Written and directed by Academy Award winning director Quentin Tarantino (Pulp Fiction, Jackie Brown, Reservoir Dogs), Django Unchained stars Oscar winner Jamie Foxx (Ray) as Django, a freed slave who gathers help from German bounty hunter Dr. King Schultz (Christoph Waltz) whilst on a mission to save his wife from a ruthless Mississippi plantation keeper (Leonardo DiCaprio). With Dr. King Schultz on a mission himself to track down the murderous Brittle brothers, he and Django must now team together and assist each other using vital bounty hunting skills to achieve their objectives. Also starring Kerry Washington and Samuel L. Jackson, Django Unchained is a bold, bloody and gripping story of the difficult times endured in the South at the time of the Civil War. With a touch of light comedy along the way, it once again displays Tarantino's ability to astound viewers. - T.P
The Green Hornet: Britt Reid (Seth Rogen) is a slacker by day, party animal by night... until he finds a serious career that's seriously cool: crime-fighting action hero. As the Green Hornet, he teams up with gadget wiz and martial arts master Kato (Jay Chou) to take down LA's underworld. Even Britt's assistant Lenore (Cameron Diaz), doesn't suspect this mismatched pair is the masked duo busting the city's toughest thugs led by Chudnofsky (Academy Award winner Christoph Waltz, 2010, Supporting Actor, Inglourious Basterds).With style, swagger and an arsenal of awesome gear, the Green Hornet and Kato are doing justice their way, making every mission a mix of over-the-top action and outrageous comedy.Kick-Ass: When Dave Lizewski, an ordinary teenager, sets about trying to become the no-power vigilante Kick-Ass, he soon discovers he's not alone. But he's out of his depth - a fearless and highly trained father-daughter crime-fighting duo, Big Daddy and Hit Girl, have declared war on New-York mafioso, Frank D'Amico. As Kick-Ass and his new found friend, Red Mist, get drawn into their no-holds-barred world of bullets and blood, the stage is set for a final showdown - in which the DIY hero will have to live up to his name... or die trying.Scott Pilgrim Vs. The World: Hot Fuzz' helmsman Edgar Wright takes the reins on this epic adaptation of the cult comic book about a loveable loser who must prove his love by battling his girlfriend's seven evil exes. Fast-paced and frenetic fun for the videogame generation, this pop-culture spectacular really is the Bob-omb!Meet charming and jobless Scott Pilgrim (Michael Cera). A bass guitarist for totally average garage band Sex Bob-omb, the 22-year-old has just met the girl of his dreams... literally. The only catch to winning Ramona Flowers (Mary Elizabeth Winstead) Her seven evil exes are coming to kill him.
The buzz around The Green Hornet comes from the collision of weird talents involved: Seth Rogen plays the crime-fighting hero and writes the movie with his Superbad bud Evan Goldberg; pop star Jay Chou plays Kato; and the whimsy-headed Michel Gondry directs. Toss in Inglourious Basterds Oscar winner Christoph Waltz as a super-villain highly self-conscious about his brand, and you've got a blockbuster that definitely isn't going for the normal. And for a while, the movie's Apatovian comedy and bromantic tendencies supply some definite fun; plus, Waltz and his double-barreled revolver (along with an uncredited cameo by James Franco) launch the picture with a giddy opening action sequence. At some point, though, you want all this stuff to mesh, and The Green Hornet keeps zipping about in three directions at once, never quite maintaining its early comic zip, but not grounding itself in an engaging enough crime-fighting plot, either. And there's little to do for nominal female lead Cameron Diaz; although both millionaire playboy Britt Reid and Kato make half-hearted passes at her, it's clear their main interest is each other. You just knew a franchise that began as a radio serial in the 1930s (and took a brief but memorable detour into TV in the '60s) would end up being part of that unavoidable 21st-century genre, the male-bonding comedy. Of course, it's really a triangle. Their boss car, Black Beauty, also gets a lot of love. --Robert Horton
The true story of Naomi and Wynonna Judd who became country music's most honoured and successful female singing stars. Soundtrack by the Judds.
