In his film debut singing idol Elvis Presley stars in this action-filled romance set in the aftermath of the Civil War. After hearing his older brother (Richard Egan) has been killed in combat a young Texas farmer (Presley) marries the man's sweetheart (Debra Paget). But his brother returns sparking a bitter sibling rivalry and tragic confrontations with Union soldiers... Featuring four Presley hits on the film's soundtrack including the title track.
First time on Blu-Ray in the UK. The film spin-off from the much-loved TV comedy series starring Arthur Lowe as the commander of an incompetent Home Guard platoon in wartime Britain. With the trusted comedy genius from the TV series shining through, Mainwaring and company save the day when a crew of a German aircraft take the vicar and villagers hostage in the church.
Breathless, Jim McBride's 1983 remake of Au Bout de Souffle rewrites Godard's existential hipster as a vain, style-obsessed hood and in the process loses some of the point. Godard's hero was a translation and productive misunderstanding of a quintessentially American sort of delinquent; because it is a retranslation, Gere's intelligent, nervy performance as Jesse Lujack suffers by comparison, however admirable it is taken in itself. McBride's direction strokes Gere's face and body lovingly--his every foxy smile, or glance at himself in a mirror, is played for passionate significance. This is also a good-looking film: the back alleys of LA and sunset over the Mojave desert have rarely looked as good. Valerie Kaprisky's Monica is inevitably given secondary importance; the decision to make the woman who goes along with Jesse's wild final ride on a whim an exchange student makes her at once more and less like her equivalent in the Godard--she has a touching exoticism that is at the same time somehow beside the point. The DVD includes the original theatrical trailer. --Roz Kaveney
Chuck Norris stars as the tough street fighting sheriff of a small town terrorised by a psychotic killer. Norris is faced with the dilemma of stopping a superhuman killing machine made virtually indestructible through a brilliant feat of genetic engineering...
A Girl's Gotta Do What A Girl's Gotta Do... Set nearly 15 years after the events of 'American Psycho' this is the story of a college freshman and Patrick Bateman survivor (Kunis) who becomes a teaching assistant to a professor just as she begins to develop her own murderous obsessions...
Before Hollywood had entirely typecast Alfred Hitchcock as the master of suspense, with Mr & Mrs Smith he was allowed to fashion an elegant romantic trifle starring Robert Montgomery and Carole Lombard. It probably won't replace Rear Window or Psycho in your affections, but the film is more than a curious footnote to the director's career. The two leads play David and Ann Smith, a devoted but endlessly squabbling couple who discover their three-year marriage isn't legal. When he unexpectedly hesitates to arrange a second wedding, she storms out in a huff and soon begins dating his solid, dependable business partner Jeff (Gene Raymond). The rest follows the formula laid down by such previous screwball comedies as The Awful Truth (1937) and Bringing Up Baby (1938): David employs fair means or foul to win back Ann's heart, causes all sorts of complicated mischief, then... well, three guesses what happens in the end. The intriguing thing about the movie is how Hitchcock takes Norman Krasna's paper-thin script and adds sly undercurrents of menace. You may note, for instance, that the ostensibly happy Smiths treat each other with subtle sadism right from the start, and that David's tactical pursuit of his ex-wife (spying on her and deliberately offending Jeff's parents) involves them both in humiliations that are really quite sinister and ugly. Violence seems about to erupt in the recurring scenes where Ann shaves her husband (suggestively holding a razor up to his throat)--and make what you will of our hero's symbolic nosebleeds. There's a touch of Vertigo in one scary moment when a jammed amusement park ride leaves two characters dangling helplessly high above the ground--and a touch of shall we say relief for Hitchcock's well-known love of toilet humour in another oddball sequence. Montgomery and Lombard keep the mood acceptably frivolous, while indicating the flawed nature of the marital relationship. From the evidence of this one-off, Hitchcock might have been among the best comedy directors in the business, had he so wished. --Peter Matthews
