ¢ The Sound of the City 2016 interview with composer David Shire ¢ Above and Below 2018 interview with director of photography Owen Roizman ¢ Taking the Ride 2018 featurette exploring the film's New York City locations ¢ The Making of Pelham One Two Three vintage production featurette from the point of view of real-life New York City transit policeman Carmine Foresta ¢ Theatrical trailer ¢ TV spot ¢ Radio spots ¢ Image and poster gallery ¢ Reversible sleeve featuring original and newly commissioned artwork by Sam Hadley ¢ Collector's booklet featuring new writing on the film by Priscilla Page, Glenn Kenny, Mark Cunliffe and Guy Adams
The legendary masterpiece that inspired millions to believe in their dreams has reawakened with state-of-the-art digital restoration that shines brilliantly on DVD. The richly detailed animation, unforgettable award-winning music (When You Wish Upon A Star) and heartwarming adventure-filled story come to life like never before.Join Geppetto's beloved puppet-with Jiminy Cricket as his guide- on a thrilling quest that tests Pinocchio's bravery, loyalty and honesty, virtues he must learn to become a real boy. The one and only Pinocchio will live on forever in the heart of anyone who has wished upon a star.
Strap yourself in for the edge-of-your-seat thrill ride that wrote the rulebook on high-stakes heist movies Joseph Sargent's 1974 masterclass in relentless suspense, The Taking of Pelham One Two Three. Beneath the streets of Manhattan, on an afternoon like any other, four armed men hijack a subway carriage, demanding a $1 million ransom within an hour or they'll start executing their hostages. Upstairs, in the New York Transit Authority's control room, world-weary transit cop Lt Garber (Walter Matthau) is forced into a deadly game of cat and mouse with the cool, calculating Mr Blue (Robert Shaw), parrying the demands of both the hijackers and the city's authorities as the clock counts down to the fateful deadline. One of the seminal New York crime films of the seventies, shot on location and oozing period detail and authenticity, The Taking of Pelham One Two Three boasts pitch-perfect performances, pitch-black humour, an unrelenting pace and an unforgettable score by David Shire. Oft-imitated, never bettered, this rugged gem of Hollywood heist cinema remains a perennial classic of the genre and one hell of a ride. Gesundheit! LIMITED EDITION CONTENTS ¢ 4K restoration from the original camera negative ¢ High Definition Blu-ray (1080p) presentation ¢ Original lossless mono audio ¢ Optional lossless 5.1 DTS-HD Master Audio remix ¢ Optional English subtitles for the deaf and hard of hearing ¢ Audio commentary by film historians Steve Mitchell and Nathaniel Thompson ¢ Audio commentary by actor/filmmaker Pat Healy and film programmer/historian Jim Healy ¢ The Mapping of Pelham One Two Three brand new then and now tour of the film's locations by critic Bryan Reesman, featuring Jodi Shapiro, curator of the New York Transit Museum ¢ Central to Pelham One Two Three brand new filmed appreciation by Barry Forshaw, author of American Noir ¢ 12 Minutes with Mr. Grey and Shades of Grey two interviews with actor Hector Elizondo ¢ Cutting on Action 2016 interview with editor Gerald B. Greenberg ¢ The Sound of the City 2016 interview with composer David Shire ¢ Above and Below 2018 interview with director of photography Owen Roizman ¢ Taking the Ride 2018 featurette exploring the film's New York City locations ¢ The Making of Pelham One Two Three vintage production featurette from the point of view of real-life New York City transit policeman Carmine Foresta ¢ Theatrical trailer ¢ TV spot ¢ Radio spots ¢ Image and poster gallery ¢ Reversible sleeve featuring original and newly commissioned artwork by Sam Hadley ¢ Collector's booklet featuring new writing on the film by Priscilla Page, Glenn Kenny, Mark Cunliffe and Guy Adams
Audrey Hepburn stars as Eliza Doolittle a poor flower girl who under the guidance of Professor Higgins played by Rex Harrison becomes the Belle of British Society. Winner of 8 Academy Awards including Best Picture and blessed with an array of scintillating songs this classic movie is a feast for both the eyes and the ears and is breathtaking entertainment for the whole family.