Sara Gruen's bestselling novel comes to glossy life in this period romance. A sparkle-free Robert Pattinson plays Jacob Jankowski, who studies veterinary medicine during the Great Depression. After a family tragedy, he loses everything, including the chance to graduate from prestigious Cornell, so he hops a train, where he finds himself part of the struggling Benzini Brothers Circus. Ringleader August (Christoph Waltz, echoing his Oscar®-winning Inglourious Basterds performance) has doubts about the softhearted lad, but a fellow Pole smoothes the way, and Jacob becomes the company vet, which leads him to platinum-blonde equestrian Marlena (Reese Witherspoon), August's wife. The two make eyes at each other, but an affair would surely end badly, so they concentrate on their work. When Marlena's prize steed falls ill, August purchases an elephant, hoping Rosie will turn their fortunes around, and enlists Jacob to train her. Unfortunately, she's slow to respond to commands until Jankowski unlocks her secret--and after August has beaten the poor thing into submission. After that, things start to look up until Jacob steals a kiss from his dream girl. As in The Notebook, the film it most closely resembles, an elderly version of the central character (Hal Holbrook, touching) narrates in the present day (screenwriter Richard LaGravenese also adapted The Bridges of Madison County). He tells an interesting tale, so it's too bad the leads strike so few sparks. For those who find big-top classics like Nightmare Alley too dark, however, Francis Lawrence's feel-better variant may be just the ticket. --Kathleen C. Fennessy
By order of Her Majesty's Secret Service Captain Strong a senior officer of the elite Queen's Messenger Corps is given the dangerous assignment of delivering a delicate communication to the British Ambassador of a troubled eastern European state.If intercepted the document will compromise secret agreements made by the various heads of state for control of the region's lucrative oil resources.Captain Strong is sworn to protect his cargo with his life. Now his commitment will be put to the test.In this age of high technology and the Internet some messages are still too important and can only be delivered by hand and at great risk by 'The Queens Messenger'.
Fifteen-year-old Eugene Jerome is desperately trying to uncover life's mysteries but his family keeps hiding the clues. Even so he manages to keep his priorities - baseball and girls - firmly in order throughout Neil Simon's hilarious adaptation of his Broadway hit about growing up in Brooklyn during the late 1930's. Life is definitely never dull with seven people living under the same roof. Dad works two jobs to make ends meet older brother Stanley is eager to dispense sage advi
A century is a long time to wait for your dreams to come true. In this whimsical thought-provoking fantasy Vincent Van Gogh returns to life in modern day Los Angeles a century after his death. Having sold only one painting in his lifetime Vincent is awestruck to learn that he is now considered one of the world's greatest artists and that his paintings command millions. But no one believes that he's Vincent Van Gogh least of all his own lawyer the media and a skeptical art detective who is out to prove that he's an imposter. He devises a plan to give the proceeds from his masterworks to struggling young artists -- however the only way he can profit from his own work is to steal it back from the greedy and rich collectors who hoard it. Vincent soon falls in love with a talented art students who inspires him to paint new masterpieces in this award-winning film about art love and second chances.
