The swashbuckler genre bumped into science fiction in 1954 for one of Hollywood's great entertainments, 20,000 Leagues Under the Sea. The Jules Verne story of adventure under the sea was Walt Disney's magnificent debut into live-action films. A professor (Paul Lukas) seeks the truth about a legendary sea monster in the years just after the Civil War. When his ship is sunk, he, his aide (Peter Lorre), and a harpoon master (Kirk Douglas) survive to discover that the monster is actually a metal submarine run by Captain Nemo (James Mason). Along with the rollicking adventure, it's fun to see the future technology that Verne dreamed up in his novel, including diving equipment and sea farming. The film's physical prowess is anchored by the Nautilus, an impressive full-scale gothic submarine complete with red carpet and pipe organ. In the era of big sets, 20,000 Leagues set a precedent for films shot on the water and deservedly won Oscars for art direction and special effects. Lost in the inventiveness of the film and great set pieces including a giant squid attack are two great performances. Mason is the perfect Nemo, taut and private, clothed in dark fabric that counters the Technicolor dreamboat that is the beaming red-and-white-stripe-shirted Kirk Douglas as the heroic Ned Land. The film works as peerless family adventure nearly half a century later. --Doug Thomas
The very epitome of a cult SF classic, The Day the Earth Stood Still is more often referenced than seen, which is a pity since it remains even now one of the most thought-provoking examples of the genre. The title is a misnomer, a mere tease to entice 1950s audiences into the cinema in the expectation of seeing another sensationalist B-movie about murderous aliens (i.e. Communists). In fact, Robert Wise's film of Edmund North's screenplay is a thoughtful Cold War allegory about a Christ-like visitor (Michael Rennie) who comes to Earth preaching a message of salvation for mankind, only to be spurned, killed then finally resurrected (significantly, Rennie's character Klaatu adopts the pseudonym "Mr Carpenter" while on the run from the authorities). Aside from its philosophical message, the film also boasts memorable imagery--notably the giant robot Gort--a much-quoted catchphrase in "Klaatu barada nikto", and one of composer Bernard Herrmann's most admired scores, featuring the theremin and other electronic instruments that must have sounded very otherworldly back in 1951. The result is a bona fide landmark in cinema SF with a central message about "weapons of mass destruction" that's still uncannily relevant today. On the DVD: The Day the Earth Stood Still has been splendidly restored for its DVD incarnation from the original 35 mm print, and the results are demonstrated in the "Restoration Comparison" feature. Also included is a fascinating 1951 newsreel showing Klaatu receiving a certificate of merit amid stories of Communist threats, the Korean war and beauty pageants ("Pomp and pulchritude on parade in Atlantic City"). Best of all is an absorbing commentary track with director Robert Wise in conversation with Nicholas Meyer (both men have Star Trek movies on their CV). --Mark Walker
This box set features a quartet of 'Der Bingle's' best-loved movies! A Road To Zanzibar (Dir. Victor Schertzinger 1941): Chuck and his pal Fearless flee a South African carnival when their sideshow causes a fire. After several similar escapades they've finally saved enough to return to the USA when Chuck spends it all on a ""lost"" diamond mine. But that's only the beginning; before long a pair of attractive con-women have tricked our heroes into financing a comic safari featur
It's a Wonderful LifeVoted the # 1 Most Inspiring Film Of All Time by AFI's 100 Years... 100 Cheers, It's A Wonderful Life has had just that. With the endearing message that no one is a failure who has friends, Frank Capra's heartwarming masterpiece continues to endure, and after 70 years this beloved classic still remains as powerful and moving as the day it was made. White ChristmasTwo talented song-and-dance men (Bing Crosby and Danny Kaye) team up after the war to become one of the hottest acts in show business. One winter, they join forces with a sister act (Rosemary Clooney and Vera-Ellen) and trek to Vermont for a white Christmas. Of course, there's the requisite fun with the ladies, but the real adventure starts when Crosby & Kaye discover that the inn is run by their old army general who's now in financial trouble. And the result is the stuff dreams are made of. Holiday InnWith music by Irving Berlin, songs by Bing Crosby and dancing by Fred Astaire, Holiday Inn is one of the most delightful and memorable musicals of all time, nominated* for 3 Academy Awards®. Crosby plays Jim Hardy, a song and dance man who leaves showbiz to open a Connecticut Inn. Astaire plays Ted Hanover, Hardy's former partner and rival in love. And, of course there are girls (Marjorie Reynolds and Virginia Dale), an agent (Walter Abel) and plenty of lavish song and dance routines with spectacular production numbers. Scrooge. The spirit of Christmas becomes a musical celebration of life in this rousing adaptation of Charles Dickens' beloved family classic, A Christmas Carol. Mean-spirited and stingy, Ebenezer Scrooge (Albert Finney) has a sour face and humbug for anyone who crosses his path. But on this Christmas Eve, he will learn the terrible fate that awaits him if he continues his miserly ways. One by one, the Ghosts of Christmas Past, Present and Future take the startled Ebenezer on an incredible journey through time - showing him in one magical night what takes most people a lifetime to learn. Filled with joyous songs, this delightful tale is sure to enrich the lives of young and old alike for many more generations.