One of Hollywood's most iconic westerns Howard Hawks' Red River launches cinema's grandest cattle drive and one of the screen's most powerful father-son dramas. One of John Wayne's most intense roles inspired one of his finest performances and in his debut leading role Montgomery Clift instantly leapt to the forefront of Hollywood's young actors. After the Civil War ranch owner Thomas Dunson (Wayne) leads a drive of ten thousand cattle out of an impoverished Texas to the richer markets of Missouri alongside his adopted son Matthew Garth (Clift) and a team of ranch hands. As the conditions worsen and Dunson's control over his cattlemen gets ever more merciless a rebellion begins to grow within the travelling party. Filmed among glorious expanses with no expense spared and a roster of brilliant turns from greats including Joanne Dru Walter Brennan Harry Carey John Ireland and Hank Worden Red River is an all-American epic a grand adventure yarn and a profound psychological journey. The Masters of Cinema Series is proud to present its first UK release on Blu-ray. Special Features: New high-definition 1080p presentation Original theatrical trailer Exclusive lengthy video conversation about Red River and Howard Hawks by filmmaker and critic Dan Sallitt conducted by Jaime Christley and shot by Dustin Guy Defa and James P. Gannon A booklet featuring the words of Howard Hawks rare imagery and more!
On the eve of the Battle of Waterloo, two young lovers forge a legacy that will create scandal for generations to come. Years later, when the humble Trenchards (Tamsin Greig and Philip Glenister) move to Belgravia, they find themselves mixing with the venerated Brockenhursts (Harriet Walter and Tom Wilkinson). The families share a history that threatens inheritances and reputations, and there are those who would do anything to ensure secrets remain buried. Pride and loyalty will be tested as forbidden love blossoms amongst the rivalry and lives hang in the balance. This six-part drama is adapted by Julian Fellowes from his bestselling novel and features a stellar ensemble cast which also includes Jack Bardoe, Alice Eve, James Fleet, Tara Fitzgerald, Bronagh Gallagher, Richard Goulding, Diana Hardcastle, Adam James, Ella Purnell, Saskia Reeves and Paul Ritter.
Based on the unbelievable but true events, I, TONYA is a darkly comedic tale of American figure skater, Tonya Harding, and one of the most sensational scandals in sports history. Though Harding was the first American woman to complete a triple axel in competition, her legacy was forever defined by her association with an infamous, ill-conceived, and even more poorly executed attack on fellow Olympic competitor Nancy Kerrigan. Featuring an iconic turn by Margot Robbie as the fiery Harding I, TONYA is an absurd, irreverent, and piercing portrayal of Harding's life and career in all of its uncheckedand checkeredglory.
Filmed before (and quite nicely) in 1949, Frances Hodgson Burnett's classic children's story was remade for this admirable 1993 release, executive produced by Francis Ford Coppola and directed by acclaimed Polish filmmaker Agnieszka Holland. Splendidly adapted by Edward Scissorhands screenwriter Caroline Thompson, the film opens in India during the early 1900s, when young Mary Lennox (Kate Maberly) is orphaned and sent to England to live in Misselthwaite Manor, the gloomy estate of her brooding and melancholy uncle, Lord Craven (John Lynch). Because the uncle is almost always away on travels, struggling to forget the death of his beloved wife, Mary is left mostly alone to explore the estate. Eventually she befriends the young brother of a staff maid and Lord Craven's apparently crippled son, who has been needlessly bedridden for years. Together the three children restore a neglected garden on the estate grounds, and in doing so they set the stage for a moving reaffirmation of life and love. Filmed with graceful style and careful attention to the intelligence and cleverness of young children, The Secret Garden is that rarest breed of family film that transcends its own generic category, encouraging a sense of wonder and optimism to become a rewarding experience for viewers of any age. --Jeff Shannon
The hilarious story of Matilda based on the book by Roald Dahl. Once upon a time, there lived a quite extraordinary little girl named Matilda, but unfortunately her parents were so obsessed with their own lives they never noticed Matilda. They send her to Crunchem Hall, a horrible boarding school run by a bossy headmistress Miss Trunchbull. There, Matilda discovers remarkable skills, which allow her to turn the tables on the wicked grown-ups in her world. Special Features: A Children's Guide to Good Manners A Truly Terrible Test! Classroom Games: Math Game and Spelling Bee Escape to the Library! Get Rid of Miss Trunchbull! Trivia Game Make Magic with Matilda! Matilda The Movie Character Gallery Matilda Read-Along Matilda's Movie Magic Matilda's Movie about Making Matilda Terrify the Trunchbull!
Emma Stone stars as one of cinema's most notorious and stylish villains, Cruella de Vil. Determined to become a successful fashion designer, a creative young grifter named Estella (Stone) teams with a pair of mischievous thieves to survive on the London streets. But when her flair for fashion catches the eye of the legendary designer Baroness von Hellman (Emma Thompson), Estella rises to become the raucous, revenge-bent Cruella.