In July 1941 Jan a young Silesian manages to escape from the concentration camp at Auschwitz. In revenge for this one fugitive camp commandant Fritsch condemns ten prisoners to the starvation bunker. When one of them collapses under this sentence of death the Franciscan priest Maximillian Maria Kolbe sacrifices his own life instead. From now on Jan is not only fleeing the Gestapo but also his guilt for his involvement in Kolbe's death. For the rest of his life he will rema
By order of Her Majesty's Secret Service Captain Strong (Gary Daniels) a senior officer of the elite Queen's Messenger Corps is given the dangerous assignment of delivering a delicate communication to the British Ambassador of a troubled eastern European state. If intercepted the document will compromise secret agreements made by the various heads of state for control of the region's lucrative oil resources. Captain Strong is sworn to protect his cargo with his life. Now his comm
Pact With The Devil
Although Quentin Tarantino has cherished Enzo G. Castellari's 1978 "macaroni" war flick The Inglorious Bastards for most of his film-geek life, his own Inglourious Basterds is no remake. Instead, as hinted by the Tarantino-esque misspelling, this is a lunatic fantasia of WWII, a brazen re-imagining of both history and the behind-enemy-lines war film subgenre. There's a Dirty Not-Quite-Dozen of mostly Jewish commandos, led by a Tennessee good ol' boy named Aldo Raine (Brad Pitt) who reckons each warrior owes him one hundred Nazi scalps--and he means that literally. Even as Raine's band strikes terror into the Nazi occupiers of France, a diabolically smart and self-assured German officer named Landa (Christoph Waltz) is busy validating his own legend as "The Jew Hunter." Along the way, he wipes out the rural family of a grave young girl (Melanie Laurent) who will reappear years later in Paris, dreaming of vengeance on an epic scale. Now, this isn't one more big-screen comic book. As the masterly opening sequence reaffirms, Tarantino is a true filmmaker, with a deep respect for the integrity of screen space and the tension that can accumulate in contemplating two men seated at a table having a polite conversation. IB reunites QT with cinematographer Robert Richardson (who shot Kill Bill), and the colors and textures they serve up can be riveting, from the eerie red-hot glow of a tabletop in Adolf Hitler's den, to the creamy swirl of a Parisian pastry in which Landa parks his cigarette. The action has been divided, Pulp Fiction-like, into five chapters, each featuring at least one spellbinding set-piece. It's testimony to the integrity we mentioned that Tarantino can lock in the ferocious suspense of a scene for minutes on end, then explode the situation almost faster than the eye and ear can register, and then take the rest of the sequence to a new, wholly unanticipated level within seconds. Again, be warned: This is not your "Greatest Generation," Saving Private Ryan WWII. The sadism of Raine and his boys can be as unsavory as the Nazi variety; Tarantino's latest cinematic protégé, Eli (director of Hostel) Roth, is aptly cast as a self-styled "golem" fond of pulping Nazis with a baseball bat. But get past that, and the sometimes disconcerting shifts to another location and another set of characters, and the movie should gather you up like a growing floodtide. Tarantino told the Cannes Film Festival audience that he wanted to show "Adolf Hitler defeated by cinema." Cinema wins. --Richard T. Jameson
From the moment Jamie Foxx throws off a filthy, tattered blanket to reveal a richly muscled back crisscrossed with long scars, it's obvious that Django Unchained will be both true to its exploitation roots but also clear-eyed about the misery that's being exploited. Django (Foxx), a slave set free in the years before the Civil War, joins with a German dentist-turned-bounty hunter (the marvelous Christoph Waltz, Inglourious Basterds), who has promised to help Django rescue his wife (Kerry Washington), who's still enslaved to a gleeful and grandiose plantation owner (Leonardo DiCaprio, plainly relishing the opportunity to play an out-and-out villain). What follows is a wild and woolly ride, crammed with all the pleasures one expects from a revenge fantasy written and directed by Quentin Tarantino. Plot-wise, some things happen a little too easily (for example, Django instantly becomes a master gunslinger), but the moral perspective is not glib. For all its lurid violence and jazzy dialogue, this is a still-rare movie that paints slavery for what it was: a brutal, dehumanizing practice that allowed a privileged few to profit from the suffering of many, a practice guaranteed by the gun and the whip. Think of it as the antidote to Gone with the Wind. Tarantino is more heartfelt in Django Unchained than in any of his previous movies--without sacrificing any of the pell-mell action, tension, and delicious language that made Reservoir Dogs, Kill Bill, and Pulp Fiction so very enjoyable. --Bret Fetzer
Veteran bounty hunter Max Borlund is deep into Mexico where he encounters professional gambler and outlaw Joe Cribbens - a sworn enemy he sent to prison years before. Max is on a mission to find and return Rachel Kidd, the wife of a wealthy businessman, who as the story is told to Max, has been abducted by Buffalo Soldier Elijah Jones. Max is ultimately faced with a showdown to save honor.
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