Holiday Inn is the perennial Christmas-season favourite from 1942 that teams Bing Crosby and Fred Astaire as entertainers (and rival suitors of Marjorie Reynolds) running an inn that is only open on holidays. It's a great excuse for lots of singing and dancing, seamlessly wrapped in a catchy story, and Astaire's frequent director Mark Sandrich (Top Hat, Shall We Dance) doesn't let us down. The Irving Berlin numbers (each one connected to a different holiday) are winners, with Crosby's warm performance of "White Christmas" a movie touchstone. --Tom Keogh
Director Frank Capra (Mr. Smith Goes to Washington) took home every Oscar in the book (well, okay, all the major ones) for this seminal 1934 comedy starring Clark Gable as a hard-bitten reporter who stays close to a runaway heiress (Claudette Colbert) so not to lose a good story. Funny and sexy, the film is full of memorable scenes often referred to in other films, such as the "Wall of Jericho" (a mere bedcover hung on a clothesline down the middle of the room), and Colbert's famous flash of thigh to stop a speeding car in its tracks. Capra's brisk, urbane brand of wit was a perfect complement to his populist faith in the common man (in this case, Gable's character), and this inspiration makes this film a spirited entertainment and an uplifting experience. --Tom Keogh, Amazon.com
In protest at the corruption and hypocrisy he sees all around him an unemployed man calling himself ""John Doe"" has written to the New Bulletin newspaper pledging to throw himself from the top of City Hall on Christmas Eve. Written by a discharged journalist as a publicity stunt and as a parting shot at the paper's new editor the premise of the letter unexpectedly fires the imagination of the bulletin's readers and the wider American public. Its real author Ann Mitchell (Barbara Stanwyck) is rehired and now needs to find someone to play the part of the fictional ""John Doe""... Meet John Doe is often held to be part of a thematic trilogy that includes Mister Deeds Goes To Town and Mister Smith Goes To Washington. It explores a recurring notion in Capra's work that of the universal everyman exploited by a corrupt and powerful establishment. The film's reflections on corporate control of both the media and of ordinary people's lives is still as resonant as ever.
In protest at the corruption and hypocrisy he sees all around him an unemployed man calling himself ""John Doe"" has written to the New Bulletin newspaper pledging to throw himself from the top of City Hall on Christmas Eve. Written by a discharged journalist as a publicity stunt and as a parting shot at the paper's new editor the premise of the letter unexpectedly fires the imagination of the bulletin's readers and the wider American public. Its real author Ann Mitchell (Barbara S
An anonymous letter is sent to a newspaper protesting at the state of world affairs. Based on a story by Richard Connell. Also includes a biography of Gary Cooper and the theatrical trailer for 'Lives Of A Bengal Lancer'.
Frank Capra started as a Mack Sennett gag writer and soon thereafter moved over to the Poverty Row studio of Columbia Pictures as a director. Capra helped lift Columbia out of the low budget ranks, up to major studio. His remarkable string of hits in the 1930's - IT HAPPENED ONE NIGHT, MR. DEEDS GOES TO TOWN, YOU CAN'T TAKE IT WITH YOU, LOST HORIZON AND MR. SMITH GOES TO WASHINGTON - made him not only one of the industries most highly esteemed figures, but also a popular draw himself. He was ...
In protest at the corruption and hypocrisy he sees all around him an unemployed man calling himself ""John Doe"" has written to the New Bulletin newspaper pledging to throw himself from the top of City Hall on Christmas Eve. Written by a discharged journalist as a publicity stunt and as a parting shot at the paper's new editor the premise of the letter unexpectedly fires the imagination of the bulletin's readers and the wider American public. Its real author Ann Mitchell (Barbar
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