Emma Thompson scores a double bull's-eye with Sense and Sensibility, a marvellous adaptation of Jane Austen's novel. Not only does Thompson turn in a strong (and gently humorous) performance as Elinor Dashwood--the one with "sense"--she also wrote the witty, wise screenplay. Austen's tale of 19th-century manners and morals provides a large cast with a feast of possibilities, notably Kate Winslet, in her pre-Titanic flowering, as Thompson's deeply romantic sister, Marianne (the one with "sensibility"). Winslet attracts the wooing of shy Alan Rickman (a nice change of pace from his bad-guy roles) and dashing Greg Wise, while Thompson must endure an incredibly roundabout courtship with Hugh Grant, here in fine and funny form. All of this is doled out with the usual eye-filling English countryside and handsome costumes, yet the film always seems to be about the careful interior lives of its characters. The director, an inspired choice, is Taiwan-born Ang Lee, here making his first English-language film. He brings the same exquisite taste and discreet touch he displayed in his previous Asian films (such as Eat Drink Man Woman). Thompson's script won an Oscar. --Robert Horton
Unfortunately for Matilda her father Harry (Danny DeVito) is a used car salesman who bamboozles innocent customers and her mother Zinnia (Rhea Perlman) lives for bingo and soap operas. Far from noticing what a special child Matilda is they barely notice her at all! They bundle Matilda off to Cruncham Hall a bleak school where students cower before the whip hand and fist of a hulking monster headmistress Miss Trunchball (Pam Ferris). But amid Crunchem's darkness Matilda discove
If you were a kid in the early 1960s, then you saw The Parent Trap with Hayley Mills--it's as simple as that. Now Disney has pulled the beloved comedy--about a pair of twins who meet for the first time at summer camp and vow to reunite their long-divorced parents--out of the mothballs and remade it with a decidedly 90s feel. This time, the twins act is performed by newcomer Lindsay Lohan, who plays both Hallie and Annie, who each live with one of their parents (Dennis Quaid and Natasha Richardson). Adversaries when they first meet at camp, Hallie and Annie become, well, sisters when they figure out that they are siblings. The comedy springs from their efforts to sabotage Dad's impending marriage to the gold-digging Elaine Hendrix, while reintroducing Dad to Mom. Quaid has a nice, loosey-goosey way with slapstick, as does Richardson, who plays a very funny drunk scene. --Marshall Fine
Funny Girl: One of the most popular movie musicals ever made, Funny Girl follows the early career of stage comedienne Fanny Brice - a role that earned Barbra Streisand the 1968 Oscar for Best Actress. As the film opens, only her mother believes Fanny can make it in show business. When she gets her first break at Keeney's Music Hall, her hilarious debut as a roller-skating chorus girl gets her hired as a comedienne. A year later Fanny is working for Florenz Ziegfeld in his famous Follie...
Emma Thompson scores a double bull's-eye with this marvellous adaptation of Jane Austen's novel . Not only does Thompson turn in a strong (and gently humorous) performance as Elinor Dashwood--the one with "sense"--she also wrote the witty, wise screenplay. Austen's tale of 19th-century manners and morals provides a large cast with a feast of possibilities, notably Kate Winslet, in her pre-Titanic flowering, as Thompson's deeply romantic sister, Marianne (the one with "sensibility"). Winslet attracts the wooing of shy Alan Rickman (a nice change of pace from his bad-guy roles) and dashing Greg Wise, while Thompson must endure an incredibly roundabout courtship with Hugh Grant, here in fine and funny form. All of this is doled out with the usual eye-filling English countryside and handsome costumes, yet the film always seems to be about the careful interior lives of its characters. The director, an inspired choice, is Taiwan-born Ang Lee, who brings the same exquisite taste and discreet touch he displayed in his previous Asian films (such as Eat Drink Man Woman). Thompson's script won an Oscar. --Robert Horton, Amazon.com
It's a special garden where friendships blossom illnesses fade away and sorrows flee. There troubled orphan Mary (Kate Maberly) her spoiled sickly cousin Colin (Heydon Prowse) and kindly country boy Dickon (Andrew Knott) discover that a world of caring can make a world of difference. Frances Hodgson Burnett's classic story blooms anew in this enchanting new version lovingly adapted by Caroline Thompson and directed by Agnieszka Holland also starring Maggie Smith and John Lynch.