Elvis: Films That Rock contains three of the King's early screen efforts: Love Me Tender (1956), Flaming Star (1960) and Wild in the Country (1961). It's pointless to suggest that they aren't among Elvis's best movies (you'll have to look elsewhere for King Creole and Jailhouse Rock, which probably are), partly because any fan's going to want them all anyway, but also because all three are interesting in their different ways. Love Me Tender, made in black and white in 1956, was Presley's first stab at acting, and this story of a family split by the American Civil War--one brother goes off to fight, the other doesn't--sees him short on screentime and being upstaged by pretty much everyone else. That said, it was a reasonably brave move for Presley to begin his movie career by dealing with this kind of subject matter, however sentimentalised. Four years later, Flaming Star took the steer by the horns with Presley portraying a young man of mixed parentage caught up in the ethnic conflict between Native Americans and the white race. Again, a brave choice of subject; this was a landmark movie insofar as it showed Presley certainly had enough acting ability to create a credible parallel career along the lines of, say, Sinatra. It wasn't to be, though, as even then his talents were being manipulated by others, which is why all his later movies--even the best ones--were little more than advertisements for his records. Wild in the Country, from the following year, saw Presley as a young tearaway who finds redemption in his talent for writing. It's pure melodrama, but the moralising is kept under control. This is a nice little collection, all in all, and an essential for any fan. On the DVD: Elvis: Films That Rock presents the three pictures in positively radiant transfers, which are absolutely gunge-free and make the very best of the beautifully stylised lighting and cinematography of the period, while the classic Cinemascope presentations translate perfectly into widescreen. Special features include trailers for all three movies. --Roger Thomas
Look ma, no script! As expected from a movie by Hong Kong action director Hark Tsui, there are many explosive, fast-paced sequences in this Jean-Claude Van Damme vehicle. Some are thrilling, others inconsequential. There is also another mumbling, overdone performance by Mickey Rourke, who looks as if he performed his own plastic surgery. Except for an unintentionally humorous ending, the only surprise is Dennis Rodman as Van Damme's partner in exploitation. Rodman has plenty of charisma, but needs someone to weed out those inferior scripts. He plays an eccentric arms dealer coerced by an avenging Van Damme into tracking down the evil and sadistically weird character played by a well-muscled Rourke. It says little for the production that the best sequence of the movie occurs a quarter of the way into the action. It concerns an escape by Van Damme from an island think tank for forcibly retired covert agents. After that, everyone should have gone home. --Rochelle O'Gorman, Amazon.com
New York broker Clarence Day is the headstrong leader of a family of four children and used to running the house his own way. It turns out that as much as he likes to think he's in charge all the major decisions are made by his wife Vinnie.
Dementia 13: Dementia 13 will delight all fans who thrive on classics such as; Night Of The Living Dead and Texas Chainsaw Massacre. The Plot revolves around a seemingly benign member of a family who is the mad axe-murderer and is steadily picking off the rest of the family. The location is used imaginatively the gothic atmosphere suitably potent and there is a magnificently sharp cameo from Patrick McGee as the family doctor. Dementia 13 is guaranteed to make you double loc
In his film debut singing idol Elvis Presley stars in this action filled romance set in the aftermath of the Civil War. After hearing his older brother (Richard Egan) has been killed in combat a young Texas farmer (Presley) marries the man's sweetheart (Debra Paget). But his brother returns sparking a bitter sibling rivalry and tragic confrontations with Union soldiers... Featuring four Presley hits on the film's soundtrack including the title track.
John Haloran dies from a heart attack leaving his wife Louise with something of a problem; she won't get to inherit any of the Haloran family money when Lady Haloran dies if John is already dead. So Louise forges a letter from John in order to convince the rest of his family that he has been called away urgently on business to New York whilst she journeys to the ghostly ancestral home in Ireland. It is her intention to ingratiate herself into the family and ensure a cut of the inheri
Francis Ford Coppola's feature debut co-written with blaxploitation legend Jack Hill (Coffy) and produced by the grand-master of independent cinema Roger Corman. The Haloran family gather at a sinister Irish castle to memorialize the death of the youngest sister Kathleen. While various family members plot and connive an axe-murderer is terrorizing the grounds and Kathleen's body shows up at just the wrong time. Slowly the family members become increasingly suspicious o
This delightful comedy based on Howard Lindsay and Russell Crouse's Broadway play provides a look at family life in New York City during the 1880's. It earned four Academy Award Nominations including Best Actor for Powell.
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