Abbott & Costello Classic Comedies three-disc collector's set consists of oddments from the latter days of their career that have fallen into public domain; which means you don't get their best routines or classiest productions, and indeed find the double act doing fairly tired schtick as Costello is chubbily chicken-hearted and Abbott grumpily money-grubbing. Africa Screams is a 1949 safari parody, with Costello running away yelping from sundry alligators, gorillas (including a Kong-sized giant), cannibals ("Chief have sweet tooth for little fat man") and lions amid backlot jungles as Abbott competes with stock villains for a fortune in diamonds. Jack and the Beanstalk, from 1952, finds the duo attempting to sell themselves as children's entertainers in a Wizard of Oz-influenced fairytale book-ended by sepia modern-day segments. The magical story unfolds in wonderfully gruesome cheap colour with some of the worst musical numbers ever committed to film ("he's perpendicular-la-la") as Jack the Clod (Costello) and Mr Dinkelpuss the Butcher (Abbott) climb the beanstalk and plod around the Giant's lair until the story runs out. Possibly the most interesting item is the third disc, which offers an episode of the Colgate Comedy Hour (aka The Abbott and Costello Show) from the 1950s. It shows the pair doing live routines closer to their original vaudeville act than their film roles (including an amazingly cruel bit in which Abbott slaps Costello every time he says the word "tin"). A loose plot about Latin American intrigue, with Lou hired to stand in for an assassination target "El Presidente", makes room for speciality guest stars ranging from child xylophonist Baby Mistin to four starlets (including Jane Russell and Rhonda Fleming) harmonising on a "Happy Easter" medley. Best of all, and now funnier than the comedy, are original hard-sell ads for household products like "Ajax, the foaming action cleanser" and "Halo, the shampoo that glorifies your hair". --Kim Newman
Six friends have carried out an audacious plan to ambush an armoured car. Now they must trust each other with the secret information of the remote location they have chosen to hide the loot. Many months later the gang return to the secret location at Raven’s Ridge. But locating the exact spot where the money is buried does not prove easy as things have mysteriously changed. Suspicions start to arise and the gang begins to turn against each other. An evil presence descends upon
In The Postman Always Rings Twice, Jack Nicholson teamed up again with his Five Easy Pieces and King of Marvin Gardens director Bob Rafelson for this 1981 version of James M. Cain's hardboiled novel of lust and murder. This version takes a much grittier (and sexually explicit) approach to the material than the slick 1946 MGM version starring John Garfield and Lana Turner. Nicholson plays Frank Chambers, a drifter who happens upon a roadside diner run by Cora Papadakis (Jessica Lange) and her swarthy Greek husband, Nick (John Colicos). Sparks fly, and before you can say l'amour fou, Frank and Cora are making the beast with two backs on the kitchen table. One thing leads to another and they conspire to murder Nick. The movie is still a little too cold and distant to fully convey a hot-blooded passion that leads to murder, but it is a strangely haunting and disturbing film nevertheless. The screenplay is by David Mamet, the photography is by the great Sven Nykvist (Ingmar Bergman's cinematographer), and watch for Anjelica Huston in a supporting role. --Jim Emerson
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