John Ford's beautiful, heartfelt drama about a close-knit family of Welsh coal miners is one of the greatest films of Hollywood's golden age--a gentle masterpiece that beat Citizen Kane in the Best Picture race for the 1941 Academy Awards. The picture also won Oscars for Best Director (Ford), Best Supporting Actor (Donald Crisp), Best Art Direction, and Best Cinematography; all of those awards were richly deserved, even if they came at the expense of Kane and Orson Welles. Based on the novel by Richard Llewellyn, the film focuses its eventful story on 10-year-old Huw (Roddy McDowall), youngest of seven children to Mr. and Mrs. Morgan (Donald Crisp, Sarah Allgood), a hardy couple who've seen the best and worst of times in their South Wales mining town. They're facing one of the worst times as Mr. Morgan refuses to join a miners union whose members have begun a long-term strike. Family tensions grow and Huw must learn many of life's harsher lessons under the tutelage of the local preacher (Walter Pidgeon), who has fallen in love with Huw's sister (Maureen O'Hara). As various crises are confronted and devastating losses endured, How Green Was My Valley unfolds as a rich, moving portrait of family strength and integrity. It's also a nod to a simpler, more innocent time--and to the preciousness of memory and the inevitable passage from youth to adulthood. An all-time classic, not to be missed. --Jeff Shannon
The cornerstone of the career-long exploration of cinematic time by director Richard Linklater, this celebrated three-part romance captures a relationship as it begins, begins again, deepens, strains, and settles over the course of almost two decades. Chronicling the love of Celine (Julie Delpy) and Jesse (Ethan Hawke), from their first meeting as idealistic twentysomethings to the disillusionment they face together in middle age, The Before Trilogy also serves as a document of a boundary-pushing and extraordinarily intimate collaboration between director and actors, as Delpy and Hawke, who co-wrote two of the films, imbue their characters with a sense of raw, lived-in experience, and as they age on-screen along with them. Attuned to the sweeping grandeur of time's passage as well as the evanescence of individual moments, the Before films chart the progress of romantic destiny as it navigates the vicissitudes of ordinary life. Before Sunrise An exquisitely understated ode to the thrill of romantic possibility, the inaugural instalment of The Before Trilogy opens with a chance encounter between two solitary young strangers. After they hit it off on a train bound for Vienna, the Paris university student Celine and the scrappy American tourist Jesse impulsively decide to spend a day together before he returns to the U.S. the next morning. As the pair roam the streets of the stately city, Linklater's tenderly observant gaze captures the uncertainty and intoxication of young love, from the first awkward stirrings of attraction to the hopeful promise that Celine and Jesse make upon their inevitable parting. Before Sunset In the breathtaking follow-up to Before Sunrise, Celine tracks down Jesse, now a newly minted author, at the tail end of his book tour in Paris, with only a few hours left before his flight back home to the States. Meeting almost a decade after their short-lived romance in Vienna, the pair find their chemistry rekindled by increasingly candid exchanges about professional setbacks, marital disappointments, and the compromises of adulthood. Impelled by an urgent sense of the transience of human connection, Before Sunset remains Linklater's most seductive experiment with time's inexorable passage and the way love can seem to stop it in its tracks. Before Midnight The bittersweet conclusion of The Before Trilogy finds Celine and Jesse several years into a relationship and in the midst of a sun-dappled Greek retreat with their twin daughters and a group of friends. The couple soon find their vacation upended, however, by the aggravations of committed monogamy, which have long since supplanted the initial jolt of their mutual seduction. Marked by the emotional depth, piercing wit, and conversational exuberance that Linklater and his actors had honed over two decades of abiding with these characters, Before Midnight grapples with the complexities of long-term intimacy, and asks what becomes of love when it no longer has recourse to past illusions. Director approved Special Edition Features: New, restored 2K digital transfers of Before Sunrise and Before Sunset and a 2K digital master of Before Midnight, approved by director Richard Linklater, with 2.0 surround DTS-HD Master Audio soundtrack on the Before Sunrise Blu-ray and 5.1 surround DTS-HD Master Audio soundtracks on the Before Sunset and Before Midnight Blu-rays New discussion featuring Linklater and actors Julie Delpy and Ethan Hawke, moderated by critic Kent Jones Behind-the-scenes footage and interviews from the productions of Before Sunrise and Before Sunset Audio commentary on Before Midnight by Delpy, Linklater, and Hawke Dream Is Destiny, a 2016 feature-length documentary about Linklater by Louis Black and Karen Bernstein New documentary about the making of Before Midnight in Greece by filmmaker Athina Rachel Tsangari 3x2, a new conversation between scholars Dave Johnson and Rob Stone about Linklater's wor Linklater // On Cinema & Time, a video essay by filmmaker :: kogonada Plus: An essay on the trilogy by critic Dennis Lim
Based on the award winning novel from best-selling author Jodi Piccoult, "My Sister's Keeper" tells the story of Sara and Brian who live an idyllic life with their young son and daughter.
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